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After three years of releasing singles and remixes across the electronic scene, Belaria makes a grand return to her label, Binding System, with a more introspective format: Dynamic State. A conceptual EP exploring the benefits of body movement on the mind, psyche, and emotional well-beng, it
unfolds through a two-sided narration where physical and mental energy gradually resurge. Balancing tension and release, control and liberation, Dynamic State translates movement into sound. This EP includes two powerful remixes: VEL delivers an ultra-textured, psychedelic reinterpretation, while Kendal transforms another track into a trance-infused, rave-ready floor-filler.

With My Best Friend, CHOP — the duo of Cosmo Dance and Whodamanny — return to deliver a new chapter of their analog-driven dance language on Mirella Records.

Built around warmth, groove, and an unspoken dialogue between machines and emotion, My Best Friend reflects CHOP’s purest intentions: to explore rhythm as a living form, to make the floor breathe, and to connect people through sound. Each element feels carefully shaped yet deeply human — the pulse of friendship and creative trust translated into music.

This 7-inch release, pressed on red transparent vinyl, stands as a statement of authenticity. It’s not about spectacle or nostalgia, but about presence — a timeless moment captured in movement and frequency. CHOP invite listeners to tune into the essence of the dancefloor: where simplicity becomes depth, and truth becomes magic.

London label Only Music Matters rolls out more mysterious goodness here from another unknown artist. On this evidence, they like the afters and the moments in the night when time and space dissolve and subtly rule. 'AAA001A' is an elastic, dubby minimal tech cut with liquid pads and trippy vocal twist while the next cut is speedier but no less supple. This cosmic odyssey is marbled with vocal fragments, prickly acid and deft percussion and it all weaves endlessly while hypnotising perfectly. 'BBB002B' is more sparse and roomy, with grubby bass ripples and glitchy electronics colouring the groove. Priku and Arapu have already dropped this one to great receptions at Sunwaves 36 so if it's good enough for them...

Benedikt Frey supplies the aid kit. Sonic remedies for the night.

4 transmissions for after-dark navigation. Remix from Carl Finlow.

For its third release, Club Blanco welcomes German producer Benedikt Frey. Aid Kit delivers three original pieces of shadowy club machinery - tense, wonky and charged with late-night atmosphere and rugged vocals. Electro veteran Carl Finlow reassembles the parts with clinical precision, crafting a remix that hums with circuitry and steel. Together they form four doses of deep club music.

A High-Energy Fusion of Past and Present
The collaboration between the Amsterdam and Berlinartists showcases their unique chemistry, blendingcutting-edge production techniques with a deepreverence for the genre's roots. Crafted in the shadows,Accelerate is a meeting of two minds from two citiesknown for their underground energy, each bringing theirunique influence to an exhilarating techno experience.
The reworked classics on Accelerate, which originallygraced some of the most renowned techno labelsbetween 2007 and 2012 on vinyl 12", are newly mixed,edited, and turbocharged, pushing the limits of eachtrack's original energy. All is recalibrated for a newgeneration of listeners-and they hit harder than ever.Alongside these revamped gems, Accelerate introduces
new and previously unreleased material that will takelisteners even further.
Accelerate is a relentless force that demands to be felt inall its depth.

We are thrilled to welcome back Aldo Cadiz to Beatwax Records with his brand-new EP “Amandorada.”



Years after his highly acclaimed debut album on Beatwax, Aldo returns with a stunning follow-up that once again showcases his unique sound signature — a perfect blend of hypnotic grooves, deep rhythmic precision, and timeless underground energy.



“Amandorada” captures the essence of Cadiz’s refined production style: warm textures, intricate percussion, and that unmistakable Latin-influenced pulse that has made him a favorite among DJs and music lovers worldwide.



This EP marks not only a reunion between Aldo Cadiz and Beatwax Records but also a new chapter in our shared musical journey. We couldn’t be happier to have him back on the label, delivering another powerful statement of cutting-edge electronic music.





Don`t sleep on this. Already making waves and getting hammered by all the big players in the scene.



>>> comes in 4c Sleeves

After several remixes for the label, Sestrica returns with her first solo EP — A Way to Ananda. Across three emotionally charged compositions, Sestrica unfolds an intimate sonic journey that mirrors her own path of transformation.

From the raw energy of “Intuitions” to the emotional depth of “Letting You Go” and “Way to Ananda,” the EP captures transformation, freedom, and bliss.

“This EP is my experience of coming back to life after divorce,” says Sestrica. “Intuition was knowing it was the right decision. Letting You Go was leaving my past behind. Ananda is the new bliss I’ve found.”

Closing the release, Not Even Noticed deliver a sophisticated remix—minimal yet powerful, sharp drums and refined sound design perfectly sealing this chapter.

Headless (adj.) - a system or software operating without a user interface.

ECHOES OF SOUL FEAT. SHELLY NELSON — “MY PEOPLE / THE ONE THING” The debut release from Boogie Back Dance — the new spin-off label of Boogie Back Records — delivers a deep and heartfelt journey through rhythm and soul. “Echoes of Soul” brings together the warmth of classic street soul with the energy of soulful house and the groove of neo boogie.

Side A, “My People,” is a dancefloor statement — a call to unity and movement, blending lush keys, vibrant basslines, and uplifting vocals that honor the spirit of community and togetherness.

Side B, “The One Thing,” dives deeper into the groove — a smooth, late-night cut layered with emotion, subtle percussion, and timeless soul sensibilities. With BBD001, Boogie Back Dance sets the tone for a new era of soulful club music — one rooted in authenticity, crafted for the heads and the heart alike.

Everyone knows the story of American disco.
But few are aware that, between the late 1960s and the late 1980s, Italy wrote a parallel one — spontaneous, surprising, and incredibly creative.

It is a story that spans two distinct seasons: the Italian disco of the 1970s — melodic, handmade, sometimes naïve yet always original — and the emerging Italo Disco of the 1980s, electronic, futuristic, and lightheartedly projected toward the future.
Two different languages, yet both driven by the same desire for freedom and modernity. Discoteca Sound — Italian Discoteca Underground 1975–1986 brings together 18 rare tracks — including two previously unreleased — that tell this story of transition: from the orchestral and sentimental disco of Italian dance halls to the synthetic and visionary sound of the first drum machines.
A journey through private archives, local labels, regional studios, and forgotten voices — the sonic map of a country that has always danced, but to its own rhythm. From Mediterranean disco to the first Italo Disco, from the dim lights of provincial dance halls to the early home synthesizers, each track opens a window onto an Italy that dreamed of the dance floor as a universal language of connection during the brief season of revolutionary utopias.

This compilation celebrates ten years of work by Disco Segreta — a decade dedicated to the research, recovery, and appreciation of Italian disco and electronic culture. An act of justice owed to all those artists who had their moment yet were never remembered by history — bringing back to light an essential, still too little known part of our musical heritage.
Because dancing today remains, more than ever, a living act of memory.

Limited edition 2LP, features 2 previously unreleased tracks and a new 2025 version of Coscarella & Polimeno – Station to Station.






f Grazia Vitale – Poi (1975) Previously Unreleased










q Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) Previously Unreleased






f Grazia Vitale – Poi (1975) Previously Unreleased










q Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) Previously Unreleased






f B2. Grazia Vitale – Poi (1975) Previously Unreleased










q D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]






[f] B2. Grazia Vitale – Poi (1975) [Previously Unreleased]










[q] D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]






[f] B2. Grazia Vitale – Poi (1975) [Previously Unreleased]










[q] D4. Daniel Sentacruz Ensemble – Vivo Solo Con Te (1982) [Previously Unreleased]

To submit or to surrender? Robert Johnson resident Oskar Offermann doesn’t have the answers, and that’s kind of the point. Things change: one moment you’re touring the globe as a recognizable face of one of the greatest clubs in the world, the next you’ve started a new life as a teacher. How do you handle that shift? On this record, Offermann doesn’t offer solutions so much as trace his own way through it, reflecting the whole process in his music and creative work.

Whatever the story, whatever the case, Oskar Offermann can still produce some of the most emotive, bleepy, strange dance music out there and this 12 inch is the proof. Sonically and conceptually it leans into that precise, melancholic German school: at points drawing from 80s wave and experimental music, then flirting with trancey motifs and closing in divinely crafted breakbeat. In just four tracks it packs in a surprising amount of functional range, exactly what you’d expect from one of RJ’s longest-standing residents. The A- and B-sides mirror each other: they open at full intensity, tempos pushed well past the 130 BPM mark, easy to imagine ripping through a peak-time floor – and still both sides land on something far more personal and reflective.

Even inside a framework of high-intensity club tunes, Oskar’s character shines through loud and proud. Think the slightly disjarring yet melodically captivating winds in the middle of the B1 trance induced number “Accepting”, or the masterfully paced build of opener “Planet Interface”. The same goes for A2 “Televise Improvise” and B2 “Sei mal nur lieb”: on paper they should feel like breathers next to the two behemoths, but they don’t. Offermann crams so much substance and personality into them that they become quietly dangerous. There’s that magical mix of squelchy acid, rough low end and naturalistic melodies on B2, and the relentless emotional drive of A2 “Televise Improvise”. Oskar is really, really good at making dance music irresistible.

Character, skill and honesty in one record, meant for the attentive listener and the brave DJ. A rare combination nowadays, get it fast!

Brand new Rotterdam label Soil Trax kicks off with its debut release by AUGUSTO TAITO.
Showcasing his signature high voltage sound on established labels over the last years he now delivers once more 4 power house tracks and 2 exceptional locked grooves for SOIL001.

The third release on Midnight Fashion Chill gracefully continues the label’s elegant, soul-soothing direction, this time through the warm voice of Jaidene Veda. The original Across The World stands as a true gem: a silky, gently flowing composition where soft, understated drums and delicate piano lines create an intimate, contemplative atmosphere. The From P60 rework tightens things up a little, adding a touch more groove while preserving the track’s airiness and emotional subtlety.

The next on is Kai Alcé’s remix. The Atlanta based producer injects the track with his signature classic-house energy: deeper basslines, dancefloor-ready rhythms, and an overall sophistication that makes the remix both driving and refined. This is the version guaranteed to move the crowd — vibrant, stylish, and tailormade for late-night club moments. The three faces of Across The World show just how far a well-crafted vocal track can be stretched. Midnight Fashion Chill’s latest release manages to be both relaxing and dance-inducing — exactly the kind of balance that makes this series worth following.

After teaming up on Smile Sessions with "L'Orologio" last year, JKS and Lacchesi are back at it with their new "High & Dry EP." The four-track project bridges their worlds perfectly. JKS bringing his trademark high-octane energy, Lacchesi diving deep into darker, more textured sound. A sharp mix of dancefloor weapons and introspective moments harmonizing their respective label's artistic directions.

Dropping via both Smile Sessions and Maison Close Records, High & Dry EP is another solid proof of the creative spark between these two French-born producers. Driving rhythms, haunting atmospheres, and a touch of melancholy, all stitched together for an intense, late-night journey.

This holiday season, global hip-hop icon Ice Cube makes a powerful return with Man Up — a brand-new album from a cultural trailblazer whose influence spans music, film, and activism. With over 10 million albums sold and six Platinum plaques, Cube’s legacy is undisputed, from his revolutionary work with N.W.A. to timeless solo anthems like “It Was a Good Day.” Now, sharper and more unapologetic than ever, he’s back to deliver a project that fuses his raw lyrical power with a message rooted in resilience and authenticity.
To mark the release, Man Up will be available exclusively as an ultra-limited vinyl drop this holiday season. Each record features a one-of-a-kind hand-crafted cover — a unique blend of artisanal design and proprietary technology (created without A.I.) — alongside city- and country-specific sleeves that pay homage to Cube’s global impact in places like LA, Tokyo, London, and France. The campaign will be amplified through a global social media rollout, city-focused influencer activations, and Ice Cube’s upcoming North American tour. Major press coverage and podcast appearances will further elevate the conversation, making Man Up not just an album, but a collector’s piece and cultural moment fans won’t want to miss.

Mister Bear Records follows up Vick Lavender & Justin Dillard's acclaimed BEYOND LP with a heavyweight double-vinyl remix package. Legends and innovators reimagine the originals for the floor: Jimpster brings deep rolling warmth on Time and Time Again, Sean McCabe adds soulful polish to Experimental, and Kai Alcé injects Detroit-rooted swing into The Midnight Hour. Lavender himself drops a boogie-infused mix of Sunset BLVD, while Coflo, Shaka, and Eric D. Clark delivers unique, floor-ready takes on Grace and Get Here. From deep to soulful, boogie to jazz-inflected grooves, BEYOND - The Remixes extends the album's life with a diverse and powerful set of reworks.

For the fifth release on Silum Records, the in-house production collective Wavetest teams up with longtime friend Lexx for two tracks and completes the 12” with a new creation of their own. “Last Dance at Zukunft” and “Alpine State” were both inspired by the iconic Zurich venue Zukunft which closed its doors in the spring of 2025. Club Zukunft was a cornerstone of Zurich’s underground club culture for nearly two decades. Everyone involved in the making of this record spent countless nights there, whether behind the decks, on stage or dancing in the crowd. This release is both a celebration and a heartfelt farewell to a place whose impact on Zurich’s music scene remains unmatched.

DJ Support - Alan Fitzpatrick, Ben Sims, Colin Dale, Dave Clarke, DJ Bone, Doc Scott, Dustin Zahn, Ellen Allien, Fear-E, Fixon, Gary Beck, James Ruskin, Laurent Garnier, Luke Slater, Misstress Barbara, Radio Slave, Rebecca Delle Piane, Remy Unger, Rodhad, Scuba, The Advent & Truncate

Hardgroove returns with three powerful new remixes from rising Greek talent ANNE, who twists label boss Sim’s Snapshot ‘99 into a trio of peak-time weapons. Marking her third release on the legendary label, ANNE builds on acclaimed work for Out Of Place, Soma, and Hardgroove sister label Symbolism, seeing her in heavy demand with a packed 2025 touring schedule across the EU and beyond.

For the first EP on his new label, Planet Strangelove, Job Jobse brings new life to an overlooked balearic house gem: "Pasion," an early '90s deep cut by the Leeds artist Pianoman, inspired by Tangerine Dream's "Love On A Real Train,” aka the most breathtaking synth arp of all time. Alex Kassian, whose sprawling take on Manuel Göttschings's "E2-E4" already showed his fine touch for the kosmische vibe Tangerine Dream embodied, delivers a "Dance Mix" and a "Dream Mix," one packing a club-ready beat, the other drifting weightlessly. London duo The Trip, of the label and party Tesselate, deliver a remix as breezy as it is thumping, all wailing divas, sunkissed pads and shimmering pianos. As for Pianoman's "Analysis" remix, it's a dazzling artifact of the balearic era at its peak, touched by the ineffable essence of its time but sounding just as fresh as its modern reinterpretations.

Michael Mayer returns to the Speicher series for his first release since last year’s brain-bursting The Floor Is Lava album. And yes, the floor is indeed lava when Mayer is on peak form, as he is here, with three tracks that oscillate, effortlessly, between the twin poles of Mayer’s music: dancefloor detonation and heart-wrenching beauty. To be fair, there’s more of the former here, but there’s beauty in generous discipline, too, and the unrelenting “Cry Me A Raver” feels, somehow, like it brings together decades of Kompakt pleasure in six giddy minutes – disco-fied arpeggios, glistening and hand-burnished textures, abstruse patterns that fall in and out of step. “Don’t Sync With My Tag” stomps with destructive glee, a beat as undeniable as the shaker cross-rhythms are silkily sexy. There’s always been something practical, functional, and utilitarian about Speicher, but it doesn’t get more everyday DJ-life than this: Mayer tells us the title is “a super-annoying message that pops up every time you open Rekordbox. Nobody knows what it means. It’s a DJ mystery.” But who needs answers, anyway? By the time you’ve started to get close to solving the riddle, Mayer’s taken you to Detroit via Cologne with “It Isn’t What It Isn’t”, a little doffing of the cap to Rhythim Is Rhythim. “You’re May, I’m Mayer, I used to tell him,” Michael chuckles. This made one of our cats almost jump out of its skin, with its stealthy slyness – creeping, amorphous electro noise; percussives that just won’t quit; the whole thing flooded with twitchy strip-light energy and silver-machine flare- outs.

Speicher is as Speicher does, and this is a damn good one. Make Mine Mayer!

Michael Mayer returns to the Speicher series for his first release since last year’s brain-bursting The Floor Is Lava album. And yes, the floor is indeed lava when Mayer is on peak form, as he is here, with three tracks that oscillate, effortlessly, between the twin poles of Mayer’s music: dancefloor detonation and heart-wrenching beauty. To be fair, there’s more of the former here, but there’s beauty in generous discipline, too, and the unrelenting “Cry Me A Raver” feels, somehow, like it brings together decades of Kompakt pleasure in six giddy minutes – disco-fied arpeggios, glistening and hand-burnished textures, abstruse patterns that fall in and out of step. “Don’t Sync With My Tag” stomps with destructive glee, a beat as undeniable as the shaker cross-rhythms are silkily sexy. There’s always been something practical, functional, and utilitarian about Speicher, but it doesn’t get more everyday DJ-life than this: Mayer tells us the title is “a super-annoying message that pops up every time you open Rekordbox. Nobody knows what it means. It’s a DJ mystery.” But who needs answers, anyway? By the time you’ve started to get close to solving the riddle, Mayer’s taken you to Detroit via Cologne with “It Isn’t What It Isn’t”, a little doffing of the cap to Rhythim Is Rhythim. “You’re May, I’m Mayer, I used to tell him,” Michael chuckles. This made one of our cats almost jump out of its skin, with its stealthy slyness – creeping, amorphous electro noise; percussives that just won’t quit; the whole thing flooded with twitchy strip-light energy and silver-machine flare- outs.

Speicher is as Speicher does, and this is a damn good one. Make Mine Mayer!