Anané’s colourful life in music has seen her do everything from singing at the famous pre-game show at Super Bowl XLI as part of the group Elements of Life, DJ at hotspots like Hi Ibiza, Pacha NYC and Ushuaïa to name a few, while also curating her own monthly residency Nulu Movement, now ten years strong at Le Bain NYC, release unique blends of Afro, house, and pop on labels like Vega Records, and head up her own imprints, Nulu Music and Nulu Electronic. The Cape Verdean-born DJ, producer, vocalist, and songwriter has had countless club hits and has released acclaimed albums like ‘Ananésworld’ and ‘Chapters Of Becoming’, often with a lush, live, and orchestrated style that is truly unique.
With this release, Anané steps forward with her first solo production to date. Here she serves up the sumptuous ‘It Looks Like Love’, a poised, elegant house sound with her own smoking, soulful vocals and classy strings bringing colour to an Afro groove packed with infectious bounce. Neat guitar riffs and silky synths all enrich this most sophisticated sound. The first mix sees Anané link up with veteran Italian Christian Mantini, who has hosted Sunset Ritual parties with Anané and Louie Vega since 2013. Their dub is rooted in warm, rubbery drums that are even deeper and more immersive than the original.
Manda Moor & Sirus Hood are a red-hot contemporary pair who run the Mood label and are defining the contemporary underground. Their remix is more driving, but it retains the soulful vibe with breezy pads and jazzy motifs drifting in and out above the swaggering groove.
Rotterdam-based Chicagoan Jamie 3:26 is a master at blending disco, soul, and house into timeless sounds, and here he delivers a loopy rework that pairs deep drive and sun-kissed vibes with funky, Chic-style bass guitar motifs.
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- A1: Hey Hey
- B1: Hey Hey (Garcynoise Rework)
Un-dinked pressing
A hidden gem from the Colombian coast resurfaces! Originally released in 1979 on the legendary Sonolux label and long sought after by collectors, Nemessio's Hey Hey finally gets a proper reissue. A funky slice of tropical Afro-Latin fusion, the track captures a moment of seaside magic that inspired singer-songwriter Victor Nemesio Lerma, better known as Nemessio, to write this love letter to the rhythms of Colombia's Pacific coast.
Licensed directly from Nemessio himself, this edition also features a fresh disco-flavored rework by Barcelona's GarcyNoise, designed with DJs in mind: more drums, extended breaks, juicy guitar licks and a killer intro/outro for the dancefloor.
OG copies are almost impossible to find. Now's your chance!
- A1: Mredrollo - Funkinmusic
- A2: Amand - In The Dark
- B1: Cameron Jack, Abel - Sixth Sense
- B2: Sapu - Gyal Got Moves
- C1: Disalazar, Natasha - Child Chants
- C2: Still-Life - The Sound Of Herself
- D1: Nacho Varela, Cruz Vittor - Bright In The Club
- D2: Victhor - The Dawn
- E1: Facundo Leiarz, Shayan Pasha - Leave It On
- E2: John Woods, Noraj Cue - The Youth Substance
- F1: Aldous - Silhouette
- F2: Nichols+Roark - Melodica
All Day I Dream bids farewell to another radiant summer with its Summer’s End Sampler, a 12-track collection of deep, melodic, and transportive sounds. Carefully woven together from a mix of rising favorites and emerging talents, the compilation encapsulates the warmth, nostalgia, and new beginnings that arrive with seasonal change.
Originally from Florence, Italy, Elio made an impression in the Seattle underground through his deejaying at DAZED parties alongside his evolution as a producer. On his first vinyl EP, two original productions channel an early 2000s melodic minimalism with a touch for evocative composition paired with memorable grooves. A remix of each completes the record.
The title track “Still Love” opens the EP with a series of contemplative notes. As the bass stirs, the track expands, adding energy alongside the breakbeat. The synth unfurls in a melodic crescendo before pads add emotive accents.
Kurilo steps into the lab to reconstruct “Still Love” into an afterhours potion. The Ukrainian producer showcases the psychedelic and sumptuous grooves that established him as one of the finest purveyors of hypnotic tech house at Trance Pandemic. The influence of cinematic acid house washes over the driving groove.
“Vegas Jam” opens side-b and again emphasizes Elio's sense for musical composition and progression. Adding swing and jazz techniques to the synth melody, variations of the piano hook improvise blissfully above the rolling bass.
A warm yet powerful kick sets the tone for the final track of the EP. China's electro and techno wiz B.AI remixes “Vegas Jam” into a mind melting sensory stimulus. The remix gathers intensity and drive, an irresistible late night brain worm.
After some time, we are back with a new release. This one moves slightly away from our usual sound to make room for a brand-new project by two outstanding artists. Please welcome to the crew the legendary San Proper together with the excellent Angelo D’Onorio. Joining forces under the name SANGELO DIPROPRIO, they deliver three vibrant house tracks designed with the dancefloor in mind. Fresh grooves, playful energy, and unmistakable personality make this EP a strong addition to the catalogue. A meeting of two distinctive styles that results in a dynamic and highly effective club release.
Mukatsuku is back with the second instalment of this series with four more ambient techno transmissions from Japan . These Virgo cuts were made between 1996 and 200 and released on a limited CD only release from Form@ Records but as yet never seen light of day on vinyl. The rhythms are supple and lithe, with painterly synths swirling around up top next to deft cosmic flourishes. It's deep but uplifting, heady but propulsive music for body and soul. 'New Era' captures the optimistic spirit of its title, 'Metasequoia' is a slower, more horizontal dub, 'The Art Roots' is pure suspensory bliss and 'Time Graphics' is a delightfully delicate and light blend of melody and rubbery rhythm.
Esbe returns to Cold Busted for a phenomenal new four-track EP, Sunset Girl. With previous releases on Dusted Wax Kingdom and Cult Classic, as well as his acclaimed Bloomsday and Late Night Headphones albums for Cold Busted, the Los Angeles-based multi-genre beat-maker is riding a wave. Sunset Girl is another exciting moment in Esbe's musical progression. The release starts quietly with the gentle, muted piano chords of "Special." A sparse hip-hop beat and subdued melodic layers round out the tune, cutting away to reveal a lonesome vocoder vocal. "Again" is as close as Esbe gets to a pop song, as a carefree male vocal and twinkling pianos ride over a crisp, solid rhythm track. More delights await on "Sunset Girl" with its simple piano line, reverby percussion hits, distant sax solo, and splashes of vocal collide in a sonic daydream. "I Want Love" closes things out on a vintage flavor, with echoes of a mid-century school dance reverberating into a modern day beat battle. Potent vibes all around.
Kumachan Seal: solo project of Japanese vocalist / songwriter / producer Sairi Ojima, who has been playing in numerous indie bands, including Neco Nemuru, since her teens. She began her solo career in 2013, and released her first cassette in 2017. This EM Records release is her first CD/LP album, with all compositions by Ojima, who co-produced the album. Each of the eleven songs reveals beguiling layers of detailed and surprising sounds, with Ojima's DIY sonic core embroidered by vibrant and colorful beats and guitar from EM artist Le Makeup and the quintessential ambient-pop synths and keyboards of fellow EM-er Takao. Le Makeup mixed ten of the eleven songs, with Takao mixing "China Sandwich". The heart of Ojima's musical identity is her clear, aque- ous voice; apart from one instrumental, all the tracks here feature that mellifluous voice, but in an interesting twist, only half the songs have lyrics, with the remainder employing her wordless voice as melodic and textural elements. Although Kumachan Seal can be heard as a sort of bedroom pop filtered through ambient music and the new-age revival, listeners will note that the final two songs, "Atsumono" and "Tiny Cell", are respectively a slightly skewed four-on-the-floor track and a lightly skanking Doo-wop- flavored confection, slightly reminiscent of the UK's Brenda Ray. This album, full of Ojima's calm and cool observation of the world, is available on CD, LP and DL, and includes an English lyric sheet.
- 02: Hurriya (We Must Resist)
- 01: Nyama
- 03: Yagé
- 04: Cumana Dub
- 05: Sabir
- 06: Tropikal Halal
- 07: Yallah! (Feat. Merve)
- 08: Sahra Azul
Auf ihrem zweiten Album erweitern Psyché ihre einzigartige Mischung aus Groove und Psychedelia um eine subtile politische Dimension. In Psychés Vision dient ihre Heimatstadt Neapel als pulsierender Schmelztiegel, in dem Klänge aus Nordafrika und dem Nahen Osten auf die Echos ferner Küsten wie Brasilien und Kolumbien treffen. Ihr Sound bewegt sich zwischen Cosmic Funk und Desert Blues, Cumbia, Dub und Jazz und wird durch den Einsatz analoger Synthesizer und treibender Basslines getragen. Die LP gewinnt dank der Zusammenarbeit mit dem tunesischen Sänger Ziad Trabelsi und der türkischen Sängerin MERVE (Altın Gün) an internationaler und politischer Bedeutung. Psyché II ist die Essenz einer Reise durch Kulturen und Identitäten: ein Album, in dem die gegenseitige Befruchtung und ein nomadischer Geist die Grundpfeiler eines zeitgenössischen Sounds bilden – verwurzelt im Mittelmeerraum und gleichzeitig weltoffen.
b 02: Hurriya (We Must Resist) feat. Ziad Trabelsi
b 02: Hurriya (We Must Resist) [feat. Ziad Trabelsi]
[b] 02: Hurriya (We Must Resist) [feat. Ziad Trabelsi]
[b] 02: Hurriya (We Must Resist) [feat. Ziad Trabelsi]
- A1: Un Misil En Mi Placard
- A2: En La Ciudad De La Furia
- A3: Entre Canibales
- B1: Pasos
- B2: Zoom
- B3: Cuando Pase El Temblor
- B4: Te Para 3
- C1: Terapia De Amor Intensiva
- C2: Disco Eterno
- C3: Angel Electrico
- D1: Ella Uso Mi Cabeza Como Un Revolver
- D2: Paseando Por Roma
- D3: Génesis
Comfort y Música Para Volar is the result of Soda Stereo's beloved 1996 MTV Unplugged session. The sessions provided a fascinating overview of the band's discography, offering unique new (un)plugged renditions of their songs. For example, the 1980s hit "En la Ciudad de la Furia" which sounds like a complete reinterpretation, stretching to eight minutes and featuring the powerful vocals of Colombian artist Andrea Echeverri. This gives the song a new life and adding something special to the original version. Because of this, the album is much more than just a collection of hits; it really feels like a unique milestone in the band's career and a must hear for all their fans.
This version of the album also includes the Vox Dei cover "Genesis", which was not included in the original release.
Last year, following the special vinyl 45 release of Samba De Flora - the Romero Bros from Argentina presented a full LP of Latin and Brazilian club flavours to be exclusively distributed worldwide on vinyl by Echo Chamber Recordings.
It received brilliant feedback from a wide range of DJs across the planet and the full version of Samba De Flora was licensed to Acid Jazz Records for their legendary Totally Wired Compilation LP - so it was a natural idea for a couple of those people to be involved in this next release on a vinyl 45 - with the two tracks that gained the biggest feedback
Side A - “Cravo E Canela” with the Romero’s great take on the classic Brazilian anthem from Milton Nascimento originally on their LP from last year which gained a lot of airplay at the time. This 45 release this has been given an extra special remix / update from the legendary Chris Bangs. He adds more bass bounce to the ounce and a funky shuffle to make it even more club friendly
Side B - “Gabriel” - their Latinized version of Roy Davis Jr’s 90s club smash. LA based DJ Greg Belson was such a fan after he got the LP, that he immediately made an exclusive edit to put on a 45 dubplate - to pack on his 2025 UK Tour - dropping it to devastating effect in place like Glastonbury and club dates across the country. So it was a natural choice to include this version on the flip of the 45 - under his Preacher monicker to align with his other releases on the sister label - Echo Edits
- A1: Ella Usó Mi Cabeza Como Un Revólver
- A2: Disco Eterno
- A3: Zoom
- B1: Ojo De La Tormenta
- B2: Efecto Doppler
- B3: Paseando Por Roma
- C1: Pasos
- C2: Ángel Eléctrico
- C3: Crema De Estrellas
- D1: Planta
- D2: X-Playo
- D3: Moiré
Sueño Stereo is the final album recorded by Argentine rock band Soda Stereo. By 1995, it was clear that the band was the most important Argentinian group of the decade. The album went platinum in 15 days and Rolling Stone considered it the fourth-best album in Latin rock history.
The album is a true reflection of the times, blending Britpop, dream pop and electronic music. Next to that the band named The Beatles as a major influence on the album's structure. Inspired by The Beatles did the band end the album with a medley on the D-side. This gives the album a strong conceptual feel.|
Sueño Stereo is available as a limited edition of 2000 individually numbered copies on transparent vinyl, is packaged in a gatefold sleeve, and includes an insert.
- A1: Melleny Melody & The Pop Machine - Bad Girl (Sean Dimitrie & Todd Connell Big Time Remix)
- A2: Melleefresh & Princess Superstar - Let's Do It Together (Superfresh Mix)
- A3: Adam K, Mark Oliver, Billy Newton Davis, And Melleefresh - In Out (Original Mix)
- B1: Billy Newton-Davis & Deadmau5 - All You Ever Want (Crazibiza Vocal Mix)
- B2: Melleefresh & Dirty 30 - Beautiful Rich & Horny (Deadmau5 Remix)
- B3: Melleefresh & Deadmau5 - Hey Baby (Olav Basoski Remix)
- C1: Deadmau5 - Dr Funkenstein (Melleefresh Vs Jerome Robins Remix)
- C2: Deadmau5 - 1981 (Weekend Heroes Mix)
- C3: Deadmau5 - Faxing Berlin (Chris Lake Remix)
- D1: Melleefresh - Intuition (Alex Kenji Remix)
- D2: Melleefresh & Boy Pussy - Bitches N Whores (Dj Genderfluid Eurodance Remix)
- D3: Melleefresh - Hey Baby Redux (Tech Us Out Remix)
- D4: Kardano & Dtaborah - Dj Play Those Records (Jason Hersco Remix)
2 x LP Yellow Vinyl in Picture Sleeve
Celebrating three decades of cutting-edge electronic music, iconic Canadian Melleefresh’s Play Records marks its 30th anniversary with a premium collector’s edition vinyl release. Founded in 1996, Play Records was the launchpad for much of deadmau5’s early catalogue as he rose to global stardom. This special anniversary edition dives deep into the Play Records archives, showcasing previously unreleased gems, exclusive tracks, and rare remixes and covers spanning the label’s storied history. The release comes as a 2×LP transparent yellow vinyl, housed in an iconic artwork sleeve with photography marking the label’s rich legacy.
Flashcore & Speedcore – Serygraphied sleeves – 300 limited & numbered.
with 2 tunes from NO-TEK 20.
California's finest producer Coflo is back on GAMM with his second EP with edits and reworks of his favourite tunes.
All tracks hover around 4/4 rhythms but beyond that the music goes in all directions. First is 'Yo No Bailo' which is a deep Afro-Cuban House jam with chanting vocals and driving percussion.
Second is 'Sealion', a bumpy house refix of the classic cover of 'See Line Woman'.
On the flip side Coflo goes deep down south for a blues session with an electronic twist, a great marriage of musical styles if you ask us.
We end strong with 'Rare Silk' a vocal Jazz-Afro-House jam that is both deep and uplifting at the same time...
The fifth installment in Roots Run Deep comes from the album, No Happiness Without Sadness. “Run Dem Mouth” was originally released in 2023 on Ruff Neck Records / Ruff Neck HiFi.
The vinyl release includes the version on the B side.
Roots Run Deep is a sub-label by Aloha Got Soul featuring reggae music from Hawaii.
Even in these most turbulent of times, dub musician and fatigued onlooker Elijah Minnelli remains an inexplicable stalwart on the lower rungs of the Breadminster County Council.
His latest record ‘Clams As A Main Meal’ continues his astute siphoning of council funds, this time with help from the Breadminster Board of Abstinence. As a further mark of respect, the original head of the Board, Dr. K'houldoux, graces the cover art in his infamous ‘Looming Moon of Desire’ guise.*
As fine a backdrop as any for Minneli’s off-brand dub experiments, and ‘Clams...’ is the truest representation of his varied wheelhouse yet...
We find vocal appearances from dub goliath Dennis Bovell and Welsh-language singer Carwyn Ellis. A pair of tracks which build on 2024’s acclaimed ‘Perpetual Musket’, a collection of folk songs reworked alongside reggae vocalists, released by FatCat Records. It garnered glowing reviews, with nods from The Guardian and The Quietus concluding with prominent appearances on their respective yearly round-up lists.
Elsewhere, the album finds Minnelli in a more experimental mode, all wheezing contraptions and cockeyed bass, creaking with the weight of creation, a satisfying tactility laid seam-side up.
As well as ‘Perpetual Musket’, the new album follows years of sold out 7" singles, handmade and self-released. Online, the tracks have amassed global streams numbering in the millions. His tracks have found play across an eclectic range of radio mixes and dance floors, most notably the likes of Andrew Weatherall, Batu, Optimo and Zakia Sewell (BBC6Music).
It is perhaps worth mentioning that this everbuilding interest in his work is at great odds with the growing suspicions amongst his fellow townsfolk, who see his Breadminster County Council Music Initiative as nothing more than an empty cash-grab.
Further Reading on the Breadminster Board of Abstinence
In the late 70s, Breadminster was awash with the last vestiges of the hippy era. Though the flared silhouette of the lower leg remained, the utopian ideals that had once flowed merrily around the youth's shaded ankles had begun to wane. LSD and free love had led to a sharp spike in population and a generation of children raised by air-headed psychonauts unprepared for the bleary-eyed strictures of parenthood.
Aware of the crisis, the County Council entrusted Dr. Paulinque K'houldoux to spearhead a pushback, and it was his pro-abstinence movement - a mixture of education initiatives and radical renutrition campaigns - that came to impact Breadminster's census deep into the new millennium.
Being a pseudo-archipelago Breadminster has fundamentally limited resources, however deep-seated ties to distant coastal villages meant that oysters were a regular part of the local diet. K'houldoux pinpointed this as a factor in the town's overpopulation, and believed that simply replacing these with clams (a “lesser mollusk”) would help lower the erotic urges of the people. It was his “anti-aphrodesia” movement that first championed the idea of “Clams As A Main Meal,” and the slogan “Consider Abstinence” carried the message yet further.
The Breadminster Board of Abstinence soon became involved in all cultural happenings in the area, with K'houldoux MCing at prominent festivals and performances, sometimes dressed as the “Looming Moon of Desire” - an idea of his relating to the tide, seafood, menstrual cycles, and his privately held celestial predilections.
It was in 1981 that it was revealed Dr. K'houldoux had never fully qualified as a doctor and was seeking exile in Breadminster due to a series of botched bracelet heists in which he had previously been involved. K'houldoux was subsequently extradited to Basingstoke, where he served 3 of a 12-year sentence, owing to the lunar-oriented prisoner health campaigns he helped implement.
It has been a strange twist of bureaucratic fate that the Breadminster Board of Abstinence has never stopped receiving public funding, despite its lack of clear utility. And while its roots are tied to a rose-tinted past, the Board continues to sponsor cultural events and projects to this day.
An extract from: Eugeniq Schooner's article in Sydney Parishioner: “Clams, Breadminster and Countercultural Abstinence Trends” (2008)
With absolute joy we can announce that one of our favorite dubplates of the last years is finally going to be released. If you heard Lion’s Den play, you heard this one. This is Violinbwoy’s take on a Belarusian traditional song. A beautiful interpretation by Laboratorium Pieśni remixed for sound system play by Violinbwoy in his laboratory.
A tune gathering the ancient spirits - from that time to this time… play it loud and feel the vibrations!




















