Repress.
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. 'We won't have to cry no more,' the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. 'It'll all be over.' Prepare to dance and contemplate death all at the same time.
A band of brothers and cousins, the group was founded from two familes: brothers Joe and Dave Kingsby plus Dave's son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price-who belonged to neither family-completed the line-up that recorded the group's first-and, prophetically, only-album, It'll All Be Over.
Released in 1980 on the group's own S&K (Sanders & Kingsby) label, It'll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it's a feel captured by the album cover-a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, 'both apocalyptic and seductive.'
Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group's requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs-one side of the album-and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album's title track in a single take.
After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.
A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbeque in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.
quête:know v a
Repress!
'What The World Needs Now...', released September 4th 2015, is the 10th studio album from legends Public Image Ltd (PiL).
Released on CD, double vinyl and digital download, the 11-track album follows the huge critical success of 2012's 'This is PiL', the band's first album in 17 years. In winter 2014 PiL returned to Steve Winwood's Wincraft studio in the Cotswolds' to record the new album 'What The World Needs Now...' . Commenting on the album, John Lydon says, "Buy now while stocks last." PiL will be on tour in UK/Europe/North America from September 2015. What The World Needs Now...', is self-funded by PiL and released on their own label 'PiL Official' via Cargo UK Distribution. The artwork for the album, partly inspired by Native American Hopi characters, was designed and painted by John Lydon.
- A1: Hotline - Fellas Doing It In Lagos
- A2: Peter Abdul - Don't You Know
- A3: Steve Monite - Only You
- B1: Oby Onyioha - Enjoy Your Life
- B2: Kio Amachree - Ivory
- B3: Livy Ekemezie - Holiday Action
- C1: Willy Roy - Don't Give Up
- C2: Danny Offia & The Friks - Funk With Me
- C3: Rick Asikpo & Afro Fusion - Too Hot
- D1: Toby Foyeh - Ore Mi
- D2: Gboyega Adelaja - Colourful Environment
- D3: Mike Umoh - Shake Your Body
- E1: Burnis Moleme - Where Is The Answer
- E2: Sony Enang - Don't Stop That Music
- E3: Nkono Teles - Be My Lady (Mix)
- F1: Veno - Groove I Like
- F2: Godfrey Odili - Let's Do More Music
- F3: Terry Mackson - Distant Lover
- G1: Ofege - Burning Jungle
- G2: Lexy Mella - On The Air - Rap Mix(Frankie Francis Edit)
Happy to see the 'Doing It In Lagos' compilation from 2016 on Soundway being repressed. It's one of the few comps out there that put together so many amazing boogie tracks hailing from Nigeria. Nowadays it's really tough to find good condition copies of the original records, and if you do it will cost you a lot of cash too. This 3 LP with 7 inch bonus takes ((arguably) the standout tracks from the LP's and to create this 20 track opus. It's safe to say that it has a great bang for buck ratio if you like that infectious boogie sound infused with catchy synths, bumpin' basslines and often killer drumcomputer programming.
If you are new to these sounds it's a perfect intro into the works by these very talented musicians that had a high output during the end of 70's and 80's, we encourage you to dive deeper into material from the hands of for example Jake Sollo, Dizzy K. Falola, Tony Okoroji, Odion Iruoje, Nkono Teles. You will find many more names along the way..
Compliments for Uchenna Ikonne who co-compiled this and accompanied the release with liner notes.
- A1: Let 'Em Know (Produced By Domino)
- A2: Live And Let Live (Produced By Domino)
- A3: That's When Ya Lost (Produced By Del Tha Funkee Homosapien)
- B1: A Name I Call Myself (Produced By Del Tha Funkee Homosapien)
- B2: Disseshowedo (Produced By Domino And Jay Biz)
- B3: What A Way To Go Out (Produced By Domino)
- B4: Never No More (Produced By A-Plus)
- C1: 93 'Til Infinity (Produced By A-Plus)
- C2: Limitations Feat. Casual (Produced By Jay Biz)
- C3: Anything Can Happen (Produced By A-Plus)
- D1: Make Your Mind Up (Produced By Del Tha Funkee Homosapien)
- D2: Batting Practice (Produced By Casual)
- D3: Tell Me Who Profits (Produced By Domino)
- D4: Outro (Produced By Domino)
Repress!
Repressed, note price increase. Remastered from the original masters and pressed extra loud for DJs. There are very few albums across any genre that stand the test of time better than 93 ‘Til Infinity, the classic debut record from the Hieroglyphics crew’s very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre’s and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 ‘Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles “That’s When Ya Lost” and “Never No More” which also reached the Hot Rap Singles. In 1998, the album was selected as one of The Source’s 100 Best Rap Albums of All Time. Considered by many to be a textbook “slept-on” classic Rap record, 93 ‘Til Infinity has only grown better with age. The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 ‘Til Infinity, but certainly the goal of creating a Hip Hop “classic” must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history. It’s true, even seventeen years after the album’s initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 ‘Til Infinity delivers and will continue to deliver beyond infinity. A1. Let ‘Em Know (Produced by Domino) A2. Live and Let Live (Produced by Domino) A3. That’s When Ya Lost (Produced by Del tha Funkee Homosapien) B1. A Name I Call Myself (Produced by Del tha Funkee Homosapien) B2. Disseshowedo (Produced by Domino and Jay Biz) B3. What a Way to Go Out (Produced by Domino) B4. Never No More (Produced by A-Plus) C1. 93 ‘til Infinity (Produced by A-Plus) C2. Limitations feat. Casual (Produced by Jay Biz) C3. Anything Can Happen (Produced by A-Plus) D1. Make Your Mind Up (Produced by Del tha Funkee Homosapien) D2. Batting Practice (Produced by Casual) D3. Tell Me Who Profits (Produced by Domino) D4. Outro (Produced by Domino)
- A1: Out Of Time
- A2: Don't Lie To Me
- A3: Somethings Just Stick In Your Mind
- A4: Each And Every Day Of The Year
- A5: Heart Of Stone
- A6: I'd Much Rather Be With The Boys
- A7: (Walkin' Thru The) Sleepy City
- A8: We're Wastin' Time
- A9: Try A Little Harder
- B1: I Don't Know Why
- B2: If You Let Me
- B3: Jiving Sister Fanny
- B4: Downtown Suzie
- B5: Family
- B6: Memo From Turner
- B7: I'm Going Down
Die erste offizielle Raritätensammlung der Rolling Stones, “Metamorphosis”, wurde ursprünglich im Juni 1975 veröffentlicht. Das Album vereint legendäre Outtakes und Raritäten sowie eine Fülle von Demos, die Mick Jagger und Keith Richards für andere Künstler komponierten und später von den Stones selbst neu aufgenommen wurden
A lot can happen in ten years.
Rewind back to Gateshead in 2008 - the producer Smoove is round his friend and keyboard player - Mike Porter's house. Together they are working on tracks for his project and all of a sudden they hear a heavenly voice from the neighbour. Transfixed by the vocals that are caressing their ears they go and investigate to find a youthful John Turrell doing his thing at a practice with a local band he played with when he wasn't teaching carpentry at the local college. Together they woo him with their Geordie charms and the initial line up of 'Smoove & Turrell' is born. The group instantly gel and soon after have penned the killer track 'I Can't Give You Up'...
Flash forward to 2019 and the carpentry community looks on with jealousy as the group has gone from strength to strength. Signed to the independent label Jalapeno Records they are now five albums deep and they have achieved multiple radio-playlisted singles, won awards, toured with the likes of Chic, gained sync success across the world and continue to wow venues in all continents with their thrilling live shows on the regular.
All of this in an age where attention spans are shorter than ever and there is more access to music than ever. This is certainly an achievement worth celebrating. Doubly so in fact as not only is it their ten year anniversary collection but also it is the 300th official release on Jalapeno Records so it only seems right that the occasion gets commemorated properly - a double gatefold LP with brass coloured vinyl somehow seems appropriate...
Comprising of 18 tracks taken from all five of their studio albums as well as two new barnstorming tunes exclusive to this release - it's a veritable feast of northern funk gems from start to finish. Favourites from their deep catalogue including 'Slow Down', 'Beggarman', 'In Deep', 'Have Love' and 'You Could've Been A Lady' are all present and correct, lining up next to the two newbies which also hold their own.
"But what about the new tracks!" we hear you cry - well Smoove's solo rework of The Spencer Davis Group - I'm A Man is the stuff of legend with physical copies changing hands for huge sums (if you are lucky enough to be able to locate one in the first place!). The track has long been a staple of S&T live sets but they've never laid it down in a studio recording... That is until now. It's a monster of a tune and the perfect way to kick proceedings off on this record.
That's not all though, as the lads also serve up the aptly reflective 'Give it Back'. It's signature Smoove & Turrell stuff - full of soul with deep and heartfelt lyricism. Turrell's chorus refrain "We love the ones who give it back" is typically honest and true of a band that prides themselves on community. Proper canny that. Proper canny.
- A1: Rehab
- A2: You Know I'm No Good
- A3: Me & Mr Jones
- A4: Just Friends
- A5: Back To Black
- A6: Love Is A Losing Game
- B1: Tears Dry On Their Own
- B2: Wake Up Alone
- B3: Some Unholy War
- B4: He Can Only Hold Her
- B5: Addicted
- C1: Valerie (Bonus Album)
- C2: Cupid
- C3: Monkey Man
- C4: Some Unholy War
- D1: Hey Little Rich Girl
- D2: You're Wondering Now
- D3: To Know Him Is To Love Him
- D4: Love Is A Losing Game (Original Demo)
- A1: Super Disco Breakin
- A2: The Move
- A3: Remote Control
- A4: Song For The Man
- A5: Just A Test
- A6: Body Movin
- B1: Intergalactic
- B2: Sneakin' Out The Hospital
- B3: Putting Shame In Your Game
- B4: Flowin' Prose
- B5: And Me
- B6: Three Mc's & One Dj
- C1: The Grasshopper Unit (Keep Movin') (Keep Movin')
- C2: Song For Junior
- C3: I Don't Know
- C4: The Negotiation Limerick File
- C5: Electrify
- D1: Picture This
- D2: Unite
- D3: Dedication
- D4: Dr Lee, Phd
- D5: Instant Death
Back in stock !
First Word Records is very proud to present a brand new full-length album from Kaidi Tatham. 'It's A World Before You'.
Following on from two EPs released on First Word last year ('Changing Times' and 'Hard Times'), Kaidi has delivered us thirteen tracks that deftly illustrate his various talents as a multi-instrumentalist.
Kaidi is probably best known for his work with Bugz In The Attic, though his musical contributions over the years have also included Amy Winehouse, Slum Village, Mulatu Astatke, Soul II Soul, Moonchild, Leroy Burgess, Amp Fiddler, Chris Dave, Macy Gray, King Britt, DJ Spinna, Mr Scruff and IG Culture to name but a few! In recent times, he's worked with DJ Jazzy Jeff on a variety of projects, including his most recent album 'M3', touring Europe for Jeff and Will Smith's reunion shows, and on the PLAYlist album 'Chasing Goosebumps', with Glenn Lewis, Stro Elliot (The Roots), Masego, Maimouna Youssef, Rich Medina, Daniel Crawford and more.
All this in addition to heating up dances around Europe with his inimitable DJ sets, and working heavily with First Word label-mate, Eric Lau (who also mixed this album) on a variety of projects, and adding releases to his already impressive catalogue on 2000 Black, Eglo and Theo Parrish's Sound Signature, with regular compadre, Dego (who features on the album's title track).
This album personifies Kaidi's diverse palette of sounds - bar Eric & Dego's features, every piece of music is played by himself. Largely flowing on a broken beat rhythm section, Kaidi effortlessly incorporates washes of afro, latin and funk throughout. From the harmonics of 'Your Dream Don't Mean A Thing', to the breakneck funk of 'Outta Audah', each and every riddim exudes energy. But this isn't simply a bruk record. The album is laced together with downtempo beats and future jazz interludes throughout, and some sweet synth boogie is never very far away, especially on the weighty vibes of 'It's About Who You Know'. To top it all off, there's two delightful nuggets of hip hop soul - Mancunian label-mates, Children of Zeus, feature on the neo-soul vibes of 'Out Here On My Own', and there's a feature from Amir Townes, better known as Uhmeer - an upcoming MC from Philadelphia, and son of one Jazzy Jeff Townes - who rides a sub-heavy, piano-led slice of boom bap, voicing an assortment of characters to tell the tale of 'Cupid'.
'It's A World Before You' is set to cause serious damage to sound-systems over the Summer, and show and prove once again the skills of one of the UK's best unsung musical talents, Kaidi Tatham.
- A1: Roy Ayers - "Everybody
- A2: Eighties Ladies - "Turned On To You
- A3: Sylvia Striplin - "You Can't Turn Me Away
- B1: Roy Ayers - "Chicago
- B2: Sylvia Striplin - "Give Me Your Love
- B3: Ethel Beatty - "I Know You Care
- C1: Roy Ayers - "And Then We Were One
- C2: Justo Almerio - "Interlude
- C3: Bobby Humphrey - "Baby Don't You Know
- D1: Eighties Ladies - "Ladies Of The Eighties
- D2: Jaymz Bedford - "Just Keep My Boogie
- D3: Rick Holmes - "Remember To Remember
Repress!
Uno Melodic was the brainchild of the legendary Roy Ayers. At the height of his career in the early 80s, Roy established Uno Melodic to explore working as a writer, musician, producer and record label owner with complete control over his creative ideas. Roy brought artists and musicians to the label invaluable to him at Polydor and in whom he saw potential to make more great records. Between 1980 and 1983 Uno Melodic released records that went onto become definitive of their time, classics that became much sought after. The label and its signature releases are part of the Roy Ayers legacy, the best of which Expansion have assembled here on remastered double LP.
Sylvia Striplin, Eighties Ladies and Ethel Beatty represent the soul, disco, two step and boogie sides of Uno Melodic, Bobbi Humphrey, Justo Almario and Roy himself the masters of jazz fusion at the label. The album concludes with the spoken words of Rick Holmes on one of the label's biggest ever release on the label.
Recently discovered in the vaults - 10 previously unreleased and virtually unheard studio recordings.
Including covers of Bob Dylan, Sly & The Family Stone, The Smiths, Led Zeppelin, Bukka White and Jevetta Steele, in addition to the first ever studio recording of his signature song 'Grace' and 'Dream Of You And I', an unheard original recording which informs the deeply intimate and profoundly personal mood of the album. These recordings represent the breadth of Buckley's influences and talent for interpretation.
Recorded prior to the sessions which would become his seminal debut album 'Grace', these tracks offer a unique insight in to the creative process of a developing genius and inimitable immerging talent.
The Columbia/Legacy release of Jeff Buckley's You and I has been overseen by the artist's mother, Mary Guibert.
- A1: Fantastic
- A2: Keep It On (This Beat)
- A3: I Don't Know
- A4: How We Bullshit
- A5: Fat Cat Song
- A6: The Look Of Love
- B1: Estimate
- B2: Hoc N Pucky
- B3: Beej N Dem
- B4: Pregnant (T3)
- B5: Forth & Back (Rock Music)
- B6: Fantastic 2
- B7: Fantastic 3
- C1: Keep It On
- C2: 5 Ela Remix
- C3: Give This Nigga
- C4: Players
- C5: Look Of Love (Remix)
- C6: Pregrent (Baatin)
- D1: Things U Do (Remix)
- D2: Fat Cat (Remix)
- D3: Fantastic 4
- D4: What's Love Gotta Do With It (Look Of Love Remix)
- D5: 2 You 4 You
Available again. Note price increase. The contributions of the late Detroit producer James DeWitt Yancey –better known to the world as J Dilla to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) It's on Slum Village's 1997 studio debut, Fan-Tas-Tic Vol. 1, that all these elements come together in the most proficient manner. An instant hit among Detroit's underground hip-hop scene, the album seemed to combine all the best elements of the reigning alternative and gangsta styles of hip-hop into one cohesive style that was a hit among critics. Fan-Tas-Tic's influence extended far beyond Detroit, as its sound heavily influenced the sounds of D'Angelo, Erykah Badu, and The Roots just to name a few. (Roots drummer ?uestlove has even declared that: "Hands down this album birthed the neo-soul movement.") Ne'Astra Media Group now presents the album reissued on vinyl, for the first time in several years. Every wobbling bass note of J Dilla's production has been preserved and every freestyle line of T3 and Baatin has been re-created, to maintain the legacy of a late-90s rap classic, and the legend of one of hip-hop's greatest beatsmiths.
- A1: I'll Get By
- A2: My Old Flame
- A3: Embraceable You
- A4: (Billie's Blues) I Love My Man
- A5: I Gotta Right To Sing The Blues
- A6: I Cover The Waterfront
- A7: (I Got A Man Crazy For Me) He's Funny That Way
- A8: Yesterdays
- B1: Strange Fruit
- B2: On The Sunny Side Of The Street
- B3: I'm Yours
- B4: Fine And Mellow
- B5: Lover Come Back To Me
- B6: I'll Be Seeing You
- B7: As Time Goes By
- B8: How Am I To Know
- A1: Marie Knight - That's No Way To Treat A Girl
- A2: Jack Montgomery - Dearly Beloved
- A3: J. B. Troy - Live On
- A4: Porgy & The Monarchs - My Heart Cries For You
- A5: Freddie Chavez - They'll Never Know Why
- A6: Clarence Reid - I'm Your Yes Man
- A7: Lou Lawton - Knick Knack Patty Wack
- A8: The Gentlemen Four - You Can't Keep A Good Man Down
- A9: Betty Moorer - Speed Up
- B1: The Masqueraders - Do You Love Me Baby
- B2: The Ivories - Please Stay
- B3: Leslie Uggams - Love Is A Good Foundation
- B4: Lord Thunder - Thunder
- B5: Maxine Brown - Let Me Give You My Lovin'
- B6: Billy Thompson - Black-Eyed Girl
- B7: Chuck Jackson - Hand It Over
- B8: Stanley Mitchell - Get It Baby
- B9: The Platters - With This Ring
WELCOME to the third volume in our Wigan Casino mini-series exploring the diverse playlist of the world's No.1 Northern Soul venue. The 23rd September 2018 marks the 45th Anniversary of the super club and we have selected 18 tracks that we hope capture the unique atmosphere of the huge ballroom and the mesmerizing dance moves that held us spellbound all those years ago.
WIGAN CASINO finally closed its doors in December 1981 after eight long years of weekly All-Nighters, during which time it came to define Northern Soul. The term had, of course, been coined years earlier, but it was the Casino Soul Club that established the style of music and the scene to the wider public.
The Casino transformed the Northern Soul scene into a mass youth movement with its own sound track, uniform, cultural icons and a 100,000 strong membership. In reality, the stereotype of moustachioed young men in baggy trousers and vest tops, festooned with sew-on patches, was actually quite short lived. Northern Soul was ever evolving and as the Seventies progressed so did the music and the fashion, embracing soulful-disco and jazz-funk. Today, 45 years on, it is still evolving and attracts followers from all over the globe to its international Weekenders and Festivals. Right On!
- A1: The Jon Spencer Blues Explosion - Bellbottoms
- A2: Bob & Earl - Harlem Shuffle
- A3: Jonathan Richman & The Modern Lovers - Egyptian Reggae
- A4: Googie Rene - Smokey Joe's La La
- A5: The Beach Boys - Let's Go Away For Awhile
- A6: Carla Thomas - B A B Y
- A7: Kashmere Stage Band - Kashmere
- A8: The Dave Brubeck Quartet - Unsquare Dance
- B1: The Damned - Neat Neat Neat
- B2: The Commodores - Easy
- B3: T Rex - Debora
- B4: Beck - Debra
- B5: Incredible Bongo Band - Bongolia
- B6: The Detroit Emeralds - Baby Let Me Take You (In My Arms) (In My Arms)
- B7: Alexis Korner's Blues Incorporated - Early In The Morning
- C1: David Mccallum - The Edge
- C2: Martha Reeves & The Vandellas - Nowhere To Run
- C3: Button Down Brass - Tequila
- C4: Sam & Dave - When Something Is Wrong With My Baby
- C5: Brenda Holloway - Every Little Bit Hurts
- C6: Blue - Intermission
- C7: Focus - Hocus Pocus
- C8: Golden Earring - Radar Love
- D1: Barry White - Never, Never Gonna Give Ya Up
- D4: Sky Ferreira - Easy
- D5: Simon & Garfunkel - Baby Driver
- D6: Kid Koala - "Was He Slow?
- D2: Young Mc - Know How
- D3: Queen - Brighton Rock




















