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Felix Machtelinckx - Night Scenes LP

Felix Machtelinckx is a singer, composer, producer and lyricist from Belgium. Featuring an array of film scores, dance soundtracks, pop, folk and electronic music, Felix's music resonates with a familiar, almost nostalgic patina, applied with a distinctly crooked touch. Through artistic collaboration, coaching and production, Felix has cut a dash in the pop and indie cult scenes of Belgium, especially with his band Tin Fingers, who are feted as one of the most promising indie acts of the moment. Night Scenes, Felix’s solo debut is, in contrast to his other work, more humble and less traditional, roughly hewn from a series of ambient soundscapes, earthy textures and playful structures. Felix’s voice, normally the flagship of his music, becomes more of a distant memory, an indistinct emotion feathered throughout the music. Many lyrics are improvised, sometimes unintelligible, conjuring haunted, uncertain undertones. Similarly, the album is innately peripatetic to the core, being created, written and recorded in Lithuania, Belgium, France, mastered in the US, and finally released in the UK. In the first instance, some of the tracks were created for the contemporary dance piece Doggy Rugburn by Brandon Lagaert of Kaiho and Peeping Tom; others were created enigmatically for a film that never surfaced; while the remainder are the product of more personal work and research. As Felix began to collect and review these disparate parts, the concept of a unified album began to evolve. With 'night' featuring as a suitably dark leitmotif, or backdrop to a series of emotionally fraught 'scenes', each track depicts a form of trauma, locked within the confines of the mind. Felix observes: "Imagine yourself in a dusty old room unable to sleep. Emotions, fears and other demons haunt your mind. This in-between state makes your mind reach for other worlds. This is Night Scenes." For the most part, Night Scenes was created using a variety of old, and rare, analogue equipment. With almost no digital editing, the record was primarily mixed through a vintage cassette desk, giving it a nostalgic character with a noisy undertone. Felix fully embraced the synergy of his emotional themes and retrograde gear, enthusing: "A lot of textures were created on an old Soviet synthesizer that causes a blackout when you hit the lowest note on the keyboard. The dysfunctionality of the synths was often used to create rhythm and texture." This unnerving ability Night Scenes has to comfort and confound the listener is summed up by Jordan Hudson, House Of Media producer, and music podcaster, when he concludes: "Some songs on the album have this sort of fleeting comfort and tonality, which dissolves into a subtle rhythmic/structural or modulated disarray the moment I settle into them - this really fits with my experience of the night .. This record is a winner, and will be something I'll listen to a lot from here on

Reservar27.02.2024

debe ser publicado en 27.02.2024

25,17
Autumn 1904 - Tales Of Innocence LP

Autumn 1904 is a post-punk indie-rock band formed in 1982 in Edinburgh, Scotland by Allan Dumbreck (keyboards) and Ross Thom (guitar). The band originally became a five-piece (Billy Bowie – bass, Keith Falconer – drums, Billy Leslie – vocals) but grew to a seven piece in early 1983 (taking on two female backing vocalists, Indira Sharma and Lisa Cameron). Autumn 1904 were part of the DIY indie-rock movement in Edinburgh in the early to mid 1980’s kicked off by The Shop Assistants, they worked alongside The Wild Indians, Finitribe (originally Gallery Macabre) and Goodbye Mr MacKenzie, often performing together or attending each other’s shows.

In February 1984 the band performed at the John Peel Roadshow at Edinburgh University and afterwards were invited to record a BBC Radio 1 session which was broadcast three times on the Peel show. They were immediately courted by 11 major record and publishing companies. In March 1984 their song “I heard Catherine Sing” featured on the Deadbeat magazine compilation album “Deadbeat 1”. Internal tensions and health issues over the summer of 1984 held up development and caused Sharma and Cameron to leave the band.

The band first split in January 1985 with Thom, Bowie and Falconer going on to form The Crows with former members of First Priority, including future Glasgow Cathouse / Garage promoter Donald McLeod MBE. Dumbreck and Leslie reformed the band and performed throughout 1985 sometimes including Shirley Manson, then working with Goodbye Mr MacKenzie and later with Garbage. This line-up lasted until November 1985 when the band split again. Dumbreck went on to work with Scottish groups The Big Dish, Horse and Thrum. Later working extensively in music education setting up the music department at UWS where Jim Prime (Deacon Blue) and Paul McGeechan (Love and Money) became lecturing staff.

The line-up at the time of the Peel session was Dumbreck, Thom, Bowie, Falconer, Leslie and backing vocalists Indira Sharma and Lisa Cameron.

In May 2021, the original five members agreed to re-master / re-record the original material from their studio recordings for release. Work began with producer Liam McCluskey (Gun, King King, Twin Atlantic). Approaching Ian Smith in 2022 at independent record label Last Night from Glasgow for advice, he offered to release the album on the label. The final masters include Tippi from label-mates The Hedrons on vocals and a number of fresh recordings of material written in 1982-83 but never previously recorded.

Reservar27.02.2024

debe ser publicado en 27.02.2024

30,21
Tripped - This Does Not Contain Rave Stabs EP

Kick starting 2024 with intent, Berlin’s Pure Hate Trax starts the year in style with a pure power 4 track EP by Tripped. Hailing from Belgium, Francis Jaques started his journey at the tender age of 15 and quickly become A key figure in the underground rave & hardcore scene and up to now has celebrated over two decades of relentless dedication to the industry. While deeply rooted in Hardcore Techno, Tripped style is not limited to a certain genre. Always staying true to his gut, he keeps innovating his sound by using both analog and digital techniques, often with a wink to the pure and raw sound of the 90’s, dark, moody and kick-drum heavy. His label Madback Records, an outlet for his own productions has also seen contributions from the likes of Slave To Society, The Outside Agency, KRTM, Waldhaus, Mickey Nox and Umwelt. Aside from the music he also creates abstract paintings and mixes graphic design to showcase a truly unique collaboration of both artwork and music. As a DJ Francis is considered one of the most diverse acts from Belgium. His raw and powerful sets range from Rave, Techno, Industrial, Acid to Gabber and Old School Terror has seen him perform all over the world and at major events such as Thunderdome, Masters Of Hardcore, Tomorrowland, Bangface, Defqon.1, Kompass Klub, Dominator, Astropolis, Decibel and many more.

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10,88

Ültimo hace: 11 Meses
Josie Cotton/Hayley And The Crushers - Day Of The Gun/Lust For Life

7” vinyl single w/ colour sleeve. For Fans Of Garage Punk, Power Pop, New Wave, Cheap Trick, Dollyrots, Pretenders, Go-Gos, Kate Bush, The Muffs, The Bangles, Larkin Poe. Josie Cotton’s Kitten Robot label issues their first 45 rpm 7”, and it’s a split between two of the label’s fave ladies: Josie her own bad self and Hayley and the Crushers. Josie’s song is the title track of her latest full-length, the Crushers issue a rowdy Iggy Pop cover that is also their latest digital single, releasing on Halloween of this year. Said Thoughts Words Actions of Day of the Gun, “The result is Josie Cotton’s signature sound, both timeless and contemporary, showcasing her ability to stay true to the roots while also pushing the envelope in new directions. Day Of The Gun is a masterclass in musical creativity and musicianship where Josie Cotton’s experience, talent, and ideas have come together to create an album that is both diverse and cohesive.” Meanwhile, Faster and Louder had this to say about Hayley’s recent LP. “Modern Adult Kicks makes it sound like Hayley and the Crushers have fast-forwarded ten years since 2020. This album doesn’t wallow in misery, but it confronts some heavy stuff...all the while reminding us to keep dancing no matter what happens

Reservar26.02.2024

debe ser publicado en 26.02.2024

13,87
The Unattached - Requiem For Dead Dogs LP

A cycle of songs about dead dogs. Dealing with loss, grief and loneliness, they recount the tales of lost dogs both real, metaphoric and mythic, and use our relationship with and treatment of dogs as a measure of our humanity.

Collaborating as The Unattached on this record are Joad R Wren, sister Gwenifer Raymond, uncle Neil White, and daughter Celia, along with friends Darren Hayman, Ian Button, John McGrath and Holly Rogers.

Joad notes: "The album was written and recorded during the height of the pandemic. I've no idea why it's taken so long to release it. I do know that it's a great pleasure to work – even at a distance – with such talented musicians, with many amazing albums in their back catalogues."

The final song was a surprise – especially to Joad – as Neil wrote it years ago about a forgotten dog, and it fitted beautifully as a coda here.

The songs are at once lush, sensitive, bleak and unflinching - there's a similar feeling to something like Lou Reed's 'Berlin', or the darker moments of Roy Harper. The LP comes in a numbered, hand-printed linocut sleeve with a 20 page booklet of lyrics and art.

The sleeve is a bit special. The oil-based ink used on this hand-printed sleeve may feel sticky to touch, and can potentially transfer to other surfaces. Please handle and store this record carefully.

It's an edition of 100, and because of the hand-printing process each cover is imperfectly unique and uniquely imperfect (and hand numbered).

Reservar26.02.2024

debe ser publicado en 26.02.2024

23,32
D’Luna - Monster  LP

D’luna

Monster LP

12inchESMV1017
Escape Music
26.02.2024

Escape Music is pleased to announce the release date for the much-anticipated album D’Luna title “Monster” Featuring on lead vocals Jeff Scott Soto (W.E.T/Yngwie Malmsteen/Journey/Axel Rudi Pell/Talisman/Sons Of Apollo), and with special guest dUg Pinnick (King’s X/The Mob). The Vinyl will be limited edition of 300 copies only! “Cool Blue” colour, all will be numbered 1-300, 180g Audiophile Vinyl. The band is: Jeff Scott Soto - Vocals (W.E.T/Yngwie Malmsteen/Axel Rudi Pell/Talisman/Sons Of Apollo) / special guest dUg Pinnick (King’s X/The Mob) on “Monster” / Philip Bynoe - Bass (Steve Vai/Ring Of Fire/Warlord) / Dan Meyers – Keyboards / Oren Halmut – Drums / Dave De Luna – Guitars / Produced by Dave De Luna / Mixed and Mastered by Rich Mouser (Dream Theatre/Spock’s Beard/Roxanne). D’luna is an entity instituting the music and songwriting of its founder, namely guitarist David De luna. David and his songs are a very personal individual journey that represents incredible strong guitar riffs, a true Texas groove and a high level of energy. The opening track ‘Monster’ lives up to its name and has a very strong King’s X influence which is hardly a surprise as it features dUg Pinnick of that very band. An explosive start to the album. ’Monster’ as an album is a superb slice of rock / metal and with David’s guidance and themes the whole thing has developed into a great working relationship between himself and vocalist Jeff Scott Soto. Jeff, of course, has worked with so many big names in the past, such as Malmsteen, Journey, Talisman and Sons of Apollo, he is a much-loved vocalist in the world of rock music. Philip Bynoe (Steve Vai) is on bass along with Dan Meyers on keyboards and Oren Halmut on drums. The line-up is now complete and with engineer Rich Mouser (Spock’s Beard / Roxanne) at the helm the mixes are brought to perfection and “Monster” is complete. D’Luna’s Monster greets the listener with a gravity strong enough that even light cannot escape it. The audience will be drawn into the unique sound, heaviness and level of virtuosity with undeniable hooks and melodies

Reservar26.02.2024

debe ser publicado en 26.02.2024

30,21
Sam Shure - Regency

Sam Shure

Regency

12inchHBT004V
Habitat Recordings
26.02.2024

Sam Shure drops the Regency EP on December 14th, a DJ favorite embraced by Mind Against. The title track, "Regency," pulsates with relentless beats, while "Heir of Snare" explores rhythmic depths. "Magnus" climaxes with melody and cutting-edge sound design. Shure's EP resonates with innovation and emotion, an electrifying journey for the dancefloor.

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15,92

Ültimo hace: 13 Meses
La Pambelé - La Pambelé LP

Bogotá's La Pambelé steps into the ring for their debut release on Names You Can Trust, and with it, they've joined a storied history in Colombia's prized salsa tradition. This new generation of talented musicians have come out for the 1st round with fire, grit and determination. Brass, keys, percussion and lyrics blast at you from all angles, evocative of the way the orchestra's namesake, the legendary Palenque boxer, used his flashing fists within the squared circle.

Featuring a full album of original compositions that have been faithfully recorded and mixed under the guidance of Mario Galeano Toro (Frente Cumbiero) and Daniel Michel (La Boa) at Mambo Negro Records, the approach is a return to the roots of salsa dura that continues to thrive in Colombia's deep musical training grounds. The promising future of the genre shines in the capable hands of La Pambelé and its players, and this introduction is sure to help vault the group from up-and-comer to title contender status.

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28,36

Ültimo hace: 2 Años
NewDad - Madra LP

Newdad

Madra LP

12inch5054197703690
WMI
26.02.2024

Das Debütalbum der irischen Post-Punk Newcomer.
"Madra" (was auf Irisch "Hund" bedeutet) ist ein
gitarrenlastiges, instinktgeleitetes Album, auf dem sich die
irischen NewDad auf eine Reise der Selbsterkundung,
Selbstsabotage und Reflexion begeben. Durchtränkt von
Dysfunktion sucht "Madra" Trost im Schmerz und setzt
sich mit Themen wie Mobbing,
Selbstmedikation/Depression, Zerstörung, Co-Abhängigkeit
und Widerstand auseinander. Geschrieben in ihrer
Heimatstadt Galway, Irland, fanden die Aufnahmen des
Albums in den legendären Rockfield Studios (Black
Sabbath, Queen) in London statt, wo die Band inzwischen
auch wohnt. Julie Dawson, Cara Joshi und Fiachra
Parslow gründeten ihre Band, um bei der
Musik-Abschlussprüfung der Secondary School nicht solo
antreten zu müssen; kurz darauf stieß Sean O'Dowd
dazu, erst nur als Toningenieur, bald aber festes
Bandmitglied. Ihren Bandnamen NewDad ließen sie von
einem Zufallsgenerator erzeugen, und ein weiterer Zufall
kam ins Spiel, als kurz nach der Bandgründung Anfang
2020 die Welt plötzlich fast zum Stillstand kam. Trotzdem
schafften es die vier, im März 2021 ihre Debüt-EP
"Waves? zu veröffentlichen und im Januar 2022 den
Nachfolger "Banshee?. NewDad erinnern uns an die
Rastlosigkeit, all die Ängste und Beziehungsprobleme, mit
denen wir alle im Laufe unseres Lebens konfrontiert
werden. Sie verschmelzen Fantasie und Autobiografie mit
Einflüssen aus dem modernen Kino und Fernsehen - und
der ruhigen Küstenlandschaft von Galway, die den
Hintergrund ihrer prägenden Jahre bildet.

Reservar26.02.2024

debe ser publicado en 26.02.2024

45,34
Seven Davis Jr. - Stranger Than Fiction LP

Seven Davis Jr. returns with a new album fresh after releasing the virtual reality infused clubby "Iss Good" EP on Classic Music Company. This album contains a fusion of R&B Hip Hop / Trip Hop / Deep & Soulful House songs. Inspired by the 90s sound and energy with appearances from John Cale, Luke Solomon, Ivan Dorn, Life On Planets, Jon Dixon and more.

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18,07

Ültimo hace: 18 Meses
Head Front Panel - Tactile

Dark Machine Funk is delighted to welcome the first guest producer into the fold, Head Front Panel. A huge source of inspiration to DMF since those highly sought after HFP 12”s hit the record store racks in 2014, Head Front Panel delivers a superb well rounded 4 track EP titled ‘Tactile’ for DMF’s 5th release.

The opening track 'Panama' opens with some otherworldly pads, sweeping resonances tickle the ear before signature HFP drums hit you with pure engaging energy. Broken kick drums and rattling percussion perfectly sit on this hypnotic tribal-esque sonic dream, a depth and area that we've not heard from HFP before. 'Tactile' brings the perfect tool, loopy rhythms that stretch the perception of time whilst getting lost in subtle rides and eerie door creaking atmospheres, deep listening will provide a new journey on every repeat. 'Surdo' open's side B, and we're catapulted into the fire with shaker/hi hat percussions that grab your attention immediately and vocal samples scatter across the stereo field. Shimmering pads take the track into deeper territory but all while keeping in a constant state of forward motion accented by the occasional double kick drum. A huge baseline swings the track to give it it's funk. 'Them' probably the most recognisable HFP track hammers with a thunderous kick drum and a subtle repetitive synth line, groove is king here where percussion elements are pushed and modulated to create enough interest to carry the track through till close.

We are more than honoured to present ‘Head Front Panel - Tactile’ on DMF!

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13,40

Ültimo hace: 21 Meses
Lemmi Ash / Sonic Weapon / KOOLMFL - & . .

Happy we can introduce a new addition to our catalog THINNER005, an EP called

“ & . . “

as the title tells, it’s a joint release by our friends, KOOLMFL, Sonic Weapon &. . Lemmi Ash

“& . . “ EP includes three club tracks, which been power played by Powder over these years in many different moment.

Each track can add a distinctive touch to the night, as like completing your cocktail with lemon and/or lime.

_

KOOLMFL, fka K-LINE and Sonic Weapon is our regular suspects from Nagoya, motor city of JAPAN.

Some may know them putting out a shared EP “G” before on Thinner Groove and now they back to it again.

atonbow by KOOLMFL features words of a space traveller in state of peaceful sorrow, seemingly communicating their honest thought to the loved one who might not be hearing, Can you hear me ? … Hi astronaut, at least we can :)

KOOL’s clicky drum work pass the words to the floor, and the party breaks down with sudden synth and take all of us home.

,

On track HOMIE, Sonic Weapon shows his signature fast boogie style again in a new approach with much dubbed out, ear pleasing, filtering, minimalistic, and stylistic way. The texture keeps changing but keeping the groove.

Feels like the beauty of watching a bridge getting slowly collapsing after somehow you made it to the other side.

& . .



We also want to introduce Lemmi Ash, a Swedish duo formed by Samo DJ and Martinou, newly joining the TG spectrum,

The duo previously had a release from ESP institute and each of them countless solo appearance on various releases . . .

Nonetheless, they a good long time friend and perfect fit for this release.

The duo features comfy calming ear tickling electronic sound with some kiddish, animalistic, or primitive humor in their own balance. This track Presence grooves with a leaning forward racing gamey phrase drifting around the mini synth explosion, feels like a joyful cruise during regardless the intense highway.

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16,77

Ültimo hace: 17 Meses
Lihla - Socha LP 2x12"

“Music gives us a place to be lost. Washing away thought, place, time and identity. It’s in the falling into the river, the dream, that we find just who we could be”.

Classically trained cellist, composer and storyteller Lihla (Lih-Qun Wong) presents her debut album, ‘Socha’ for A Strangely Isolated Place. Combining a vast instrumental skillset of piano, cello, electronics and spoken word, she crafts intensely immersive aural-hallucinatory worlds of intricately shifting landscapes.

A deeply personal work, Socha explores the ‘diaspora of time and space, and why we all feel so displaced.' Piano chapters capture the meeting place between memory and longing, while explorational vocal and cello textures invoke and echo the ancient, the feminine, and the otherworldly.

Lihla’s voice guides us, weaving through electronics and field recordings of the ‘real-world' to set the path for a poetic and deeply haunting journey through the internal psyche that is truly transportive and escapist.

‘Socha’ will be available on transparent smoke 12” and digital.

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23,11

Ültimo hace: 2 Años
Oak Acetator - Power Trip LP

Available on vinyl LP & CD (with extra tracks). Robin Way has been making psychedelic music for decades under the name Oak Acetator. Mostly home recorded, Oak Acetator’s world of sound encompasses an intoxicating mix of psychedelia, punk, space rock and pop, with the emphasis strongly on hallucinogenic psych. ‘Power Trip’ is Robin’s seventh album, his previous six coming out on the hallowed Dig The Fuzz label, though strangely, none of his work appears on Discogs! Robin wrote, produced and played everything on ‘Power Trip’ in his Folkestone attic studio, and it is a work of crazed brilliance. Respected musician and writer Louis Wiggett summed it up succinctly when he said of Power Trip ‘Oh, that bonkers genius from Folkestone, can’t get enough of it. So good, almost sounds like a cosmic Stooges with synths and deadpan humour. Love it!’ And he’s absolutely right. Robin exudes his unique, very British style from the first moment to the last, sounding at times like Johnny Rotten backed by Hawkwind, but with touches of Gong and Krautrock thrown in for good measure, but really just like himself. It’s a total joy to be able to put this deranged masterpiece out on Blue Matter. We adore it, and we hope you will too

Reservar25.02.2024

debe ser publicado en 25.02.2024

26,85
Davy Jones - The Bell Records Story LP

7A Records is proud to present Davy Jones "The Bell Records Story". A lavish reissue of Davy Jones' self-titled album remastered with 6 bonus tracks. The CD version comes with a big 36 page colour booklet, extensive liner notes from Monkees historian Mark Kleiner and rare and previously unseen pictures. This reissue gives fans the opportunity to reassess an album that was unfairly neglected by record buyers at the time of its initial release in the fall of 1971.

Prior to entering the studio with producer Jackie Mills, Jones had recorded a batch of more somber and adult contemporary-sounding demos than the eventual Bell recordings of big band sunshine pop. While the latter played quite squarely into Jones’ established image; the former suggested another path that may (or may not) have launched Jones into a more fecund musical and commercial direction. Who can say? At the end of the day, we have these recordings and their manifold (and for too long overlooked) pleasures to enjoy, a worthy entry in the broad category of early seventies sunshine pop and in the specific canon of Davy Jones and Monkees-related recordings. Here is primetime Davy Jones, singing like an angel, and pointing to a love that leads to joy for all mankind. This release comes with a Booklet & Liner Notes & Photos

Reservar23.02.2024

debe ser publicado en 23.02.2024

44,96
Joy Division - Martin Hannettfs Peronal Mixes LP 2x12"

A repress of this long out of print album. 300 only LPs some on Yellow vinyl and some on Green vinyl randomly picked. Gatefold sleeves with 180gm vinyl. Discovered by friends of Martin Hannett and with input from one of his relatives,these recordings give a rare insight into his production ideas for Joy Division and his relationship with the band.,the strange things/ sound effects they recorded in the studio together etc etc. The studio chit chat and interplay between Hannett, Gretton and Joy Division members is all here as Martin left his own tape machine running throughout studio sessions. On this album we have rare alternative mixes of Joy Division that were Martin's personal favourites and he had the forethought to get the band members to give him control of these recordings. A must for all Joy Division fans.

Reservar23.02.2024

debe ser publicado en 23.02.2024

35,71
John Robinson & Figub Brazlevic - Live Life And Tell Stories

I am thrilled to share with you the upcoming release of Live Life and Tell Stories, the new album by Figub Brazlevic & John Robinson set to release in the spring of 2023. This album is a celebration of John Robinson's love for storytelling, which has been evident since he was a young child, and his passion for hearing epic storytelling from many of his favorite emcees of the golden era of hip hop.

The connection between Figub Brazlevic and John Robinson is far from a fly-by-night or simply another international internet collaboration. The two met in 2009 during Robinson’s first time touring in Germany, and shortly after, Figub remixed J.R.’s group Scienz Of Life’s Leviathan album for the love and respect of the music. The remixes, which have yet to be released, impressed J.R. and his SOL crew, and he knew he would work together in the future with Figub. That time has come, and the message is clear: Live Life and Tell Stories is a seamless blend of Robinson’s thought-provoking narratives and Brazlevic’s abstract jazzy boombap soundscapes.

This album promises to take listeners on a sonic journey of dope grooves and ill storytelling, where Robinson's unique storytelling abilities are masterfully interwoven with Brazlevic's jazzy, boombap beats. From start to finish, Live Life and Tell Stories is sure to captivate audiences and keep them grooving to its infectious beats.

In an era where the music industry is dominated by short-lived trends, it is refreshing to see two seasoned artists come together to create music that is both timeless and meaningful. This album is a perfect example of what can happen when artists come together to create something truly unique, and I can't wait for its release in the spring of 2023.

So mark your calendars, because Live Life and Tell Stories is set to release in the spring of 2023. This is an album you won't want to miss, so be sure to push play and let Figub Brazlevic & John Robinson take you on a sonic journey of dope grooves and ill storytelling. Let's go!

Reservar23.02.2024

debe ser publicado en 23.02.2024

22,31
Various - A SPECIAL RADIO ~ TV RECORD - NR. °23

Sdban Records continues its reissues of the legendary library series 'A Special Radio - TV Record' with Selection 23, releasing a variety of notable tracks from the 70s library label together on a physical compilation for the first time. With this release, the label continues the vinyl reissues of the Belgian imprint 'Selection Records,' featuring tracks originally released between 1976 and 1981.

Essentially, the tracks take you through a cinematic musical landscapewhere funk and soul merge with a hint of jazz, always evoking a sense of familiarity.

One name that immediately springs to mind is René Costy. From this virtuoso and insatiable artist, the compilation 'Expectancy' was previously released. With 'Strange Dream' and 'Crystal Waltz,' he shows once again that he was not only a versatile composer but also a curious jazz cat. With 'Space Shuttle Jazz', pianist and harmonica Jacques Siroul shows his fascination for synthesizers. Which, as a composer, earned him an unofficial title as an expert in music on demand. This, and much more, make Selection 23 a must-have for fans of previous compilations like Beat Action, Funky Chicken, and Funky Chimes!

Reservar23.02.2024

debe ser publicado en 23.02.2024

22,90
JOYCE HARRIS - I GOT MY MOJO WORKING / NO WAY OUT

Joyce Harris was born in Kentucky in 1939 and moved to New Orleans with her family when she was 13 years old. Harris learned to play guitar, write songs and was soon performing duets with her younger sister Judy. They released three singles – ‘He’s The One’ / ‘Hey Pretty Baby’, ‘Washboard Sam’ / ‘Nursery Rock (Beedle De Bop)’ and ‘Hey Little Baby’/ ‘Rock And Roll Kittens’ – as Judy and Joyce in 1958. When her sister got married, Harris spent a year singing in restaurants in Mexico and a first solo single ‘It’s You’ / ‘The Boy In School’ was released on New York’s U.T. Records at the end of 1959. A talent spotter saw her in Mexico and was impressed enough to secure her an audition with the Austin, Texas-based Domino label. Harris was soon in the studio with Tommy Kaspar and Don Burch of Domino’s vocal quartet, the Slades, to record ‘I Cheated’ / ‘Do You Know What It’s Like To Be Lonesome?’ (R-903) in October 1960. ‘No Way Out’ / ‘Dreamer’ (R-905) followed in January 1961 and sold strongly enough to be licensed to Infinity Records. On 7 April 1961, Harris performed ‘No Way Out’ live on TV on American Bandstand. Three more singles would be issued on different labels between 1963 and 1966.

Harris’ cover version of ‘I Got My Mojo Working’ – backed by Sonny Rhodes’ group the Daylighters –was recorded at the ‘No Way Out’ session and remained unissued until Ace put it out on our “The Domino Records Story” in 1997 (CDCHD 506). With renewed interest in Harris we are delighted to pair this ‘Trailer’ version of ‘I Got My Mojo Working’ with ‘No Way Out’ as a 7” single.

Drop the needle and shake your stuff.

Reservar23.02.2024

debe ser publicado en 23.02.2024

13,87
Samsara Joyride - The Subtle And The Dense LP

Die Wiener Samsara Joyride mit ihrem zweitem Longplayer, dem ersten auf Tonzonen. Von Beginn an stand für die Band eine Fusion des klassischen Rocksounds der 70er und 90er Jahre im Mittelpunkt, dabei bewegt sich die Band stilistisch frei zwischen Blues-, Psych- und Stoner-Rock. Eingängige, hypnotisierende Riffs, durchsetzt mit euphorisierenden Gitarrensoli und markanten Bariton-Vocals bestimmen die Songs - ein Spiel zwischen Altbewährtem und Experimentellem, zwischen Wiederholungen und Wendungen. 2023 wurden sieben neue Tracks geschmiedet, die zwar noch erkennbar im Stil des Debütalbums gegründet sind, sich aber in Sachen Komplexität und Experimentierfreude deutlich abheben. "The Subtle And The Dense" tritt schon vom ersten Ton an nicht nur deutlich heavier und progressiver, sondern vor allem selbstbewusster auf. Es wurde deutlich mutiger mit dem Einsatz von Hintergrundstimmen und Gesangsharmonien experimentiert. Leadgitarrist Michael Haumer übernimmt den größten Teil des Background-Gesangs, wobei sein kräftiger Tenor Miehes dunklen Bariton perfekt ergänzt. Aber auch Laura Fichtenkamms klare und weiche Frauenstimme bildet einen harmonischen Kontrast zur Hauptstimme. Verglichen mit dem ersten Album ist der Gitarrensound von Miehe und Haumer gleichzeitig subtiler und dichter. Wo früher noch live improvisiert wurden, finden sich heute fast ausschließllich in akribischer Kleinarbeit ausgearbeitete Lead-Gitarren-Parts, die mühelos zwischen Blues-, Metal und Stonerrock wechseln. Andreas Mittermühlners mal peitschenden, mal wuchtig stampfenden, immer jedoch punktgenauen Drums und Daniel Batliners vibrierend-groovender, alles andere als im Hintergrund stehender Bass, bilden gemeinsam das Rückgrat und den Puls der Platte, und bieten so den schneidenden Höhen von Haumers Sologitarre Fundament und Rahmen zur Entfaltung. Daraus ergibt sich ein großes Ganzes, das manchmal nach Kyuss, manchmal nach Danzig oder Black Sabbath, manchmal sogar noch Tool oder All Them Witches klingt, immer aber nach Samsara Joyride und als Gesamtwerk weit über die Summe seiner Teile hinauswächst.

Reservar23.02.2024

debe ser publicado en 23.02.2024

30,46
Various - Boogie On The Mainline A Collection of Rare Disco, Funk and Boogie from Germany 1980-1987

German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.

Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist

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30,21

Ültimo hace: 2 Años
Oum Shatt - Opt Out LP

Oum Shatt

Opt Out LP

12inchLPWANDA6
Wanda Y.
23.02.2024

Six years ago, Oum Shatt released a critically acclaimed debut album that led to Song of the Year awards from Berlin Radio Eins ("Gold To Straw") and TAZ Popblog ("Power To The Women Of The Morning Shift"), as well as BBC and Arte features and appearances at SXSW, Transmusicales in France and Electric Picnic in Ireland. Now, the Berlin-based band, whose members are otherwise known from bands such as Kissogram, Fenster, Die Türen, Golden Showers and Peaches, consisting of singer and songwriter Jonas Poppe, founding member Chris Imler on drums, guitarist Richard Murphy, and Rémi Letournelle on bass and synthesizer – return with a second effort that even surpasses their debut. Building on the minimal-rock style of their debut album (Vogue Magazine), OUM SHATT weaves a mystic, at times psychedelic soundscape with meandering guitars, a wild percussive aesthetic, and Jonas Poppe’s evocative, mantra-like baritone. "Opt Out" also stands as a thematic concept album, delving into the individual's various forms of resistance against societal expectations. While drawing from obscure influences, the album remains unmistakably unique.

Opt Out by Oum Shatt, released 26 January 2024, includes the following tracks: "Love the Way She Stands", "Madame LeSoleil LeVant", "Over the World and Out", "Investors" and more.

This version of Opt Out comes as a 1xLP.

The vinyl is pressed as a blue disc.

Reservar23.02.2024

debe ser publicado en 23.02.2024

27,52
Atoll - Human Extract & Inhuman Implan LP 2x12"

Introducing Atoll: Unleashing the Unrelenting Power of extreme Metal... Prepare for an auditory assault like never before as extreme metal band Atoll is set to unleash their bone-shattering new double Album "Human Extract/Inhuman Implants." With brutal grooves, guttural vocals, and a relentless onslaught of sonic chaos, Atoll continues to redefine the boundaries of the death metal genre. "Human Extract/Inhuman Implants" is a merciless dive into the darkest depths of the human psyche. Drawing inspiration from the macabre and the unknown, Atoll's latest offering takes listeners on a spine- chilling journey. With hauntingly atmospheric lyrics, the band delves deep into the horrors of this otherworldly experience, creating a musical narrative that will leave fans on the edge of their seats. True to their signature style, Atoll unleashes a sonic tempest upon the listener, combining relentless blast beats, blistering guitars, and soul-crushing basslines. The guttural vocals pierce through the dense wall of sound, delivering a sinister intensity that adds a chilling layer of malevolence to the composition. "Human Extract" showcases the band's exceptional musicianship and their unwavering commitment to pushing the boundaries of extreme metal. Atoll has amassed a loyal following through their relentless live performances and uncompromising dedication to their craft. Their ability to conjure an electrifying atmosphere that grips audiences, coupled with their unmatched stage presence, has earned them a reputation as one of the most formidable forces in the metal scene. With "Human Extract," Atoll proves once again why they are at the forefront of the Extreme metal movement. "We wanted to create a sonic experience that would engulf listeners in an eerie atmosphere, where the boundaries between reality and the unknown blur," says Wade Taylor the band's vocalist. "With 'Human Extract,/Inhuman Implants' we aimed to capture the essence of fear and vulnerability, delivering a musical journey that mirrors the horrors of alien abduction and the horrors of earth and man. It's an intense, cathartic exploration of the human condition." -Atollbone-shattering new Album "Human Extract." With brutal grooves, guttural vocals, and a relentless
onslaught of sonic chaos, Atoll continues to redefine the boundaries of the death metal genre. Beautiful
bloodwork petri dish colored vinyl in gatefold sleeve.

Reservar23.02.2024

debe ser publicado en 23.02.2024

30,04
THE CHILDREN'S HOUR - GOING HOME LP

In the early aughts, The Children"s Hour produced a genial, naive-adjacent, front-porch take on Josephine Foster"s celebrated solo music with the album SOS JFK, then disappeared from the face of the earth. The belated issue of their second album from 2003 furthers their arc delightfully. David Pajo"s Aerial-M-esque drums and bass elevates Josephine and Andy Bar"s shared vibe of love, pure and simple, to an apex of local band barroom bliss.

Reservar23.02.2024

debe ser publicado en 23.02.2024

28,78
Joe Yellow - U.S.A.

Joe Yellow

U.S.A.

7"-VinylJS7S389
JET SET RECORDS
23.02.2024

Joe Yellow is a studio project started in 1983 by Domenico Ricchini and the producers Miki Chieregato and Roberto Turatti.Their big hit Eurobeat / Hi NRG tune "U.S.A."('92) will be 7inch on first time, with Japanese imaginary jacket.The song became famous in Japan when dance-pop group Da pump covered it.

Reservar23.02.2024

debe ser publicado en 23.02.2024

25,17
AND ALSO THE TREES - MOTHER-OF-PEARL MOON LP

andAlso The Trees

MOTHER-OF-PEARL MOON LP

12inchAATTLP14
AATT
23.02.2024

'And Also The Trees' compelling new album, 'Mother-of-Pearl Moon', was born from a series of extraordinary electric guitar improvisations created by guitarist Justin Jones in the pre- and postdawn hours during a month of solitude in 2020. Each piece then developed in its own way - the guitar, often left in its raw, unaltered form, is accompanied by the voice of his brother Simon, bringing imagery and narrative, Colin Ozanne's clarinet and piano adding poise, colour and harmony, Paul Hill's percussion creating depth_ on occasion an autoharp, a Moog_ all leading the listener from the depths of the English countryside far out in all directions of the compass. The music is often filmic, reminiscent of various film genres from the '50s to the '70s. This is most apparent in 'This path through the meadow', a song that explores the intertwining of human nature and nature in its animal and botanic form, and in its video where the band appear to be performing to an imaginary screening. Elsewhere, the album title track transports the listener across the oceans to the Far East...and to its exotic gardens, still waters and the 'Mother-of-pearl moon'. And Also The Trees (AATT) formed during the original post-punk era in rural Worcestershire, an environment that has provided a constant inspiration to a group whose music has often explored the dark underbelly as well as the beauty of the British countryside. They are renowned for their captivating live performances, a unique style of mandolin-like electric guitar, evocative lyrics and dark jazz rhythms - not to mention a creative independence fiercely preserved for over four decades. Founded by singer Simon Jones and his guitarist brother Justin, AATT have maintained a continuous presence on the post-punk, alternative rock and Gothic scenes worldwide. They have released fifteen studio albums.

Reservar23.02.2024

debe ser publicado en 23.02.2024

28,78
Martin Carthy - Martin Carthy LP

Martin Carthy

Martin Carthy LP

12inchTTSLP005
TOPIC
23.02.2024

This vinyl re-pressing of Martin Carthy's Debut album is released to commemorate Topic's 85th anniversary in 2024 - Limited edition of 1000 copies - Black vinyl, standard weight with black, polylined inner sleeves. In the early 1960s, the approach Martin Carthy took to folk music was nothing short of revolutionary, albeit a relatively quiet revolution befitting of his humble nature. You wouldn't find Carthy's music clambering up the singles charts; his was not a face adorning the teen magazines. Instead, his influence was felt at a grass-roots level. He plied his trade in the folk clubs, which is where the likes of Bob Dylan and Paul Simon sought him out, enamoured of his traditional repertoire and keen to learn songs like 'Scarborough Fair' and 'Lord Franklin' directly from him before adapting them for their own purposes.

His debut eponymous album, re-released here, on vinyl by Topic Records as part of their ongoing Topic Treasures series, is a snapshot of the work he was doing at the time.

Originally finding its way into the world in 1965, courtesy of Fontana Records, Martin Carthy pulled together 14 songs from his burgeoning repertoire. Produced by Terry at the Philips Recording Studios in Marble Arch, the album was a must-learn checklist for budding guitarists and folk club orgas, and, to this day, remains an essential listen for anyone attempting to find their way into traditional English folk music. Most people turn up for 'Scarborough Fair', very few leave without getting hooked on 'High Germany', 'Sovay' and 'Ye Mariners All'.

The album also introduces Carthy's earliest collaborations with Dave Swarbrick, an enduring and much-copied partnership that lasted, off and on, until Swarbs death in 2016, and became a blueprint for how guitar and fiddle duos ought to sound. While Carthy had been building up his solo repertoire over the previous five or six years, several of the duo arrangements on this album ('Lovely Joan', 'A Begging I Will Go', 'Broomfield Hill') were thrown together in the studio, adding a fizz and freshness to the recordings. This became the pair's standard way of working. "We used to rehearse on stage, in front of the audience," he explains today.

In the years since, Martin Carthy has become the veteran of over 40 studio albums and a veritable beacon for musicians and music lovers seeking "the real stuff." Pressed to name his favourite, he needs no time to think it over. "I always stand by the first album," he says of his 1965 debut. "I love it. There are some things on it I think I couldn't have done better. There was a clarity of purpose."

And, with this re-release, we can be sure that newcomers get to hear that sense of purpose in the best possible quality, as clearly as Bob Dylan, Paul Simon and a generation of folk lovers did six decades ago.

Reservar23.02.2024

debe ser publicado en 23.02.2024

31,51
Papooz - Resonate LP

Papooz

Resonate LP

12inchHA012LP
Half Awake
23.02.2024

PAPOOZ is set to release their fourth album, "RESONATE". The eleven tracks on the album showcase Papooz's ability to venture into both rock and pop, fueled by their gift for melodies that go straight to the heart, finely crafted lyrics carried by the sublimely androgynous voices of Armand and Ulysse, and an irresistible, joyful, and nonchalant groove.

While alternating between laughter and tears, melancholy and hedonism, ballads and calls to dance, introspection and letting go, with the same ease and spontaneity. Like life resonating within each of us, in essence.For this album, Ulysse and Armand changed their way of writing for the first time, enlisting the help of Jesse Harris, an American songwriter known for his work with Melody Gardot, Gabi Hartman, and Norah Jones.They then finalized and refined the songs from these writing sessions with producer Patrick Wimberly. Formerly of Chairlift, Wimberly is the sought-after producer who has worked with artists like Blood Orange, MGMT, Solange, Cola Boyy, and recently on Lil Yatchi's incredible rap opera.

Reservar23.02.2024

debe ser publicado en 23.02.2024

19,29
The Chronicles Of Father Robin - The Songs & Tales Of Airoea - Book 1 LP
También disponible

Book 2[34,41 €]


The Chronicles Of Father Robin ist eine norwegische Prog-Rock-Supergruppe, deren Mitglieder von den norwegischen Symphonie-Prog-Masters Wobbler, den immer undefinierbaren Tusmørke, den erfahrenen Post-Rockern The Samuel Jackson Five und dem schwer fassbaren Prog-Juwel Jordsjø stammen. 'The Songs & Tales Of Airoea', an dem seit 30 Jahren gearbeitet wird, ist ein zusammenhängendes Dreifach-Konzeptalbum mit insgesamt 18 Songs, die über einen Zeitraum von drei Jahrzehnten in einer alternativen archaischen Welt angesiedelt sind. Die erste beiden Alben, 'Book I' & 'Book II', erscheinen nun als CD und LP. Durch lange Jam-Sessions und fein abgestimmte Arrangements entwickelte die Band ein fortlaufendes System, in dem jeder Song mit den anderen verknüpft ist. Ganzheitliche Impulsivität und Ideen, altruistische Freundschaft, Musik, Fantasien und ein schlüssiges Konzept.
Beginnend mit dem sakralen und atmosphärischen Over Westwinds führt 'Book II' weiter auf eine dynamische musikalische Reise durch üppige und abwechslungsreiche Klanglandschaften, die Visionen der goldenen Ära des Progressive Rock hervorrufen. Mit dem geschmackvollen Einsatz verschiedener Instrumente wie Flöte, Mellotron und Glockenspiel und alles verpackt in einer dynamischen und organischen Produktion, sind beide Alben Juwelen, die es für jeden Fan von Progressive Rock zu entdecken gilt.
'Book III' erscheint hoffentlich zeitnah.

Reservar23.02.2024

debe ser publicado en 23.02.2024

34,41
MARY TIMONY - UNTAME THE TIGER LP

Mary Timony

UNTAME THE TIGER LP

12inchMRGLP834
Merge
23.02.2024

For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive path through the world of independent music, most recently as vocalist and guitarist of acclaimed garage-pop power trio Ex Hex (Merge) but also as a member of seminal postpunk band Autoclave (Dischord), celebrated leader of the deeply influential Helium (Matador), multifaceted solo artist (Matador, Lookout!, Kill Rock Stars), and a co-founder of supergroup Wild Flag (Merge). Described by Sleater-Kinney's Carrie Brownstein as "Mary Shelley with a guitar" and dubbed "a trailblazer and an innovator" by Lindsey Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation's most influential. Although she has remained a cult hero and critical favorite since the early '90s, Timony's many triumphs have long been counterbalanced by crippling doubt and self-nullification. Her fifth solo album, Untame the Tiger, approaches these emotions head on. Her first solo release in 15 years is a startling document of an artist fully coming into her own power during the fourth decade of her career. It is the product of lessons learned during life-altering struggle. The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term relationship and was bookended by the deaths of Timony's father and mother. The album was recorded during a two-year period during which she was the primary caregiver for her ailing parents. The tectonic psychic shift Mary experienced due to this loss informs many of her lyrics. Standout track "No Thirds" "is a song about losing everything and having to keep on going," says Timony. "I wanted the verses to sound like a wide-open barren space, like driving across a desert, because that is what the song is about - losing people and the feeling that your future is a giant, wide-open blank space." The stripped-back acoustic instrumentation of "The Guest" conjures Sweetheart-era Byrds. Timony describes it as a song sung directly to loneliness: "I was imagining loneliness as a house guest who keeps knocking on your door. I thought it would be funny to say loneliness is the only one who always comes back." Untame the Tiger does not eschew Timony's guitar hero reputation; in fact, "Summer" relishes in it, a straight-up banger that you'd be half tempted to call "no frills" until its initial garage rock stomp breaks into the unexpected bliss of a twin guitar solo conclusion. "I wanted the recording to have the energy of the Kinks, early Dio and Elf, or Rory Gallagher," she explains. "I was also listening to a lot of Gerry Rafferty's first solo album and was inspired to have two simultaneous guitar solos." Untame the Tiger picks up the thread woven through Timony's freak-folk-anticipating solo albums of the early '00s. Basic tracks were recorded at Studio 606 in Los Angeles, with Timony backed by Dave Mattacks, drummer of legendary British folk-rock band Fairport Convention. "Mattacks is a hero of mine and one of my favorite musicians of all time. He is a true legend. I never in a million years thought he'd agree to play on my record," says Timony. "Before the session, I had a panic attack and had to go sit alone in the parking lot_ Once we started playing together, it felt so great that the fear subsided and turned into excitement. His playing felt instantly familiar, which makes sense because it's the foundation of many of my favorite records." Untame the Tiger was produced by Mary Timony, Joe Wong, and Dennis Kane. The album was recorded over the course of two years at Studio 606, Magpie Cage, 38North, and in Mary's basement Additional engineering by J. Robbins (Jawbox, Burning Airlines). Musicians include Chad Molter (Faraquet, Medications), David Christian (Karen O, Hospitality), and Brian Betancourt (Cass McCombs, Devendra Banhart, Hospitality). The album was mixed by Dave Fridmann (MGMT, The Flaming Lips, Mercury Rev), Dennis Kane, and John Agnello (Dinosaur Jr., Kurt Vile, Waxahatchee).

Reservar23.02.2024

debe ser publicado en 23.02.2024

24,79
MARY TIMONY - UNTAME THE TIGER LP

Mary Timony

UNTAME THE TIGER LP

12inchMRGLPC1834
Merge
23.02.2024

For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive path through the world of independent music, most recently as vocalist and guitarist of acclaimed garage-pop power trio Ex Hex (Merge) but also as a member of seminal postpunk band Autoclave (Dischord), celebrated leader of the deeply influential Helium (Matador), multifaceted solo artist (Matador, Lookout!, Kill Rock Stars), and a co-founder of supergroup Wild Flag (Merge). Described by Sleater-Kinney's Carrie Brownstein as "Mary Shelley with a guitar" and dubbed "a trailblazer and an innovator" by Lindsey Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation's most influential. Although she has remained a cult hero and critical favorite since the early '90s, Timony's many triumphs have long been counterbalanced by crippling doubt and self-nullification. Her fifth solo album, Untame the Tiger, approaches these emotions head on. Her first solo release in 15 years is a startling document of an artist fully coming into her own power during the fourth decade of her career. It is the product of lessons learned during life-altering struggle. The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term relationship and was bookended by the deaths of Timony's father and mother. The album was recorded during a two-year period during which she was the primary caregiver for her ailing parents. The tectonic psychic shift Mary experienced due to this loss informs many of her lyrics. Standout track "No Thirds" "is a song about losing everything and having to keep on going," says Timony. "I wanted the verses to sound like a wide-open barren space, like driving across a desert, because that is what the song is about - losing people and the feeling that your future is a giant, wide-open blank space." The stripped-back acoustic instrumentation of "The Guest" conjures Sweetheart-era Byrds. Timony describes it as a song sung directly to loneliness: "I was imagining loneliness as a house guest who keeps knocking on your door. I thought it would be funny to say loneliness is the only one who always comes back." Untame the Tiger does not eschew Timony's guitar hero reputation; in fact, "Summer" relishes in it, a straight-up banger that you'd be half tempted to call "no frills" until its initial garage rock stomp breaks into the unexpected bliss of a twin guitar solo conclusion. "I wanted the recording to have the energy of the Kinks, early Dio and Elf, or Rory Gallagher," she explains. "I was also listening to a lot of Gerry Rafferty's first solo album and was inspired to have two simultaneous guitar solos." Untame the Tiger picks up the thread woven through Timony's freak-folk-anticipating solo albums of the early '00s. Basic tracks were recorded at Studio 606 in Los Angeles, with Timony backed by Dave Mattacks, drummer of legendary British folk-rock band Fairport Convention. "Mattacks is a hero of mine and one of my favorite musicians of all time. He is a true legend. I never in a million years thought he'd agree to play on my record," says Timony. "Before the session, I had a panic attack and had to go sit alone in the parking lot_ Once we started playing together, it felt so great that the fear subsided and turned into excitement. His playing felt instantly familiar, which makes sense because it's the foundation of many of my favorite records." Untame the Tiger was produced by Mary Timony, Joe Wong, and Dennis Kane. The album was recorded over the course of two years at Studio 606, Magpie Cage, 38North, and in Mary's basement Additional engineering by J. Robbins (Jawbox, Burning Airlines). Musicians include Chad Molter (Faraquet, Medications), David Christian (Karen O, Hospitality), and Brian Betancourt (Cass McCombs, Devendra Banhart, Hospitality). The album was mixed by Dave Fridmann (MGMT, The Flaming Lips, Mercury Rev), Dennis Kane, and John Agnello (Dinosaur Jr., Kurt Vile, Waxahatchee).

Reservar23.02.2024

debe ser publicado en 23.02.2024

26,26
Bright & Black ft. Toppinen/Järvi/Baltic Sea Phil. - The Album LP 2x12"

Ein Sinfonieorchester. Komponisten aus der Welt des Metal. Ein wilder Dirigent. Ein wirklich einzigartiger Solist. Attitüde und Talent. Ein Album und eine Live-Show. Das ist Bright & Black mit Eicca Toppinen, Kristjan Järvi und Baltic Sea Philharmonic.

Metal und Orchestermusik, zwei parallel existierende Welten, prallen endlich aufeinander und ein noch nie gehörter Sound entsteht. In einem beispiellosen Schritt verschmelzen die Welt des Metal mit der Welt des Orchesters, indem die in der Metal-Szene verwurzelten Autoren direkt für das Orchester komponieren, was diesem ein völlig neues Set an Farben gibt, um eine Serie von neuen Klängen zu erzeugen. Mit einem Knall. Die vom Baltic Sea Philharmonic unter der Leitung von Kristjan Järvi und der Solistin Eicca Toppinen aufgeführten Kompositionen stammen von Eicca Toppinen (Apocalyptica), Fredrik Åkesson (Opeth), Erik Danielsson (Watain), Nico Elgstrand (Entombed AD), Tomas Haake/Dick Lövgren (Meshuggah), Jacob Hellner und Kristjan Järvi.

Die vollständige Dolby Atmos-Produktion des Albumprojekts wurde im Herbst 2022 im Studio des Estnischen Nationalradios in Tallinn aufgenommen. Produziert von Jacob Hellner. Aufgeführt von Baltic Sea Philharmonic. Dirigent: Kristjan Järvi. Orchestrierungen von Jonny Abraham. Abgemischt in Stockholm von Jacob Hellner und Stefan Glaumann.

Reservar23.02.2024

debe ser publicado en 23.02.2024

31,89
Bright & Black ft. Toppinen/Järvi/Baltic Sea Phil. - The Album LP 2x12"

Ein Sinfonieorchester. Komponisten aus der Welt des Metal. Ein wilder Dirigent. Ein wirklich einzigartiger Solist. Attitüde und Talent. Ein Album und eine Live-Show. Das ist Bright & Black mit Eicca Toppinen, Kristjan Järvi und Baltic Sea Philharmonic.

Metal und Orchestermusik, zwei parallel existierende Welten, prallen endlich aufeinander und ein noch nie gehörter Sound entsteht. In einem beispiellosen Schritt verschmelzen die Welt des Metal mit der Welt des Orchesters, indem die in der Metal-Szene verwurzelten Autoren direkt für das Orchester komponieren, was diesem ein völlig neues Set an Farben gibt, um eine Serie von neuen Klängen zu erzeugen. Mit einem Knall. Die vom Baltic Sea Philharmonic unter der Leitung von Kristjan Järvi und der Solistin Eicca Toppinen aufgeführten Kompositionen stammen von Eicca Toppinen (Apocalyptica), Fredrik Åkesson (Opeth), Erik Danielsson (Watain), Nico Elgstrand (Entombed AD), Tomas Haake/Dick Lövgren (Meshuggah), Jacob Hellner und Kristjan Järvi.

Die vollständige Dolby Atmos-Produktion des Albumprojekts wurde im Herbst 2022 im Studio des Estnischen Nationalradios in Tallinn aufgenommen. Produziert von Jacob Hellner. Aufgeführt von Baltic Sea Philharmonic. Dirigent: Kristjan Järvi. Orchestrierungen von Jonny Abraham. Abgemischt in Stockholm von Jacob Hellner und Stefan Glaumann.

Reservar23.02.2024

debe ser publicado en 23.02.2024

31,89
MARINE - SAME BEAT LP

Les Disques du Crepuscule presents a unique anthology by artful Brussels postpunk-funk band Marine, fondly remembered for their dazzling debut single ‘Life In Reverse’ in 1981, and now back with a clutch of brand new studio tracks.

The cover art is by LDDC art director Benoit Hennebert and based on the ‘Same Beat’ single sleeve from 1982. The vinyl edition s of TWI 143 is limited to 500 copies pressed on blue vinyl and includes a digital link. All tracks are newly remastered in 2023.

Formed in late 1980 around charismatic frontman Marc Desmare together with musicians from infamous punk band Mad Virgins, Marine made an early splash supporting Orange Juice and Josef K at the legendary Plan K venue, Postcard Records afterwards keeping tabs on the Sound of Young Brussels.
Snapped up instead by chic boutique label Les Disques du Crepuscule, Marine released their infectious debut single ‘Life In Reverse’ in April 1981, attracting rave reviews in the Belgian and UK press, reaching the giddy heights of #6 on the NME indie chart, and even being invited to record a radio session for John Peel - a world first for a Belgian band.

Soon favourable comparisons were being drawn with The Pop Group, A Certain Ratio, Defunkt, James White and Fire Engines, some pundits even sensing a new Haircut 100. ‘We’re not a fashion band,’ insisted Marc in UK rock weekly Sounds, ‘and it’s not really dance music. But all the same I’m glad people dance to it.’

Alas, artistic differences caused the fast-rising group to part ways in a London studio, when half the band quit to form pop-funk sophisticates Allez Allez. With new Marines on board, Marc and bassist Paul Delnoy went on to release two further singles (‘How to Keep Cool’ and ‘Same Beat’), gigged extensively around France and the Low Countries, and played a headline show at The Venue in London. ‘Fine, disciplined and gleeful rhythm workers,’ enthused Chris Bohn in NME. ‘A happy, contagiously clean aural equivalent to a Serge Clerc cartoon.’

Alas by the summer of 1982 Marine were all washed up, with Marc going on direct films and documentaries as Marco Laguna. Four decades later, finally heeding desperate pleas from Crepuscule that his sensational first band never cut an album, Marc has written and recorded another 6 remarkably authentic sounding Marine songs with help from like-minded friends in Brussels and Paris, once more drawing on a heady mix of supercool funkabilly, jazz and soundtrack influences.

‘It was an incredibly strange experience to revisit my past,’ says Marc, ‘but definitely fun. I’m glad, and I’m proud!’

Reservar23.02.2024

debe ser publicado en 23.02.2024

22,65
DÂDALUS & BIKARUS - KRAUS IS THE LIMIT (REMIXES) EP

Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems remix “Kraus is the Limit” by the Zurich electronic-wave duo Dâdalus & Bikarus and take the original to new dimensions.

“Kraus is the Limit (Remixes)” preserves the raw energy and emotion of Dâdalus & Bikarus’ live performances while introducing new textures. It is not merely a collection of remixes but an intimate experience that invites listeners to rediscover the original tracks through the lenses of Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems.

Saeko Killy translates Voran into a mesmerizingly timeless journey that is even more kraut-y and space-y. Jamie Paton brings his distinctive style to the table by adding laidback and dubby vibes to Gone and Youri Gagarine. Andrei Rusu strippes down Tous Tes Mensonges, creating a sonic whirlwind that takes the listener on an thrilling and hypnotic ride. Anastasia Zems’ take on Voran lets us wallow in the depths of an acid abyss. A tripped-out experience is guaranteed.

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14,24

Ültimo hace: 20 Meses
THE BODY & DIS FIG - ORCHARDS OF A FUTILE HEAVEN

The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production. From being a member of Tianzhuo Chen"s performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make "heavy music". Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig"s distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty.

Reservar23.02.2024

debe ser publicado en 23.02.2024

32,35
C. Diab - Imerro

C. Diab

Imerro

12inchTU005LP
Tonal Union
23.02.2024

Canadian bowed guitarist and multi-instrumentalist C. Diab announces his fifth album Imerro, out February 16th, and presents the trip-infused lead single 'Lunar Barge'.

(Real name) Caton Diab creates soundscapes that evoke the spectacular wilderness of his childhood home in northern Vancouver Island. Incorporating experimental textures, folk overtones and tape manipulations, C. Diab uniquely finds the unseen spaces in-between, and fittingly dubs his creations "post-classical grunge". Imerro explores new sonic realms and is the culmination of a sound world that Diab has built up since the critically acclaimed 'No Perfect Wave' (2016, Injazero) and subsequent releases 'Exit Rumination' (2018), 'White Whale' (2020) and 'In Love & Fracture' (2021). The Wire calls it "ambient music in the best sense - music for living, which can be both non-invasive and immersive...epic"

Imerro was recorded in late July and August of 2021 at Risque Disque Studio in Cedar, BC, during the summer's unprecedented second "heat dome", which saw temperatures soaring to over 40 degrees. Recorded with regular collaborator and engineer Jonathan Paul Stewart, the pair journeyed by boat to the studio to a place with minimal distraction with a plan of "simple ecstatic improvisation." Diab explains: "I wanted to place myself in a space for creation with little thematic pretence, with the belief that music 'shows its face' as you move along. I would pick up an instrument, whether I had experience playing it or not, and make a sound. If it wanted to be played, it would play."

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20,97

Ültimo hace: 2 Años
Job For A Cowboy - Moon Healer

Job For A Cowboy

Moon Healer

12inch03984160331
Metal Blade
23.02.2024

"Moon Healer" ist ein anschauliches Beispiel dafür, was passiert, wenn Kreativität, Ambition und Dynamik zum ersten Mal seit Jahren wieder aufeinandertreffen. Wie das von der Kritik gelobte, 2014 erschienene Album "Sun Eater" ist "Moon Healer" musikalisch facettenreich, unverschämt brutal und überzeugend konzeptionell. Mit einem aufgefrischten Line-up, bestehend aus Frontmann und Mitbegründer Jonny Davy, den Gitarristen Tony Sannicandro und Al Glassman, Bassist Nick Schendzielos und Schlagzeuger (seit 2020) Navene Koperweis, knüpft die Band nahtlos an die Erfolge von "Sun Eater" an.

Reservar23.02.2024

debe ser publicado en 23.02.2024

24,50
ANDREW JEREMY - COFFEE TALK EP. 2: HIBISCUS & BUTTERFLY

Double LP on Hibiscus & Butterfly Pea Tea Vinyl Dust off your coffee machine and prepare your warmest smile to meet your customers again in the second episode of the much-loved coffee brewing and heart-to-heart talking simulator - "Coffee Talk Episode 2: Hibiscus & Butterfly". You are a barista and your customers aren't always humans. Listen to their stories and influence their hearts with a warm cup of coffee or two. Introducing "Coffee Talk Episode 2" on vinyl. Dive into the soothing rhythms of this atmospheric lo-fi soundtrack, which captures the very essence of the Coffee Talk universe. Each groove transports you to that familiar coffee shop corner, where the patter of rain, heart-warming chatter and captivating melodies intertwine flawlessly. Presented in a stunning analogue format, the cover is drawn by Junkipatchi, Episode 2's lead writer and narrative designer. The tracks themselves have been handpicked by Andrew Jeremy, game producer and music composer, who has this to say: "The world is so chaotic that it can break you down. Just take your time to rest and re-energize with relaxing and chill music, before you start each day conquering the world once again." So, settle down with your favourite brew and let Coffee Talk Ep. 2 on vinyl guide you on a melancholic yet tranquil journey, evoking the Seattle from a parallel universe that you've come to know and love. Secure your auditory escape today and immerse yourself in an unmatched coffee shop ambiance.

Reservar23.02.2024

debe ser publicado en 23.02.2024

32,98
ANDREW JEREMY - COFFEE TALK EP. 2: HIBISCUS & BUTTERFLY

Dust off your coffee machine and prepare your warmest smile to meet your customers again in the second episode of the much-loved coffee brewing and heart-to-heart talking simulator - "Coffee Talk Episode 2: Hibiscus & Butterfly". You are a barista and your customers aren't always humans. Listen to their stories and influence their hearts with a warm cup of coffee or two. Introducing "Coffee Talk Episode 2" on tape. Dive into the soothing rhythms of this atmospheric lo-fi soundtrack, which captures the very essence of the Coffee Talk universe. Each groove transports you to that familiar coffee shop corner, where the patter of rain, heart-warming chatter and captivating melodies intertwine flawlessly. Presented in a stunning analogue format, the cover is drawn by Junkipatchi, Episode 2's lead writer and narrative designer. The tracks themselves have been handpicked by Andrew Jeremy, game producer and music composer, who has this to say: "The world is so chaotic that it can break you down. Just take your time to rest and re-energize with relaxing and chill music, before you start each day conquering the world once again." So, settle down with your favourite brew and let Coffee Talk Ep. 2 on tape guide you on a melancholic yet tranquil journey, evoking the Seattle from a parallel universe that you've come to know and love. Secure your auditory escape today and immerse yourself in an unmatched coffee shop ambiance.

Reservar23.02.2024

debe ser publicado en 23.02.2024

12,40
ANDREW JEREMY - COFFEE TALK EP. 2: HIBISCUS & BUTTERFLY

Dust off your coffee machine and prepare your warmest smile to meet your customers again in the second episode of the much-loved coffee brewing and heart-to-heart talking simulator - "Coffee Talk Episode 2: Hibiscus & Butterfly". You are a barista and your customers aren't always humans. Listen to their stories and influence their hearts with a warm cup of coffee or two. Introducing "Coffee Talk Episode 2" on tape. Dive into the soothing rhythms of this atmospheric lo-fi soundtrack, which captures the very essence of the Coffee Talk universe. Each groove transports you to that familiar coffee shop corner, where the patter of rain, heart-warming chatter and captivating melodies intertwine flawlessly. Presented in a stunning analogue format, the cover is drawn by Junkipatchi, Episode 2's lead writer and narrative designer. The tracks themselves have been handpicked by Andrew Jeremy, game producer and music composer, who has this to say: "The world is so chaotic that it can break you down. Just take your time to rest and re-energize with relaxing and chill music, before you start each day conquering the world once again." So, settle down with your favourite brew and let Coffee Talk Ep. 2 on tape guide you on a melancholic yet tranquil journey, evoking the Seattle from a parallel universe that you've come to know and love. Secure your auditory escape today and immerse yourself in an unmatched coffee shop ambiance.

Reservar23.02.2024

debe ser publicado en 23.02.2024

12,40
M. Ward - POST-WAR LP

M. Ward

POST-WAR LP

12inchMRGLP280
Merge
23.02.2024

Post-War: the fifth M. Ward album. Its songs unravel their world-wearied tales of life, love, and human kindness with an innate and special grace, helped in part by the very talented friends who join him on this record, such as Neko Case and Mike Mogis, as well as old Monsters of Folk touring buddy Jim James (My Morning Jacket

Reservar23.02.2024

debe ser publicado en 23.02.2024

26,26
Exumer - Possessed By Fire LP

High Roller Records, reissue 2024, 180g black vinyl, ltd 500, 425gsm heavy cardboard cover, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

Reservar23.02.2024

debe ser publicado en 23.02.2024

26,26
Reet Hendrikson - Reet LP

'Reet' is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969.

Reet will be loved in the same breath as ;Sibylle Baier, Vashti Bunyan, Molly Drake, Bridget st John, Reet Hendrikson deserves wider listening and recognition.

Reet Hendrikson was born in Estonia only months before the "great escape" into exile in 1944. Brought up and educated in Sweden, she went to study in the US in 1967 on a Fulbright scholarship, before she made her mark as an Estonian musician in Canada. While her arrangements of Estonian folksongs on the guitar reflected the styles of the sixties, her voice and choice of material sounded authentic and made a connection with ages past.

When Hendrikson arrived in Canada in 1968 via the US, her Estonian was native-like because of the high quality of Estonian schools in Sweden. She was thus able to characterise the identity of young ex-patriate Estonians – especially those born in exile from Soviet occupation – in a new and meaningful way. A formal musical background allowed her to create the arrangements that accompanied her simple but pure singing voice. Having heard her under northern Muskoka pines at an Estonian summer seminar, it didn't takeAndres Raudsepp ( of raindeer records)long to bring her to a recording studio. "Reet – Estonian folksongs" appeared in 1969.

Hendrikson soon found her way to the scholarly atmosphere of Boston where, as a multi-instrumentalist, she joined a group of musicians who favoured traditional folk music. Back in Sweden in the 1980ies, she was invited to join a scholarly society of Estonian young women, which she led during musical sessions. She visited Estonia as frequently as possible, trying in particular to be helpful to Estonian musicians by providing sheet music and much-needed repertoire from the Swedish National Radio Archives, where she worked for a while..

Reet Hendrikson died in Stockholm in the autumn of 2000.

Reservar23.02.2024

debe ser publicado en 23.02.2024

30,04
Clan Of Xymox - Creatures LP 2x12"

- Klassisch schwarzes Vinyl
- 2x12" Vinyl
- Deutsche Pressung
- Überarbeitetes Artwork in einem der Bildwelten würdigen Großformat
- Stabile Kastentasche
- Mehrfarbig bedruckte Innenhüllen mit allen Songtexten
- Mehrfarbig bedruckte Vinyletiketten
- Limitiert auf 500 Exemplare weltweit

Reservar23.02.2024

debe ser publicado en 23.02.2024

40,13
His Lordship - His Lordship LP

His Lordship ist eine Band mit einer Mission. Das hat auch die britische Mojo erkannt: “This band absolutely has a mission and that’s to rip people’s heads off with blistering rock’n’roll. It’s something we haven’t seen for way too long.”
Der 2021 in London gegründeten Band eilt der Ruf einer der aufregendsten Livebands voraus, die Großbritannien in den letzten 20 Jahren hervorgebracht hat.
Lorbeeren die sich das 2021 gegründete Duo aus James Walbourne (Gitarre/Gesang) und Kristoffer Sonne (Schlagzeug/Gesang) redlich erspielt hat.
Live wird die Band um Bassist Dave Page (von den Pretenders) ergänzt.
Co-produziert von David Wrench (XX, Hot Chip, Courtney Barnett etc.) und abgemischt von Wrench und Tchad Blake (The Black Keys, Arctic Monkeys etc.), kommt auf dem knapp über 30 Minuten langen Debütalbum der Band keine Langeweile auf.
Ein wilder Ritt aus 50er-Jahre-Rockabilly, New Wave, Surf-Instrumentalmusik, Post-Punk und glühendem Garagenrock der Jahrtausendwende.

Reservar23.02.2024

debe ser publicado en 23.02.2024

28,78
Ennio Morricone - Amore LP

Ennio Morricone

Amore LP

12inchVMLP259
Vinyl Magic
23.02.2024

The romantic side of Maestro Morricone contrasts the dramatic side of Thriller and Crime genre where dissonances always dominate.

For TIE ME UP! (1989) Morricone composed a delicate love theme for his one and only collaboration with the great Spanish film director Pedro Almodovar.

For FOR LOVE (1976) he created a motif for piano and orchestra as a back- ground to a love triangle.

The first sexual experiences of a teenager with older women at the end of the war in DISOBEDIENCE (1981) are accompanied by piano, strings and oboe.

“Desperate love theme” from MAKING LOVE (2000) is a very nostalgic classic tune for violin and orchestra. “Per le antica scale (Preludio)” from

DOWN THE ANCIENT STAIRS (1975) is a captivating, slow and sensual, love tune for piano and orchestra with a predominant flute solo.

“Beata and Joe” from THE STAR MAKER (1995) a sentimental theme for the two protagonists performed by an orchestra with the intervention of a classical guitar in the second part.

The crystal voice of soprano Edda Dell’Orso appears very frequently in Ennio Mor- ricone’s soundtracks as in the case of THE GOOD THIEF (1980),

THE MASTER AND MARGARITA (1972), WHAT HAVE YOU DONE TO SOLANGE? (1972), ORIENT EXPRESS (1979).

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debe ser publicado en 23.02.2024

35,25
Lemmy - Forever LP

Lemmy

Forever LP

12inch1154761
SPV
23.02.2024

FOR FANS OF: MOTÖRHEAD, IRON MAIDEN.
LEMMY Forever. LEMMY ist für immer. Diese limitierte 12inch Schallplatte, gepresst in rotem Vinyl, enthält rare Hits & Klassiker von und mit Lemmy,
der Frontröhre von Motörhead.

Reservar23.02.2024

debe ser publicado en 23.02.2024

31,30
Allie X - Girl With No Face LP

Allie X

Girl With No Face LP

12inch505616717915
TWIN MUSIC INC
23.02.2024

Girl With No Face: Das vierte Album von Allie X, Girl With No Face, ist eine gewagte Ausgrabung ihrer Identität. Eine wahnsinnige Reise in den Kopf
einer Künstlerin, die gerade drei Jahre in der Isolation verbracht hat und jeden Input verweigert hat, während sie zum ersten Mal in ihrer Karriere die
alleinige Produzentin, Autorin und kreative Stimme wurde. Inspiriert von der Technologie und dem Hedonismus der New-Wave-Szene der frühen
80er Jahre, sind die analog angehauchten Songs des Albums eine Reihe von krassen Widersprüchen - retro im Gefühl, aber ultramodern in der
Thematik, pointiert, unvorhersehbar und doch tanzbar, zugänglich und doch herrlich bedrohlich. Kurz gesagt, Girl with No Face ist völlig untypisch fü
die hypergetunten, automatisierten Formen, die den heutigen Alt-Pop dominieren.
Durchdrungen vom britischen Experimentalismus der frühen 80er Jahre, mit Anklängen an The Human League und New Order, ist das Album ein
deutlicher Schritt weg vom 2020er introspektivem und sparsamen "Cape God" - so viel schneller und bedrohlicher.

Reservar23.02.2024

debe ser publicado en 23.02.2024

30,04
OTIS SANDSJÖ - Y-OTIS TRE LP

Otis Sandsjö

Y-OTIS TRE LP

12inchWJLP63
WE JAZZ
23.02.2024

Berlin-based Swedish tenor saxophonist Otis Sandsjö returns with his third album Y-OTIS TRE on We Jazz Records. Y-OTIS TRE finds Sandsjö in close collaboration with his long-time working partner and friend, bassist/producer Petter Eldh and keyboardist Dan Nicholls.

Reservar23.02.2024

debe ser publicado en 23.02.2024

26,93
OTIS SANDSJÖ - Y-OTIS TRE LP

Otis Sandsjö

Y-OTIS TRE LP

12inchWJLPX63
WE JAZZ
23.02.2024

Berlin-based Swedish tenor saxophonist Otis Sandsjö returns with his third album Y-OTIS TRE on We Jazz Records. Y-OTIS TRE finds Sandsjö in close collaboration with his long-time working partner and friend, bassist/producer Petter Eldh and keyboardist Dan Nicholls.

Reservar23.02.2024

debe ser publicado en 23.02.2024

27,94
SKIP MAHOANEY & THE CASUALS - YOUR FUNNY MOODS

Als die Ermächtigung der 60er Jahre dem gesellschaftlichen Bankrott der 70er Jahre wich, entstand eine aufgedrehte schwarze Musik, die die Agonie Amerikas am Scheideweg vertonte. Aufgenommen bei DB Sound in Silver Spring, Maryland, von Produzent R. Jose Williams, dreht sich Your Funny Moods um die Rhythmen und Tasten des Schlagzeugers James Purdie. Von den analogen Originalbändern neu gemastert, bietet diese Jubiläumsausgabe zum 50-jährigen Bestehen der Gruppe besten Harmony Soul from the Chocolate City.

Reservar23.02.2024

debe ser publicado en 23.02.2024

24,79
SKIP MAHOANEY & THE CASUALS - YOUR FUNNY MOODS

Als die Ermächtigung der 60er Jahre dem gesellschaftlichen Bankrott der 70er Jahre wich, entstand eine aufgedrehte schwarze Musik, die die Agonie Amerikas am Scheideweg vertonte. Aufgenommen bei DB Sound in Silver Spring, Maryland, von Produzent R. Jose Williams, dreht sich Your Funny Moods um die Rhythmen und Tasten des Schlagzeugers James Purdie. Von den analogen Originalbändern neu gemastert, bietet diese Jubiläumsausgabe zum 50-jährigen Bestehen der Gruppe besten Harmony Soul from the Chocolate City.

Reservar23.02.2024

debe ser publicado en 23.02.2024

26,26
Mgmt - Loss of Life LP

Mgmt

Loss of Life LP

12inchLPMP731
MOM+POP
23.02.2024

A very "MGMT MGMT album" which the band describes as "a group of songs about love and change, first and foremost." Descriptors from the band include: bold, flavorful, playful, sincere, optimistic, perceptive. Loss Of Life was produced by MGMT and Patrick Wimberly (Solange, Lil Yachty, MGMT), with mixing and additional production by Dave Fridmann (Flaming Lips, Interpol, Spoon). The album includes the first ever MGMT song with a feature, courtesy Christine and the Queens. The album artwork has been licensed from John Baldessari's estate and is an artwork titled Noses & Ears, Etc. (Part Two). Formed in 2002, MGMT released their era-defining debut album Oracular Spectacular in 2007. One of the most influential albums of the '00’s - it went on to sell over 2 million copies worldwide and was certified Gold or Platinum in over 10 major territories, including double platinum in UK, Platinum in Australia, Gold in France and Platinum in the USA. It gave the world evergreen hits such as “Kids”, “Electric Feel” and “Time to Pretend” which have inspired, and continue to inspire new generations of artists and music fans alike to this day - those three songs combined have been streamed over 2 billion times on audio streaming platforms since released. Always taking an unexpected creative turn at every new record, but always maintaining their cultural and commercial relevance over the subsequent 15 years, MGMT later released three further studio albums: “Congratulations” (2010), “MGMT” (2013) and “Little Dark Age” (2018).

Reservar23.02.2024

debe ser publicado en 23.02.2024

36,09
Andrei Rusu - I've Lost Control

Malka Tuti is proud to present the solo debut EP by mister Andrei Rusu, 
 one half of Khidja.

After a series of stellar remixes in the past year to Cosmo Vitelli (on Im a Cliché), Dadalus & Bikarus, Santaka & Nic Arizona, Rusu is finally ready to present his own original solo materials to the world.


Ahead of a full LP planned on MT for later this year, Rusu is presenting us with 2 fresh new tracks. The A-side is a 120bpm dirty and distorted super- trippy banger for the biggest floors and the darkest rooms.

On the B-side Rusu collaborates with an artist known to the followers of the label - Decha, who contributes her signature expressive vocals on this half time industrial dub track. This time however, the vocals run through the hands of Rusu who soaks them with distortion and even more punk attitude, almost echoing the energies of the late Genesis P-Orridge.

The release includes 2 remixes by a couple of master remixers who also happen to be part of our extended family. 


Remixing the title track, and off the success of his 2 incredible albums
released on 2023 (Music From Memory & Offen), Philipp Otterbach supplies a remix for the books, channeling the original track’s intensity through oceans of reverb, whimsical samples and addictive trippy rhythms.
For the Hedesch Remix we’ve asked one of our favourite remixers out there aka Black Merlin to contribute his cut and boy he didn’t disappoint (does he ever?)


Black Merlin supplied us with a long and addictive psychedelic synthetic and very dubby journey for the b-side.

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13,66

Ültimo hace: 2 Años
Dumbo Gets Mad - Levitation Sessions LP

Levitation Sessions continue with Italian psych pop group Dumbo Gets Mad, as they take us on a journey
through 13 of their feel-good, groovy tunes. Recorded in Reggio Emilia in Italy , Dumbo Gets Mad invites
us into the taste of a European summer day. Get a preview of the upcoming session and prepare your
eyes and ears for the full release Cotton Candy Colored Vinyl

Reservar23.02.2024

debe ser publicado en 23.02.2024

28,53
Bumcello - The Party LP 2x12"

Bumcello

The Party LP 2x12"

2x12inchKOS029
Komos
23.02.2024

It’s a family affair. One formed almost thirty years ago, back in the mid-nineties, when the pair joined seminal French jazz combo Olympic Grammofon. For twenty-four years they have worked together as Bumcello, each complementing the other, echoing polar opposites. The Boom in Bumcello is none other than Cyril Atef, incisive drummer, relentlessly pushing beats towards new horizons. The Cello is Vincent Ségal, cellist without blinkers and extraordinary musical alchemist. Since 1999, these two die-hard music fans, coming together for mercurial results, have released one record after the other whilst conquering the hearts of their live audiences, old regulars as well as new recruits. We have all been seduced by the way their music leapfrogs categories - these two experts are much more interested in kindred spirits than pigeonholing, and this very spirit is celebrated on more than one track of this ninth record, whose concept is original to say the least.

Everything began with an idea by Cyril Atef - a soundtrack based upon drawings penned by Marin, Vincent’s son, architect and visual artist. The musicians involved then coached their reaction to these images on a score, and the pair were charged with collating and adjusting the results. These thirteen ink drawings, in a heroic fantasy vein, constituted a matrix which was then to serve as a guide, like a roadmap through a singular and multi-faceted labyrinth. The key to this sonic fresco is in Bumcello’s image – an eclectic aesthetic twinned with a great sense of contrast. Herein lies the trademark of this entity animated by the gift of musical ubiquity, gorged on scales and rhythms, capable of a slap as much as a gentle caress. From classical music to electronics, from improvised music to sophisti-pop, everything is allowed with no preconceived ideas. They can even reclaim the traditions of others, all the better to propel them towards new horizons - this is how the very history of music has always panned out.

If you listen between the lines and look at the details, more than one piece bears witness to the moments and individuals that have impacted the criss-crossing lives of Vincent and Cyril. The track Crash is the perfect excuse to create a Jamaican-style jam with New York inflections, and we can see, in capital letters, the name Hilaire Penda, playing alongside Bumcello at the Apollo Theater in the associated drawing. This bass player from Cameroon, who died on 5th November 2018, was more than just a friend for the two Frenchmen. He was one of the family. Similarly, they give a nod to another Cameroonian, and another departed friend - singer of rock band les Têtes brûlées, Zanzibar, through the vocals of fellow countryman Zanzi. The ghost of Rémi Kolpa Kopul, emblematic voice of Radio Nova, haunts the margins of Spark Av, in a vocal sample with a smattering of effects. As for I Remember Tim, it directly honours the memory of Timothy Jerome Parker, aka The Gift Of Gab, another friend who left us in 2021. Tim is depicted in a drawing with the docks of Oakland in the background, and it’s his alter ego within Blackalicious, Chief Xcel, who remotely added his signature to the track, notably by adding the words of Lateef The Truthspeaker to brass and woodwind sounds.

These are the only additions to Bumcello’s original nucleus, all the better to create a genuine musical concoction where Vincent Taurelle is in charge of production and mixing sessions recorded live and direct. He is also invited for a twinkle on the keys (piano, synths, Wurlitzer, organ), on a handful of tracks. Already at the commands of previous opus Monster Talk, always taking care over the slightest detail, the one that makes all the difference, this pianist is now also part of the family. “Everything he brings is perfect, whether added though slight touches or through very important choices”, say the two members of a combo which today, appears to us under the guise of a trio, adding an extra dimension to a far-reaching mix, in the image of the veiled or more explicit tributes making up the cornerstones of this release.

Booker, a drawing where we see the musicians enter a club, honours James Booker, great pianist from New Orleans who has always fascinated Vincent, in a genre that is off-beat and gender defying. Her Story was created by Cyril in support of the Iranian women’s movement. Aysyen Kampe evokes, even in the original drawing, a tradition that remains impactful for Bumcello – Haitian mysticism, and Ouï Khouïette Ouï conjures up the beats of the Allaoui, a war dance from Western Algeria, one they have taken part in in the past with the help of Cheikha Rabia. They deliver a metal version, original and surprising, especially as Marin Ségal’s drawing features the Nicholas Brothers, those iconic dancers of the 30s jazz scene!

Resolutely hard to pin down, Bumcello’s beats can initially take on the structure of disjointed house, though Sangre begins like a film soundtrack, “in a Mexican style” adds Vincent, who was at the origin of this track. A delicate alap on the cello can open up onto afrobeat rhythms, a well-pitched voice can enchant, like on the amazing The City Has Eyes which has everything of a hummable pop hit. Emblematic of this manner of encompassing all music without being exclusive, Le Grand Sommeil, a direct reference to the Howard Hawks movie inspired by Raymond Chandler, a precursor of David Lynch, begins nice and smooth but ends on a wild tempo, on a drum’n’bass tip, as in the good old days of Cithéa, when this Party story began in the other century.

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debe ser publicado en 23.02.2024

28,15
Khang & Elias - Into The Glass Portal

Khang&Elias

Into The Glass Portal

CassetteTERM012
Termina
23.02.2024

Building friendship through joint sonic exploration, Khang & Elias basically started having long Sunday jams right from the start when they first met in Oakland. Recorded in two live sessions, one in May 2023 in Oakland and the other in July in San Francisco using a scattered array of little boxes of synthesis and audio manipulation. "Reflecting on the recording process it felt like we had a completely nonjudgemental mindset to the sound created and discovered sonics through kind of a lens of a child entering a playground."

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debe ser publicado en 23.02.2024

10,88
Gentle Giant - The Missing Piece LP

One half experimenting with new styles not tried before, and the other half proving that when it came to progressive rock, they had few equals. It perfectly represents the versatility, sense of humour and compositional genius of this most singular of bands. Including the same personnel that had recorded the previous years In'terview - Derek Shulman, Ray Shulman, Kerry Minnear, Gary Green and John 'Pugwash' Weathers, and yet it felt different. Marking a change in direction following their successful In'terview tour, the album received mixed reviews upon its initial release, but has since grown in stature, praised for its forward-thinking sound and experimental nature. We are now pleased to present this record in its full glory and the best it's ever sounded.

Continuing his association with Gentle Giant, award winning producer and musician Steven Wilson has remixed The Missing Piece.His tonal range and painstaking attention to sound quality gives the album a fresh and exhilarating sonic lift.

The Missing Piece by Gentle Giant, released 23 February 2024, includes the following tracks: "Betcha Thought We Couldn't Do It", "Mountain Time", "Memories Of Old Days", "For Nobody" and more.

This version of The Missing Piece comes as a 1xLP.

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debe ser publicado en 23.02.2024

30,04
Isildurs Bane & Jinian Wilde - The Pearl of Ever Changing Shell

Following the success of their collaboration with Peter Hammill on In Amazonia (2019) and In Disequilibrium (2021), Sweden’s Isildurs Bane return with a new album, The Pearl of Ever Changing Shell. This time the Swedish band is joined by singer Jinian Wilde, best known for his work in The David Cross Band. The result is another shift in direction while remaining true to the ethos that inspires and animates IB. Mats Johansson, who joined IB in 1977 standing not only as its longest-serving member but also its principal composer and keyboardist comments, “Our work with Jinian is similar to how we worked with Peter Hammill and Marillion's Steve Hogarth who worked with us on 2017’s Colours Not Found In Nature release. In principle, the music was developed for a year or so before we made contact with Jinian. The reason was to try to keep IB's expression basically, but that Jinian would have a free hand when it comes to vocal melodies, vocal harmonies, and lyrics of course. A proven way of working that allowed both IB and Jinian to feel free and comfortable as things developed."

The Pearl Of Ever Changing Shell by Isildurs Bane & Jinian Wilde, released 23 February 2024, includes the following tracks: "Part 2 - Trigger Finger (the Spiraling)", "Born Afraid (the Binding)", "Avalon (the Knowing)" and more.

This version of The Pearl Of Ever Changing Shell comes as a 1xLP.

The vinyl is pressed as a opaque disc.

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35,25
Mint Mile - Roughrider LP

Roughrider, the new album by Tim Midyett (Silkworm / Bottomless Pit) and MINT MILE rolls through the grace we crave and grant one another, the lengths we go to accommodate those we love, the depths we sink chasing ghosts - temporarily, repeatedly, maybe always and the labyrinthine nature of life, as the chaos inherent in the world provides the capacity to surprise, delight, deflate, disappoint. We try to get it in while we still can, reveling in the good-to-great and avoiding the worst of it. With Jeff Panall (Songs: Ohia), Justin Brown (Palliard), Matthew Barnhart (Tre Orsi) and a cast of fellow travelers including appearances by Nina Nastasia, Alison Chesley and Joel RL Phelps.

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debe ser publicado en 23.02.2024

27,10
Laena Myers - Luv (Songs Of Yesterday) LP

On 23 February 2024 wildly creative free-form L.A. singer-songwriter and multi instrumentalist Laena Myers is set to release her highly anticipated debut solo album, ‘LUV (Songs Of Yesterday)’. Released on Taxi Gauche Records, the 11-track collection is the first to feature the genre-spanning composer, in-demand session player/singer and classically trained violinist putting her own name to her recordings.
Formerly known as Laena Geronimo and L.M.I. / Laena Myers-Ionita, Laena is perhaps best known as lead singer, songwriter and guitarist of critically-acclaimed and internationally touring rockers FEELS, but that is only the tip of the iceberg. She’s also known for her time as bassist for goth-punk band Numb.er as well as the Motown-inspired pop outfit The Like, and as the go-to-violinist for a myriad of artists from the L.A. music scene and beyond - contributing to released recordings by John Fru

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16,18
Fela Kuti - O.D.O.O. (Overtake Don Overtake Overtake)  LP

In O.D.O.O. singt Fela über die Auswirkungen der militärischen Machtübernahme und die Zerstörung der jungen afrikanischen Demokratien seit der Unabhängigkeit - insbesondere der jungen Demokratien, die nach langen Auseinandersetzungen und manchmal sogar Kriegen mit den Kolonialmächten ihre Unabhängigkeit erkämpft und gewonnen haben. Er sagte, dass Putschisten, wenn sie an die Macht kommen, Namen annehmen wie: Nigerianischer Oberster Militärrat, Ghanaischer Erlösungsrat, Libyscher Revolutionär usw. In den meisten Fällen wurden die Putschversuche von den ehemaligen Kolonialmächten geplant und finanziert. Für diejenigen, die sich dessen nicht bewusst sind, schafft die Präsenz des Militärs auf der politischen Bühne die Illusion einer friedlichen "demokratischen" Partizipation und einer funktionierenden Regierung. Zumal der größte Teil der täglichen Regierungsarbeit von Zivilisten geleistet wird, die den Militärchefs unterstehen. Für Fela besteht die Aufgabe der Streitkräfte unter normalen Umständen darin, die zivile Regierung zu verteidigen und zu unterstützen, und nicht darin, sie zu stürzen oder die Aufgaben eines Regierungszweiges an sich zu reißen, weil sie kein politisches Mandat haben. Das Gegenteil zu tun - das bedeutet "überholen". Jede Vorstellung von einem wohlhabenden und friedlichen Land, in dem das Militär an der Spitze der Macht steht, ist eine Illusion.

Die anhaltenden Skandale und die Korruption auf höchster Ebene, die alle Regime seit der Unabhängigkeit kennzeichnen, tragen dazu bei, Felas Desillusionierung und sein Misstrauen gegenüber dem Militär ins rechte Licht zu rücken. Er weist auf die Zweideutigkeit hin, daß die Verfassungen der neuen unabhängigen afrikanischen Nationen an die Verfassungen der scheidenden Kolonialherren angelehnt sind. Identifiziert das als Ursache der Probleme. In seiner sarkastischen Art bezeichnet Fela das, was in Afrika als Regierung durchgeht, als: '…soldier go! Soldier come!' Damit meint er, dass die Institution, die die militärische Struktur geschaffen hat, die Armee absichtlich dorthin gebracht hat, um ihr koloniales Werk fortzusetzen. Um die Not der Afrikaner unter einer solchen Diktatur deutlich zu machen, führt Fela eine Liste von Liedern an, die er geschrieben hat und in denen er die Ungerechtigkeiten des Systems kritisiert: Kalakuta Show! Mr. Follow-Follow! Zombie! Shuffering und Shmiling! Leider sind es die armen Massen, die am meisten unter der Misswirtschaft und Korruption der Regierung leiden. Von klein auf müssen afrikanische Kinder lernen, wie man in einem System überlebt, in dem man nicht weiß, woher die nächste Mahlzeit kommt - keine soziale Sicherheit, keine Bildung etc.

Trotz all dieser Rückschläge versuchen die Afrikaner weiterhin, ihre Kinder zu erziehen. Die Kinder wachsen auf, nehmen feste Jobs an, um ihr Leben zu verbessern, sparen hier und dort, um zu überleben. Letzten Endes jedoch machen die Ereignisse der Misswirtschaft verschiedener Verwaltungen alle Opfer und Abstriche, die der Einzelne zur Verbesserung seines Lebens macht, nutzlos.

O.D.O.O. war im Box Set #5 enthalten, das von Chris Martin und Femi Kuti kuratiert wurde. Das Album wurde auf grünem, transparentem Vinyl neu gepresst und mit einem bedruckten Inlay versehen in einer single sleeve Außenhülle.

- Ltd. Col. LP: (Transparent Green Vinyl)

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23,95
Art Pepper Quintet - Smack Up LP 2x12"

Acoustic Sounds and Contemporary Records present this new reissue of Art Pepper’s 1960 album “Smack Up”. Recorded by legendary engineer Roy DuNann the album also features Jack Sheldon (trumpet), Pete Jolly (piano), Jimmy Bond (bass), and Frank Butler (drums). This new edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

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36,35
LUIZA LIAN - 7 ESTRELAS | QUEM ARRANCOU O CÉU?

"7 Estrelas | quem arrancou o céu?" ("7 Stars | Who ripped the sky down?") is the fourth album of the Sao Paulo-based artist Luiza Lian, and her third collaboration with French/Brazilian music producer Charles Tixier. Nearly five years after the celebrated "Azul Moderno", the duo returns to the scene they materialized before a period of darkness that rewrote Brazil's history. And this new visit pushes the boundaries even further with resources that the singer-songwriter had only started exploring on the previous record. The tracks, "Tecnicolor" (featuring the only guest appearance on the album, as Luiza is joined by singer Céu) and "Homenagem" (Homage), continue to explore this new horizon, which becomes increasingly bizarre and deceptive. In addition to layering noises and electronic elements over her musicality, Luiza also explores the range of her vocals by digitally distorting them. The first tracks are just the initial steps in this new work: a profound reflection on how we distort our lives based on false reflections we see both digitally in our use of social media and materially in an increasingly consumerist society. The new album recreates this artificial context in an almost caricatured way, deliberately exaggerated distortions to generate the estrangement we should feel towards the values we cherish and reject based on this false reality we force ourselves to believe in.

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24,79
Aura Urziceanu - Seară De Jazz Cu Aura"(Jazz Evening with Aura) LP

With this legendary LP, "Jazz Evening with Aura," whose first edition was released in February 1974, Electrecord inaugurates the series of reissues of essential albums in romanian music on vinyl, audio cassette, and CD formats. In the exact 50 years since its release, this album by Aura Urziceanu – accompanied, during the two afternoons of the recordings, by the Bucharest Septet, a group of formidable instrumentalists – has become an object of veneration for many generations of music enthusiasts in both Romania and abroad. "Jazz Evening with Aura" defines the local jazz sound of the mid '70s – intense, playful, tender, versatile, and accomplished – placed within a framework that the late Aurel Gherghel inspired called, in the text on the back cover of the 1974 LP, "a jazz of romanian inspiration and atmosphere."

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41,13

Ültimo hace: 2 Años
9th Wonder & Buckshot - Chemistry LP 2x12"

Reissued on vinyl for the first time since its original release in 2005

Fresh off of his breakthrough success producing for underground acts like Little Brother as well as mainstream leaders like Jay-Z and Destiny's Child, North Carolina's hottest producer 9th Wonder cemented his name as a force in hip hop in 2005 with this collaborative LP with Buckshot of Black Moon.

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39,29
Thou - Magus LP 2x12"

Thou

Magus LP 2x12"

2x12inchSBR205LPC4
Sacred Bones Records
23.02.2024

Though often lumped in with New Orleans sludge bands like Eyehategod and Crowbar, Thou shares a more spiritual kinship with '90s proto-grunge bands like Nirvana, Alice in Chains, and Soundgarden (all of whom they've covered extensively, both in the studio and onstage). The band's aesthetic and political impulses reflect the obscure '90s DIY hardcore punk found on labels like Ebullition, Vermiform, and Crimethinc. From 2004 through 2016, the band has released four full-length albums, six EPs (some bordering on full lengths), two collaboration records with The Body, and enough material spread out over splits to make up another four or five LPs.

Sacred Bones Records is proud to present the new album, Magus, Thou's first full-length since 2014's Heathen. In the months leading into the new album, Thou will be releasing three drastically different EPs: The House Primordial on Raw Sugar, Inconsolable on Community Records, and Rhea Sylvia on Deathwish, Inc. Each record will focus on a particular sound—noisy drone, quiet acoustic, and melodic grunge—all of which is incorporated into the new LP, subsumed in the band's more standard doom metal.

While sonically, Magus may be a continuation of Heathen, thematically it stands as a stark rebuttal, a journey beyond the principles of pleasure and pain. It is more the culmination of these distinct EPs, which all orbit some internal black hole. FFO alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease.

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37,77
BETTY DAVIS - NASTY GAL LP

- Betty's classic third album, originally released by Island Records in 1975 - New vinly pressing on Metallic Gold colored wax - Featuring Betty's band Funk House - Booklet includes liner notes by John Ballon interviewing Betty plus full lyrics - Newly remastered from the original analog tapes by Kevin Gray at Cohearent Audio // In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music - a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic, and in full control, Betty paved the way for generations of future artists who said 'funk you' to the music industry and social norms. In 1975, Betty Davis's star was on the rise. With the backing of Island Records and a new band, Funk House, Betty's third album, Nasty Gal, leans into the hyper-sexualized persona with which her critics were so obsessed. She raps, purrs, shrieks, and moans on top of Funk House's manic funk-rock and lays claim to the "bad girl" anthems that now saturate the music industry. Mastered from the original tapes, Nasty Gal showcases Betty's groundbreaking work as a performer, writer, and producer.

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48,11
Kevin Drumm - OG23

Kevin Drumm

OG23

12inchST1044
Streamline
23.02.2024
 
2

Streamline is proud to present OG23, the first in a series of projected new LPs by Chicago-based composer Kevin Drumm, famous for his string of great releases on labels such as Sonoris, Mego, Moikai, Thin Wrist etc. Ever unpredictable, Drumm this time takes the fellow time-traveller through what sounds like an electronic field recording, a journey through an electronic soundscape of luminescent textures that invites immersive listening.

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30,21
HAND OF KALLIACH - CORRYVRECKAN LP

Oceanic White & Blue Vinyl, limited to 300 copies. The band's name is borrowed from the legend of the Cailleach, the ancient witch god of winter from Scottish Celtic mythology. The story goes that she lives at the bottom of an enormous whirlpool, Corryvreckan, which lies between some of the western isles of Scotland and lends its name to this album. As the herald of winter, she rises from the depths to wash her plaid (cloak) in the waters of the Corryvreckan. Once washed and restored to a bright white, she casts it across the earth where it lands as snow. This is done at the start of Samhainn (beginning on 31st October, which was the Celtic precursor to Halloween and the name of the band's debut album). Her reign ends as spring arrives with the festival of Bealltainn in May, and she turns to stone to await the next winter. The Cailleach is depicted in various, contradictory ways - both as a symbol of death, loss and despair, as well as a source of nurturing and protection. Taking inspiration from all this, the music that HAND OF KALLIACH creates is centred around these dual concepts of benevolence and malevolence, all against the backdrop of the history, mythology and land/seascapes of the Scottish islands. The threads of Celtic and Gaelic folk music and folklore weave throughout the album, against a backdrop of spectral, melodic death metal. Blending the robust brutality of death metal with the ethereal wisps of folk is an intoxicating brew. Corryvreckan was recorded with Wynter Prior at Sphynx Studios, Brighton, UK. The resulting album is a phantasmagorical journey through ancient tales and truly progressive modern metal, with an unmatched eye for detail that brings every single element of Corryvreckan to life.

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25,42
KATHY HEIDEMAN - MOVE WITH LOVE LP

Lodged between a heartbreak and a smoke break, Kathy Heideman's Move With Love wandered off I-5 somewhere just south of Hungry Valley State Vehicular Recreation Area and broke down. At its dusty roadside, cheap truck-stop java flows over plaintive coffeehouse tunesconcerning "Bob" and "Need." Her session hand's lanky, echo-laden guitar might've twanged a bit strong for the typical sandal-shoed hitchhiker, who'd have fell harder for Dylanesque grandeur on "The Earth Won't Hold Me." More Bakersfield than Laurel Canyon, and set to walkingin 1976 by the one-off Dia imprint in a plain-Jane, black-on-white sleeve, Heideman's lone LP suffered the geographical misfortune of having ripened in the presilicon orchards of San Jose, California, far from more marketable realms_Emmylou's backyard, say, or Joni Mitchell's summery lawn. Heideman herself faded out thereafter, packing her shaken, singular voice into a rustic suitcase, moseying on, and leaping into the moving sun.

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26,26
THE LEMON TWIGS - EVERYTHING HARMONY LP

On Everything Harmony, the fourth full-length studio release from New York's The Lemon Twigs, the prodigiously talented brothers Brian and Michael D'Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men. Everything Harmony successfully blends the brothers' distinct personalities while giving voice to their eclectic influences. Opening the album with the unassuming acoustic folk of plaintive "When Winter Comes Around," which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings, they immediately switch things up to the sunny classic pop motif of "In My Head." "Corner of My Eye" channels an Art Garfunkel-like vocal melody over a moody, vibraphone-tinged backing track suggesting the chamber pop of Brian Wilson. While they had no grand concept for Everything Harmony, both the D'Addarios felt a "palpable mood of defeat" prevailed while writing and recording it. "New To Me" was inspired by their shared experience with loved ones suffering from Alzheimer's, "What You Were Doing" is dressed in the tortured jangle of vintage Big Star, while "Born To Be Lonely," written after watching John Cassavetes' Opening Night, deals with what Brian calls "the fragility that often comes with age." Everything Harmony is a unified song cycle born of shared blood and common purpose. With two musical heads being better than one, there's no shortage of ideas to draw on. Their only impediments are time and the challenge of keeping up with their own prolific musical inspiration. "We share an intuition and tend to be influenced by one another," says Brian, "so the lyrical ideas on this record tend to complement each other. Writing has never been the issue for us. It's completing, editing and compiling that takes the time. We're trapped in a web of songs!"

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24,79
DAVELIEBMAN /JEFF WILLIAMS - IN DUO
 
2

As master drummer Jeff Williams sorted through his archive of cassette tapes from his extensive international career, he had no idea that hidden within it would be a recording of a 1990 evening when he joined storied NYC legend David Liebman for a set of spontaneous performances.

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31,72
PERSHER - Sleep Well LP

Persher

Sleep Well LP

12inchTHRILL6021
Thrill Jockey
23.02.2024

The English duo Persher, Arthur Cayzer (Pariah) and Jamie Roberts (Blawan), take the same subversive, boundaryless approach to extreme music that underpins their electronic explorations. Their individual singles output are highly anticipated in the dance world in part because of their affinity expression beyond a trend. The debut album Sleep Well is ferocious and innovative. Cayzer and Roberts take a decidedly unconventional approach to writing, using the full potential of the studio in their exploration of extreme music. What sounds like a live band performance is more often than not an amalgam of many different sessions, the duo applying techniques from electronic music to heavier sonics. Recording in Roberts" studio at Funkhaus, the home of the former East German state-owned radio station, Cayzer would improvise long takes on guitar and bass, contorted and mutated by Robert"s using his extensive modular setup to add weight and texture. This primordial ooze of raw sonics was then chopped up and reassembled into bristling hooks and corrosive atmospheres. The duo"s playful, exuberant approach to music is evident in their absurdist themes and lyrics. Much of the album is inspired by "really disgusting food". Medieval Soup from the Milkbar references the epically bad meal of gray, gruel-like soup, and seeps into the track"s noxious slurry and stomach-churning riffs. "Portable Aquarium" was born of a cup of herbal tea overflowing with foliage. Their playful and often self-deprecating sense of humor allows them to find inspiration in the smallest of life"s events. Persher"s Sleep Well provides a daring, revelatory expansion on heavy music"s myriad mutations. The duo uses their production skills and their humor to embrace the powerful release they find in extreme. Persher"s debut album exudes the sheer joy of making music unconstrained by genre boundaries, as gleefully weird as it is visceral and primal.

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29,62
ABHINANDA - COMPLETE DISCOGRAPHY 5x12"

Orange, yellow, cyan blue, aqua blue, baby blue vinyl. Limited to 400 copies
After being out of print for decades, End Hits Records has partnered with the Swedish hardcore punk legends ABHINANDA to re-release their complete discography on vinyl. Founded in 1992 in Umea, now recognized as a European punk hub, ABHINANDA played a significant role in shaping the history and development of the 90's hardcore scene. Alongside their contemporaries REFUSED (with whom they frequently shared and swapped members), they were instrumental in the international breakthrough and popularization of Scandinavian hardcore. Much credit for this goes to singer Jose Saxlund, who, along with Dennis Lyxzen (Refused, Int. Noise Conspiracy), operated the Straight Edge label "Desperate Fight" and played a vital role in consistently releasing recordings from the thriving Swedish scene. Finally, the entire ABHINANDA discography will be available once again, this time on strictly limited vinyl: The five-vinyl box set comes in an elegant cardboard slipcase, with each individual record housed in a gatefold cover and accompanied by a large-format poster. Additionally, there are numerous never-before-seen pictures, along with detailed liner notes/interviews featuring band members and contemporaries such as Dennis Lyxzen (Refused), Vique Simba (Revelation Records, Simba Zine+Records), Sara Almgren (Doughnuts, Int. Noise Conspiracy), and Kate Tucker-Reddy (108). The box set includes the three full-length albums "Senseless," "Self Titled," and "The Rumble," as well as a double LP featuring all demo recordings, EPs, and 7" tracks. The music has been completely remastered, and the artwork has been entirely updated.

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159,62
The Body & Dis Fig - Orchards of a Futile Heaven LP

The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to avant production, from being a member of Tianzhuo Chen’s performance-art series TRANCE to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make “heavy music”. Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats and a soaring voice clawing its way towards absolution.

Orchards of a Futile Heaven’s walls of sputtering texture and tectonic booms are soaked in the reverence and melancholy of sacred spaces brought to life by palpable intensity by Chen’s voice. Crafted during a time of personal fragility, the album’s devastating force lies beyond any of the expected noise and abrasive textures typically associated with both The Body & Dis Fig. Suffused with a raw vulnerability and a longing for catharsis, Chen’s voice searches for escape in the midst of oppressive atmospheres as if determined to find relief from guilt. “Eternal Hours” patiently unfurls waves of surprising sounds, whispered undulations that are punctuated by sudden crashes, all beneath Chen’s haunting harmonies. “Dissent, Shame” evokes grief and shame with a minimalist drone dirge that gradually builds to an enchanting choral passage. King’s guitar on “Holy Lance” matches the uncanny drone of Chen’s accordion in an all-consuming blast, Chen’s voice transforming the moment from anguish to defiance and empowerment. The album’s arc finishes with “Coils of Kaa” acting as a kind of propulsive exorcism, breaking through a suffocating air before the funeral procession of “Back to the Water” lays the album to rest.

While sampling has long been essential to each, The Body & Dis Fig deftly meld their differing approaches to sampling and creating extreme sounds until the boundaries are entirely blurred. The two found kinship in their desire to find new avenues to make heavy music that looked beyond tropes of metal and electronic music by merging the two. “I always wanted the heavier stuff but I also didn’t really like heavier guitar music,” says Buford. “None of it really felt quite heavy enough to me. A human can’t be as heavy as a machine.” Chen counters, “I love the balance. You could never connect to just a machine as well as you could a human. Which is why the combination is so potent for me. I don’t want to hide. I think nothing connects you more empathetically than another human's voice.”

Orchards of a Futile Heaven affirms The Body & Dis Fig as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the two have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty.

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31,89
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