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This compilation took almost four years to come together. For the residency, the band Alexander Flood composed three new pieces, which they developed with the ensemble over two rehearsal days before performing them across three concerts. The core ensemble - Lucy Liebe, Franka Fairy, Tara Sarter, Raffaelo Visconti and Nonny Smith - remained together throughout the summer of 2024, growing into something far greater than just a band. This compilation not only documents the music played by the Residence Band, but also captures the wider story of the other bands that we recorded while they were on tour and who came to the studio with me the following day. Kai appears here after performing at Holidays in 2024. Sonic Interventions recalls a special milestone: the band's first concert outside Berlin, which took place at Holidays in 2023. Sasha Berliner performed at the Jazz Klub, which is illustrated throughout the comic included in this booklet. Benedikt Montiel Mathews joined the Jazz Montez project through a year-long internship and a record we released together. Hind Ennaira led the successor to the Residence Band during a weekend at El Barrio in 2024. However, her recording was not made in Frankfurt, but in Essaouira, Morocco, during a spontaneous late-night session.

Inlcuding: Pressed on high quality 150g vinyl, the record comes packaged in a beautiful cover, designed by artist Verena Mack. It features a 20 page booklet that includes a fictional comic on the making of a Jazzklub.

Includes unlimited streaming of Jazz Montez Presents Vol. III via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

If it's extreme, leave it to us. Challenging the sound, playing with the sound, laughing at the sound. A docking of debut recordings from the most talked-about street artists and "sound collages & sound gags" by pro musicians with eccentric ideas. An exciting, bold, and humorous "bright" New Wave omnibus album. Featuring artists like: Kaoru Sato (EP-4), Masumi Hara & BANANA, Shingo Tomoda, Chinju, Mammy, MUZEUM, and more.

Originally released in 2014, Tales from the Realm of the Queen of Pentacles is now being reissued on limited-edition gold vinyl.

The album tells a story of the intersection of the material world and the world of the spirit. Includes fan favorites "I Never Wear White" and "Crack in the Wall,” plus "Song of the Stoic" and “Don't Uncork What You Can’t Contain,” and "Horizon", written for Vaclav Havel.

Produced and arranged by Gerry Leonard, the album features an illustrious group of musicians including longtime Vega bass player Mike Visceglia and drummer Doug Yowell, bass player Gail Ann Dorsey and drummer Zachary Alford (David Bowie), bass player Tony Levin (Peter Gabriel), drummer Jay Bellerose (T-Bone Burnett), and Larry Campbell (Bob Dylan) who plays banjo, mandolin, and cymbal throughout the album. Additional contributions feature drummer Sterling Campbell (David Bowie, B52s) and Alison Balsom, the virtuoso principal trumpet for the London Chamber Orchestra. Catherine Russell, known for her work with David Bowie and Paul Simon, adds background vocals.

The strings were recorded in the Czech Republic with the Smichov Chamber Orchestra. The album was mixed by Grammy Award-winning engineer Kevin Killen.

The Original Mix was first released in 1996 on a single sided 12", the 4th release on the B.I.T. Productions label and became a club anthem in the North of England. In 1997, a single sided white label was released that had a Pumped Up remix by Maximum Project and in 1999, a remix by Da Fool, which incorporated the bell sound from "Meet Him At The Blue Oyster Bar" with a new melody was also released. Since then, it has become an 'Old Skool' piano anthem across the UK. In 2021, a 25th Anniversary double pack was released with 8 mixes including 5 New Remixes by Sarasota, The Crowdpleasers, Miguel Sanchez/Carlos Garcia and Pianohead. This 30th Anniversary Edition includes the Original 1996 Mix and Maximum Project 1997 Remix plus the Da Fool 1999 Remix and the Pianohead 2021 Remix on Gold Vinyl.

Delsin is pleased to announce the second volume of their extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, continues with a look at the label's legacy in the development of Dutch techno through the early 90s. This second volume in the Djax-Up-Beats 1990-2005 series comprises 25 tracks, presented again as a main triple-vinyl album plus three additional 12" EPs. The compilation also features again all-new illustration from Alan Oldham, design by Lost Communication and liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax. Volume 2 - The NL Connection takes a deep dive in the development of Dutch techno. Saskia Slegers didn't run her label with a specific focus on any one place, but she naturally connected with artists close to home. Emergent producers from across the Netherlands found a vital outlet in Djax-Up whether they were short-lived dabblers or dance music devotees on their way to lifelong careers. Volume 2 - The NL Connection looks at the first outings in Dutch techno by originators such as Stefan Robbers as Terrace, Dylan Hermelijn as Planet Gong and Edge Of Motion (with Gert-Jan Schonewille) and Sander Friedeman as Random XS. Whether it was sensitive, melodious machine dreaming, gnarly acid tweaking, jackhammer techno or oddball outliers, you could count on Slegers' label to point you to the best underground club music coming out of the Netherlands. With four more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture -- a renegade label that operated on its own terms and carried surprises and slammers in equal measure.

Turn back the clock to an unforgettable era, with 32 huge hits from 1980–1984 brought together across 2LPs.

LP1 launches with Wham!’s feel-good ‘Wake Me Up Before You Go-Go’, before Duran Duran’s ‘Is There Something I Should Know?’ and Eurythmics’ ‘Sweet Dreams (Are Made of This)’ capture the contemporary sound of the new decade. The Human League’s ‘Don’t You Want Me’, Soft Cell’s ‘Tainted Love’ and Heaven 17’s ‘Temptation’ continue an outstanding run of synth-pop classics, with Blondie and Frankie Goes To Hollywood completing Side One. Culture Club open Side Two with ‘Do You Really Want To Hurt Me’, followed by colourful 80s favourites from Adam & The Ants, Altered Images and Kajagoogoo. Haircut 100’s ‘Love Plus One’ and ABC’s ‘The Look Of Love’ lead into Dollar and Bucks Fizz, rounding out a side packed with pure pop nostalgia.

LP2 starts in suitably anthemic style with Spandau Ballet’s ‘Gold’, alongside Elton John’s uplifting ‘I’m Still Standing’ and Billy Joel’s ‘It’s Still Rock and Roll to Me’. The Cars’ ‘Drive’ and Bonnie Tyler’s epic ‘Total Eclipse of the Heart’ bring some of the decade’s biggest power-pop moments, while Laura Branigan’s ‘Self Control’ and Matthew Wilder’s ‘Break My Stride’ pave the way for Dexys Midnight Runners’ ‘Come On Eileen’. Side Two brings another burst of ’80s energy with Ray Parker Jr.’s ‘Ghostbusters’, Chaka Khan’s ‘I Feel for You’ and Billy Ocean’s ‘Caribbean Queen’. Diana Ross’ ‘Upside Down’ is followed by favourites from The Police, Pretenders and The Jam, before Roxy Music’s ‘Jealous Guy’ provides an elegant finale to this celebration of 1980–1984.

Wewantsounds is delighted to reissue Brigitte Fontaine’s landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem (who sadly died last June), Wadada Leo Smith and the Art Ensemble of Chicago. This deluxe 2-LP edition pairs the original album with a second LP of rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. The reissue is announced alongside its companion, the deluxe 2-LP set Comme à la Radio "On Air", featuring previously unreleased ORTF live recordings and additional studio rarities.


Wewantsounds pursues its Brigitte Fontaine reissue program with Comme à la Radio, originally released in 1970 on Pierre Barouh’s cult Saravah label, fusing Fontaine’s radical lyricism with Areski Belkacem’s minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago + Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles.
The album has been newly remastered from the original tapes and is reissued in a deluxe 2-LP edition featuring 11 bonus tracks. The first LP presents the original album in restored clarity, while the second gathers rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of L’été L’été.
Also included is a 24-page bilingual booklet featuring rare archival photographs by cult photographers Jean-Pierre Leloir and Philippe Gras, complete lyrics, and contributions by Andy Beta, Wadada Leo Smith, Benoît Mouchart and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The reissue is announced alongside its companion Comme à la Radio "On Air", a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.
Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine’s career. This expanded edition confirms its enduring influence more than fifty years after its original release.

a A1. Comme À La Radio 8.03
b A2. Tanka II 2.04
c A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

[a] A1. Comme À La Radio [8.03]
[b] A2. Tanka II [2.04]
[c] A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

[a] A1. Comme À La Radio [8.03]
[b] A2. Tanka II [2.04]
[c] A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

[a] A1. Comme À La Radio [8.03]
[b] A2. Tanka II [2.04]
[c] A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

[a] A1. Comme À La Radio [8.03]
[b] A2. Tanka II [2.04]
[c] A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

[a] A1. Comme À La Radio [8.03]
[b] A2. Tanka II [2.04]
[c] A3. Le Brouillard [3.24]
[d] A4. J'ai 26 Ans [3.04]
[e] B1. L'été L'été [3.56]
[f] B2. Encore [1.34]
[g] B3. Léo [3.50]
[h] B4. Les Petits Chevaux [0.43]
[i] B5. Tanka I [1.45]
[j] B6. Lettre À Monsieur Le Chef De Gare De La Tour De Carol [6.04]

[l] C1. Comme À La Radio – English Version [8.08]
[m] C2. J’ai 26 Ans – English Version [3.56]
[n] C3. Le Goudron – 7’’ Single [4.12]
[o] C4. Le Noir C'est Mieux Choisi – 7" Single [5.03]
[p] D1. Les Beaux Animaux – 7’’ Single [3.16]
[q] D2. L'été L'été – Early version [4.38]
[r] D3. L'été L'eté – Instrumental Version [4.23]
[s] D4. Tanka I – Instrumental Version [1.47]
[t] D5. Tanka II – Instrumental Version with Flute [1.40]
[u] D6. Le Brouillard – Instrumental Version [3.57]
[v] D7. Lettre À Monsieur Le Chef De Gare – A Cappella English Version [2.46]

Nawak Gold, orchestré magnifiquement par Leeroy et KTR ! Pour cet EP, chacun des deux artistes nous offre deux morceaux, pour un voyage musical qui traverse plusieurs styles.

Sur la première face, place à la Techno, Hardtechno et Hardstyle, avec deux tracks aux grosses énergies. La deuxième face bascule ensuite vers le Hardcore, avec un morceau plus poussé et un autre plus lent.

Un EP riche et varié, qui passe d’un style à l’autre tout en gardant cette même envie de vous en mettre plein les oreilles !

Un grand merci encore une fois à Leeroy et KTR pour leur confiance et pour ce magnifique projet.

To celebrate the 20th Anniversary the album is to be released as a 1LP Zoetrope, featuring the original album newly remastered at Half Speed at the legendary Abbey Road Studios. Plus, different artwork designs on side A+B which bring to life original designer Sanna Annukka Smith’s illustrations in mesmerising motions created by expert Zoetrope graphic designer Drew Tetz. Strictly Limited Edition pressing.

Ian Pooley's 'Roller Skate Disco EP' Returns with Digital Debut and Vinyl Repress

Definitive Recordings brings back one of the label's early house gems with a remastered reissue of Ian Pooley's 'Roller Skate Disco EP'. Originally released in 1994, the EP returns for the first time as a digital release while also receiving a new vinyl repress. Alongside the original material, the reissue expands the package with the previously unreleased track 'Unity' and the Bandcamp-exclusive 'Never Give Up'.

For more than three decades, Ian Pooley has been one of house music's most respected producers and DJs. Emerging from Mainz, Germany, with a deep love for the sounds of Chicago and Detroit, he has built a career defined by subtle artistry, impeccable groove, and timeless musicality. His acclaimed albums 'Meridian' and 'Since Then', remixes for artists including Daft Punk and Jovonn, and releases on labels such as Plus 8, Innervisions, Rekids, and his own Pooledmusic have established him as one of the true masters of deep and soulful house music.

The title track, 'Roller Skate Disco', immediately captures the uplifting spirit of classic 90s house. Built around an infectious disco-inspired sample, funky guitar loops, and a warm, rolling house bassline, the track is complemented by a looping female vocal that gives it an unmistakable feel-good energy. 'Sure!' follows with a groove driven by crisp TR-909 drums, deep synth chords, and a playful TB-303 sequence, while a repeated female vocal ties the arrangement together into a hypnotic club workout.

'The Brückenkopf at 7 AM', named after the legendary club in Pooley's hometown of Mainz, moves into deeper territory. Dreamlike synth textures, a memorable deep house piano motif, and another signature 303 sequence combine to create one of the EP's most atmospheric moments. The previously unreleased 'Unity' continues this journey with a hypnotic groove, deep house aesthetics, and another beautifully woven acid line, making it a natural addition to the original release. Completing the digital edition, 'Never Give Up' arrives as a Bandcamp exclusive, pairing playful M1 organ sounds with a rolling 303 sequence and an effortlessly flowing house groove.

More than thirty years after its original release, 'Roller Skate Disco EP' remains a perfect snapshot of Ian Pooley's early sound and a testament to the timeless appeal of classic house music. This expanded edition celebrates one of Definitive Recordings' defining releases while introducing it to a new generation of listeners.

Rewind to early 2000s London. A home studio, a collection of borrowed gear from car boot sales, and a mind full of futurism. That was the birth of these tracks.

Transparent Sound (Orson Bramley) is a true cult architect of the UK electro scene. Since 1992, he's been bridging the gap between Detroit techno, acid, and rave futurism. With a legacy spanning Tresor, Electrix, and Soma, he now lands on No Static Automatic for a very special release.

No Static Automatic presents The Lost Tapes — a new EP of lost recordings from the early 2000s London era. Dug out of DAT tapes and CDRs, recorded in Orson's home studio with borrowed and loaned gear and car boot sale finds. Raw, unpolished, and proper electro history. 3 tracks plus a remix of Ara-u.

With a string of singles and remixes plus an incredibile debut album under their belt, Musclecars have quickly become a creative force in the last few years.

Their originality and fresh musical approach it's eloquent in this debut EP for Neroli. Here they combine the futuristic afro-electronic suite 'Black Planet' with the liquid space-funk of 'Euphoria' until landing in sweet beatless territories with the "Cosmic' version of the title track!

A mature and uncompromising offering, a glimpse of things to come...

The Chromophore volume 2 is finally here. Slowly cooked during the past years and well rounded, following the formula of the first one: family members plus a couple of legends. Slow Life reprazent!

For his debut on Hard Times Records, Manchester's FLETCH delivers 'Lift Me Up’ - a four-track EP rooted in rolling grooves, warm musicality and a refined dancefloor energy.

The release follows a busy run for FLETCH, with releases on Circoloco, Three Six Zero, MVSON and ANOTR's No Art, where his Play House EP reached the top of the download charts. His connection with Hard Times began behind the decks at the label's sold-out Miami Winter Music Conference showcase, where a shared appreciation for the music soon developed into plans for a release.

"After playing for the Hard Times crew in Miami, I told them how I'd been a fan of the label for years and that i’d love to release something with them one day," says FLETCH. "I sent over some tracks that I felt were a natural fit and the guys signed them on the spot. The rest, as they say, is history!"

The title track sets the tone for the EP with rolling drums, elastic basslines and understated vocal hooks, while 'Stand Up’ leans into swung percussion and classic chord stabs. On the B-side, 'Touch Me' shifts into deeper territory with stripped-back, late-night groove, before '1000 Years' closes the EP with dusty scratches, crisp hats and an understated sense of drive.

Since its digital release, lead track "Lift You Up" has received strong support on BBC R1, plus heavy DJ support from the likes of TSHA, Hilit Kolet, Laurent Garnier, Jamie Jones, Groove Armada, Riva Starr, and more.

FLETCH's sound continues to evolve while remaining firmly rooted in the traditions of house, making 'Lift Me Up' the perfect debut on Hard Times.

Bill Beau was born in Toronto, Ontario, Canada, but was raised in the western provinces, finishing high school in Edmonton, Alberta. It was while in high school that the "righteous rays" via radio struck Beau in the form of Meade Lux Lewis, Pete Johnson and Albert Ammons at the height of the Boogie Woogie rage. It was while in high school that Bill got his first gig. He played piano and worked with Wilf Harper, a guitarist of local renown. Beau played on weekends and during the week worked as a clothing salesman, stock clerk, refinery worker, service station attendant and freight checker. He travelled all across Canada, and finally landed in Los Angeles, California.

In 1958 his love of music compelled him to direct all of his energy toward the perfection of his musical talent, so he decided to settle permanently in Los Angeles. Beau first worked there as a vibraphonist, gigging with such stars as Ben Webster, Rex Stewart, Pete Fountain, and Stuff Smith. Once, when his regular organist failed to show up for a date, Beau ended up on the Hammond. Beau then formed his own group, and the trio got a standing date at the Blue Port Lounge. The other two members of the trio are Jo Stafford on guitar, Lorenzo Green on drums, plus the pretty and petite vocalist with the group, Chi Chi.

"Live at the Blueport Lounge" by the Bill Beau Trio is mod-soul-jazz at its very best! A stunning treasure rarely to be found - unless it's on Mo-Jazz!

Two stripped back downtempo jams from Bristol based producer Jamie Paton up next for SR008. Jamie’s distinctive dubbed out productions have been a firm favourite over the years since discovering his music on Emotional Especial, Hoga Nord, Multi Culti and Club Blanco. He’s a prolific remixer who’s worked with Goat, Plus Instruments, Minami Deutsch, Dâdalus & Bikarus, Blancmange, Johnny Aux, Khidja, Gatos Negros, Food Pyramind, and many more. This release is a perfect fit for Space Ritual and delves into
the darker side of his sound.

Off World is a slow & low spooked out dancefloor trip that meanders through layers of dark, eerie, rattling percussive echos and deep creeping bass. Contrasting atmospheres build throughout entering into a spacious call and response interplay. Fell Swoop's heavyweight bass and haunted sonics take you deep into uncanny space. The raw and swampy bass groove powers through sharp and ominous textures that circle around it.

Pressed to 10” with hand printed artwork on a black reverse board sleeve. Limited to 150 copies.

Luv*Jam presents Dan*Eds ~ a mini album for those ever so discerning DJs that are out there…

Rare native silver has been found across the hard to reach mountainous regions of North Wales’ Snowdonia.

As the peaks get rougher and more difficult to traverse we bring you a secret selection of unique live sound experiments from Bersham’s finest Dan*Eds. Plus L*J invites Cologne’s Dynomodyse as his DJ Longsleeve alter ego for a ‘Workpant E17 Vestinipppp’ mix and Flyypost dusts down her Evening Leader accusations of illegal fly posting to deliver some bananas DJ weapons of interest. The penultimate peak of 14 peaks!

2026 Repress

Divorce From New York returns with Jazzthetics, a sophisticated blend of Broken Beat, Nu Jazz and House, where detailed musicianship meets club ready energy. Featuring collaborations with Quiet Dawn, Stickydub, and Carla Luna, the EP explores warm, organic textures and rhythmic depth.
Remixes by K15, GE-OLOGY, and Stefan Ringer expand the sonic palette with future?minded interpretations that connect soulful atmospheres with powerful grooves.

After releasing three LPs and appearing on influential labels such as Nervous Records and Toy Tonics, as well as being featured on the acclaimed Somewhere Soul compilation, Divorce From New York presents his new EP Jazzthetics.
Distinctive fusion of Broken Beat, Nu Jazz, and House. Collaborations with Quiet Dawn, Stickydub, and Carla Luna, plus remixes by K15, GE-OLOGY, and Stefan Ringer.
12" vinyl format with premium finish and digital download included.
Supported on stations such as NTS Radio, Worldwide FM, Rinse FM, The Lot Radio, and Kiosk Radio. Endorsed by influential DJs and platforms including Lefto, Marco Weibel, Mr.Redley, Somewhere Soul, and Brownswood Recordings.
Backed by an international promo campaign and European club tour throughout summer 2026.

Psychedelic rock, pop punk, and trippy hop tracks against animal exploitation.


Canine Cracks is the new artistic project of Benedetta and Romain Play (aka Camion Bazar). Known as DJs, event organizers, producers, and vinyl collectors, they're now returning to their roots and their first love: rock, post-punk, and massive mosh pits, instruments plus drum machines, and intense live performances. Everything is created in their own studio, located in the French countryside, where they retreat to escape the mad world. These two friends are animal rights activists fighting for animal liberation and are using this album and project to say ""fuck"" to animal exploitation and human supremacy over minorities."

Do Da Doo' Returns with New Life on Definitive Recordings
SPECIAL VINYL ONLY RELEASE

Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson - 'Do Da Doo', originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic.

Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. As one of the most influential figures in electronic music, Hawtin helped shape the sound of acid and minimal techno while co-founding the legendary Plus 8 label alongside John Acquaviva. His forward-thinking productions and groundbreaking DJ sets have defined generations of dance music culture.

On this release, the original Plastikman Acid House Mix stands as a true highlight. Spanning 12 minutes, it delivers a deep and hypnotic acid journey driven by classic TR-909 drums and a signature TB-303 bassline. The instantly recognizable vocal 'Got the Do Da Doo' sits prominently within the groove, creating a powerful and timeless club moment that defined an era.

On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation. Known as the 'First Lady of Wax' and a key figure in Detroit's scene, Minx reshapes the vocal into a rhythmic element, layering it into a shuffling and classic house framework. Her version adds warmth and swing while staying rooted in the track's original spirit.

With this reissue, Definitive Recordings celebrates a landmark release that continues to resonate across generations, combining legendary artists, timeless production, and the enduring energy of house music.