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Originally from Florence, Italy, Elio made an impression in the Seattle underground through his deejaying at DAZED parties alongside his evolution as a producer. On his first vinyl EP, two original productions channel an early 2000s melodic minimalism with a touch for evocative composition paired with memorable grooves. A remix of each completes the record.

The title track “Still Love” opens the EP with a series of contemplative notes. As the bass stirs, the track expands, adding energy alongside the breakbeat. The synth unfurls in a melodic crescendo before pads add emotive accents.

Kurilo steps into the lab to reconstruct “Still Love” into an afterhours potion. The Ukrainian producer showcases the psychedelic and sumptuous grooves that established him as one of the finest purveyors of hypnotic tech house at Trance Pandemic. The influence of cinematic acid house washes over the driving groove.

“Vegas Jam” opens side-b and again emphasizes Elio's sense for musical composition and progression. Adding swing and jazz techniques to the synth melody, variations of the piano hook improvise blissfully above the rolling bass.

A warm yet powerful kick sets the tone for the final track of the EP. China's electro and techno wiz B.AI remixes “Vegas Jam” into a mind melting sensory stimulus. The remix gathers intensity and drive, an irresistible late night brain worm.

Tied returns with its next vinyl-only release, timed for the spring and summer season. Mr Chic EP brings together four groove-led House & Tech House cuts from two emerging artists: three originals by Lose Endz, alongside a remix from Velvet Velour.

“Mr. Chic” opens with a smooth combination of tight drums, warm chords, and soft pads. Subtle ’90s House references sit within a modern, functional framework, resulting in a steady, floor-focused track.

Velvet Velour’s take on “Mr. Chic” introduces his characteristic swing and rhythmic phrasing. While retaining core elements, the groove and structure are reshaped, giving the track a more dynamic, driving feel.

“Churruca” moves deeper, built around a driving groove and evolving chords that gradually unfold into a Detroit-leaning progression. The arrangement develops patiently, creating a hypnotic, immersive feel.

On “Let The Acid Begin”, a rolling 303 line introduces a rawer edge. Vocal snippets and acid textures interact with a consistent groove, keeping the track direct and effective for later hours.

Across all four tracks, the EP stays grounded in groove and function—crafted for extended play, from warm-up through to more intense moments on the floor.

Sueño Stereo is the final album recorded by Argentine rock band Soda Stereo. By 1995, it was clear that the band was the most important Argentinian group of the decade. The album went platinum in 15 days and Rolling Stone considered it the fourth-best album in Latin rock history.

The album is a true reflection of the times, blending Britpop, dream pop and electronic music. Next to that the band named The Beatles as a major influence on the album's structure. Inspired by The Beatles did the band end the album with a medley on the D-side. This gives the album a strong conceptual feel.|

Sueño Stereo is available as a limited edition of 2000 individually numbered copies on transparent vinyl, is packaged in a gatefold sleeve, and includes an insert.

Music never exists in a vacuum — every scene and sound evolves from the non-stop exchange of ideas between different groups and cultures. Traditions get passed down from one generation to the next, and then individual heads take influence from their own unique perspective. Sometimes, certain people strike upon fusions that spark massive new movements, but even those rarest innovations came from somewhere.

Jon E Cash knows this more than most — the legendary beats he started putting out at the turn of the millennium had their own disparate roots and influences which he had the motivation to put together into a sound he called sublow. There wasn't any other reference point for this music — when he took the first white labels of 'Drop Top Bimmer Kid' into Blackmarket Records in Soho, London, he had to describe it to a puzzled Nicky Blackmarket and J Da Flex as being, "between garage and hip-hop."

Playing catch-up in 2004, Rephlex Records nodded to sublow when trying to introduce a wider audience to the sounds which had been tearing up the London underground. "Grime. Sublow. Dubstep... It's Music. Different people call it different things depending on when they discovered it." But Jon E Cash's sound was rooted in more than the UK garage that had dominated the clubs through the late 90s, reaching way back to his pre-teen days when the first waves of hip-hop culture crossed the Atlantic and broke in the UK.

25 years on, it's a fine time to reflect on the impact of the music Cash made at the turn of the millennium. History looks back favourably on what he and the Black Ops crew were doing with sublow in the early 00s. The timing meant it ran in parallel with what was happening over East with Pay As U Go, Roll Deep et al, and of course there was crossover. Every DJ and every MC was on the hunt for the best beats they could find. But there's a whole different swagger to sublow — a different web of influences, a different intention and so a different outcome. It's still there in the beats Cash is making more than 20 years later — his 3dom Music label is carrying upfront productions with that sublow DNA coursing through their veins. Whatever the beat or the tempo, the drums are still hard as nails, and the bass is tuned for maximum rave damage.

- 2026 repress / hot foil printed sleeve -

Limited Edition: Box with holographic hot foil logo print and five printed inner sleeves - No Repress

SHDW's label, Mutual Rytm hits a notable milestone at the start of 2024 as it turns two years old and hits its 20th release. To mark the occasion, the carefully curated compilation 'Federation Of Rytm III' arrives on February 2nd with a 30-track 5 x 12" boxset vinyl release and a further 6 digital bonus tracks.

Mutual Rytm is synonymous with serious, no-frills techno. It is a go-to for the world's most influential DJs and a home to some of the scene's most innovative producers. Over the last two years, it has explored several shades of sound, always with high-quality production and forward-thinking styles. A fine balance has always been struck between new and emerging talents and established names with plenty more to say, and that is the case on this collection which features the legendary likes of Blawan, Gary Beck, Colin Benders, The Advent and Dax J next to ANNE, Alarico, JakoJako, Chlar, LDS and many more.

Founder SHDW says, "I've poured my heart into curating a compilation of 36 tracks, a reflection of my deepest musical passions. The lineup is stacked with incredible artists, and it captures the label's essence - a fusion of artists spanning generations, united by a shared spirit and aesthetic, creating a seamless 'mutual rhythm'."

Although all 36 tracks stand alone as high-grade and club-ready dynamite, they also collectively form a versatile listening experience thanks to how they've been carefully assembled into a perfectly sequenced journey.

Each one dives into a different nuance within the world of techno and there is a range of moods from dark and driving to more energising and uplifting. The collection not only shows how far Mutual Rytm has come in a short space of time but also that it remains in a constant state of evolution and has a bright future ahead in 2024 and beyond.

SHDW's vision at Mutual Rytm was always to present a cohesive yet varied musical experience, and Federation Of Rytm III does exactly that.

DJ Support: Kerri Chandler, Folamour, Louie Vega, Jazzy Jeff, Dimitri From Paris, David Morales, Dave Lee, The Shapeshifters, Brian Tappert, Quentin Harris, Michael Gray, Terry Hunter, Hector Romero, Tedd Patterson, Dr. Packer, Marcel Vogel, Dj Pippi and many others

Groove Culture main men Micky More and Andy Tee are once again at the controls as the label presents its' Third collection of “Groove Is In The Heart”. As with the popular imprint's various EPs, the focus is on joining the dots between organic house, revivalist disco, uplifting dancefloor soul and colourful jazz-funk. There's much to admire from start to finish, a very strong bunch including MM & AT,Gianni Bini and Angela Johnson celebratory cover of EWF swirling disco-funk ‘In The Stone', a wonderfully rolling and funky-House joint titled ‘Let The Rhythm’ from Ralph Session & Djfudge, Memi P. And Gisele Jackson tasty Feel Good Classic-house Tune “Make It On My Own” and the soulful-house warmth of Audiowhores ‘Touch The Ground' Feat. Angela Johnson.

,In the Grace Of Your Love" kam ursprünglich 2011 raus und war ein Neustart für The Rapture und eine willkommene Rückkehr zu DFA, dem Label, das ihnen zu ihrem sofort erfolgreichen Debüt ,Echoes" verholfen hatte. Der Schwung und Erfolg dieser Jahre führte zu einer Achterbahnfahrt mit einem großen Label, die sie wieder da landete, wo sie angefangen hatten - mit Narben, aber jetzt frei, die Grenzen der Erwartungen zu sprengen. Begleitet wurden sie dabei vom verstorbenen, großartigen Philippe Zdar, einer Hälfte des französischen Dance-Duos Cassius und Produzent von Künstlern wie Phoenix und den Beastie Boys. Zdars Begeisterung und technisches Können sind schon in den ersten 30 Sekunden des Albums zu hören: ,Sail Away" ist The Rapture in voller Pracht und Strahlkraft, ein fünfminütiger Ausatem mit Disco-Drums. Natürlich gibt es auch jede Menge Futter für die Dance-Kids - ,How Deep Is Your Love" rockt immer noch die Tanzflächen der New Yorker Bars, ,Miss You" ist ein unwiderstehlicher kleiner Streich in Moll -, aber insgesamt herrscht das Gefühl vor, dass man langsamer wird, Bilanz zieht und an den richtigen statt an den falschen Orten nach Sinn und Liebe sucht. Daher auch das Finale: ,It Takes Time To Be a Man", ein charmant ehrlicher, von Klavierklängen untermalter Song über Verantwortung übernehmen und anderen helfen. Er klingt wie nichts anderes im Repertoire von The Rapture und rundet es dennoch perfekt ab. Der Abspann läuft, die Zeit vergeht, Platten bedeuten immer noch alles.

2026 Repress

Laster Records launches with a powerful VA featuring Alarico, Yanamaste, Chontane and
Roll Dann

Spanish's techno movement force Laster expands its vision with the launch of Laster Records, inaugurating the label with a fierce various artists EP forged for peak-time madness and emotional depth. The debut release, Laster Records VA001, brings together four essential voices in modern techno: Alarico, Yanamaste, Chontane and Roll Dann, each contributing a distinctive cut to a shared narrative of intensity and evolution.

The A-side opens with Alarico's "Of Which Sugars", a gritty, percussive storm of fast-paced
techno, where tension builds through syncopated rhythms and distorted grooves. Following is
Yanamaste's "Disconnection", a cerebral track infused with cold atmospheres, broken patterns and a sense of controlled chaos - reflecting the Georgian artist's unmistakable mental approach.

On the flip, Chontane delivers "Palindrome", a futuristic and dynamic tool with flickering synth stabs and machine funk energy. The EP closes with Roll Dann's "The Red House", a cinematic and melancholic trip through layered textures and deep basslines, paying homage to the label's own mythology.

Laster Records VA001 sets the tone for a label that, like its club roots, is raw, inclusive, and
uncompromising.

See you under the red light.

Second reference from Madrid-based label Proper Balance, this time in charge of UK producer Sub basics

The EP consists of 4 tracks on the 115bpm spectrum that range from the deep and obscure vibes of Gauze to more bright downtempo infused tracks Hemisphere and Axis as well as a slowed down dubstep track such as Bounce. All tracks written and produced by Tom aka Sub basics between years 2017 and 2018.

Regal delivers his first full EP on Backspin, marking a defining moment for the label he founded. More than just another release, the Forgotten Heroes EP captures the essence of Regal's vision: groovy, forward-moving techno that balances raw club energy with atmosphere, emotion and narrative.

The title track 'Forgotten Heroes' sets the EP in motion with a sense of controlled urgency. A rolling, slightly breaktinged groove pushes forward relentlessly, while an eerie, almost nostalgic synth melody hovers in the background, giving the track an emotional pull. 'Concentrate' shifts the focus inward_ bleeping motifs, tight claps and restless hihats circle around spoken fragments that feel like thoughts caught between the peak of the night and the quiet hours before sunrise.

On the B-side, 'Forte' accelerates into pure momentum: sharp, bleep-led sequences and forward pressure combine into a rush that feels like racing through the city at night. 'Soft Killer' deepens the mood with a darker, dominant edge, its stripped back power and razor-sharp sounds cutting clean through the mix. Closing track 'Wild Magic' offers a final release of tension, slowing the pace into a lighter, more house-leaning groove. Warm pads and a catchy, uplifting melody bring a sense of air and openness, letting the EP drift out on a hopeful, almost euphoric note.

Regal's comeback EP 'Forgotten Heroes' stands as a personal statement and a cornerstone release for Backspin. It's techno built on groove, contrast and character, made to leave a lasting impression on the dancefloor.

Perro Bueno is back with a sixth volume of edits that will only heighten his reputation in underground circles. Side A's 'BLRF' brings big but raw jazz-funk energy thanks to the blazing horn and that unmistakable Bueno swing. Flip it over, and 'NFSA' unearths a long-lost Afro groove that has been lovingly reimagined with deep respect for its roots and a sharp ear for the dancefloor. The art here is merging crate-digger nostalgia with fresh club energy that cuts through contemporary dance floors. Bueno's groove is also a defining factor and unstoppable as ever as his edit story keeps on rolling and keeps it thrilling.

Milkcrate Mondays always deal in unabashed dancefloor fun, but that never comes at the expense of style and quality in celebration of the party of the same name's open-minded ethos. On the A-side, Spinobi delivers a dancehall-leaning refix of 'My Boo', reshaping the familiar hook with punchy rhythm and bass weight. The flip belongs to Palomo, whose 'My Boo' cumbia edit turns the freestyle classic into a rolling Latin groove built for late-night sets. Mastered by resident DJ Satin, this is another gem that continues the collective's tradition of crate-digger creativity and genre-crossing selections aimed squarely at moving the room.

Punctuality presents its ninth release, Night Time, a potent four-tracker from Irish born, Berlin based producer New Members. Positioned on the spriitzzier end of the label’s canon, the record is a refined exercise in restraint, channeling classic, deep leaning house through a starry eyed, nocturnal lens.

The arrangements are unrushed and uncrowded, with each track built from a small selection of elements deployed for maximum impact. Evoking the deep cuts of early Balance and Global Underground mixes, the EP deftly weaves golden era progressive influences with neoteric production aesthetics. The result is polished, punctual tech house for late nights that stretch seamlessly into the morning light.

Title track Night Time carries a closing track sensibility: cute, catchy vocals glide over bubbling synths, blossoming pad washes, and jazzy chord stabs, recalling the finest Canadian Riviera house releases of the late 2010s: Total eyes closed on the dancefloor energy. Whisper In the Dark comes in trackier and toolier, with a rolling bassline resplendent with attitude and key changes, while trance and euro referencing stabs add a subtle touch of euphoria to the late night feel of the track.

Wishing Well maintains the afterhours feel with subtle atmospherics, gentle pads, and dubbed out acid wiggles, while chopped vocals and a pulsing low end push the groove forward. Hovering between genres, the result is a sleek, highly playable track for savvy selectors. The EP rounds off with Jealousy, a moodier affair with a dub techno feel that maintains the restraint New Members demonstrates throughout the release. Echoed whispers, delayed stabs, and a barely audible sub meld with delicate pad work and beguiling FX to striking effect. The piece as a whole is a luscious meditation on the hours after dark before light arrives.

As the EP suggests, this is once again not to be slept on. More A grade material from Punctuality HQ.

Mega hypnotic minimalism and micro house! TTM003 on Taka Taka Label brings together Kolhida and Cezar Lazar for Break And Escape EP, a razor-focused 12" built for late hours and locked-in floors. Rooted in micro house and minimal, the release balances hypnotic momentum, crisp percussion, and deep, rolling basslines with an understated, heady elegance.

Stop playing games and get your hands on this new 6-track Various Artists EP. From Electro-Wave in Dutch, to rolling synths in the club (anthem alert!), to Breakbeats that are hard to tame, to a contemporary version of the Moonlight Sonata, to a guided Tryp by Varum and Hayter's freezing cold Fortune Four. What you want is what we got.

Having played Sold Out tours and supercharged festival appearances across the UK & Europe, It's no wonder that Jim Jones All Stars were personally selected by The Black Crowes on their 'Happiness Bastards' UK & European dates in 2024.The band also recently joined The Wildhearts on their Spring 25' tour dates.The band's debut album, 'Ain't No Peril', was released in September 2023 to universal praise. Their sophomore studio album 'Cat Fight', produced by Chris Robinson (The Black Crowes) is due on April 3rd 2026 via the Black Crowes 'Silver Arrow' Imprint. But, not ones to rest on their laurels, the band just completed a Sold Out tour of the U.K in support of their brand new Live Album 'Get Down - Get With It - Jim Jones All Stars Live (Released October 24th Via Assai Recordings) 'Get Down & Get With It! Is an unvarnished document of a deep, immersive, and mind- bending journey, a transcendent and hypnotic rock and roll experience. It highlights the band's gritty, unapologetic sound, brimming with raw authenticity and attitude. Visceral and uncompromising, it is an electrifying live performance that true believers will never forget

Costas Music returns with its third release after a period of silence, delivering a timeless club-oriented EP from label head Costas, with remixes by Baldo and Youandewan.

It's Me Again sets the tone with rolling 90s-influenced drums, groovy basslines and subtle acid touches, driven by a raw dancefloor energy and atmospheric pads in the breakdowns. Barcelona’s Baldo steps in with a powerful remix, reshaping the track into a peak-time club weapon.

On the flip, Waterphone dives into hypnotic territory with evolving textures and stripped-back grooves built for late-night floors. UK underground favourite Youandewan delivers a distinctive reinterpretation, injecting his signature trippy swing and deep rhythmic flow.

Closing the EP, Drako drifts into cinematic soundscapes and immersive atmospheres, offering a deep and reflective ending to the record.

Deep, acid-tinged underground house with strong 90s influences — crafted for modern dancefloors.

_NRV011 welcomes Romanian craftsman Firesc for a deep, stripped and deliberate three-track journey built for long blends and late-hour tension.

“Travelling Monk” unfolds across eleven patient minutes — a rolling, meditative groove anchored by subtle low-end pressure and finely detailed percussion. The arrangement breathes, evolves and locks into a steady hypnotic stride designed for extended transitions and heads-down floors.

“Resiclap” tightens the focus. Snapping drums and elastic rhythm work drive the groove forward with crisp minimal precision, balancing restraint with just enough swing to keep things playful.

On remix duties, Andrei Ciubuc reinterprets “Resiclap” with a darker, more driving edge. His version sharpens the rhythmic framework and reinforces the low-end weight, turning it into a focused, late-night weapon without sacrificing the original’s subtlety.

A refined, functional release that stays true to the understated aesthetic _NRV is becoming known for — built for selectors who value patience, space and control.

Back once again like the renegade masters - Regulate jump into the fray for 2026 with two more bombs to light up the dance floor.
A side “Kick That” sees T2Funk & DJ Deviant team up to fuse classic Ninja Tune cinematic funk with added dynamic cut and paste punch. Featuring brass stabs, scratches and nods to DJ Shadow & Norman Cook this is sure to shake rumps everywher
Flip side “Breaka One” sees DJ Deviant leaning right into golden era hip hop swing; with horns and a rolling groove that just doesn’t quit. Essential listening for all the boom bap heads who like a bit of Bomb Squad grit in the mix.

Zeb & Scotty without a doubt belong to the unsung heroes of the Jamaican-Caledonian underground, running tings during sound system nights all over Scotland in the 2010s – most notoriously for Mungo’s Hifi in Glasgow and Big Toe’s Hifi in Edinburgh. Wherever a heavy bass could be heard through wet nights, you could be sure the duo was tearing the place down inside.

Always getting the vibes best on a small stage next to a blasting rig, their vinyl releases remained scarce however. Luckily one of their magic moments, “Bring Di Sensi” on a Jahtari 8bit chip hop jam, was captured on tape in 2008 at the Glasgow School of Art during a Mungo’s Hifi session.

Now pressed to fine 7″ wax with an all new Dub cut on B and alongside beloved oddball reggae outro “Roll That Shit“, this heavyweight delivery is scheduled to arrive at all sound systems shortly!

We welcome you to the third installment of Scala. Each new release on Scala Muziek reflects the evolving mindset of its founder. For the third chapter, Pascal Benjamin delivers Soul Extension EP, an exploration of movement, mood, and the subtle shifts that define his sound. A1: Almost Fact sets the tone with taut rhythms and shimmering low-end pulses, balancing tension and release in constant motion. A2: Shift Happens dives deeper into modulation, its warped stabs and filtered delays gradually building a shifting, evolving energy. On the flip: B1: Extension expands into rolling grooves and atmospheric layers, blending vintage warmth with modern precision. B2: Phases closes with a sparse, contemplative mood—fragmented voices and echoes creating a hypnotic sense of drift. Soul Extension captures Pascal at a point where artist and label move forward as one, shaping the next chapter of Scala Muziek’s identity.

2026 Repress

Coco Bryce returns to 3AM Eternal and blesses us with again 2 amazing tunes.

Side A brings us "One Hundred" a rollin' amen tune which switches between beautiful euphoric vibes and full on rave in a way that only Coco can do.

The second tune "Saliva" is pure euphoria, beautiful synth melodies, heavy subs and deep pads. This one goes deep! A perfect follow up to his classic 2021 Cloud Busting/Octopus ep.

Future Tones is back... this time with Fdez, label co founder. Four dancefloor killer tracks, and starts with Dr Blowfin, Dark and driving techno house tool. Rolling sub-heavy bassline, tight percussive groove and raw analog synth stabs.

The A2 is for Techcontrol, Stripped and hypnotic. Minimal drum programming layered with evolving analog textures and shadowy vocal fragments.

The other side starts with Sarcofago, Heavy low-end pressure with a punchy groove. Italo-tinged atmospheres and dusty analog sequences create a moody peak-time cut with steady progression.

And B2 is for Zigurat, Killer closer. Deep pulsating bass, restrained percussion and haunting vocal elements floating over warm analog pads. Perfect for late-night transitions and controlled energy shifts.

Wilt returns with a new deep house EP on his own label, Thé Chaud Records. The French DJ and producer delivers a twosided release showcasing his dual approach to club music.

On the A-side, Wilt settles into a deep, late-night groove with two carefully crafted cuts built for the floor. Crisp drums and warm, rolling basslines drive a steady pulse, with subtle arrangements that let the tracks breathe. The B-side highlights his love for old-school sampling, blending warm textures and nostalgic touches into a more intimate, soulful atmosphere. A concise yet balanced EP, moving between refined club functionality and timeless deep house depth.

Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.

HAVEN co-founder Keepsakes is finally back on his own imprint with 5 fresh originals filled to the brim with warped alien sound design, driving and grooving drum rhythms, and acerbic track titles fresh out of a twisted after-hours chat. Following on from releases in recent years on KAOS/OAKS, Turbo Recordings, Perc Trax, and Boys Noize Records, this latest EP maintains his signature toughness alongside his fun and quirky sound choices while taking his sound further in to jacking and groovy territory.

The EP launches with 'Vocoding Your Nan Out Of Existence' on the A1 - full of growling and tortured alien vocoder melodic experimentation combined with driving funky drum work and organic atmospherics, this slab of freaky techno weight is aimed directly at the most debauched of dance-floors. 'Get To Know It In The Flesh' follows up on the A2 with rolling, grooving rhythms and dramatic string stabs alongside outlandish synth melodies, looping vocals and eerie creatures lurking in the background.

On the flip 'Ready2BeginWot?' gets things jacking with swinging rhythmic funk and and ear-worm repeating vocal line in a fast house-inspired slammer. 'Hollow And Suited' follows on the B2 with its tribal driving drum work and mutating resonated vocals sitting alongside debased synth melodics for the most haunted club creatures. Finally, 'Corvid House' closes out the record with its swung and grooving drum loops, bird call sound effects, vocal hooks and euphoric pad bliss to finish off another plate of dance-floor degeneracy.

Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.

2026 Repress!

(Long awaited 2026 repress, Black vinyl) While the original, 2013 version of Robert and Lyric Hood's bittersweet banger had already managed to leave tear stains on dancefloors across the globe, the 2014-released “Re-Plant” of 'Never Grow Old' has undeniably lived up to its name. As likely to be rolled out by Carl Cox as Ricardo Villalobos, 'Never Grow Old''s quickening synth stabs and piercing symbols wrap tenderly around a heart-wrenching vocal to make up a track that is both poignant and euphoric. It's the ultimate crying in the club track, the cheat code to getting crowds to embrace each other, and the track you'll probably want to ring your loved ones to tell them about, all wrapped into one.

The super rework magician Scruscru has been cooking up more goodness for Volume two of Blur's ReWax EP, and it's packed with disco-meets-jazz house class. First up, he tackles Sweet Fruity Brunch's 'Red Parrot' and makes it into a rolling jam with lush pads. Elsewhere, 'Rhythm Roulette' has punchy drums but plenty of piano euphoria, 'Matine' becomes a coy and funky number and 'Gift Of Love' is a romantic heart 'WalkToWalkIN' is a shuffling and jazzy vibe and 'Empyrean Jazz' closes with some spiritual percussion and gentle horns that will always seduce once the lights go low.

Sven Wegner and Reiner Von Vielen debut on Blur Records with a lush, analogue-driven EP here, which fuses live instrumentation, vintage textures and deep dancefloor spirit. The German producers' opener 'Got To Believe' glows with soulful vocals, dusty drum machines and warm synths, while 'Let's Do It' locks into a funk-fuelled, hypnotic groove. The title track then brings some heartfelt emotion with smooth, silky keys and rolling basslines. Next comes a DJ Popinjay remix, which is flipped into a bumping house workout. Closer 'Reboot Me' brings evocative atmospheres to what is an EP steeped in meaningful human feels.

Fierce, rolling modern techno from Section 6. Making a debut on Clone's Repetitive Rhythm Research project with the first of a two-part series with some well executed functional tracks for the heads. Limited handstamped white labels for those who can handle vinyl!

Daybreakers keep it rolling in 2026 after two essential Vick Lavender samplers, this time back east with some DATs from the Jersey boys “Raw Tunes” Little to nothing is known about those two. We will keep it that way and let the music do the talking.

Medlar sends us a less anonymous remix straight from the Cayman Islands too... Hard hitting deep house perfect for the peak time, What more do you expect from us at DAYBREAKERS?

Buy or cry.

A concentrated four track showcase extending the warm glow of last summer’s album “Cruise Control” into the spring of 2026. Satin Jackets lines up a heavyweight cast and delivers an EP that moves effortlessly between sunlit elegance and late night force.
A1) Satin Jackets & Kimchii – “Bring On Up Our Love” (Flashbaxx Remix)
Flashbaxx transforms the Satin Jackets and Kimchii track into a driving disco house floor weapon with bright chords and classic dancefloor swagger. Guaranteed to get everyone grooving.
A2) Satin Jackets & Erobique & Thunder – “You Get Me So High”
A radiant meeting of Satin Jackets, Erobique and Thunder that sails between disco, Westcoast soul and soft focus glamour. Built around the 2025 vocal, the trio turn it into a warm and irresistibly smooth homage to timeless Yacht Rock.
B1) Satin Jackets & Nazzereene – “Know Me” (Johannes Albert Remix)
The Berlin producer dives deep into Chicago house aesthetics and delivers a crisp, rolling late night tool that lights up any club at peak time.
B2) Satin Jackets feat. Seint Monet – “Control” (Ceci Remix)
Ceci closes the EP with a dreamy, slow burning rework that wraps Seint Monet’s vocal in hazy pads and gentle after hours warmth.
Extra Mile EP is the kind of twelve inch you do not pass on. A tight, potent combination of artists who elevate each other with ease.

The mysterious Gluten People return to the fold, handing over their next vinyl-only transmission. For this second helping of "glutenous" dancefloor heat, the duo has paired up with Giacomo XL, following the massive demand for their debut EP.

Expect more of the same raw, rhythmic energy that made their first outing a must-have for heads and selectors alike. This is essential, no-nonsense club material built specifically for the wax-only connoisseur.

Early Support from: Archie Hamilton, Liquid Earth, Enzo Siragusa, Huxley, La Fleur, Sean Johnston, Make A Dance, Baby Rollen, Ysanne, Eliza Rose, Bartolomeo, Ryan Clover, AGELESS, Alec Falconer, Call Super, Bas Ibellini, ADMNTi, Gearmaster (fka Abdul Raeva), Timo Maas, Christopher Ledger, Moodymanc, Nathan Colinet, Gabski, Greogorio Soave, and many more.

2026 Repress

After releasing on a variety of labels for a few decades FFF presents the "Control Tower EP" the first release on his own "3AM Eternal" label. This 3 track EP brings a mixture of styles from within the hardcore & jungle universe. The titel track "Control Tower" is a mix of dub infused amen jungle, clash vocals and rare grooves. Followed by "Cut Bwoy" hectic, stomping, moshpit ready, hardcore & dubby. The final tune Obedience goes a bit deeper, a synth heavy, moody amen roller but still with plenty of choppage.

2x12" Brown Marbled Vinyl 2026 Repress

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

Sole Aspect returns with the second part of its Sole Discretion series and this one goes deeper into the club while expanding on the textured, late-night energy of its predecessor. Dubbyman opens with widescreen deep house on 'Always In & Out' which wraps Aki Dawson's hypnotic Chi-town vocals in slow-burning warmth. The Windy City's Specter follows with a warm, weighty beatdown rooted in the US Mid West before Boo Williams turns up the heat with rolling basslines and his signature rhythmic deftness, backed with a subtle cosmic glow. Taelue closes the set with 'Interplanetary' which is a raw, futuristic cut that drifts into spacey territory and, along with the other cuts, is a sharp reminder that Chicago house's future is in good hands.

Dive into the depths of deep house with "Unexpected EP", the debut vinyl release from an upcoming artist to watch.

This meticulously crafted 12-inch EP showcases a profound love for detail in every element. It´s a timeless record appealing to collectors and DJs alike who crave depth over fleeting trends.

Side A opens with the title track "Unexpected," a hypnotic journey through evolving synths and crisp percussion.

Following seamlessly is "Still Missing," a soulful cut infused with emotive melodies and rolling sub-bass.

Flip to Side B for "Crash & Bang," which thrives on a mesmerizing polymeter figure over which intimate string sounds evolve.

The EP closes with "Sheltered Place," a serene retreat with warm pads and playful percussion perfect for moody after-hours sessions.

Embracing a vinyl-first strategy, "Unexpected EP" drops exclusively on wax ahead of its digital counterpart.

>>> comes in 4c Sleeves

Two original house cuts. One statement. Soulbound / Abracadabra lands as a double-header single as part of our new XPRESS Singles Series, bridging gritty South London soul with slick Franco-American house energy - a release designed for the salubrious moments on the dance floor.

“Soulbound” sees Bustin’ Loose deliver cutting-edge disco-soul infused house music straight from the concrete textures of South London. Sung and produced by Bustin’ Loose himself, the track rides a pumping, elastic bassline with warm strings and raw vocal emotion - modern house with classic soul DNA. Capturing the energy of London's expansive music culture, Soulbound is both uplifting, euphoric and street-wise. Inspired by the music of Fatboy Slim, rappers like JME and Ghetts and the club culture of London.

On the flip side, “Abracadabra” from Magnolia & Sam Karlson featuring LA wordsmith Relaye drips with French house sensibilities, blending glossy filters, catchy wah guitar and punchy grooves with razor-sharp rap vocals. Imagine Music Sounds Better With You colliding with the cool charisma of Q-Tip - hypnotic, stylish, and irresistibly repeatable.

The remix package pushes the release deeper into club territory:

• Dam Swindle transform Soulbound into a deep, bumping underground roller, rich in groove and late-night atmosphere.
• Phil Weeks delivers a signature Ghetto Mix of Abracadabra, crafted with his beloved MPC sampler - raw drums, stripped-back funk, and a pure nod to house music’s roots.
• La Felix closes the circle with a nostalgic, early-2010s-tinged deep remix of Abracadabra, balancing modern polish with timeless dance-floor warmth.

2026 Repress

Glaskin is the alias of two brothers, Jonathan and Ferdinand, based in Munich. The pair have emerged as key figures in the citys electronic music scene as longtime residents of the renowned Blitz Club, standing out a homegrown talents amongst its vibrant electronic landscape. Bringing a unique, forward-thinking techno style, as evidenced by their contributions to Mutual Rytms Federation Of Rytm II and III compilations in previous years, they now mark a new chapter and open 2025 in style with their debut 12 on the label, Inertia Of Motion. Each cut on the EP has been handcrafted with analogue gear, reflecting their distinctive artistic and sonic vision. The release is a direct outcome of the creative process behind their live set, which has become an integral part of the duos identity and shows a natural evolution of their singular sound.

Hush Up kicks things off with deep, rubbery and rolling techno rhythms. The drums are stripped back and laced with pulsing synth patterns and spoken word snippets that add a freaky edge. Double Tap ups the anti with classic, pumping deep techno with smart filters adding movement to the track as urgent leads hurry onwards. Inertia bring a more anxious atmosphere with tightly coiled drums and perc and eerie bell sounds ring out over the fat, twisted bassline. The brilliant Tank brings mind-melting loopy techno with dubby chords and textured leads warming their way between the beats to great effect, while Motion is suspenseful techno that locks you into a high speed groove peppered with thumping hits and kicks. Last of all, digital bonus Blushed Blue explores a moody, minimal, late night techno sound that is warm, stylish and hypnotic to close the show