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2023 Repress

Highly sought after tracks from labelboss Josh Brent himself finally re-released on limited edition heavy weight coloured vinyl.
As released on the 1998 Schatrax album, these three floorburners still sound fresh as ever!

A wonderful journey for the second various artists by RPX16035.

Side A, Digregorius with his unique style and Gianluca Pellerano, label owner.

Side B, Marco Biagioli with his first relase and ours F_Phono.

On the 19th input on Playedby we present a new release from G76, signing his 3rd record on the label. After his debut album released on Playedby006, and a special single-sided vinyl on 013, now is time for a 30 minute minimal banger, split on the two sides of the vinyl.

Hanagasumi Records presents the fifth release, this time you will hear multi-genre electronic music in compilation format from wonderful artists who have their own unique and inimitable musical vision. Many of the artists previously released on labels such as Udacha, Rough House Rosie, Kimochi, Runout, Resonance, Faktura.

On the cover you see the numbered minerals of one large gem, the mineral number is also the track number. Minerals come together to create something beautiful, just like the tracks on this album.

The compilation opens with the instrumental track "Kamerton" by Shine Grooves, which combines classical piano playing with atmospheric synth sounds. The second track "Gods Gave" by Seal Bient & Jon'Smu is filled with mystery and melodic sequences that gently fall on electro rhythms. Continuing the journey, we come to the third track - "Caleidoscope" from the legendary band Bipolardepth, very fragile and thin sound matter, reminiscent of crystals, is connected with an ambient mood. The fourth track "The Sun Changed To Rain" is the work of two musicians - Michel and Shine Grooves, the composition is filled with house percussions and magical synth parts, but has a relaxing effect. The last track on side A is "Smelles" by Psor, you will hear house rhythms, lots of delay and vocals - first class dub! The second side is opened by the melodic IDM track "Muy Fragil" by Jon'Smu, atmospheric melodies are combined with broken rhythms and futuristic percussion. The second track "Fabrika" from the live improvisational band Ryabina is filled with crystal clear sounds, electro rhythm and cosmic chimes. The third track "Kwas" by Ronin combines a very slow and deep house groove that runs very smoothly through synth sequences. The fourth track "Lionwave" from the mysterious musician Phoboz, is an incredibly beautiful dub techno that slowly leads to hypnosis. The album closes with the ambient track "Runout 08.03" by X343 - a loop-shaped synth sequence that can run endlessly in your head.

Salem Rashid Skourlis, a human artist and composer, defies limits to manifest his solo project "fatalism." Drawing inspiration from personal experiences with paganism, pacifism, and immigration, fatalism intertwines otherworldly sounds and post-industrial landscapes. His work, relentless and self-sufficient, illuminates a foreboding future. Founder of @bedouinrecords, he has captivated audiences worldwide in prestigious venues like Berghain, Berlin and KGR(n), Tokyo. fatalism's forthcoming debut album, "fatalism:Gh0st," explores human escapism and the power of music to transcend societal confines. Currently based in Bangkok, Salem continues to forge sonic journeys, prepare film soundtracks, and embark on a solo tour for the release of his new album.

EYA Records SIDE
Jeku - Phase Lock
JJ Fortune - The Nightmare

System Error SIDE
Kurilo - Break A Leg
Wrong - C.ru.z


With COLLAB02 System Error continues in the spirit of collaboration and joins forces with London based EYA Records. As big fans and supporters of EYA ourselves this turned out to be a no brainer and the collaboration flowed effortlessly when working on our joined selection for this split EP.

On the EYA side we find “Jeku - Phase Lock” a dreamy but driving midnight city ride kinda tune that you just wanna blast out when cruising through the city or over a crowded dance floor. Next we have “JJ Fortune - The Nightmare” a truely haunting house tune reminiscent of last Halloween keeping things weird and spooky all while steadily punching a hole into your speakers(in a good way!).

On the System Error side we have “Kurilo - Break A Leg” this track slow but steadily will fill up and revive any dead dancefloor from the ground up again. Catchy, not cheesy vocal samples riding on a mad beat that will take you straight to the front of the DJ booth. And if that was not enough yet “C.ru.z - Wrong” provides a bouncy but dark dancefloor weapon to also get the last person from the couch to the dancefloor, this one means business!

All the gems of Electronic Music in a 5 LP boxset with : Fakear - Kölsch - Fritz Kalkbrenner - Laurent Garnier - Bicep - Kerri Chandler Thylacine - Bob Sinclar - Mr. Oizo - The Prodigy - Alex Gopher - Purple Disco Machine...

Locked-In's fourth release beckons you to dive deep into the distinctive sound of Session 4000 with the "Get Down" EP.

Launching the dancefloor manifesto on the A1 is 'Panaka,' a relentless groove brimming with infectious energy. The bassline asserts its dominance, while the synth patterns showcase a pure, playful mastery.

Progressing to the A2, 'Second Skin' unravels as a mind-bending revelation, leaving an enduring imprint. Session 4000 skillfully weaves intricate layers that captivate from the initial drop to the final fade-out.

Flipping to the B side, 'Get Down' lives up to its name, beckoning with a bumping rhythm and spraying synths. It's a decisive call to action, destined to be a certified dancefloor weapon tailor-made for late-night club escapades.

Concluding the EP on the B2 is 'Mr. Freeze,' as cool as its title implies. This track leaves an indelible mark, providing a memorable conclusion to this electronic narrative.

We take immense pride in upholding the integrity of our label's name, and we're excited to announce a remix by Gregor Tresher for Mike Skinners legendary "The Streets”, which does just that. Gregor's admiration for The Streets' seminal 2002 album, "Original Pirate Material,” has fuelled his unwavering support for Mike Skinner's extraordinary musical journey.
Last year, when The Streets’ poignant EP "Brexit at Tiffany's" made its debut, Gregor crafted a remix of one of its tracks for his DJ sets. This rework quickly became a closely-guarded secret weapon, setting dance floors ablaze wherever he played it. The idea of reaching out to The Streets arose, driven by curiosity about Mike's reaction to the remix. To our delight, not only did he appreciate it, but he also granted us permission to officially release it on the label.
So without delay, we are delighted to unveil Gregor Tresher's monumental reimagining of The Streets' "3 Minutes To Midnight." This once anonymous gem has now emerged from the shadows, and we are absolutely thrilled to bring it to your eager ears.

Sonic Transmutations is an extended compilation album celebrating over three decades of Clone Records. Marking the 31 years - which is coincidentally the national Dutch telephone code - the 8x12 inch box set draws together veteran talent and emerging iconoclasts, transmitting a frequency rooted the imprint's signature blend of essential dance music while journeying off into territories unknown. In a constant state of unfolding, morphing across phases of matter, Sonic Transmutations purveys an elemental energy that stands in testament to Clone's enduring legacy and explorations of sounds and structures.

The first outing of the new label Way to France records, born in Leipzig and raised in Cologne (including an extra long puberty), comes from none other than Robert Johnson legend Lauer.
The title track Law High heads straight for peak time in classic Lauer style between synth-pop, wave and house. Extraordinary DJ Charlie from Berlin transforms Law High into an analog-sounding EBM-Italo stomper with her first remix ever.

On B1 Lauer shows his other side with Enso: Techno Soul in the melody-man manner. Enso got the remix treatment from Leipzig's highly talented Janthe, who (another remix premiere) pulls off a modern, froggy, timeless version that's playable on any occasion. WTF Records headquarter is more than proud (and happy) to have so much talent on their versatile catalog number 001.

Dub versions of the songs "ShiningDub" and"Shut Up Dub" from the new Lee "Scratch" Perry Album 'Heaven', recorded and mixed at "Secret Lab's studio" by Olivier Gangloff assisted by Romain Gangloff Voices recorded by Olivier Gangloff at "Studio God LSP".

Beautiful ambient techno from multiple Grammy award winner James Sanger released via acid techno label "Triumph Records" in 1993. Clocking in at over 10 minutes it’s an elegant trip that demonstrates the production skills that would see James earn collaborations with everyone from Brian Eno to Madonna. Restored and remastered with a rolling dance floor dub from Sunju Hargun’s Eternal Injection alias on the B side.

Banoffee Pies Records Black Label Series continues with a very special solo EP from Ukraine born producer & DJ, Adelina. Now Berlin based, the Oracool party founder, and multi medium artist, who’s roots in Kyiv’s underground sound, and passion for music culture, shines through their already distinct sonic signature.

Following the mesmerising dusty cut single “Soft Moving” the full EP extends to combine this haunted 5 track collection via the 7th release on the BPR sub label. Adelina’s introspective approach strikes a magnetism on their surrounding environment using a precise and mature combination of broken structures, dreamy dub basslines and high bliss electronica.

Recently immersed into sound creation while exploring the most cryptic aspects in the connections between sonic spheres, BPBL07 offers a fluid introduction to the imprint while representing the new Ukrainian sound wave. Their choice selections and alluring charisma as an artist reflect their infinite certainty in the power of music as a universal key.

Tiella Sound launched in 2023 with a self-titled LP from Perugian artist VAISA, setting the scene perfectly with its lo-fi maelstrom of field recordings, obscure rhythms and tribal textures.
Neapolitan artist Livio Improta follows suit with ‘Fondamentalismi’, a 10-track exploration of broken, slow-motion rhythms coated in vinyl crackle and layers of atmospheric dust. Another superb album that announces Tiella Sound as a vital new label.

SY Rockers is the new project from Ryan Aitchison aka Mella Dee and KALLIDA Festival bossman Reuben G. Their story goes all the way back to 2009, when Reuben invited Ryan to be a resident for his party LSS at Hi-Fi Club in Leeds.

The pair went on to bond over their shared love of bass-led music in the UK underground, a sound that was especially important to their native South Yorkshire. Fourteen years on, Ryan and Reuben revisit those early inspirations as SY Rockers. Their debut EP is a slickly produced expression of bleep, UK techno, bassline and dub, redrawing lines between the sound legacies of cities like Sheffield, Bradford and Leeds across three tracks.

True to those roots, the result is a hypnotic blend of raw drums and subsonic impact. ‘Windy Dub’ introduces the record with a hazy, heads-down bass, occasionally shivering into a cavernous space echo before it locks back into a haunting synth hook. ‘Modem’ does what it says on the tin: gameboy tones bounce around a warm sub, calling back the ‘less is more’ aesthetic of the original bleep era. Finally, ‘Rhythm Resonate’ zooms in on where it all started—the drum machine. 909s, lasers and a touch of perc combine to create the ultimate techno tool.

“Sainen Hildo” is an album based on Miguel’s original compositions, recomposed and rearranged for accordion and voice by the two composers. Using the natural resonance and harmonics of these two instruments to influence their introspective interactions, resulting in evolving drones and tones and puzzling percussive outbursts. Unusual and at times unsettling, they manage to create a calibrated, deep and complex exploratory universe of ambience and drone where listening becomes a ritual. Highest recommendation for fans of Pauline Oliveros, Eliane Radigue or Phill Niblock.

Garazi Navas (accordion + voice). Original compositions by Miguel A. García. Recomposed and rearranged by Garazi Navas & Miguel A. García. Recorded by Ibon Rg at Azkuna Zentroa (Contemporary Art Centre in Bilbao) in June 2022, as part of the associated artists program. Mixing and mastering by Juan Carlos Blancas. Compiled by Mikel Acosta.

Acrylic painting on heavyweight paper by Maite Mugerza Ronse. Limited edition of 300 black vinyl LP’s housed in a coloured matt laminated cover. Released by Hegoa Diskak.

Dopelganger is the project in collaboration between classically trained accordion player and singer Garazi Navas (Usansolo, Bizkaia-Biscay, 1995) and Miguel A. Garcia (Vitoria-Gasteiz), an artist living in Bilbao with an extensive career in the fields of experimental music and sound art.

Garazi Navas / Classically trained at Musikene School of Music in San Sebastian with a masters in traditional music, Garazi, is a restless accordionist who, despite her young age, has taken part in a multitude of projects in theater, poetry, ballet, art installations and even playing with the Bilbao Symphony Orchestra. Her works are a personal interpretation of the close relationship which she feels exists between cutting-edge and traditional music.

Miguel A. García / Has performed extensively in Europe, America and Asia, both as a solo artist, improvising and in multiple ensembles. He has collaborated with dozens of artists (Al Karpenter, Jean Luc Guionnet, Sébastien Branche...) in studio and live, and appeared in more than a hundred albums. At the same time, he is organizer and curator of events, being founder of Club Le Larraskito, director of Zarata Fest, and part of the coordination of the cycle Hotsetan at Azkuna Zentroa itself

"Letters from Home”, the newest track from Rowee, Flowers On Monday, and Eleonora is our latest release on In Waves. Mass Digital, DSF, and Slow Hearts added their special versions, to complete this four track EP. Out on vinyl now, and available across all digital stores."

Korean artist and musician Jin Won Lee (이진원), otherwise known as Gazaebal, began his career in New York. Working as a sound engineer, alongside such illustrious artists as the Wu-Tang Clan and Janet Jackson, led him to develop a keen ear for dexterous audio design, melodic flair and catchy rhythm. But his true interest lay in uncovering the unique textures and synthetic qualities of electronic music. From the late 1990s to the early 2000s, Gazaebal focused on developing himself as a producer, synergising a uniquely potent take on club music, releasing three albums and appearing on numerous collaborations.

An established figure in the realm of contemporary art, Jin Won Lee is well-known for his hybrid, highly technological practice. In 2008, together with Jang Jaeho, he formed The Tacit Group, a collective for computer-coded art. Presenting works that manipulate audio and visuals in real-time through programming, the group has performed at the FAMS Choice selection, Lincoln Center in New York, at the Seoul branch of the Museum of Contemporary Art and the Sejong Center for the Performing Arts, among many others. As a solo practitioner, he initiated in 2023, a project that examines sound as abstracted vibration. brings together Jin Won Lee’s decades long investigations into sonic experimentation and the physicality of noise.

Outside the avant-garde, Gazaebal has enjoyed mainstream success, collaborating with Big Hit Productions founder and BTS songwriter Mr. "Hitman" Bang on remixes and arrangements for K-POP albums. They also formed the two-man group Banana Girl, with Gazaebal focusing on composition while Bang handled vocals, achieving a big hit with their 2000s track ‘Butt.’

Another crucial figure in Gazaebal’s life is his wife Nine who operates as his agent and business partner. Initially released in 1999 on Nine’s independent imprint dmstrax, the titular track ‘Talk’ first appeared on techno@kr, a compilation CD of Korean electronica. Together, they co-founded G Records, which was partly absorbed into Bighit Entertainment in 2005. Appearing as the inaugural record on Bighit, the original version of 'And So On' – featuring Bang’s vocal production – was not available for re-release due to licensing difficulties. But thankfully the multitrack was well preserved. Utilising these components, Nawon Ha (AKA Korean-but-Amsterdam-based artist Naone) re-imagines the song for Betonska Records.

A combination of un- and self-released material, Talk is an album that firmly belongs to the millennium while sounding utterly outside of space and time. A cosmic trance trip that draws on rock’s steely drive, wiggy acid basslines and warbling dub, the record is presented as a mix-friendly mini-album, with the 6 tracks ideally tailored to DJ-level quality and loudness. As much suited to the psychedelic rave scene of yesteryear as they are to present-day dancefloors, Gazaebal’s productions are defined by his idiosyncrasies. Melding the sheen of tight production and pop sensibilities with a flagrant DIY spirit, his music assuages the high-commercialism of the 2000s, resulting in a style that’s as definitely punchy as it is precise

LTD repress !

With their new EP on their own label, Italian duo Orion deliver a record full of lowkey atmospherics, textures and sublime frequencies. 2 original tracks and 2 remixes from italian artists Primal Code and Luigi Tozzi.

“Lie” opens the record with those classic emotional elements coming out from a long cloudy day in the studio.

As previously heard on their Smoke Machine live podcast “Orange” plays with layers, cinematic pads and hypnotic drums.

On the flip Primal Code’s “Lie” version encapsulates their dreamy and tribal approach with an intricate acid bassline that will take you on a journey.

Luigi Tozzi’s dark and loopy remix is something for your brain. Subtle hypnotic melodies and roaring low frequencies are the main elements for this club version of “Lie”.

We are delighted to announce the first vinyl release on TBX Records that features an eclectic selection of tracks. The TRAX VA showcases the diverse talents of four exceptional artists who have come together to create a mesmerising sonic journey. The a-side track dives you into the world of Rich NxT as he crafts 'Bluefunk', a groovy and hypnotic track that's sure to get your feet moving.

Next up comes Perky Wires who bring a fresh perspective with 'Take the Beat UP'. This track is a masterclass in blending a bouncy bassline with a tight house beat, resulting in a vibey experience that's both energetic and emotionally resonant. B-side is represented by a track called 'Melow' by Politics Of Dancing which invites you to a place of auditory serenity. Djebali closes this compilation by delivering 'Matmata'. This track unfolds like a story, with intricate layers of sound that keep you engaged from start to finish. Get ready to embark on a musical adventure like no other, and join us in celebrating this historic moment as we release our first vinyl record.

“Owelle”: frenchified word derived from the English expression “Oh well”. Repurposed by Valérie Siron as her pseudonym to reflect her work ethos: serious, but without making a fuss.

Surfacing from Geneva’s club culture with a graphic design background, Owelle’s drive to synergise the audio and the visual power her expression of creative identity. Her compositions are imagined and built without boundaries, albeit replete with nods to previous genres ranging from early 2000s breakbeat, braindance and broken beat techno.

Intrigued by sensory immersion, Owelle further laces her art with interactive tools including programming, sound spatialisation and installation. Diving into a spatiotemporal journey, subtly incorporating their uses into her musical works. By blending her passion for diligent sound designing, field recordings and psychedelic vocals is how Owelle presents her approach to experimental music. Owelle’s creativity offers an intrinsic connection of her tailored rhythms and melodies to birth an original hybrid of sound and visual art.

The music within this record questions the importance of sound in relation to the individual’s environment. To blur the border between noise and aesthetically pleasing. To ride the waves between discomfort and delight and to find the potentially hidden role of situational awareness and relating it to musical endeavours derived from the emotions within.

Limited

Michael Forshaw is a techno, breakbeat and experimental producer and DJ from Blackpool, U.K. who’s known for his mastery of producing gritty, rough ‘n’ tumble techno music where every sound is almost overdriven to the edge of chaotic distortion. He refuses to abide by any rules, playfully smashing his music around like a cat toying with a mouse. He’s the ultimate example of why parents hate techno.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve got our Wonk-O-Vision meter turned up to FULL WONK and we’re wearing our spankin’ new, made especially for dancin’ and prancin’, high heels and big boys boots on, because Michael Forshaw ‘& His Dance Floor Disaster Show’ is about to smash into a night club near you.

On this ‘Big Titted Hit’ of a release you’ll learn how to ‘Shake What Your Mama Gave Ya’ in more ways than one as not only have Forshaw’s ‘Amish Numanoids in Space’ trax finally been printed on vinyl, but those Swedish farting wasp keepers TSR and Scotland’s own melodious mental menace Fear-E, along-with the vocal talents of he that should be King, Tunnan, have well-wonked out a pair of the most uncarpeted surface-slippin’ remixes you’ll have a difficult time not to do a group wonkin’ Watusi too. WONK ON.

Arash & quasar is one of the weirdest projects we've ever received & we like that. They recently appeared on make italo great again & tatalo. This EP which is actually a mini album & it will be their last under this name and we can say that it's a masterstroke ! Italo, synth pop & folk music all with Tatar sauce ! If you want to wake up a dance floor, this is the right record. Absolute bangers.

Mood Child label owners Sirus Hood and Manda Moor curate a sonic journey featuring global talent as they proudly present their latest compilation, ‘Various Moods’. A kaleidoscope of experiences, the release showcases six tracks from diverse artists, each contributing their unique vibe to this eclectic musical package.

Hailing from Brazil, Wayne Le’s ‘This is How’ pays homage to the origins of electronic music with a rolling bassline and a vocal tribute to classic Roland machines, the 808 and the 303. The track’s energy crescendos, making it a highly sought-after ID. Spanish duo Fourth Phase brings ‘WTF’ to the compilation, a groovy masterpiece characterized by 909 drums, a massive bassline, and a playful vocal, reminiscent of the 90s. From Curitiba, Brazil, guerrA. presents ‘Storno’, a fast-paced old-school beat that weaves chopped vocals from a rap DJ tool into a groove enriched with analog drums and a powerful bass sound.

A fusion of French and Taiwanese influences, Nathan Alzon’s ‘Flashback’ captures the essence of a new beginning. The track features a vocal saying “take me away”, blending seamlessly with the groovy sound characteristic of Alzon’s productions. Representing Mexico, Gama delivers ‘Tatata’, an explosion of Latin percussive elements blended with a hypnotizing groove. Inspired by his hometown Cancún, Gama experiments with new rhythms and sounds, infusing a significant Latin influence into the track. Marseille’s Malikk, known for his releases on Hot Creations and Hottrax, collaborates with Palermo-based Side B. The duo draws inspiration from '80s disco, funky, soul, and retro movies, crafting ‘How I Feel’ with punchy drums, a heavy bassline, and unique grooves.