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Jim Noir - Programmes For Cools LP
  • start
  • out of sight
  • the fountain
  • these are things
  • manchester cat
  • longsword
  • harum scarum
  • bit 42
  • one more hand
  • i think i found it
  • fireworks
  • morning light
  • motorbike
  • close

The last time Noir embarked on a similar creative exorcism was for 2012's Jimmy's Show LP which selected choice cuts from 18 E.P. 's released via straight to fan subscription over as many months. The resulting album is one of his most lauded and beloved by fans, with the vinyl now selling for silly money on Discogs.

Programmes for Cools is Jimmy's Show's spiritual successor, idiosyncratic, other worldly and brimming with timeless melodies. Noir's influences seep through the track list, wrapped with a haunting, dreamlike delivery.

First single 'Out Of Sight' is a Fleetwood Mac meets Selected Ambient Works era Richard D James, four to the floor banger. Already a fan favourite, it propels Side A forward with a somewhat misplaced optimism, much like Neil Young's 'Walk On' starting On the Beach.

Side B is more esoteric, exemplified by 'Fireworks’which includes lyrics and vocals from Marie Claude Dequoy,produced with the wooze of golden era Boards of Canada. Elsewhere, influences as disparate as Stevie Wonder, on the wonky clav funk of 'The Fountain', and Ian Brown 'I think I found it' illustrate Noir's disregard for musical straightjackets (the latter may have the most unapologetic baggy, hypnotic groove since the Mondays' 'Halleluiah').

As the album swells to its conclusion, via the epic Led Zeppelin meets the Warhol clique 'Morning Light’and the heart tugging finale of 'Motorbike’(the first song released from the most recent run of E.P.'s), there is a sense of completion and finality...
‘This is the last Jim Noir album. There are no more Jim Noir albums after this one. This time I'm serious. It's been the hardest I've ever worked on anything. I think I have created my own Be Here Now...Sorry.’
Joking and hyperbole aside, the album has more of an Abbey Road feel, and needs to be experienced in one sitting. If the infamous Davyhulme prankster is to be believed and this is his final outing, then you could wish for a more fitting album. - NM

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

21,43 €
NOMAD WAR MACHINE AND SUSAN ALCORN - CONTRA MADRE LP
  • 1: Invocation
  • 2: Grotto That Returns the Echo of My Cry
  • 3: Face of Unknown Stars
  • 4: This Who Do Not Dance
  • 5: Boiling Vortex
  • 6: The Shining Host

The late pedal-steel guitarist Susan Alcorn leaves a final surprise hinting at new directions left underexplored on her collaboration with Nomad War Machine, the improvising metal duo of drummer Julius Masri and guitarist James Reichard. Their death-metal-influenced pummel adds new fire to her molten flow across a suite of improvised tracks that show off the vast range and simpatico of the trio. Julius Masri and James Reichard of Nomad War Machine: “An unexpected opportunity arose out of a catching-up conversation where Susan had revealed a recent fascination with death metal, confessing, ‘I’m 70 years old—I think about death!’ She had learned a couple of Arch Enemy songs on her pedal steel, particularly compelled by their frontwoman’s intensity and vigor as a performer. Voicing an appreciation for the hook-oriented sound of Swedish death metal made sense for a melodic thinker whose roots as veteran pedal steel player reached into the Texan Western swing circuit in the ’60s and ’70s. For her, ever the explorer, metal was a new, appealing point of departure into fresh musical territory. When she expressed an interest in playing with Nomad War Machine, it felt like there was a whole world of shared or complementary interests to explore.” Though known for her fluency in jazz, country, and free improvisation, Alcorn had also studied Arabic, the oud, and maqam, with all holding a deep curiosity for her. Pre-’70s country & western music had also been a lifelong presence for both members Nomad War Machine. Masri, a Lebanese free-jazz and metal drummer, and devoted fan of Texas swing legends like Speedy West, Jimmy Bryant, Leon Rhodes, and Joe Maphis, was also steeped in Arabic music traditions. James Reichard, before coming to “freely” improvised metal, xenharmonic music, and non-Western tuning systems, had grown up being subjected to countless singalongs to numerous pre-’70s country records, entranced by the pedal steel.

pré-commande13.02.2026

il devrait être publié sur 13.02.2026

28,36 €
Truus de Groot presents Plus Instruments - Unnoticed (Tape)
  • A1: For Safety
  • A2: I Don't Like It
  • A3: Lies and Flies
  • A4: Pain in My Heart
  • A5: My Guns
  • A6: Puzzle
  • B1: Slither
  • B2: Slow Soak Poetry
  • B3: Throw It Out
  • B4: Sexy Machine (feat. Cosmo Vitelli)
  • B5: Love in a Nutshell
  • B6: Myaa

After nearly five decades of relentless innovation, Truus de Groot's Plus Instruments project shows no signs of slowing down. The ninth album, Unnoticed, finds the `dutch Pioneer diving deeper into the experimental synthesiser palette than ever before, delivering 12 tracks of minimalist, analogue noise and her signature vocals.

Recorded at The Ranch in Escondido, Unnoticed showcases her continued evolution as an artist. Often referred to as the "Queen of the Dutch Underground," de Groot has is a stalwart of the experimental underground music scene since establishing Plus Instruments in 1978 in Eindhoven. Her journey has taken her from the punk rock explosion of the late '70s Netherlands to the No Wave scene of early '80s New York.

The Plus Instruments project has always been characterised by its ever changing nature and collaborative spirit. She has worked with an impressive roster of artists over the years , spanning continents and genres, including James Sclavunos (Nick Cave), Jim Duckworth (Gun Club), most recently, Miguel Barella and Cosmo Vitelli, who co-writes, produces and adds programming to standout track "Sexy Machine." This creative partnership has opened new avenues for de Groot's explorations, as she continues to plough yet another field of creativity.

Now based back in the Netherlands, she continues her work while maintaining the core elements that have made Plus Instruments a touchstone for electronic music innovators. Her influence can be heard in everything from Electroclash to Cold Wave, with younger artists regularly seeking collaboration with the veteran experimentalist. Unnoticed arrives as de Groot enters her sixth decade of music-making, proving that true artistic vision only grows stronger with time.

pré-commande11.02.2026

il devrait être publié sur 11.02.2026

12,56 €
Desmond Dekker and The Aces - 007 Shanty Town

180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

Desmond Dekker recorded some of his best known songs together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard). Their debut album 007 (Shanty Town) includes their single of the same name, which made him Jamaican music's first outernational superstar, reaching the 14th place in the UK charts. You'll hear how the Ska music from the mid-60s is developing to the Rocksteady sound. This was 'Ska' or 'Blue Beat'—(or its new name for the slower tempo 'Rock Steady'), and the lyrics come from the Calypso-Mento method of telling about current events in music. So in a groovy way, Desmond, James and Barry (the Aces) have given a report of love, politics, nagging women, the celebration of the Fifth anniversary of Independence, and gang warfare. This is were it all started before Desmond became the international star.

Even before Bob Marley and Jimmy Cliff Jamaica already had their own international superstar, Desmond Dekker was his name. Famous because of his international hits, such as 'Israelites' (1968) and 'It Miek' (1969).

007 (Shanty Town) is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

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33,19 €
KELLY FINNIGAN - I CAN'T WAIT (FOR CHRISTMAS TIME) / SNOWY NIGHT IN OHI

Schneeweißes Vinyl. Zum ersten Mal seit seinem viralen Weihnachtsalbum ,A Joyful Sound", das 2020 rausgekommen ist, ist Kelly Finnigan (Monophonics) mit zwei neuen Original-Weihnachtsliedern zurück. ,I Can't Wait (For Christmas Time)" ist ein schwerer, aber entspannter Song mit einem geradlinigen Pop-Arrangement. Es ist dieser Rust-Belt-Soul-Sound mit den Harmonien, die südkalifornische Cruiser beflügeln: tief und emotional, mit genau der richtigen Instrumentierung, um Finnigans zarte Stimme in den Vordergrund zu rücken. Der Song wird auch von seiner Labelkollegin Kendra Morris und ihrer Band im Hintergrundgesang begleitet. Ähnlich wie frühere KF-Veröffentlichungen oder Perlen von The Escorts oder The Four Mints ist diese Platte für dich und deine Lieben gedacht, verpackt in hübsches Papier unter dem Baum bis zum Weihnachtsmorgen. Dann lass noch etwas Platz für Plätzchen und die B-Seite... ,Snowy Night In Ohio" fühlt sich an wie ein langsam fahrender Mitternachtszug, der sich von Cincinnati nach Memphis auf den Weg macht. Inspiriert von Finnigans erstem Winter in Ohio, seiner Liebe zu Gospelplatten und den Hornarrangements von Isaac Hayes. Dies ist ein wirklich herausragendes Instrumentalstück, das eiskalte Seele versprüht. Es enthält eine kurze Gesangsbotschaft von Finnigan, die sich wie ein Zeugnis und ein Herzensanliegen anfühlt. Mit dabei sind Terry Cole und Jimmy James von Colemine sowie Billy Aukstik und Morgan Price.

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Last In: 8 months ago
10,04 €
Disco Pogo - A Disco Pogo Tribute To LCD Soundsystem

The third instalment in the Disco Pogo Tribute series celebrates the best electronic post-punk band on the planet, LCD Soundsystem.

This follows the hugely successful Disco Pogo Tribute books on Daft Punk and Aphex Twin that have been reprinted numerous times.

As with both previous books the people behind Disco Pogo have a long-standing relationship with James Murphy, LCD Soundsystem and the wider DFA crew which gives them a unique insight into the band.

The book is edited by Disco Pogo editor Jim Butler and features interviews, essays and features from the best music journalists working today, alongside a timeline, family tree, gear and gig lists. There are also archive LCD Soundsystem features from Jockey Slut and Dummy magazine.

The book features an iconic cover portrait of James Murphy by unofficial/official LCD photographer Ruvan Wijesooriya, plus a huge amount of exclusive, never-before-seen photography from Ruvan, Tim Soter, Tim Saccenti and other photographers who have been close to LCD since the very beginning of their career.

The book is hardback, even chunkier than the previous books at 308 pages and is beautifully designed and printed with a (sound of) silver ribbon and spine cloth.

The book is the same size and format as the two previous books and will sit perfectly alongside them on any music lover's bookshelf.

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Last In: 8 months ago
26,04€
Wilder Woods - Curioso

Wilder Woods

Curioso

12inchDUA27981
DUALTONE
Release unknown
  • Swimming In The Ocean
  • Time On My Hands (feat. Jim James)
  • Hide Anymore
  • Offering (feat. Anna Graves)
  • Love Last
  • Where Do We Go From Here
  • Devil In My Eyes
  • Kind Of Magic
  • Descendants
  • Wild Fire (feat. Maggie Rose)

Curioso, Bear Rinehart's third solo release as Wilder Woods, unapologetically explores all the curious corners of Rinehart's sound, powered by his genrebending approach to anthemic American music It's a wide mix of texture, razor-sharp songwriting, held together not by some lyrical thread or overarching story, but simply by the enthusiasm of a longtime musician who's still eager to stretch his legs and cover new ground.

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27,31 €
Rahsaan Roland Kirk - Seek & Listen: Live at the Penthouse LP 2x12"

Nie zuvor veröffentlichte Live-Aufnahme aus dem Penthouse Jazz Club in Seattle vom 12. und 19. August 1967 mit dem Pianisten Rahn Burton, dem Bassisten Steve Novosel und dem Schlagzeuger Jimmy Hopps. Diese mitreißende Musik wurde ursprünglich vom Radio-DJ Jim Wilke für den Radiosender KING-FM aufgenommen. Übertragen von den Originalbändern, restauriert und gemastert von Matthew Lutthans im The Mastering Lab. Die limitierte Deluxe-Edition mit 2 CDs enthält ein umfangreiches Booklet mit seltenen Fotos und Liner Notes von Jan Persson, Tom Copi, Rolf Ambor und anderen, neu in Auftrag gegebene Liner Notes der Autoren John Kruth und May Cobb sowie Interviews und Testimonials von Saxophon-Ikonen wie James Carter und Chico Freeman, dem Posaunisten Steve Turre, Dorthaan Kirk, Adam Dorn – Sohn des langjährigen Kirk-Produzenten und -Förderers Joel Dorn – und anderen.

pré-commande28.11.2025

il devrait être publié sur 28.11.2025

39,08 €
Khalil Turk & Friends - Turkish Delight III 2x12
  • 1: A Moment of Truth (Feat. James Labrie)
  • 2: Out of the Dark (Feat. Harry Hess)
  • 3: City of Lights (Feat. Steve Walsh/Jerome Mazza)
  • 4: The Voice Inside (Feat. Steve Overland/Kee Marcello)
  • 5: In the Shadows of the Night (Feat. Dan Reed)
  • 6: Bag of Your Bones (Feat. Dino Jelusick/Jimmy Westurland/Ivan Keller)
  • 7: Chasing the Dream (Feat. Robin McAuley/Howard Leese)
  • 8: History (Feat. Jerome Mazza/Mick Box)
  • 9: I Am the Night (Feat. Andrew Freeman/Doug Aldrich)
  • 10: Rose in Hell (Feat. Glenn Hughes/Mike Slamer)
  • 11: Closer to Heaven (Feat. Kent Hilli)
  • 12: The Nero Decree (Feat. Marty Friedman/Ralf Sheepers)
  • 13: Turn Your Head Around (Feat. Mick Devine)
  • 14: Wreckage (Feat. Craig Brooks/Doug Aldrich)
pré-commande07.11.2025

il devrait être publié sur 07.11.2025

37,77 €
BJ Smith - Dedications to the Greats Four  'Don't Be Cruel' featuring Joe Harvey-Whyte

Long-time NuNorthern Soul contributor, B.J. Smith is a man in demand, dividing his time between solo work, playing guitar in Crazy P man James Baron’s popular JIM outfit, collaborating in a variety of well-regarded projects (Smith & Mudd, Bison and White Elephant amongst them) and composing for TV. Due to this impressive list of musical commitments, solo releases have been few and far between of late, with Smith’s most recent NuNorthern Soul release, a stripped back version of his Big Sur single, dropping late 2023.

It's been ever longer since he delivered a volume in his popular and ongoing Dedications To The Greats series, where the singer-songwriter and composer successfully turns his hand to other people’s songs. Since debuting the series on NuNorthern Soul in 2013 via revelatory and inspired covers of tracks by Mos Def and the Pharcyde, Smith has covered cuts by Outkast, Prefab Sprout and Soul II Soul.

On volume four, Smith’s first volume in the series for five years, he delivers a “cover of a cover” – a revolutionary and imaginative interpretation of Billy Swan’s ‘Don’t Be Cruel’, itself a version of a song first made famous by Elvis Presley. It was their mutual love of Swan’s version that brought Smith together with the release’s most prominent guest artist, Joe Harvey-Whyte, whose lilting, bittersweet and deeply emotive pedal steel performances can be heard across the EP.

Smith provides three contrasting takes. The EP is led by the ‘Mother Earth’ version, a slowly unfurling epic in which waves of effects-laden pedal steel and sun-splashed picking acoustic guitars usher in Smith’s eyes-closed vocalisations, settling into a groove reminiscent of his collaborative work with long-time friend and collaborator Paul ‘Mudd’ Murphy that showcases Harvey-Whyte centre stage to joyful effect. As the 14-minute epic progresses, we’re treated to long, languid electric guitar solos, percussion-laden slow-motion builds and hazy, stretched-out organ solos. It’s a breathlessly brilliant concoction that’s a million miles away from either Swan or Presley’s versions.

In contrast, the similarly epic ‘Earth Heart’ version – available in full vocal and instrumental takes – pushes the song front and centre. Following an extended build up, where Tamar Osborn’s gorgeous and fluid flute motifs rub shoulders with languid guitar solos and Harvey-Whyte’s pedal steel, Smith takes to the mic, delivering an emotive performance of the song’s heartfelt lyrics over a hushed, slow-motion groove. The track builds in waves as it progresses, with Smith layering up instrumentation as it rolls towards a fine conclusion.

Completing a superb package is the ‘Root Heart Version’, a Balearic-meets-Americana take built around shuffling drums, toasty bass guitar, extended pedal steel instrumentation, flashes of flute and Smith’s sun-bright acoustic guitar. Loved-up and more than a little saucer-eyed, it’s a bona-fide sunset delight.

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Last In: 3 months ago
15,55 €
Omar Kent Dykes & Jimmie Vaughan - On The Jimmy Reed Highway
  • A1: Jimmy Reed Highway feat Lou Ann Barton
  • A2: Baby What You Want Me To Do
  • A3: Bright Lights Big City feat Kim Wilson
  • A4: Big Boss Man feat Kim Wilson
  • A5: Good Lover feat Lou Ann Barton
  • A6: Caress Me Baby feat Lou Ann Barton & James Cotton
  • B1: Aw Shucks, Hush Your Mouth
  • B2: You Upset My Mind feat Lou Ann Barton & Kim Wilson
  • B3: I'll Change My Style
  • B4: Bad Boy
  • B5: Baby, What's Wrong feat Gary Clark Jr
  • B6: Hush Hush feat Delbert McClinton
  • B7: You Made Me Laugh

It runs through the minds of men and women of a certain age, complexion, and place who grew up during the era of segregation and who defied their parents, the law, and all genteel propriety and custom by answering one bluesman's invitation to cross the color line and join him getting lowdown and dirty as he serenaded a generation from the bandstand, on jukeboxes, and through the radio.

To them, the slurred guttural sound of a wise man singing "Hush, Hush," putting down the "Big Boss Man" or advising the listener to "Take Out Some Insurance" before they behold the "Bright Lights, Big City" was a siren's call they had no choice but to answer. Even if they tried, they couldn't resist the steady, dirty rhythm punctuated by the twanging sting of an electric guitar note and the sweet wail of a harmonica. And when they leaned in close, they could even hear the barely perceptible sound of a woman's voice whispering forgotten lyrics into an ear.

Ain't nobody can do Jimmy Reed like Jimmy Reed could. But this drive down Jimmy Reed Highway with fellow Mississippian Kent "Omar" Dykes at the wheel with Jimmie Vaughan (older brother of the legendary Stevie Ray Vaughan) riding shotgun and folks like, Kim Wilson, Miss Lou Ann Barton, James Cotton, Delbert McClinton, and Gary Clark, Jr., joining the duo, comes mighty close. As Omar guns the engine and peels rubber on the two- lane blacktop lined with no- good women, empty whiskey bottles, too many cigarette butts and bad intentions, he leaves John Law trailing behind eating his dust. Hop in for a ride and turn up the volume. The electric bluesman who shaped the minds and moves of a musical generation is alive and well. (by Joe Nick Patoski)

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Last In: 11 months ago
29,62 €
Various - Reflections Vol 1

Various

Reflections Vol 1

12inchFRVA001
Freerange
21.10.2025

We’re excited to present Reflections Vol. 1. Freerange Records gathers four diverse yet complementary tracks from Cody Currie, James Kumo, Jimpster & Bishy, and Radic The Myth. The first in a brand-new series of vinyl compilations showcasing highlights from the label’s recent digital catalogue.



The Reflections series brings together fresh talent & established names across four lovingly curated cuts pressed on wax for the first time!

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Last In: 8 months ago
15,08 €
THE BARR BROTHERS - LET IT HISS
  • TAKE IT FROM ME
  • LET IT HISS
  • ENGLISH HARBOUR
  • RUN RIGHT INTO IT
  • MOONBEAM
  • SHE DOESN'T SLEEP WITH THE COVERS ON
  • NATURALLY
  • OWNING UP TO EVERYONE
  • ANOTHER TANGERINE
  • UPSETTER
également disponible

Dark Purple Vinyl[32,14 €]


Es sind acht Jahre vergangen, seit Montreals The Barr Brothers ein Album veröffentlicht haben. In dieser Zeit hat das Leben sie - persönlich wie beruflich - in neue Richtungen geführt und ihre Art, gemeinsam Musik zu machen, verändert. Ihr viertes Studioalbum Let it Hiss ist nicht einfach nur eine neue Sammlung von Songs. Es ist ein Dokument der Transformation. Die Entstehung dieses Albums markierte einen Wendepunkt: eine Phase der Reflexion, eine Auseinandersetzung mit Verletzlichkeit und eine Wiederverbindung zwischen den beiden Brüdern, die seit über drei Jahrzehnten Seite an Seite Musik machen.,Im Jahr 2022 standen wir an einem Wendepunkt", sagt Brad Barr, Gitarrist, Sänger und Haupt-Songwriter der Band. ,Es war klar, dass sich etwas ändern musste. Die wahre Geschichte dieses Albums ist die Geschichte dieser Veränderung - und von allem, was danach kam.",Let it Hiss ist das, was passiert, wenn man aufhört, so zu tun, als wäre alles in Ordnung - und endlich wirklich hinhört", sagt Andrew.Das Album beginnt im Kleinen: eine winzige mexikanische Gitarre, der sanfte Puls eines Klaviers, ein minimalistischer Rhythmus - und eine Stimme, die sowohl Hingabe als auch Stärke vermittelt. ,Take it from me", singt Brad - nicht als Befehl, sondern als Geständnis. Schon ab diesem ersten Moment lädt das Album in einen Raum ein, in dem Makel nicht herausgeschnitten, sondern verstärkt und gefeiert werden. Es ist ein kraftvoller Einstieg in ein Album, das auf Ehrlichkeit, Wiederentdeckung und Vertrauen beruht.Für die Brüder wurde das Aufnehmen zu einem Spiegel. Der Prozess begann nicht mit Klang - er begann mit Wahrheit. Sie setzten sich nicht nur mit kreativen Blockaden auseinander, sondern auch mit persönlichen: alten Mustern, unausgesprochenen Spannungen, Trauer, Wachstum. Durch all das fanden sie wieder zu einem Rhythmus - nicht durch Perfektion, sondern durch Erlaubnis.Brad und Andrew machen schon Musik zusammen, seit sie Kinder sind - zuerst in der sich ständig wandelnden Rockband The Slip, später als The Barr Brothers, wo sie amerikanische Roots-Musik mit experimentellen Klangtexturen zu etwas ganz Eigenem verbanden. Ihr Ruf für musikalische Raffinesse und emotionale Tiefe brachte ihnen weltweit Fans - und Anerkennung von musikalischen Größen.Der Titel des Albums ist zugleich ein Leitbild. ,Es fühlte sich einfach richtig an", sagt Andrew. ,Das Rauschen drin zu lassen. Das Unbehagen, die Unvollkommenheit, den Kampf. Wir haben aufgehört, alles sauber machen zu wollen. Und genau da fing die Musik wieder an zu atmen. Und Spaß zu machen."Tatsächlich steht Let it Hiss stärker als frühere Alben der Barr Brothers für eine freudvolle Ungezwungenheit - hörbar etwa im Roadtrip-Hymnus "Run Right Into It" (mit Elizabeth Powell von Land of Talk) oder im verspielten Garagenband-Reggae von "She Doesn't Sleep With the Covers On". Doch das Album lässt die intime Erzählweise, die das Markenzeichen der Barr Brothers ist, keineswegs hinter sich: "English Harbour" ist eine wunderschöne Folk-Hymne, bereichert durch die Harmonien von Jim James (My Morning Jacket), während "Moonbeam" eine opulente Soul-Serenade mit Streichern ist - veredelt durch den frankophonen Gastgesang der quebecischen Artpop-Künstlerin Klô Pelgag.Die Songs auf Let it Hiss besitzen eine zeitlose Qualität - besonders spürbar in Stücken wie "Naturally", das leise an die Ära klassischer Songschreiber erinnert, in der Melodie und Botschaft untrennbar miteinander verbunden waren. Es ist Musik, die dem Hörer vertraut und sich nach und nach entfaltet - mit Arrangements, die Zurückhaltung und Ambition in Einklang bringen. Im Zentrum steht vielleicht der Song "Owning Up to Everyone", der den Geist des Albums im Kleinen einfängt. ,Dieser Song hat etwas in uns aufgebrochen", sagt Andrew. ,Er fühlte sich wie ein Durchbruch an."Doch all die musikalische Freiheit und emotionale Aufwühlung, die sich durch Let it Hiss zieht, bereitet nicht auf den letzten Song vor: "Upsetter", ein schweißgetränkter, punkgetriebener Rock'n'Soul-Explosion, gekrönt von einem absolut wahnsinnigen Gitarrensolo. Es ist schlicht der wildeste Song, den die Barrs je aufgenommen haben - ein Song, der die Let it Hiss-Philosophie so weit ins Rote treibt, dass er den VU-Meter fast sprengt. ,Ich dachte mir: ,Na ja, der wird es eh nicht aufs Album schaffen`, weil er vielleicht für viele unserer Hörer unerwartet kommt", gibt Brad zu. ,Aber ich glaube, unsere Hörer schätzen es, wenn wir einfach wir selbst sind - und dazu gehört eben auch sowas."Brad und Andrew produzierten Let it Hiss selbst, hauptsächlich zu zweit in ihrem Studio in Montreal. Um die rohe Direktheit und Komplexität des Albums einzufangen, arbeiteten sie mit Mix-Ingenieur Jon Low (The National, Taylor Swift, Bon Iver). Sie luden enge Freunde aus ihrer musikalischen Community ein, ihre Stimmen, Instrumente und Texturen beizusteuern, wenn es die Songs verlangten - Kollaborationen, die sich weniger wie Features, sondern mehr wie natürliche Erweiterungen der Musik anfühlen. Viele dieser Beziehungen entstanden über Jahre gemeinsamer Bühnen, langer Nächte im Studio und einer gemeinsamen Hingabe an das Handwerk. So ist Let it Hiss zugleich das persönlichste und das kollaborativste Album, das sie je gemacht haben.Let it Hiss will nichts auflösen - es will offenlegen. Es lädt die Hörer ein, genau hinzuhören - auf das Rauschen, das Gewicht, das Staunen. Während die Barr Brothers ihren Weg fortsetzen, ist eines klar: Sie haben einander wiedergefunden - und darüber auch ihre Musik.And the rest is hiss-tory

pré-commande17.10.2025

il devrait être publié sur 17.10.2025

21,81 €
Various - Just To Keep You Satisfied LP
  • 1: BLACKMAIL DAVID RUFFIN
  • 2: CRIME IN THE STREET DAVID RUFFIN
  • 3: LOOK OUT YOUR WINDOW FRANK WILSON
  • 4: JUST TO KEEP YOU SATISFIED THE ORIGINALS
  • 5: I PRAY YOU STILL LOVE ME JIMMY RUFFIN
  • 6: I HATE MYSELF FOR LOVING YOU THE
  • 7: IF I CAN´T LOVE YOU THEN I CAN´T LOVE ME EDDIE
  • 8: WHEN THE LIGHTS COME DOWN ON LOVE DENNIS
  • 9: YOU ARE THE WAY YOU ARE LEON WARE
  • 10: DON´T YOU WANNA COME LEON WARE

Satisfaction comes in many forms. When the magical word Motown is uttered, most people are hard-wired to The Four Tops, the Temptations and The Supremes. But to reduce Motown to the effervescent sixties is only part of the label’s remarkable legacy.
By the 1970s, a different sound was gathering. America was on the verge of a nervous breakdown. The Vietnam War had been a disaster, urban street crime was epidemic and the nation’s college campuses were alive with political resistance. The joyful hope that had inspired “Baby Love” now felt anachronistic and out of time.

The music industry was changing too. The vinyl pop single on 45rpm which had been the staple of Motown’s success was being challenged by concept albums.   This was the era of Edwin Starr’s anti-war album War and Peace (1970), The Temptations mind-bending Psychedelic Shack (1970) and Marvin Gaye’s state-of-the-nation classic What’s Going On (1971).
By the early 1970s Motown had a stable of male vocalists that was arguably the best in the world, among them former lead singers from The Temptations - David Ruffin, Dennis Edwards and Eddie Kendricks. Alongside them singer-producers like Leon Ware and Frank Wilson were asserting their presence.

David Ruffin’s “Crime in the Street” captured the epidemic of violence in Detroit allowing his exquisite voice to quietly rage against gun crime. Recorded a few years before his underground classic “Rode by the Place”, both sound more modern today than when they were recorded.
If there is a common thread here, it’s the mid-tempo shifting soul soon to be christened as “quiet storm” including groups on the margins of Motown such as The Originals and The Fantastic Four led by the impassioned “Sweet” James Epps.
Just to keep you satisfied, immerse yourself in the overlooked creativity of Detroit’s male voices in the early 1970s.

pré-commande19.09.2025

il devrait être publié sur 19.09.2025

28,99 €
John Lee Hooker - Boom Boom

Nach seinem Comeback mit „The Healer“ (1989) begab sich John Lee Hooker zu Russian Hill Recording in San Francisco und The Record Plant in Sausalito, um einige seiner bekanntesten Songs neu zu
interpretieren, darunter „Boom Boom“, das diesem Album seinen Titel gibt. Eine Starbesetzung zeitgenössischer Bluesgrößen nahm an den Sessions teil, darunter Charlie Musselwhite, Jimmie Vaughan, Robert
Cray und Albert Collins.

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Last In: 11 months ago
27,61 €
VARIOUS ARTISTS - ANTONES: 50 YEARS OF THE BLUES
  • A1: Bobby Rush & Jimmie Vaughan– Going Down
  • A2: Benny Turner– Reconsider Baby
  • A3: Jivin' Gene– Flip, Flop And Fly
  • A4: Kam Franklin– You'll Lose A Good Thing
  • A5: Lil' Ed Williams– If You Change Your Mind
  • B1: Kim Wilson & The Fabulous Thunderbirds– Talkin' Bout My Friends
  • B2: McKinlley James– Those Lonely, Lonely Nights
  • B3: Lurrie Bell– The Sky Is Crying
  • B4: Ruthie Foster– Lead Me On
  • C1: Doyle Bramhall II– Bad Boy
  • C2: Big Bill Morganfield– Just Like A Bird Without A Feather
  • C3: John Primer– Honest I Do
  • C4: Eve Monsees– Lookin' Good
  • C5: Lynn August– The Things That I Used To Do
  • D1: C.J. Chenier– Willie The Wimp
  • D2: Sue Foley– You Got Me Where You Want Me
  • D3: Kam Franklin– If (I Could Be with You)
  • D4: Lavelle White– Message From Miss Lavelle
  • A1: Pinetop Perkins– Chicken Shack/Sugar Bear Intro
  • A2: Jimmy Rogers– Walking By Myself
  • A3: Sunnyland Slim– Built Up From The Ground
  • A4: Otis Rush– Double Trouble
  • A5: Eddie Taylor (2)– Bigtown Playboy
  • A6: Buddy Guy– Look On Yonders Wall
  • B1: Angela Strehli– What It Takes To Get A Good Woman
  • B2: Albert Collins– Cold, Cold, Feeling
  • B3: Gary Clark Jr.– Catfish Blues
  • B4: James Cotton– Midnight Creeper
  • A1: Lou Ann Barton– Sugar Coated Love
  • A2: Snooky Pryor– I'm So Glad
  • A3: Angela Strehli– It Hurts Me, Too
  • A4: Lazy Lester– No Special Rider
  • A5: Lavelle White– You're Gonna Make Me Cry
  • A6: Doug Sahm– I Won't Cry
  • B1: Marcia Ball, Lou Ann Barton, Angela Strehli– A Fool In Love
  • B2: Doyle Bramhall– Too Sorry
  • B3: Sue Foley– Gone Blind
  • B4: Barbara Lynn– Hear From My Daddy
  • B5: Kim Wilson– Don't Touch Me
  • B6: Pinetop Perkins– Going Down Slow
  • A1: Los Lobos– 300 Pounds Of Joy Pt. 1
  • B1: Los Lobos– 300 Pounds Of Joy Pt. 2
pré-commande05.09.2025

il devrait être publié sur 05.09.2025

166,18 €
Ahmad Jamal - The Essence, Vol. 1 (LP 2x12")
  • A1: Oui bien sur "Flight
  • A2: Toulouse
  • B1: The Essence
  • B2: Lover Man (Jimmy Davis, Ram Ramirez, James Sherman)
  • C1: Catalina
  • C2: Autumn Leaves (Joseph Kosma, Johnny Mercer, Jacques Prévert)
  • D1: Street of Dreams (Sam M. Lewis, Victor Young)
  • D2: Bahia (Ary Barroso)

Als Ahmad Jamal 1995 dieses Album veröffentlichte, war es wie ein frischer Windstoß für den Jazz - befreit von der Eintönigkeit junger Musiker, die nur ihre Vorbilder imitierten.
Mit neuer Energie, vertrauten Weggefährten wie Idris Muhammad und James Cammack, sowie Gästen wie George Coleman und Manolo Badrena, zeigt Jamal, warum er zu den unverwechselbaren Größen des Jazz gehört.
Sein Spiel: kraftvoll, elegant, voller Dynamik und mit einem Sound, den man sofort erkennt. Dieses Album ist vielleicht sein stärkstes der 90er - ein Meisterwerk, das man nicht vergisst.

pré-commande02.09.2025

il devrait être publié sur 02.09.2025

31,05 €
Plunky & Oneness Of Juju - Made Through Ritual
  • A1: SHARE THIS LOVE
  • A2: MADE THROUGH RITUAL
  • A3: IN DUE TIME
  • A4: FREE SPIRIT
  • B1: SHADES OF LIGHT
  • B2: FREEDOM’S CALL
  • B3: COSMIC DUST
  • B4: CHILDREN OF THE DRUM

Strut present the first international release in over 30 years by legendary Afro-jazz group Oneness Of Juju with their new album Made Through Ritual on 11th July 2025.

In 1975, the late DJ / producer and jazz distributor Jimmy Gray and James “Plunky” Branch joined a musical revolution, founding Black Fire Records and releasing the label’s debut album, the classic African Rhythms by Oneness of Juju. This July, Plunky brings this important musical relationship full circle with Made Through Ritual, produced by Plunky’s son Jamiah “Fire” Branch and Jimmy’s son Jamal Gray.

The album takes a novel approach to beat culture. Working from demos created by Jamal using a selection of original jazz samples, Plunky took the tracks, replayed and re-interpreted the arrangements using live musicians. “The album explores the art of deconstruction and reconstruction in music - sampling, sequencing, and live improvisation merge with multi-track recording to craft intricate harmonies and arrangements,” explains Plunky. “The process became a ritualistic expression of creativity and transformation.”

The resulting album is a fascinating listen. Opening with the meditative soul chant ‘Share This Love’ voiced by regular Oneness vocalist Charlayne “Chyp” Green, the album opens out into a series of jazz vignettes including the title track, ‘In Due Time’ and ‘Free Spirit’. The powerful album closer, ‘Children Of The Drum’ celebrates black culture and legacy through the poetry of Roscoe Burnem.

Released on 1LP and 1CD with specially commissioned cover artwork by contemporary Ivorian artist Maxime Manga, Made Through Ritual represents an important new chapter in the Oneness story. The album will be supported by a selection of European tour dates during Autumn and Winter 2025.

pré-commande11.07.2025

il devrait être publié sur 11.07.2025

21,81 €
LEROI CONROY - A TIGER'S TALE

Leroi Conroy

A TIGER'S TALE

12inchCLMNLP112038
Colemine Records
11.07.2025

Das Debütalbum von Leroi Conroy, das zu gleichen Teilen von der Sensibilität des goldenen Hip-Hop-Zeitalters und verlorenen Filmszenen aus den 60er und 70er Jahren geprägt ist, wiegt schwer und hat Jahre der Entwicklung hinter sich. Die ersten beiden Tracks des Albums wurden 2017 als 45er veröffentlicht und in den folgenden Jahren von DJ Premier, Raekwon, Ghostface Killah, Macklemore, Phantogram und vielen anderen gesampelt. Aber nach der Veröffentlichung verbrachte Terry Cole alias Leroi Conroy einen Großteil seiner Zeit damit, sein Indie-Soul-Label Colemine Records zu vergrößern und Platten für andere zu produzieren (Okonski, Parlor Greens, Wesley Bright, BlackMarket Brass, Kendra Morris, Rudy De Anda, Delvon Lamarr Organ Trio, Andrew Gabbard), anstatt seine eigenen zu machen. Jetzt, acht Jahre nachdem viele der Rhythmustracks auf dem bewährten Tascam 388 aufgenommen wurden, erscheint Leroi Conroys Debüt-LP, "A Tiger's Tale". Das Album ist als hypothetischer Soundtrack zu einer alternativen Erzählung von Rudyard Kiplings The Jungle Book konzipiert. Die Erzählung ist das Bestreben des Menschen, die Natur zu zähmen und sie seinem Willen zu unterwerfen... und die Antwort der Natur. Das Album ist eine Mischung aus triumphalen Instrumentalpartituren und absolut düsteren, dunklen und manchmal dissonanten Moodytracks. Das zugrundeliegende Element der Hip-Hop-Sample-Kultur ist durchweg offensichtlich, und es besteht kein Zweifel, dass viele dieser Tracks in den kommenden Jahren geflippt werden. Klanglich reiht sich die Platte nahtlos in die Reihe vieler anderer Colemine Instrumentalisten ein: dreckige Lo-Fi-Drums, schmetternde Bläser, Wah-Gitarre, Hammond-Orgel und jede Menge cineastische Einsprengsel wie Flöte, Nylongitarre und Vibraphon. Das Schlagzeug stammt von Coles langjährigem Mitarbeiter Rob Houk und ist das Rückgrat des Albums. Und mit einigen Beiträgen der Colemine-Künstler Kelly Finnigan und Jimmy James ist die Platte wirklich eine Familienangelegenheit. File Under: To Be Sampled.

pré-commande11.07.2025

il devrait être publié sur 11.07.2025

24,79 €
LEROI CONROY - A TIGER'S TALE

LEROI CONROY

A TIGER'S TALE

12inchCLMNLP412038
Colemine Records
11.07.2025

Das Debütalbum von Leroi Conroy, das zu gleichen Teilen von der Sensibilität des goldenen Hip-Hop-Zeitalters und verlorenen Filmszenen aus den 60er und 70er Jahren geprägt ist, wiegt schwer und hat Jahre der Entwicklung hinter sich. Die ersten beiden Tracks des Albums wurden 2017 als 45er veröffentlicht und in den folgenden Jahren von DJ Premier, Raekwon, Ghostface Killah, Macklemore, Phantogram und vielen anderen gesampelt. Aber nach der Veröffentlichung verbrachte Terry Cole alias Leroi Conroy einen Großteil seiner Zeit damit, sein Indie-Soul-Label Colemine Records zu vergrößern und Platten für andere zu produzieren (Okonski, Parlor Greens, Wesley Bright, BlackMarket Brass, Kendra Morris, Rudy De Anda, Delvon Lamarr Organ Trio, Andrew Gabbard), anstatt seine eigenen zu machen. Jetzt, acht Jahre nachdem viele der Rhythmustracks auf dem bewährten Tascam 388 aufgenommen wurden, erscheint Leroi Conroys Debüt-LP, "A Tiger's Tale". Das Album ist als hypothetischer Soundtrack zu einer alternativen Erzählung von Rudyard Kiplings The Jungle Book konzipiert. Die Erzählung ist das Bestreben des Menschen, die Natur zu zähmen und sie seinem Willen zu unterwerfen... und die Antwort der Natur. Das Album ist eine Mischung aus triumphalen Instrumentalpartituren und absolut düsteren, dunklen und manchmal dissonanten Moodytracks. Das zugrundeliegende Element der Hip-Hop-Sample-Kultur ist durchweg offensichtlich, und es besteht kein Zweifel, dass viele dieser Tracks in den kommenden Jahren geflippt werden. Klanglich reiht sich die Platte nahtlos in die Reihe vieler anderer Colemine Instrumentalisten ein: dreckige Lo-Fi-Drums, schmetternde Bläser, Wah-Gitarre, Hammond-Orgel und jede Menge cineastische Einsprengsel wie Flöte, Nylongitarre und Vibraphon. Das Schlagzeug stammt von Coles langjährigem Mitarbeiter Rob Houk und ist das Rückgrat des Albums. Und mit einigen Beiträgen der Colemine-Künstler Kelly Finnigan und Jimmy James ist die Platte wirklich eine Familienangelegenheit. File Under: To Be Sampled.

pré-commande11.07.2025

il devrait être publié sur 11.07.2025

23,49 €
Bobby Lyle - The Genie
  • The Genie
  • Magic Ride
  • Pisces
  • I'm So Glad (and I'm Thankful)
  • You Think of Her
  • Night Breeze
  • Mother Nile
  • I Didn't Know What Time It Was

Bobby Lyle is a keyboard legend from the fusion period of jazz in the mid to late 1970s. He was the pianist with Young Holt Unlimited and played with Jimi Hendricks, booked to go on the road with him just ahead of the untimely death. In 1974 he moved to Los Angeles and went on the road with Sly & The Family Stone, and then through dates with Ronnie Laws he met ex-Crusader Wayne Henderson who took him to Capitol Records where this, the first of three iconic albums was released in 1977. Bobby also became Wayne’s keyboard player of choice on his solo albums and productions through the remainder of the 70s and early 80s, contributing to the ‘At Home Production’ sound which defines these albums. “The Genie” was rediscovered in the ‘rare groove’ period of the 80s and is from which Bobby gets his nickname for the lightning pace and magic of his playing. This album is ultimate jazz funk from a period that gave us artists like Lonnie Liston Smith, Joe Sample and Bob James. Bobby still tours to this day with artists like George Benson and Anita Baker.

pré-commande04.07.2025

il devrait être publié sur 04.07.2025

27,69 €
VARIOUS - NEW BREED R&B: MONEY TALKS
  • A1: DON'T TRY TO TELL ME - Berna-Dean
  • A2: THIS MORNIN' - The Jesse Stone Singers
  • A3: ALL AROUND THE WORLD - Vermettya Royster With James Brown's Band
  • A4: WHAT'S ON YOUR MIND - The Four Bars
  • A5: DON'T LOOK NOW - Wilbur "Hi-Fi" White & King Kolax Band
  • A6: MONEY TALKS - Kenny Smith
  • A7: HEY LITTLE GIRL PT 1 - Roosevelt Lee
  • B1: GOIN' AWAY BABY (ROUND LIKE AN APPLE) - Smokey Wilson
  • B2: HEY HEY BABY - T-Bone Walker
  • B3: I'M A GOOD WOMAN - The Afterglows
  • B4: YOU MAKE ME MAD - Johnny Madara
  • B5: MONEY TALKS (TELL ME WHAT I SAY) - The Citations
  • B6: TELL ME WHY - Richard Berry
  • B7: MARY DON'T YOU WEEP - The Delights

New R&B discoveries continue to emerge and entertain the many followers of the New Breed musical cult; nobody finds more than the Kent connoisseurs.
Berna Dean’s two previously unheard recordings are by far her best. They were laid down at Cosimo Matassa’s New Orleans’ studios by GNP Crescendo but eschewed in favour of two relatively average sides. The great 50s R&B songwriter Jesse Stone provides a rocker for the much-admired Jimmy Breedlove and a super-catchy ‘This Morning’ for an unknown mixed vocal group that has a joyous gospel feel. Jesse also penned ‘Private Eye’, a classic early 60s story-song, for Buddy Wilkins which was issued on Al Sears’ Tri-Ess imprint.
The title track is used twice, on two very different Fraternity recordings. Kenny Smith’s version was issued in 1964 and has many followers, but the equally meritorious Coasters-inspired composition by the Citations is newly discovered. Win Menifee’s ‘I’m Runnin’ Around’ from the same Cincinnati label comes complete with a fascinating back-story.
There are three cover versions. Vermettya Royster’s ‘All Around The World’ is backed by James Brown’s 1961 band, while Roosevelt Lee's 1970 update of the 1947-originated ‘Hey Little Girl’ funks the tune up a la Godfather of Soul. The cover that will make the biggest noise is undoubtedly west coast band the Afterglows’ version of Barbara Lynn’s evergreen dancer ‘I’m A Good Woman’ – this is a future monster.
Golden Crest provides two fabulous male vocal group sides – the swinging ‘What’s On Your Mind’ by Eddie Daye’s Four Bars and the delightful harmonies of the appropriately-named, but unknown Delights ‘Mary Don’t You Weep’.
Blues still thrived into the 70s as Albert Washington’s mean and moody ‘Case Of The Blues’ proves. Smokey Wilson took the music into the late 70s with the storming ‘Goin’ Away Baby (Round Like An Apple)’, which benefits here from a 45-style edit. His Pioneer Club on 88th Street in South Central L A provides the atmospheric photo for this collection.
More early 60s movers come from Wilbur “Hi-Fi” White with ‘Don’t Look Now’, future hit songwriter Johnny Madara’s raucous ‘You Make Me Mad’ and Big Boy Groves ‘Bucket O’ Blood’ which brilliantly describes the kind of club these tracks would fit right into.
The LP version loses a few tracks, but so many collectors have strong preferences we’ve thrown the vinyl junkies a lifeline.

pré-commande27.06.2025

il devrait être publié sur 27.06.2025

29,37 €
MY MORNING JACKET - Happpy Holiday!

MY MORNING JACKET

Happpy Holiday!

12inch880882586850
ATO Records
20.06.2025
  • A1: Feelin Sorry, Written-By – Jim James
  • A2: I'll Be Home For Christmas, Featuring – The Head And The Heart, Written-By – Buck Ram, Kim Gannon, Walter Kent
  • A3: Welcome Home (Snowy Version), Written-By – Jim James
  • A4: Christmas Must Be Tonight, Written-By – Robbie Robertson
  • A5: Please Come Home For Christmas, Written-By – Charles Brown, Gene Redd
  • B1: Oh My Christmas Tree, Written-By – Scott McMicken, Toby Leaman
  • B2: Have Yourself A Merry Little Christmas, Written-By – Hugh Martin, Ralph Bland
  • B3: When The Bells Start Ringing, Featuring – The Head And The Heart, Written-By – Craig "Rocky" Roberts
  • B4: Wonderful (Snowy Version), Written-By – Jim James
pré-commande20.06.2025

il devrait être publié sur 20.06.2025

29,37 €
The Secret Goldfish - Empty Holster LP
  • A1: Holiday Hymn
  • A2: Get On Board
  • A3: Somewhere In China
  • A4: This Arsehole's Been Burned Too Many Times
  • A5: Elevator
  • A6: Hey Mister
  • B1: Stop That Girl
  • B2: Dial F for Fake
  • B3: Moscow
  • B4: Louche Life
  • B5: 22 Blue
  • B6: Big Sur

The Secret Goldfish release their first album in 25 years in June 2025 - Empty Holster has been in process since 1996 when vocalist Katy Lironi started collating songs by her favourite songwriters Vic Godard, Davy Henderson and James Kirk (the idea for Empty Holster was a covers album of their songs).
The tracks have been recorded extremely sporadically over the past decades and were finally finished off at Green Door studio and mastered by Samuel Joseph Smith.

Empty Holster also features covers of songs by Dan Penn and Spooner Oldham, Port Sulphur, The Beach Boys, and a long-lost Goldfish collaboration with Adventures in Stereo's Jim Beattie, Elevator, which was missing for 15 years, presumed lost. Musical guests appearing on Empty Holster include Mick Slaven (The Bluebells), Campbell Owens (AztecCamera), James Kirk (Orange Juice), Vic Godard (Subway Sect), Francis Macdonald (Teenage Fanclub), and Katy and Douglas's daughter Amelia Lironi (QUAD90). The album is pressed on Goldfish Orange vinyl at Seabass Vinyl in Scotland.

pré-commande20.06.2025

il devrait être publié sur 20.06.2025

29,20 €
VARIOUS ARTISTS - FM - OST

VARIOUS ARTISTS

FM - OST

2x12inchMCA2-12000
MCA RECORDS
17.06.2025
  • A1: Steely Dan– FM; Written By – Donald Fagen, Walter Becker
  • A2: Bob Seger And The Silver Bullet Band– Night Moves; Written By – Bob Seger
  • A3: Steve Miller Band– Fly Like an Eagle; Written By – Steve Miller
  • A4: Foreigner– Cold As Ice; Written By – Lou Gramm, Mike Jones*
  • A5: Tom Petty And The Heartbreakers– Breakdown; Written By – Tom Petty
  • A6: Randy Meisner– Bad Man; Written By – Glenn Frey, John David Souther
  • B1: Eagles– Life In The Fast Lane; Written By – Don Henley, Glenn Frey, Joe Walsh
  • B2: Steely Dan– Do It Again; Written By – Donald Fagen, Walter Becker
  • B3: Boz Scaggs– Lido Shuffle; Written By – Boz Scaggs, David Paich
  • B4: Boston– More Than A Feeling; Written By – T. Scholz
  • C1: Linda Ronstadt– Tumbling Dice; Written By – Jagger-Richards
  • C2: Linda Ronstadt– Poor Poor Pitful Me; Written By – Warren Zevon
  • C3: Jimmy Buffett– Livingston Saturday Night; Written By – Jimmy Buffett
  • C4: Dan Fogelberg– There's A Place In The World For A Gambler; Written By – Dan Fogelberg
  • C5: Billy Joel– Just The Way You Are; Written By – Billy Joel
  • D1: The Doobie Brothers– It Keeps You Runnin'; Written By – Michael McDonald
  • D2: James Taylor (2)– Your Smiling Face; Written By – James Taylor (2)
  • D3: Joe Walsh– Life's Been Good; Written By – Joe Walsh
  • D4: Queen– We Will Rock You; Written By – Brian May, Freddie Mercury
  • D5: Steely Dan– FM(Reprise)
pré-commande17.06.2025

il devrait être publié sur 17.06.2025

32,56 €
VARIOUS - MASTERS OF REGGAE 2025 LP

2025 Record Store Day title - now available for general sale. A selection of top quality tracks from some of reggae’s legendary singers backed by some of the best musicians - Tyrone Taylor, Joseph Cotton, Errol Dunkley, Gregory Isaacs,Frederica Tibbs, J Nile featuring his son J Nile, Cornell Campbell, Jimmy James (of Jimmy James and the Vagabonds fame, one of the first Jamaican recording artists), Winston Reedy (Mr Dim The Lights – lovers rock king) , The Heptones - top Jamaican group who recorded countless hits for Studio One, and BB Seaton (one of Jamaicas best songwriters). Recorded at the Room in the Sky Studio, Tuff Gong Jamaica, Music Lab Jamaica, and Ariwa,. Musiciams: Sly Dunbar, , Winston Horseman Williams, Michael ""Megahbass"" Fletcher, Flabba Holt, Alan Weekes, Vin Gordon,,Noel Fish Salmon, ,Ashanti Selah, Bongo Herman.

pré-commande16.06.2025

il devrait être publié sur 16.06.2025

28,99 €
Omar Kent Dykes & Jimmie Vaughan - On The Jimmy Reed Highway 180g
  • 1: Jimmy Reed Highway
  • 2: Baby What You Want Me To Do
  • 3: Bright Lights Big City
  • 4: Big Boss Man
  • 5: Good Lover
  • 6: Caress Me Baby
  • 7: A W Shucks, Hush Your Mouth
  • 8: You Up S Et My Mind
  • 9: I'll Change My Style
  • 10: Bad Boy
  • 11: Baby, What's Wrong
  • 12: Hush Hush
  • 13: You Made Me Laugh

180g schwarzes Vinyl

Das 2007er Album der beiden Gitarristen und Sänger erscheint hiermit erstmalig auf Vinyl

Mit Gary Clark Jr, James Cotton, Delbert McClinton, Kim Wilson und Lou Ann Barton

12 Tracks von Jimmy Reed, oder von ihm inspiriert

Jimmie Vaughan ist der ältere Bruder von Stevie Ray Vaughan

pré-commande13.06.2025

il devrait être publié sur 13.06.2025

25,84 €
Various - SONGS OF THE WILD WEST
  • A1: Don't Take Your Guns To Town - Johnny Cash
  • A2: Big Iron - Marty Robbins
  • A3: (Ghost) Riders In The Sky - Eddy Arnold
  • A4: The 3:10 To Yuma - Frankie Laine
  • A5: Gunslinger - Katie Lee
  • A6: The Streets Of Laredo - Don Gibson
  • A7: The Old Chisholm Trail - Tex Johnson
  • A8: Tennessee Stud - Eddy Arnold
  • A9: The Pony Express (I've Got To Carry The Mail) - Jimmie Driftwood
  • B1: El Paso - Marty Robbins
  • B2: Jesse James - The Kingston Trio
  • B3: Wanted Man - Frankie Laine
  • B4: Death Valley - Glen Campbell
  • B5: Lost On The Desert - Johnny Cash
  • B6: When It's Springtime In Alaska (It's Forty Below) - Johnny Horton
  • B7: Sam Bass - Tex Ritter
  • B8: Nineteen Men - Johnny Western
  • B9: The Long Black Veil - Lefty Frizzell

The Wild West cowboy occupies a symbolic and central place in
popular culture. The lone rider, out on the range… The whitehatted hero facing up to a gang of outlaws in a gunfight… The
wagon train heading out over the horizon… Celebrated in cinema
since the beginning of movies, the cowboy has also found a
regular home on record, as this vinyl LP compilation testifies.
Listen to these songs and, with just a little imagination, you can
picture the solitary cowboy on his trusty steed, watching a cattle
round-up, or making his way into a town like Tombstone… A
timeless myth, captured forever in these Songs Of The Wild
West…

pré-commande13.06.2025

il devrait être publié sur 13.06.2025

15,55 €
Dream Theater - Parasomnia 2x12"

Dream Theater

Parasomnia 2x12"

2x12inch19802927831
Inside OutMusic
06.06.2025

An album announcement that was fifteen years in the making, GRAMMY®-winning, progressive music titans Dream Theater return in 2025 with their sixteenth studio album, “Parasomnia”. The album marks the first album featuring the iconic lineup of vocalist James LaBrie, guitarist John Petrucci, bassist John Myung, keyboardist Jordan Rudess and drummer Mike Portnoy since 2009’s “Black Clouds & Silver Linings”. “Parasomnia” was produced by Petrucci, engineered by James ‘Jimmy T’ Meslin, and mixed by Andy Sneap. Hugh Syme returns once again to lend his creative vision to the cover art. From the opening track “In The Arms Of Morpheus” to the closer of “The Shadow Man Incident,” Dream Theater returns with a collection of songs that showcase what has earned the band a loyal following for four decades. Clocking in at 71 minutes, “Parasomnia” takes the listener on a musical journey that has become synonymous with the band since the beginning of their career.

As several limited vinyl versions are already sold out, the album is now being released as a black and white marbled 2LP in a gatefold cover with LP booklet.

pré-commande06.06.2025

il devrait être publié sur 06.06.2025

31,89 €
Carwyn Ellis & Rio 18 - Fontana Rosa LP

Carwyn Ellis & Rio 18 release their new album "Fontana Rosa". Possibly the world's only musical group to fuse Latin music of all kinds with the Welsh language, this time Rio 18 draw inspiration from slightly different musical corners, including Chicano Soul, Nuyorican pop, and Salsoul disco plus Latin sounds filtered through the cultural spectrum of the USA.

Most significantly though, the album was among the last ever to be recorded by the acclaimed producer Liam Watson at his legendary studio and shrine to all things analogue, Toerag Studios - a huge inspiration and influence on Rio 18's Carwyn Ellis. The "Fontana Rosa" sessions saw Ellis draw together an all-star band at the fabled studio which is perhaps best known through its place in the White Stripes history.

Talking about the story and gestation of the album, Carwyn said:

"I was in Mexico City with Baldo Verdú when I heard that Toerag Studios in London was going to close. It came as a shock - Toerag and Liam Watson, its owner and resident producer had been a massive influence on me. Liam, along with Edwyn Collins, had taught me much of what I know about recording, had hired me as an instrumentalist on countless sessions and had helped me to get started when I began my own solo career. And over the years, I'd still go in to record with Liam whenever the opportunity arose. When I heard that Liam was shutting up shop, I took it upon myself to try and ensure he went out with a musical bang. I rounded up the best band I could get: the aforementioned Venezuelan percussion wiz and singer, Baldo Verdú: American drummer, multi-instrumentalist and producer Shawn Lee: the Isle of Wight's finest drum and percussion master, producer and composer Rupert Brown (whom I'd originally met at Toerag many moons ago): Elan Rhys, one of Wales's finest voices and long term collaborator with Rio 18, as well as being one third of the wonderful folk group, Plu: and Kassin - my Brazilian brother from Rio de Janeiro, bassist and producer with artists such as Jorge Ben, Caetano Veloso, Gilberto Gil and a multitude of others, including Carwyn Ellis & Rio 18.

So this was my dream team, assembled to make beautiful music one more time at Toerag (I have to add at this point that Shawn and Rupert hit it off so well at our sessions that they booked their own session shortly afterwards! Look out for the brilliant Shawn Lee's Toerag Orchestra 'Percussion Discussion' album). Toerag, if you're not familiar with the place, made its name as London's foremost analogue studio for some 30 years, recording directly to tape which in essence means musicians playing live, together in a room until they get it right. And the sound? Oh the SOUND!! And this is all Liam Watson's doing, his sonic aesthetic - a real master engineer. The studio is perhaps best known as the place where the White Stripes recorded their monster hit album 'Elephant' but for me it's where I got to record with James Hunter, Lay Low (from Iceland), Quruli (from Japan), Fabienne Delsol (from France) and made many lasting friendships, learnt a great deal about popular music, as well as making a bunch of my own best recordings with Colorama.

Over the course of five days we laid down as much music as we could. We had some visitors too: guitar slinger Little Barrie (Primal Scream, The The and Liam Gallagher among other things, but also my dear bandmate in Edwyn Collins's band): sax and flute maestro Jim Hunt (Amy Winehouse, Primal Scream, Duffy and very many others): and Diego Laverde Rojas, the Colombian Latin harp virtuoso.

This time the music had a slightly different edge - although we still maintained our Brazilian/Welsh connection on 'Deffro'r Dydd' (written with and sung by Elan Rhys), our Cumbia vibe and some Merengue ('Mariposa' and 'Te Adoro', sung by Baldo Verdú) and even a traditional Afro-Venezuelan tune ('La Quichimba', again sung by Baldo) - the main influence for me this time was Latin music as recorded in the USA, both new and old. 'No More Secrets' is a straight up slice of Salsoul disco, while 'Hei Ti' is a punky funky but of Nu Yorican pop somewhere between ESG and the Beastie Boys. But one of my main influences in the last couple of years has been the current wave of Chicano Soul coming from California, particularly via the Penrose and Big Crown labels. I was turned on to this music when I was in Japan in early 2023 - Takashi-san at Pleased To Meet Me Records in Nara played me the Altons' 'Float' and I was hooked!

And that music has a similar aesthetic to Toerag: music recorded live to tape by excellent engineers, performed by fine musicians and singers. So our songs 'Impossible', 'Heartbreaker' and 'Lovesick' are very much in this vein. And that just leaves the title track, 'Fontana Rosa'."

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Last In: 16 months ago
21,81 €
ANDREW DUHON - THE PARISH RECORD
  • WACO KOOL AID
  • HAND ME DOWN LOVE
  • GIRL FROM PLAQUEMINE
  • BAYOU LA BATRE
  • ALMOST FOREVER
  • FELT MY HEART BREAKING
  • SHOTGUN RELIGION
  • MAN ON THE MARQUEE
  • JUST IN CASE
  • ANOTHER HOUSE
  • IT'LL COME BACK TO ME
  • FOG ROLLS IN

Andrew Duhon has a knack for telling the kind of stories that clearly cost the writer something to tell- the kind of honesty that feels noble and never half hearted. When a song written by a stranger heals you, even in the smallest way, that's a connection beyond entertainment, and that is the journey Andrew Duhon sets out on from his home in Louisiana. His songs are about recognizing our story as much as they are about telling his, and his coast to coast pursuits have given him a clearer view of the American Landscape than most are privy to. Still, after years of voyaging off to every corner of the country, a new sensation arises with each return home to New Orleans. From that familiar return comes The Parish Record, a snapshot of life venturing from and returning to one of America's purest cultural vignettes, and the beauty, conflict, and stories that come with it. The Parish Record was recorded at Dockside Studios in Maurice, LA, where deep in Cajun country sits a wood-panel barn engulfed in oak and cypress trees along the slow butterscotch bayou pace of the Vermillion River. In this isolated hub of Acadiana, Andrew Duhon embarked with his trio of most trusted musicians - Myles Weeks (James Hunter Six, Eric Lindell) on Bass, Jim Kolacek (Feufollet) on Drums, and Daniel Walker (Heart, Ann Wilson, Amy Ray) on Keys - to harness of the sound and feeling of their surroundings. "I wanted this record to feel like home. It wasn't time to get out of town or try out something new on this one. It was about believing in the songs from where the songs came from," Duhon says.

pré-commande04.04.2025

il devrait être publié sur 04.04.2025

24,79 €
chloe moriondo - oyster

Chloe Moriondo

oyster

12inch0075678601170
Fueled By Ramen/Atlantic
28.03.2025

US indie-pop darling Chloe Moriondo announces new album oyster, out March 28th

Assembled with a close-knit team of cowriters and producers including Jonah Summerfield (Holly Humberstone, Tommy Lefroy), Chloe Kraemer (The Japanese House), AfterHrs, and more, oyster finds Moriondo pulling from all her musical palettes, delving into the depths of heartbreak and cataloguing the process of surfacing braver, wiser, and ready to dive back in. oyster is available for preorder now

Hailed as “one of indie pop’s brightest stars” (Teen Vogue), Chloe Moriondo's 2022 album SUCKERPUNCH marked a bold leap forward from the understated indie-pop and jittery pop-punk of her 2021 offering, Blood Bunny. The idiosyncratic artist has racked up critical praise from The New York Times, Billboard, NYLON, V Magazine, Consequence, UPROXX, PAPER, Alternative Press and more, with performances on Jimmy Kimmel Live! and The Late Late Show with James Corden. Now, she begins her next chapter with the wistful, pulsing single "shoreline," and more to come in 2025.

pré-commande28.03.2025

il devrait être publié sur 28.03.2025

35,72 €
Horse Meat Disco - Horse Meat Disco Presents Disco & Boogie From Brazil Vol. 1 LP 2x12"

13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.

Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.

“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”

9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.

Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Źe Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.

At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.

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Derniere entrée: 82 jours
27,94 €
Lou Donaldson - Say It Loud

Lou Donaldson

Say It Loud

12inch6514970
Decca France
21.03.2025
  • Say It Loud I'm Black And Proud
  • Summertime
  • Caravan
  • Snake Bone
  • Brother Soul

When saxophonist Lou Donaldson hooked up with the funky drummer Idris Muhammad on Alligator Bogaloo it began a run of great groove-oriented albums including Say It Loud with trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder for a deeply soulful set opening with a cover of James Brown’s ‘Say It Loud (I’m Black and I’m Proud)’. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

25,63 €
Calvin Keys - Shawn-Neeq

Calvin Keys

Shawn-Neeq

12inchRGM1905
REAL GONE MUSIC
14.03.2025

The late, great Calvin Keys’1971 debut album for the Black Jazz Records label announced the arrival of a new star in the jazz guitar firmament. Keys had spent the ‘60s backing up the crème de la crème of jazz organists—Jimmy Smith, Jimmy McGriff, Jack McDuff, Richard “Groove” Holmes—but for his first record as a leader, he was eager to play with a piano player instead. So he recruited one of the best—Larry Nash, who, besides being a member of the L.A. Express, played with everybody from Eddie Harris to Bill Withers to Etta James. Bassist Lawrence Evans, drummer Bob Braye, and flautist-songwriter Owen Marshall rounded out the group on Shawn-Neeq, which might remind some of Pat Metheny’s early work (Metheny acknowledges Keys as an influence), or Grant Green.

But what gives Shawn-Neeq extra depth is that it comes from the heart; as Keys says in Pat Thomas’ liner notes, which feature an interview with the artist: “My thing was, I write about some of the experiences that I’ve had in my life.” Keys became a fixture in the Bay Area jazz scene before he passed in April 2024; this is the album that started his journey. Another gem from the celebrated Black Jazz catalog, pressed in blue with black swirl vinyl limited to 750 copies!

pré-commande14.03.2025

il devrait être publié sur 14.03.2025

38,45 €
Cliff Martinez - The Neon Demon
 
5

The late, great Calvin Keys’1971 debut album for the Black Jazz Records label announced the arrival of a new star in the jazz guitar firmament. Keys had spent the ‘60s backing up the crème de la crème of jazz organists—Jimmy Smith, Jimmy McGriff, Jack McDuff, Richard “Groove” Holmes—but for his first record as a leader, he was eager to play with a piano player instead. So he recruited one of the best—Larry Nash, who, besides being a member of the L.A. Express, played with everybody from Eddie Harris to Bill Withers to Etta James. Bassist Lawrence Evans, drummer Bob Braye, and flautist-songwriter Owen Marshall rounded out the group on Shawn-Neeq, which might remind some of Pat Metheny’s early work (Metheny acknowledges Keys as an influence), or Grant Green.

But what gives Shawn-Neeq extra depth is that it comes from the heart; as Keys says in Pat Thomas’ liner notes, which feature an interview with the artist: “My thing was, I write about some of the experiences that I’ve had in my life.” Keys became a fixture in the Bay Area jazz scene before he passed in April 2024; this is the album that started his journey. Another gem from the celebrated Black Jazz catalog, pressed in blue with black swirl vinyl limited to 750 copies!

pré-commande14.03.2025

il devrait être publié sur 14.03.2025

71,22 €
Cornelia Murr - Run To the Center

Cornelia Murr

Run To the Center

12inchLPTC22005
22Twenty
28.02.2025

Cornelia Murr’s newest album, Run To The Center, began with a question: What do I want? The answer is everything, and it’s never felt more urgent.

On her first LP in six years, Run To The Center, on 22TWENTY, the London-born singer-songwriter delivers her most expansive, confident work yet. Across 10 hypnotic pop songs, Murr crafts a portrait of a woman in her thirties, standing triumphantly in uncertainty and asking life’s essential questions: How do you fit everything you want into a life? How can you want so much and still manage to live?

Run To The Center, which Murr will tour internationally, is her first release since the 2022 EP Corridor and her first LP since her 2018 debut Lake Tear of the Clouds, produced by Jim James of My Morning Jacket. Murr had long wanted to make another LP, but economic and global forces kept getting in the way. Finally, in the spring of 2023, Murr started working with producer Luke Temple (Adrienne Lenker, Hand Habits), adding to her roster of impressive collaborators. Temple, an old friend, helped Murr realize a sweeping album of her most tender, spectral pop yet.

The songs on Run To The Center reflect Murr’s need to explore desire and time. Some are new, born from spontaneous collaboration, while others had lingered in her mind for years. The album’s production, with muscular drums and buoyant synths, is more expansive than her previous work, swirling with a sparse futurism as Murr embraces life’s uncertainties.

Murr wrote much of the album while hunkering down in Red Cloud, Nebraska, restoring an old house. In this unexpected place, she found her center. The result is an album that explores big questions with beauty and humor, as Murr stands fully in her power.

pré-commande28.02.2025

il devrait être publié sur 28.02.2025

31,72 €
Basia Bulat - Basia's Palace (LP+DL)

Basias Palast ist kein Schloss, sondern ein Ort voller Liebe, Erinnerungen und schlechter Verkabelung. Seit sich wieder mit Co-Produzent Mark Lawson zusammentat, bewegt sie sich durch eine Traumwelt aus Geflüster, Synthesizern, frühen Chansons und Eurovision-Songs, Leonard Cohens "I'm Your Man", Airs "Moon Safari" und den hauchzarten Maryla Rodowicz-LPs ihres Grossonkels. Das Ergebnis klingt wie ein Album, das hinter den Hintergründen ihrer Kindheitsfotos verborgen war. "Basia's Palace" wurde vom legendären Toningenieur Tucker Martine (Beth Orton, Neko Case, The National) gemischt und mit dem schwebenden Streicherarrangement von Drew Jurecka (Dua Lipa, Alvvays) eingespielt.

Zur Künstlerin:
Basia Bulat ist eine Singer-Songwriterin aus Montreal, Kanada. Neben ihren Fähigkeiten als ausdrucksstarke Sängerin mit unverwechselbarer Stimme ist sie eine versierte Multiinstrumentalistin, die auf E-Gitarre, Klavier, Autoharp, Ukulele, Bass und Charango aufnimmt. Ihre Songs werden für Aufführungen mit Symphonieorchestern adaptiert, sie selber wird zu prestigeträchtigen Tributes an Leonard Cohen, Daniel Lanois, Nick Cave und The Band eingeladen. Seit der Veröffentlichung ihres Debüts 2007 teilte sich Bulat die Bühne mit Künstlern wie St Vincent, Sufjan Stevens, Nick Cave aAnd The Bad Seeds, The National, Michael Kiwanuka, Daniel Lanois, Beirut, Destroyer, US Girls, Jim James, u.a. Sie trat in der #LateShowMeMusic-Reihe mit Stephen Colbert und Jools Holland auf, ist dreimalige Finalistin des Polaris Music Prize und wurde für fünf JUNO Awards nominiert.

pré-commande21.02.2025

il devrait être publié sur 21.02.2025

29,37 €
Cratebug - Cratebug Edits

Cratebug

Cratebug Edits

12inchBUG003
Bug Records
18.02.2025

'BOSTICH PT.1' – A hot Chicago House flip on this legendary classic by Swiss synthpop band Yello! Some unexpected editing surprises in this one! The groove will have you from the start! 'OPTIMO' – A highly energetic rework of this classic from American dance-punk band Liquid Liquid, with a percussion section that uses the snare drum, bass kick drum, cowbell, and claves that all combine for insane repeated drum rolls! A hot sure shot for the dancefloor!

Cratebug is a Chicago Dj, Producer & Remixer. His remixes and edits are hot gold and have found their way into the mixes and live sets of COUNTLESS djs all over the world. Most notable and well-known among fans & supporters of Cratebug’s work include: Derrick Carter, Jamie 3:26, Honey Dijon, Frankie Knuckles (RIP), Louie Vega, Scott K., Kenny Dope Gonzalez, Dimitri From Paris, Boris Dlugosch, Francois Kevorkian, Danny Krivit, Moodymann (Kenny Dixon Jr.), Theo Parrish, Master Kev, Moon Boots, Jackmaster (Jack Revill), The Martinez Brothers, Doc Martin, Mark farina, KON, Detroit Swindle, Radio Slave, Moodena, Luke Solomon, Jimpster, Alton Miller, Juan McClean, James Murphy, Alton Miller, Horse Meat Disco, Gene Farris, Jack The Box (Tyree Cooper & Bobby Starr), The Black Madonna, Jojo Flores, Marques Wyatt, Terry Hunter, Ricardo Villalobos, Kiko Navarro, Ted Patterson and MANY MORE!…

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Last In: 7 months ago
15,08 €
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