Blickwinkel presents ‘On a Tuesday and a Wednesday’, the first collaboration between Pierre Bastien and Casper Van De Velde. The album captures what the duo has been working on during a 2-day residency at Werkplaats Walter (Brussels), invited by the label. In their improvised sessions, they quickly found a way to merge Bastien's renowned mechanical sound sculptures with the playful and detailed style of percussionist Casper Van De Velde. The result is a blend of intricate rhythms and organic, music that flows effortlessly between the intimate and the expansive.
Buscar:k de
(LP+DL) First issue of this previously unreleased Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. Third part of Abdou El Omari's Nuits-trilogy. This album contains dazzlinginstrumentals spiced up here and there with some traditional vocals.
- A1: Blue Sky, White Sun
- A2: Interstellar
- A3: Hotpot
- A4: Niji Shibai Feat. Daichi Yamamoto
- A5: 99011281
- B1: Who Am I Feat. Aaamyyy
- B2: Ü?
- B3: Gingua
- B4: Miracle
- B5: Premiere
Future pop unit "Mononkuru" has released their first album in nearly seven years since their previous album, "RELOADING CITY," on vinyl!
"Bokura wa Warai at a Dead End," a brand-new pop album featuring guest appearances by AAAMYYY and Daichi Yamamoto, is here!
Seven years after their last album, Mononkuru has finally released their long-awaited new album. Known for their jazz-infused pop, the band has changed their
name to "Mononkuru" in katakana and updated their sound. In addition to the innovative modern pop disco they showcased on recent releases "GINGUA"
and "HOTPOT," this album is packed with highlights, including "Futari Shibai feat. Daichi Yamamoto," a bold new work featuring a featured artist for the first time
for Mononkuru, and "Who am I feat. AAAMYYY," which debuts on an album.
- 1: La Finca
- 2: Eso Pido Yo
- 3: Seis
- 4: Cancion
- 5: De Cuna
- 6: Bolero
- 7: La Flor
- 8: Canta
- 9: Tonada De La Luna Llena
- 10: Confesion
- 11: Dejalo Ir
- 12: Aquellas Pequenas Cosas
The recording unites Colombian folk traditions with Latin American rhythms, Spanish flamenco, and jazz harmony across fourteen tracks-- twelve of them original-- that travel from the valleys of Colombia to the coasts of Peru and beyond. Centered on voice and guitar, the arrangements feature subtle touches of bass, percussion, flute, and accordion, revealing Gomez's gift for lyrical storytelling and emotional clarity. Two decades later, Cantos De Agua Dulce remains a timeless expression of Gomez's vision; music that flows with grace, bridges cultures, and honors the poetry of everyday life.
French artist based in Brussels, Che Vuoi presents her first album Cinecittàx, a nod to the great Italian studio, and a tribute to false dreams.
A theatre at the back of a run-down piano bar, where surreal and intimate scenes unfold; words and stories drawn from disparate sources: Fellini, G. Réal, Diderot... or written by herself, spoken, shouted or barely whispered by an altered voice.
Noises, samples, a drum machine, a brush on a snare drum, a piano spinning round and round until it reaches delirium and its own abolition, leaving us suspended in a constant in-between or a time that never truly existed.
« This voice, gentle, mad, with lightning verve, tells between the lines and the echoes the presence of threatening shadows and ghosts. And it is Che Vuoi, her character, her world of images, that haunts us. It is a strange bewitchment that carries us beyond the words she has freed from "the stationery I stole from Bellavista the other night" ("le papier à lettre que j’ai chipé au Bellavista l’autre soir") into the lair of her universe, as whimsical as it is silky in which we let ourselves slip, as one would slip over the rock of an esoteric river, in the heart of a forest that makes music and has delirious things to tell us. »
Disciples Of Annihilation, E-De Cologne, Dj Dano, Liza'n'Eliaz, Somatic Responses, Dj Balli, Atomic
15 Years Anniversary Vol 1 - Disc 2
- A1: Rikard From - Saw It On The Radio (2 50)
- A2: Robert Gromotka - No Jive (2 27)
- A3: Becky Ainge - Cut The Jazz (2 01)
- A4: Rainer Oleak - Dummes Spiel (3 49)
- A5: Dennis Korn - Kartoji Man (2 32)
- A6: Sarah Watson - The Mambo Craze (2 11)
- A7: Isaac Alstad - North West (2 27)
- A8: Leonard Lehmann - You Stayed (2 27)
- A9: Eckes Malz - Time Slips (2 38)
- B1: Bugge Wesseltoft - Jeunesse Doree (4 01)
- B2: Jonas Hain - When No Words Come (2 20)
- B3: Ulf Kleiner - Anchorless (2 46)
- B4: Ana Rebekah - My Society (2 55)
- B5: Stein Austrud - Lettre Au Pere Noel (3 16)
- B6: Cristian Vivaldi - Jazz Music (2 15)
- B7: Martin Bohmer - Our Relationship (3 38)
- B8: Lera Palyarush - Back From Where I Started (2 45)
- 05: Mabo Maboe (Traditionnel) + Gigue De La Quatrième Suite En Mi Bémol Majeur Pour Violoncelle
- 06: Bombé (Extrait) + Ruht Wohl, Ihr Heiligen Gebeine
- 08: Mamoudo Na Sakka Baya Boudouma Ncombi (Traditionnel) + Prélude N°14 Bwv 883
- 12: Okoukoué (Traditionnel) + Cantate 147
- 01: Cantate 147 (Extrait)
- 02: Sankanda (Traditionnel) + Lasset Uns Den Nicht Zerteilen
- 03: Mayingo (Traditionnel) + Fugue Sur Mayingo
- 04: Herr, Unser Herrscher (Passion Selon St. Jean, Chorus N°1)
- 07: Pepa Nzac Gnon Ma (Traditionnel) + Prélude De La Partita Pour Violon N°3
- 09: Agnus Dei (Messe En Si, Bwv 232)
- 10: Ikokou (Traditionnel)
- 11: Inongo (Traditionnel) + Invention À Trois Voix N°3 En Ré Majeur Bwv 789
- 13: Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus Dit &Quot; La Chasse &Quot;)
- 14: Cantate 7, Jésus Que Ma Joie Demeure
Combining Bach with traditional Gabonese music, Lambarena pays tribute to Albert Schweitzer, a doctor and musician who settled in Lambaréné in 1913. Conceived by Hughes de Courson and Pierre Akendengué, this extraordinary project brings together more than 250 artists and blends organ, baroque choirs, and African percussion in a musical celebration of rare intensity. A true timeless classic, it is now available for the first time on double vinyl, accompanied by a 4-page bilingual booklet (English/French) recounting the history of this unique album.
b 02: Sankanda (traditionnel) + Lasset uns den nicht zerteilen [Passion selon St. Jean]
[e] 05: Mabo Maboe (traditionnel) + Gigue de la quatrième suite en mi bémol majeur pour violoncelle [extrait]
[f] 06: Bombé (extrait) + Ruht wohl, ihr heiligen Gebeine [Passion selon St. Jean, mouv. 62]
[h] 08: Mamoudo Na Sakka Baya Boudouma Ncombi (traditionnel) + Prélude n°14 BWV 883 [extrait]
[l] 12: Okoukoué (traditionnel) + Cantate 147 [extraits]
- 11: Symphonie Égyptienne
- 12: Dhikr / Requiem / Golgotha
- 01: Ikhtitaf Fi Assaraya – &Quot; L&Apos;Enlèvement Au Sérail &Quot; (Mozart / Traditionnel)
- 02: Double Quatuor En Fa K. 496 – Pour Clarinette, Violon, Alto, Violoncelle, Arghul, Rababa, Kawala, Tabla, Doff Et Sagat (Mozart)
- 03: Lamma Bada Yatathanna / Symphonie N°40 (Mozart / Traditionnel)
- 04: Mahdiyat – &Quot; Berceuses &Quot; (Mozart / Traditionnel)
- 05: Concerto Pour Oud Et Piano N°23 (Mozart)
- 06: Hamilu Lhawa Tahibou / Aria De Papageno N°20 (Mozart)
- 07: Yaman Hawa / Thamos Roi D&Apos;Égypte (Mozart / Traditionnel)
- 08: Mawwall (Traditionnel)
- 09: Double Quatuor En Mi Bémol K. 374 – Pour Clarinette, Violon, Alto, Violoncelle, Arghul, Rababa, Kawala, Tabla, Doff Et Sagat (Mozart)
- 10: Ouazat Al Kahira – &Quot; L&Apos;Oie Du Caire &Quot;
Halfway between the West and the East, Mozart l'Égyptien was born from the idea of producer Hugues de Courson and Ahmed El Magghrabi to create a dialogue between Mozart's work and the richness of Egyptian music. Released in 1997, this album became an essential reference in the history of musical fusion, enjoying worldwide success. It is now available for the first time on double vinyl, accompanied by a 4-page bilingual booklet (English/French) recounting the genesis and history of this unique project.
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
j 10. Ouazat al Kahira – " L'Oie du Caire " [Mozart]
[k] 11. Symphonie égyptienne [Mozart]
[Mozart / Traditionnel]
- Malata
- Tika Kolela Chérie
- Ba Mpangi Ya Matadi
- Mosala Etindi
- Casier Judiciare
- La Mode Ya Pius Apiki Dalapo
- Ngai Muana Na Weyi
- Cha Cha Cha Erique
- Baiser Na Litama
- Lopango Ya Bana Na Ngai
- Victoire De Bruxelles
- Onzeteuna
- Revolver
- Baila Charanga
- El Paso De Encarnacion
- El Pinazo
- Na Mokili Mibale Na Mibale
- Ma Nkewa
- Bandoki Kabasala Ye Nkenda Ko
- Beno Bakongo Sika
- Owawa
- Camp Luka
- Lokumu Ya Mwasi Mpo Na Mobali
South Africa Amapiano powerhouse, De Mthuda, releases “world’s first major amapiano release on vinyl”.
“The Landlord – Vinyl Cuts” is a carefully curated selection of 6 of De Mthuda’s best tracks, released during ‘The Landlord’ era from 2021 – 2023.
Bringing the unique joy and spirit of Amapiano to the world - all tracks have been remastered for vinyl to present the unique bass rhythm, log drum and flow, synonymous with the genre that has taken the world by storm.
DJ support: Chris Stussy, Prunk, M-high
Legendary Dutch artist Michel de Hey makes his debut at PIV with an oustanding EP. Two hit originals and two massive remixes from underground maestro S.A.M. and upcoming Dutch House talent Marijn Jansen. A complete package perfect for warm up, peak time or late hour action.
- A1: Dirann
- A2: Louise A-Dak
- A3: Marion Ar Fawed
- A4: Murs De La Honte
- A5: Zu Atrapatu Arte
- B1: Makukuti Kanaki
- B2: Lacri-Moged
- B3: Rock’n’roll Diggers
- B4: No Pasaran
D'ar gad ataw! (Always in Combat!) is the fifth album from Ramoneurs de Menhirs, these tireless punk bards who, for almost 20 years, have been making Brittany echoes in every town of France. They came back with 13 new tracks that give pride of place to compositions from an enraged "zone mondiale", often in Breton ("Marion ar Fawed", "Louise A-Dak"...) but also sometimes in French (No Pasarán...) or english (cover of Patty Smith "Rock'n Roll Diggers") relentlessly denouncing the forces that crush us ("Lacri-Moged" or the cover of Angelic Upstarts "Police Oppression"), the dictatorships in place as well as those that threaten ("Dirann").
- Intro
- La Vida De Alguien Más
- Igual Que Ayer
- Wako
- Los Gusanos Respiran Por La Piel
- Vanidad (Explicit)
- Outro
- Noticias Del Espejo
- 2021:
Ursprünglich in kleinen, ausverkauften Auflagen selbst veröffentlicht, fangen La vida de alguien más (2021) und Obrigaggi (2023) Diles Que No Me Maten auf dem Höhepunkt ihrer unermüdlichen Kreativität ein - sie bewegen sich fließend zwischen krautrockigen Grooves, Free-Jazz-Chaos und spektralen, traumartigen Meditationen. La vida ist ein berauschender 34-minütiger Ausbruch von Post-Punk-Dringlichkeit und improvisierten Wendungen, während Obrigaggi, aufgenommen in einem Haus am Flussufer in Veracruz, mit intimer, jenseitiger Anmut dahinschwebt. Nun werden diese Alben zum ersten Mal gemeinsam neu aufgelegt und über Moonlight Activities vertrieben. Diese Alben markieren die Entwicklung der Band von Underground-Lieblingen in Mexiko-Stadt zu einer der experimentierfreudigsten Rockbands auf der internationalen Bühne.
Discover the melancholic sound of Margitte
Hailing from the historic city of Ghent (BE), Margitte crafts a unique sonic tapestry that resonates with both ethereal and fierce. Think Portishead, Pj Harvey, The War on Drugs, St. Vincent and even Gainsbourg. Her music is a journey through scapes, blending haunting melodies with intricate electronic textures and poetic lyricism.
Margitte's sound is both timeless and contemporary, weaving together the mystical and the modern with a vision that is thought-provoking as it is emotionally stirring.
Her performances are true to her artistry and passion. Margitte is not just to be heard, but to be felt, lingering on in your ears long after the last notes faded.
Come and get it, join the haze.
SOUNDS LIKE: Laura Marling, Beach House, Warhaus, Gainsbourg, St. Vincent, Liv, Portishead, PJ Harvey, Nick Cave, Neil Frances, James Blake, David Byrne, Grace Jones, Kruangbin, The War on Drugs.
Credits:
Margot De Ridder: Voice, keys, composition
Artan Buleshkaj: Guitar
Simon Raman: Drums, Percussion
Annelies Emmerechts: Voice, keys
Artwork by Mwahrk
Mastered by Lieven Van Pée




















