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BERNADETTE LA HENGST - WARUM ICH SO LAUT SINGEN KANN

Bernadette La Hengst ist die facettenreichste Protagonistin der sogenannten Hamburger Schule. Sie ist "die einzige deutsche Soulsängerin" (R. Jellen/Junge Welt), "Rebellische Lebenskünstlerin" (Der Freitag) und "Agitations- Chanteuse" (ihr Label Trikont). Sie veröffentlichte solo, mit ihrer Band Die Braut haut ins Auge und mit Projekten wie Die Zukunft oder dem Schwabinggrad Ballett seit 1988 knapp 20 Alben. Sie ist nicht nur eine großartige Songschreiberin und Musikerin, sondern auch Regisseurin, Chorleiterin, Radiomoderatorin und Femme de Lettres. Ihre Band Die Braut haut ins Auge war in den 1990ern "weder Diskurs-Pop noch Riot Grrrl oder Pop-Mainstream " (La Hengst) und damit zu unique für den großen Markt. Bernadette La Hengst ist stets zu Pop, zu Frau und zu eigen. Genau deshalb ist sie eine der interessantesten und wortgewaltigsten deutschen Texter:innen. Wer sonst kann so geschickt politische Diskurse als Liebeslieder tarnen, wie Bernadette es im Song "Dilemma" schafft. Einfach mal "Das Private ist politisch" umdrehen, dann geht das wunderbar. Oder eventuell autobiografische Themen in einen so tollen Text wie den titelgebenden "Warum ich so laut singen kann" umsetzen? Mit "Warum ich so laut singen kann" liegt nun erstmals eine umfangreiche Sammlung ihrer Songtexte vor. Der Band enthält 100 Lyrics sowie zahlreiche Erläuterungen zu ebenjenen.

Сделать предзаказ11.04.2025

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17,86

Последний логин: 2026 г. назад
François de Roubaix - La Scoumoune LP 2x12"

Wieder ein gesuchter Kult-Soundtrack aus den Archiven von CAM Sugar - remastered und mit bislang
unveröffentlichten Bonustracks!
Der Gangsterfilm „La Scoumoune“ (1972) lief in Deutschland unter dem Titel „Der Mann aus Marseille“
und zog nicht zuletzt durch seinen Star Jean-Paul Belmondo die Leute ins Kino. Die Filmmusik von
François de Roubaix ist ungewöhnlich eingängig, auf Basis eines ins Ohr gehenden Titelthemas ist der
Sound mal nostalgisch (der Film spielt 1944), mal krimimäßig groovy, mal elektronisch angehaucht. Das
Thema wurde mehrfach als Werbejingle eingesetzt und von DJs gesampelt.
140g-Doppel-LP im Gatefold mit Beiblatt/Linernotes, digital remastered, mit neun bisher unveröffentlichten
Tracks und vier Coverversionen/Remixen von Alessandro Baldessari, Jean-Michel Bernard und Benjamin
de Roubaix

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34,03

Последний логин: 2026 г. назад
La Rue Kétanou - Allons voir
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18,07

Последний логин: 2026 г. назад
monomonaco - Yeah Yeah
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20,97

Последний логин: 2026 г. назад
Intercommunal Free Dance Music Orchestra - Après la Marée Noire

If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…

In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a music which synthesizes the different communities living and working in France.” In 1976, on the first album (L’Inter Communal) we can already hear Tusques playing without borders in the company of Carlos Andreu (vocals), Michel Marre (trumpet and saxophone), Jo Maka (saxophone) and Ramadolf (trombone). It is a meeting between jazz and music from Catalonia, Occitanie and Africa. So far so good, but what about Brittany, that, Tusques knows “by heart”? Having lived for a long time in Nantes, he would expand his ‘brittanitude’ on the canal linking the city to Brest by playing with, for example the Diaouled-Ar-Menez. With these “devils from the mountain” who, under the baton of Yann Goasdoué, worked throughout the 1970s on the renewal of music from Brittany, Tusques met, notably, Tanguy Ledoré and invited him one day, with trois bombards and some bagpipes (Jean-Louis Le Vallegant, Gaby Kerdoncuff and Philippe Lestrat), to join the ranks of the Intercommunal. And so they set of towards a new music from Brittany, as the title states; Vers une Musique bretonne nouvelle!

With percussion from Samuel Ateba and Kilikus, the association launches the ‘bombardier’: the repetitions and dissonance of the different members all serve a common cause however: the dance, which is always the reason for the party. This sets a whole universe spinning, which can bring to mind Chris McGregor’s Brotherhood of Breath (“La rencontre”) when not taking on board waltz, swing, blues and gavotta or even revealing mysteries like those of Gurdjieff (“Les racines de la montagne” or “Le cheval” sung by Andreu). Only one thing to say to this Brotherhood Of Breizh: Mersi!

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24,79

Последний логин: 2026 г. назад
A2L - THE SOUND COLLIDES WITH COLOUR AND SHADOWS EXPLODE LP 2x12"

During their short but prolific career, A2L released two albums & numerous EPs on labels such as 1st Bass / Big One and Force Inc between 1988 and 1990. This is a collection of early and rare underground British psychedelic house gems from 1989, blending the trippy, mind-expanding sounds of machine funk, new beat, industrial/ebm, samplers and turntables techniques, with the birth of acid house wonderlandand and captures the raw energy of the UK rave scene.



During their short but prolific career, A2L released two albums, one of which strangely landed on a South African label. They also dropped numerous EPs on labels such as 1st Bass / Big One (home to acts like Deskee, Longsy D, and King Bee) and the German label Force Inc (which hosted artists like Alec Empire, Porter Ricks, and Mike Ink), between 1988 and 1990.

While Acid House is synonymous with the Roland 303, A2L is unlikely an acid house act. Instead, they stand as one of the finest examples of British psychedelic house music from the late 80s, falling between the likesof S-Express, Funtopia, Eon, and Acid Angels. With standout tracks like "Even Though It's Make Believe" and "Come On," A2L delivers infectious grooves over strobelight sample jams.

This here is a collection of early and rare underground British psychedelic house gems from 1989, blending the trippy, mind-expanding sounds of machine funk, new beat, industrial/ebm, samplers and turntables techniques, with the birth of acid house wonderlandand and captures the raw energy of the UK rave scene.


This is one testament to the creative freedom and experimental nature of that era.

For fans of the burgeoning British psychedelic and acid house scene.

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28,99

Последний логин: 3 мес. назад
De La Soul - The Grind Date LP 2x12"

Diese Sonderveröffentlichung feiert den 20. Jahrestag von The Grind Date. Die LP ist als Splatter-Vinyl
in limitierter Auflage erhältlich und enthält neben dem Originalalbum 4 Instrumentalversionen der Haupttitel. Die 2CD enthält außerdem 2 brandneue Titel, die während derselben Sessions wie The Grind Date
aufgenommen wurden. Diese noch nie zuvor veröffentlichten Titel mit den Titeln „Respect“ und „Bigger“
ergänzen dieses bereits bekannte Album perfekt.
De La Soul ist eine einflussreiche Hip-Hop-Gruppe, die Ende der 1980er Jahre gegründet wurde. Das
Trio, bestehend aus den Mitgliedern Kelvin Mercer (Posdnuos), David Jude Jolicoeur (Trugoy the Dove)
und Vincent Mason (Maseo), ist für seinen einzigartigen Sound und seine innovative Herangehensweise an
Hip-Hop bekannt. Ihnen wird oft zugeschrieben, dass sie mit ihrem eklektischen Stil, ihrer Verwendung
von Sampling und ihren positiven Botschaften die Landschaft des Genres mitgestaltet haben.
„The Grind Date“ ist das sechste Studioalbum von De La Soul und wurde 2004 veröffentlicht. Das Album markierte eine bedeutende Rückkehr der Gruppe nach einer Pause seit ihrem letzten Album im Jahr
2001. „The Grind Date“ zeigt De La Souls charakteristische Mischung aus cleveren Texten, innovativer
Produktion und einer Mischung aus verspielten und introspektiven Themen. Das Album enthält eine Fülle
spannender Gastauftritte von Künstlern, darunter MF Doom, Ghostface Killah, Flava Flav und Sean Paul.

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34,41

Последний логин: 11 мес. назад
Pambelé - Dámelo LP

Pambelé

Dámelo LP

12inch2025/PB001V
La Ruche . Le Label
28.03.2025

Rich in centuries of creolization*, the music of the Caribbean basin is among the most diverse in the world, and with Sono Mondiale, repertoires cross the oceans and are constantly enriched in a sonic and narrative mise en abîme.

Pambelé's debut album blends Afro-Colombian influences with the acidic, piercing sounds of the sixties psychedelic movement. This cross-fertilization is a powerful expression of the group's transatlantic and definitively Caribbean cultural universality.
Traditional percussion instruments from the north coast of Colombia intertwine and mingle with the joyful cadence of the vocals, while the chiselled words of the guitars, accompanied by the voluptuous sounds of wild organs, draw us into a torrid, exuberant atmosphere.
Pambelé's debut opus is a bewitching trance, a condensed blend of raw, composite material. A boundless playground where the culture of trance, improvisation and dance is the very essence of its strength.

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21,64

Последний логин: 11 мес. назад
CLAUDE - c’est la vie

Claude

c’est la vie

7"-VinylCLDI694V
CLOUD 9
28.03.2025
Сделать предзаказ28.03.2025

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15,76

Последний логин: 2026 г. назад
La Mont Zeno Theatre - Black Fairy
  • 01: Black Fairy Meets Johnny (Live)
  • 02: Please Give Me Some Magic (Live)
  • 03: Black Fairy Meets Black Bird (Live)
  • 04: Tell Them They Are Beautiful (Live)
  • 05: Travel To Afrika-Instrumental (Live)
  • 06: Black Fairy Meets Queen Mother (Live)
  • 07: Afrika&Apos;S My Home (Live)
  • 08: Black Land Of The Nile (Live)
  • 09: Trip To America (Live)
  • 10: Go Down Moses (Live)
  • 11: Did You Feed My Cow (Live)
  • 12: The Streets Of Harlem (Live)
  • 13: Afrikan Children (Live)
  • 14: Black Men Can Be Beautiful (Live)
  • 15: Black Fairy (Live)
  • 16: Eulogy For Black Fairy (Live)
  • 17: Black Fairy Returns (Live)
  • 18: Hey, Black Child (Live)
  • 19: Johnny &Amp; Black Fairy (Live)

Black Fairy is a fairy tale, but not in the traditional sense. When writing this play, i did not want to re-create the types of fantasies which are so common in Childrens theater. There is no kind of magic that can relieve black children from the oppression that retards their development. However, i do feel giving them a better understanding of their heritage can help them achieve their true potential. And those of us who are concerned with their development should try to expose them to knowledge that gives them a positive sense of identity. Although i do feel a chldren's play should be entertaining, I also feel it should be educational. Also, because there are so few children's plays which reflect the black experience, I wanted to write a play that Black children could identify with.

"Black Fairy" is a musical drama about a black fairy who lacks pride in herself and feels she has to offer Black children. But when she meets Black Bird and Queen Mother (Who take her to ancient Egypt, East Afrika, a southern slave plantation and the streets of Harlem) she begins toget a better understanding of her heritage. Her journey through the past enables Black Fairy to meet Aesop, Brer Rabbit, Brer Fox, Uncle Remus, Stag-o-lee, Leadbelly and many other characters in Black folklore and Black history. At the end of her journey, Black fairy realizes that "Being Black is nothing to be ashamed of" and is then able to share her knowledge with other Black children. Even though Black Fairy doesn't completely resolve her dilemma, having a knowledge of her heritage does give her more confidence to cope with the future.

During ther summer of 1974 "Black Fairy" was performed for over four thousand children in Chicago. And, in April of 1975, it played to over two thousand children in Detroit at Mercy College.

"Black Fairy" is the only the first of many children's plays we hope to produce at the Better Boys Foundation. There is an Afrikan proverb which says: "Children are the reward of life". We at Better Boys Foundationm are dedicated to this belief, and feel that helping childrren to appreciate their heritage is one means of showing our concern for their development.

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34,24

Последний логин: 2026 г. назад
Los Tres Puntos - Live in Mexico LP
  • A1: Perpetua
  • A2: Ciudad Blanca
  • A3: La Chaleur De Nos Voix
  • A4: Anonimo
  • A5: La Réalité
  • A6: Mi Disierto
  • A7: Nuevo Mundo
  • A8: Sur Les Sentiers De La Gloire (Ludwig Von 88 Cover)
  • B1: Aficionados
  • B2: En Mouvement
  • B3: Guapa
  • B4: Alta Mar
  • B5: Asi Es La Visa
  • B6: Es Una Pesadilla ?

LOS TRES PUNTOS : the enthusiasm of ska and the rage of punk rock inherited from the 80s french alternative movement, combined for an explosive cocktail to wake the dead! Unbridled rhythm, relentless brass section, unifying songs in French and Spanish ; the band has scoured concert halls in France and abroad.

This "live in Mexico" was recorded in November 2023 in front of 60,000 people at the Skatex Festival in Mexico City, celebrating the 30th anniversary of the group.

14 Tracks taken from the best of their discography, played with the energy and experience of the Los Tres Puntos gang.

Сделать предзаказ21.03.2025

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26,01

Последний логин: 2026 г. назад
Gabi Hartmann - La femme aux yeux de sel LP 2x12"
  • A1: Salinda, La Fille Aux Yeux De Sel 3:38
  • A2: Love High Feat. Laurent Bardainne 4:21
  • A3: Sikolaiko 3:10
  • B1: Into My World 2:54
  • B2: Ton Monde Secret 3:57
  • B3: Fool's Paradise 3:51
  • C1: Take A Swing At The Moon 3:40
  • C2: La Pomena 4:02
  • C3: Melancolie 4:26
  • C4: Le Lever Du Soleil Feat. Naïssam Jalal 5:56
  • D1: Natureza 3:52
  • D2: Lakutshon' Ilanga 2:12
  • D3: Drink The Ocean Feat. The Oracle Sisters 3:52
  • D4: Fin 0:39

Nachdem sie letztes Jahr die französischen Charts im Sturm erobert hat, ihr Debütalbum das meistverkaufte Jazz/World-Album des Jahres in Frankreich war und sie in mehreren Ländern wie Japan, Deutschland, Kanada und den USA, faszinierende Live-Auftritte hatte, meldet sich Gabi Hartmann nun mit ihrem neuen Album 'La femme aux yeux de sel' zurück. Auf den 13 Liedern, die größtenteils auf Englisch und Französisch gesungen werden, bewegt sie sich erneut zwischen verschiedensten Stilen und vermischt Jazz, Pop, Folk und Soul. Die Titel, manche melancholisch, manche farbenfroh und manche voller rhythmischer Energie kreieren eine ganz eigene Welt, in der man aber auch immer wieder die großen Vorbilder Mercedes Sosa oder Miriam Makeba entdecken kann. So hat Gabi Hartmann mit ihrem warmen, klaren Timbre ein sehr persönliches und facettenreiches Album geschaffen, das Grenzen und Stile vermischt und in Gabi Hartmanns eigene Traumwelt entführt.

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26,68

Последний логин: 2026 г. назад
Dj Koze - La Duquesa

Dj Koze

La Duquesa

12inchPAMPA014
PAMPA
21.03.2025

2025 Repress

"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger
man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twatherd - everyone just wants to get laid straight away.

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11,72

Последний логин: 4 мес. назад
De La Soul - The Grind Date (20th Anniversary Edition) LP 2x12"

This special release marks the 20th anniversary of The Grind Date. The LP is available on limited edition splatter vinyl with the original album bolstered with 4 instrumental versions of the leading tracks. Meanwhile the 2CD also includes 2 brand new tracks which were recorded during the same sessions as The Grind Date. These never before released tracks entitled ‘Respect’ and ’Bigger’ perfectly compliment what is already a renowned album. "The Grind Date" is the sixth studio album by De La Soul, released in 2004. The album marked a significant return for the group after a hiatus since their previous album in 2001. It showcases De La Soul's signature blend of clever lyrics, innovative production, and a mix of playful and introspective themes. The album includes a plethora of exciting featured artists including MF Doom, Ghostface Killah, Flava Flav and Sean Paul.

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39,08

Последний логин: 2026 г. назад
Af Ursin - Trois Mémoires Discrètes

Three introspective instrumental compositions for English horn, flute, percussion, double bass, Hammond organ. Performed, recorded and mixed by Timo van Luijk at Kulta Saha, 2010-2012.

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23,49

Последний логин: 12 мес. назад
Timo van Luijk & Kris Vanderstraeten - Autour du Lac d'Asselt

»Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt, Belgium) which to me always felt like one of the best concerts we did. As with our previous album »Arrêt au Lac Chimère« Vincent de Roguin put his heart in editing and mixing the recordings, extending the dimensions of exploration to the deep bottom of the lake.« – Timo Van Luijk

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25,42

Последний логин: 12 мес. назад
Ogives - La Mémoire des Orages LP 2x12"

At the border of genres, OGIVES is an ambitious musical project, initiated and led by composer and musician Pavel Tchikov. This large ensemble leads us onto a path to a sacred universe, to a cathedral of sounds, whose foundations are rock and classical music. Born in Liège (Belgium), OGIVES offers a resolutely intense personal and poetic work, dominated by layers of melodious, polyphonic, shouted or lyrical voices. This first album from OGIVES, 'La mémoire des orages' (The Memory of Storms), is build and orchestrated around poems written by two members of the group. These texts revolve around the themes of the perception of time and the perspective of death. We find here all the group's influences, ranging from post-rock, prog' to contemporary music, baroque and medieval music, through electronic music and noise, all exploited to forge a homogeneous and singular material. From the first choral notes to the last sharp riff, it is a dense and melancholic epic, carried by inhabited and versatile musicians. The album was mixed by Steve Albini.

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22,65

Последний логин: 12 мес. назад
In Camera - Arrival

In Camera

Arrival

12inchSCIE3624
La Scie Dorée
17.03.2025

Sixth album by Christoph Heemann and Timo van Luijk. Four years after we got Lost in Spice we reached the point of Arrival. An altar on the surface of the water is burning with flames. Behind it you can see a half of the Earth's globe, and on it there’s a bright throne. A pale, translucent ruler wearing a crown sits in the throne. The globe is surrounded by a ball of shadows on which sits a larger dark ruler on a dark throne. Behind the globe are mountain peaks, and all of it is reflected in the water. Above the mountains are clouds which merge into rivers and end in a curved horizon on which forests stand, and the sun rises between them. Above this horizon is another sky with lunar crescents and comets. Above this sky are rows of angels bent over, above which the stars shine. The sun shines in the top left corner and the crescent moon in the right.

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25,42

Последний логин: 12 мес. назад
Various - Traces Du Hasard

Various

Traces Du Hasard

12inchSCIE3824
La Scie Dorée
17.03.2025

This album came together through a series of coincidences. It captures a recording session from 1994 featuring Kris Vanderstraeten, Daniel Duchamp, and Luis Ferin. The session, long forgotten, resurfaced 30 years later when it was rediscovered in an old DAT tape archive. Initially unrecognized, the tape began with a recording of passing cars, captured from a Brussels balcony at the time. This ambient sound was seamlessly integrated as an intro to the musical session that followed. The quality of both the recording and the performance proved to be exceptionally good, making it a rediscovered gem. The session marked a refreshing collaboration with musicians from a jazz and free improvisation background, leading to lasting friendships.

KRIS VANDERSTRAETEN: Drums, percussion, sounds, electronics DANIEL DUCHAMP: Double bass, (prepared) cornet, effects LUIS FERIN: Soprano sax, electric guitar TIMO VAN LUIJK: Autoharp, percussion, sounds, effects

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25,42

Последний логин: 12 мес. назад
SUCK - Gimme Gabba Gabba
Сделать предзаказ14.03.2025

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18,45

Последний логин: 2026 г. назад
JUNIORE - OUH LA LA LP 2x12"

Juniore

OUH LA LA LP 2x12"

2x12inchPHONO09V
LE PHONOGRAPHE
14.03.2025
  • A1: Ouh Là Là 1:43
  • A2: Panique 3:31
  • A3: Difficile 4:32
  • A4: Le Cannibale 3:36
  • B1: L'accident 3:27
  • B2: Ca Balance 3:55
  • B3: En Retard
  • B4: Extralucide 2:33
  • C1: Tu Vas, Tu Viens 3:27
  • C2: Tout (Sinon Rien) 3:34
  • C3: Un Twist 3:24
  • C4: Le Jour D'après 4:31
  • D1: Antoine 3:38
  • D2: En Cavale 7:28
  • D3: Magnifique
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38,61

Последний логин: 2026 г. назад
Pyramid Blue - Amal / La Esperanza

This new 45 RPM single is the lastest from Pyramid Blue, a group known for their Ethio-jazz fusion.

This time, the Spanish band has teamed up with Habiba Chaouf, an Arab singer rooted in Spain's flamenco scene, who lends her beautiful vocals to the A-side. The song blends Arab melodies with deep afro-funk rhythms. Habiba's soulful vocals elevate the track, which reflects on the emotional journey of longing, uncertainty, and the search for change. "Amal" (meaning "Hope" in Arabic) reminds us of the power of hope as both a guiding light and a source of inner strength, even in the face of doubt and longing.

On the B-side, La Esperanza (Hope), Pyramid Blue delivers a hypnotic, instrumental journey, featuring a bold horn section and a guitar riff that evokes the feeling of crossing a vast desert—an atmospheric, cinematic soundscape that could easily score a film.

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12,56

Последний логин: 12 мес. назад
Mongo Santamaria - Mongo Introduces La Lupe
  • Besito Pa Ti
  • Kiniqua
  • Canta Bajo
  • Uncle Calypso
  • Montuneando
  • Linda Guajira
  • Que Lindas Son
  • Oye Este Guaguanco
  • Este Mambo (This Is My Mambo)
  • Quiet Stroll
  • Watermelon Man

The complete LP + 2 bonus tracks - pressed on 180g virgin vinyl - a limited edition of just 500 copies Ramon "Mongo" Santamaria Rodriguez ("Mongo" is Cuban slang for Ramon) is best known for being the composer of the jazz standard ' Afro Blue, recorded by John Coltrane among others. In 1950 he moved to New York where he became an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s. Mongo's 1963 hit rendition of Herbie Hancock's 'Watermelon Man' wasinducted into the Grammy Hall of Fame. This release presents Mongo's complete LP 'Mongo Introduces La Lupe', on which he is joined on some tracks by singer Guadalupe Victoria Yoli Raymond, popularly known as, "La Lupe."

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23,49

Последний логин: 2026 г. назад
Alain Meunier - Voyage Aux Fonds De La Mer

Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.

This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of kraut rock, and of course also with other works by French experimentalists of the era like Pascal Comelade's Fluence or Richard Pinhas' production (including Heldon). Guitar comes in now and then showing also a certain Robert Fripp influence.

Instruments used according to the insert sheet that came with the LP are a Korg 800 DV synthesizer, a K.O. Welson Clavinet, effects like a Fender Echo or a Electroharmonix Small Stone phaser and a fuzz pedal, plus Meunier also used a Gibson Les Paul Custom Guitar, a 12 string acoustic Eko guitar and a 6 string Morris guitar.

First ever vinyl reissue. Limited edition to 500 copies only. Remastered sound.

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24,16

Последний логин: 12 мес. назад
THE MIGHTY BOP - LA VAGUE SENSORIELLE LP 2x12"

The Mighty Bop, the group made up of Bob Sinclar and Dj Yellow, is celebrating the 30th anniversary of their first album, "La Vague Sensorielle". This opus, a blend of Acid Jazz and Trip-Hop, has become a benchmark for both musical genres. Rediscover such great tracks as"Freestyle Linguistique Feat. EJM" or "Infrarouge".

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26,01

Последний логин: 10 мес. назад
Ben PLG - Parait que les Miracles N'existent Pas
  • A1: Béni
  • A2: On Tombe, On Réessaye
  • A3: La Haine En Dvd
  • A4: Tête À L’envers Ft. Zkr
  • A5: Le Riz Et La Sauce
  • A6: Bague En Plaqué
  • B1: La Couleur Des Vitres Teintées
  • B2: Chaque Jour Un Peu Plus
  • B3: Rendez-Vous Ft. Zed Yun Pavarotti
  • B4: Le Chant Des Oiseaux Ft. Maman
  • B5: Paraît Que Les Miracles N’existent Pas

BEN plg's second album is here.
11 amazing tracks

Сделать предзаказ07.03.2025

он должен быть опубликован на 07.03.2025

24,58

Последний логин: 2026 г. назад
DE LA SOUL - CLEAR LAKE AUDIOTORIUM LP

The holy grail of De La Soul albums, it was released in 1994 exclusively as a promotional item to A- list DJs. It features four tracks from the group's Buhloone Mindstate album and two unreleased tracks - "sh.Fe.Mc's" featuring A Tribe Called Quest and "Stix & Stonz" featuring The Fearless Four, Grandmaster Caz, and Prince Whipper Whip.

While only 500 copies were pressed of the original, this legendary collector's item is now available as a limited edition release.

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27,52

Последний логин: 11 мес. назад
The Outcasts - Loving You Sometimes / Sha-La-La

The official re-release of this 1968 Garage grail in direct collaboration with lead signer & songwriter for The Outcasts, Al Collinsworth. As featured on DJ Shadow & Cut Chemist's 'Product Placement', this 45 has remained an iconic anthem across various scenes. We're honoured to contribute to The Outcasts legacy, showcasing their single close to 50 years since it was originally released.

In the words of Al:

'In the spring of 1968, I wrote the song 'Loving You Sometimes' and recorded it with a young group from Ashland, KY called The Outcasts. The group included Dick Hall, Nick Wickware, Ronnie Gibson, Ralph Morman and I. A local record company, Plato Records from Huntington, WV heard us at a local bar and signed us to a record deal. Queen City Recording Studio located in Cincinnati, Ohio, was our first experience with a multitrack studio in a big city. On the morning of the session, we piled into Nick's van and drove from Ashland to Cincinnati, with most of us sitting on the floor with our gear. When we stepped out of the van, we knew we had started an adventure, one that has lasted nearly half a century.'

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11,35

Последний логин: 11 мес. назад
La Pembele - Naci Mestizo

La Pembele

Naci Mestizo

12inchDEG-LP02C
discos elgozo
28.02.2025
  • A1: Para No Olvidar
  • A2: La Bella Y La Culebra
  • A3: El Mañana
  • B1: Nací Mestizo Ft. Nicoyembe
  • B2: Amargura
  • B3: Son Cimarrón
  • B4: Perdi Mi Corazón
также имеющийся в продаже

Black[32,73 €]


La Pambelé Unveils Nací Mestizo, A Bold New Album Reviving Salsa with a Contemporary Twist Bogotá’s heavy guaguancó orchestra, La Pambelé, proudly presents their highlyanticipated second studio album, Nací Mestizo, now available on all major digital platforms as of November 27th. This album pays tribute to the golden era of salsa, particularly the 1970s, while breathing new life into the genre with modern lyrics and stories that resonate deeply with Latin communities.

All while maintaining a distinct Bogotan essence that highlights the city’s unique cultural flavor. Nací Mestizo seamlessly blends the timeless salsa brava sound with contemporary themes, reflecting the everyday lives of people across Latin neighborhoods. The album’s songs capture the struggles, passions, and joys of ordinary people, presented through the vibrant rhythms of salsa, creating a musical experience that connects the past with the present. Building on Their Rising Popularity Prior to the album’s release, La Pambelé debuted the singles “Amargura” and “Perdí mi Corazón”, which quickly captivated audiences and set the stage for the full album's success. The band’s electric performance of these tracks at the MedPlus Coliseum in Bogotá, before an audience of 22,000 attendees awaiting Marc Anthony, was met with enthusiasm as fans danced and applauded.

This moment marked a significant milestone for the orchestra, cementing their place as a rising force in the global salsa scene. Additionally, La Pambelé’s growing visibility has been marked by their appearances at major festivals such as Salsa al Parque and features on prominent radio stations, including Radio Nacional de Colombia and Latina Stereo. These platforms have helped introduce La Pambelé’s signature sound to a wider audience, building anticipation for the release of Nací Mestizo and reaffirming their influence in Colombia’s tropical and alternative music scenes. A Contemporary Salsa Sound with Classic Roots La Pambelé’s unique blend of traditional salsa brava and contemporary Latin storytelling is showcased through their distinctive nine-piece orchestra, which includes piano, conga, flute, trumpet, trombone, timbales, bongos, and baby bass. The dynamic vocals of Miguel RoRebolledo and Lorena Contento elevate the album’s themes, creating a sound that invites listeners to their feet and onto the dance floor. Under the direction of Camilo Toro Morato, the orchestra has honed its signature style, pushing the boundaries of salsa while staying true to its roots. As a proud defiance of stereotypes about Bogotá’s musical abilities, La Pambelé’s name pays homage to legendary Colombian boxer Kid Pambelé, symbolizing resilience and strength.

The name also draws from the Bantú language, meaning "defender of one's own," reinforcing the band’s connection to their Colombian heritage and pride in their distinctive sound. Global Recognition and Continuing Influence Since the release of their self-titled debut album in 2022, La Pambelé has gained international recognition, especially within the vinyl collector community. Theirdebut album was released in both 45” and LP vinyl editions, further solidifying their unique position in the contemporary salsa movement. Influenced by salsa greats such as Markolino Dimond, Eddie Palmieri, Edy Martínez, and Ismael Miranda, La Pambelé has carried forward the torch of salsa brava with passion and innovation. Nací Mestizo marks a significant evolution in the orchestra’s journey, melding the old and the new, and cementing La Pambelé as a driving force in the future of salsa music. A Collector’s Dream With their 2022 debut album garnering international recognition, La Pambelé’s vinyl releases—including 45” and LP editions—have become coveted items for salsa collectors worldwide. Their music is a bridge between classic salsa traditions and a modern vision, appealing to seasoned fans and new listeners alike. About La Pambelé La Pambelé is a heavy guaguancó orchestra from Bogotá, Colombia, known for their vibrant, rhythm-driven sound that blends 1970s salsa brava with modern Latin influences. With a unique nine-piece lineup and powerful vocals, the band continues to break boundaries, defying expectations and inspiring audiences around the world

Сделать предзаказ28.02.2025

он должен быть опубликован на 28.02.2025

34,41

Последний логин: 2026 г. назад
Los Dexter's De Uchiza - Fiesta en La Jungla
  • A1: Fiesta En La Jungla
  • A2: Fuga En La Selva
  • A3: Tu Partida
  • A4: Agua De Cachilde
  • A5: La Chicharra
  • A6: Dolor Y Pena
  • B1: Izango
  • B2: El Shiringuero
  • B3: A Jenny
  • B4: Linda Tocachina
  • B5: Para Mi Gente
  • B6: Tragedia En Uchiza

Carrying the torch of psychedelic cumbia, with a healthy dose
of surf guitar and Amazonian dancefloor flourishes from Peru
and Brazil alike, Fiesta en la Jungla by Los Dexter’s de Uchiza
is the first release from the newly formed London-label Ritmo
del Barrio. Originally released in 1982, it captures the finest
cumbia being made in Peru at the time, decked out with
frenetic surf-rock guitar riffs, rhythms floating on crisp
cumbia percussion and occasionally punctuated by carimbó
breakdowns native to the Pará region of north-eastern Brazil.
The album is filled with energy, a gem that was always
intended to animate any dancefloor. Peruvian cumbia came to national attention in the late 60s
through the recordings of Juaneco y su Combo, Los Destellos
and Los Wembler’s de Iquitos, but it’s had many revivals, and
Fiesta en la Jungla arrived when the style was going through a
major transition. In 1977, a passenger plane carrying most of
the members of Juaneco y su Combo crashed, killing everyone
on board. In 1980, Los Destellos retired, and Los Wembler’s
released their tenth and final record, they were ready for a
break. This left a big void in Peruvian music. Wasting no time,
Los Dexter’s Emerson Ruiz Mosquera took the opportunity and
gave his band new life, filling the band’s ranks with young and
energetic musicians who were hungry for success. He built the
new band around a solid base of dexterous guitars, a dynamite
rhythm section, and added oodles of percussion and an electric
organ, giving them a powerful psychedelic sound that called
back to the sounds of the original chichamasters, but added a
new sheen. Along with bands like Los Shapis and Los Walkers
de Huánuco, Peruvian cumbia was reborn as chicha in the
1980s, and was now the sound of Peru’s barrios up and down
the country.
Based in the city of Uchiza, on the edges of the Amazon basin,
Los Dexter’s were uniquely located in central Peru, closer to the
largest urban centres of the country than Amazonian outposts
like Pucallpa or Iquitos, and therefore better positioned to
travel to the furthest reaches of the country with ease. In a
sense, Los Dexter’s were a bridge between the Amazon and the
rest of Peru, a bridge over which the sounds of Amazonian
cumbia could travel to the rest of the country on their way to
becoming one of the most ubiquitous elements of Peru’s musical
identity. Fiesta en la Jungla represents Los Dexter’s in their third
iteration. Led by Emerson Ruiz Mosquera, who was just a
young boy in 1970 when his older brother founded the group
with four of his friends, the ensemble by the time of Fiesta en la
Jungla included Orlando Abad on the timbales and lead vocals,
Lucho Bendezú on lead guitar, Javier Quiroz as second
guitarist, Alejandro Almeira on bass, Rufino Bustamante on
keyboard, Ramon Siu on bongos and bells, Ivan Rios on conga,
and Emerson as musical director and composer. Remarkably,
most of the group’s members helped to write at least one
track, Los Dexter’s were a collective endeavour.
Reissued on vinyl for the first time by Ritmo del Barrio, this
record is essential for any collector of Peruvian cumbia.
Showcasing the unique sound of Los Dexter’s, it carries hits
like “Fuga en la Selva” and “El Shiringuero”, which are sure to
set any dancefloor on fire, combined with slower, carimbó-
infused cumbias like “Fiesta en la Jungla,”and “Agua de
Cachilde.” Its closing track, “Tragedia en Uchiza'', is a key
piece of local history and tells of the flooding of the
Chontayacu River in 1982, a mortal tragedy that affected
thousands of people. Despite the subject matter, the album
maintains a joyful vibe throughout, with high energy riffs and
irresistible rhythms, contrasted with terse love ballads, like “A
Jhenny.” It is both a piece of musical history, and a sure-fire
tool for the dance floor.
Los Dexter’s became a fixture of festivals and celebrations in
the provinces of San Martin and Huánuco, and from expanded
across the country, taking Amazonian cumbia from the
Peruvian Amazon, to the heights of the Peruvian sierra, the
coastal plains, and the capital city of Lima.

Сделать предзаказ28.02.2025

он должен быть опубликован на 28.02.2025

19,96

Последний логин: 2026 г. назад
Various - La Haine LP 2x12"

Various

La Haine LP 2x12"

2x12inch05021732461933
Rhino
28.02.2025
  • A1: Intro
  • A2: Ministere Amer. Sacrifice De Poulets. 3.29
  • A3: Sens Unik. Le Vent Tourne. 3.51
  • A4: Iam & Daddy Nuttea. La 25Eme Image. 5.16
  • B1: Expression Direkt. Dealer Pour Survivre. 4.43
  • B2: Ste Strausz'. C'est La Meme Histoire (C'est Asmeuk). 4.21
  • C1: La Cliqua. Requiem. 5.21
  • C2: Mc Solaar. Comme Dans Un Film. 3.58 3. Fff. Le Vague A L'arme. 3.57
  • D1: Raggasonic. Sors Avec Ton Gun. 3.34
  • D2: Les Sages Poetes De La Rue. Bons Baisers Du Poste. 5.39
  • D3: Assassin. L'etat Assassine. 6.27
Сделать предзаказ28.02.2025

он должен быть опубликован на 28.02.2025

35,92

Последний логин: 2026 г. назад
Leibniz - La Bomba

Leibniz

La Bomba

12inchRAT23
Rat Life Records
28.02.2025

Rat Life welcomes back Leibniz for the label's 23rd release! This 12inch piece of wax is jam packed with five grimy techno mantras, each one proofing once again that the highest level of mastery is simplicity. Most information is irrelevant and most effort is wasted, but only Leibniz knows what to ignore.

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11,72

Последний логин: 9 мес. назад
Hylozoists - La Fin Du Monde

When I started the second Hylozoists record in 2004 my goal was to make it an album we could perform live and put together a real band. The first record I was so proud of but not a practical affair! It was great because I didn't think of it that way but after playing in the Sadies for years my focus was performing this music live and bringing it to people in person. It also helped forge some of my most meaningful relationships that I would have musically, Jason Tait, a drummer looking to vibraphone more, was such a great motivator and made this music come to life in a way it hadn't before. Patrick Conan also had bought a vibraphone and having a three man mallet show it was coming to life but also meant there were extra drummers around and how we would find ourselves settling into the two drummer formula. While a real headache for trying to open for people and tour ourselves it was another magical part of this set up.

With that core in place the next huge relationship took place which was with Cuff the Duke as Paul Lowman, Wayne Petti and Matt Ferris. Paul was the greatest bass player I could have ever asked for and loved playing the music and was so gracious of playing the parts I had written and then brought his own great playing to the band. Cuff and the Hylos would tour together allowing me to tour the band in a way I could have never done without them. Without them I am not sure how much the Hylozoists could have done, forever grateful.

Сделать предзаказ28.02.2025

он должен быть опубликован на 28.02.2025

37,77

Последний логин: 2026 г. назад
The Mighty Bop - La Vague Sensorielle 2x12"
  • Intro;
  • Vibrations Mystiques (Old School Mixx);
  • Clever Mind;
  • Obscure;
  • Infrarouge;
  • Freestyle Linguistique;
  • Abstract Fever;
  • Le Voyage;
  • Brand New Day;
  • Muthafuckin' Ghost

Bob Sinclar has 1.4 million listener per month on Spotify. The Mighty Bop, the group made up of Bob Sinclar and DJ Yellow, is celebrating the 30th anniversary of their first album, ‘La Vague Sensorielle’. This opus, a blend of Acid Jazz and Trip-Hop, has become a benchmark for both musical genres. Rediscover such great tracks as ‘Freestyle Linguistique Feat. EJM’ or “Infrarouge”.

Сделать предзаказ27.02.2025

он должен быть опубликован на 27.02.2025

30,88

Последний логин: 2026 г. назад
La BOA - Tony Allen - La Boa Meets Tony Allen

Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allen—the very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allen’s drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth.

If Allen’s language was his beat, then on this record, La BOA—La Bogotá Orquesta Afrobeat—becomes his latest and most fitting interlocutor. What began as a tribute—a song named after Allen—now feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance.

Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in Bogotá, Michel’s Mambo Negro Records has become a cornerstone of Colombia’s underground scene championing Afro-Colombian and independent music throughout that time.

Across this LP, Allen’s recordings lay down the canvas upon which La BOA paints its own vision of Afrobeat—raw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is Bogotá. What ensues is an enduring conversation that crosses eras, borders, even life and death—a celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of Bogotá, so too La BOA meets Tony Allen.

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22,40

Последний логин: 11 мес. назад
La Récré - 137 / La Lune 72

La Récré

137 / La Lune 72

7"-VinylBMM075
BMM Records
25.02.2025

Paris punk-jazz duo La Récré is back to complete their trilogy of EPs. After 10 and 12 inches, Forever Pavot and Cédric Laban are now invading the grooves of a brand new 7 inch record. This double-single includes their fantastic trip to the moon 'La Lune' previously released on BMM Records' Groove Dingueries compilation, and a brand new track diving into abyssal depths at a speed of 137 BPM.

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9,96

Последний логин: 11 мес. назад
Kyle Falconer - The One I Love The Most (LP)
  • Angelina
  • Grace
  • Dixie
  • Rebecca
  • Gem
  • Blondie
  • Lilly Anne
  • Penny
  • Laura
  • Lucy Featuring Prose
  • Claudia
  • Kelly
  • Madonna
также имеющийся в продаже

Powder Blue Vinyl[31,89 €]


Kyle Falconer, prämierter Songwriter und Kopf der schottischen Indieband The View, bringt auf "The One I Love The Most" neue Acoustic-Versionen von Songs aus dem umfangreichen The View- und Solokatalog aus fast zwei Jahrzehnten (vom No.1 Debütalbum "Hats Off To The Buskers" (2007) bis zum Top-10-Comebackalbum "Exorcism Of Youth" (2023)), die alle nach Frauen benannt sind. Immer schon von der weiblichen Muse inspiriert, erzählt Kyle von guten Zeiten der Liebe und Lust, von schlechten Zeiten der Reue und des Kummers, von überlebensgrossen Charakteren ("Madonna") und fiktiver Verspieltheit. Bei dem ansonsten reduzierten "Lucy" fügt Rapper PROSE aus Manchester seine messerscharfen Reime hinzu.

Сделать предзаказ21.02.2025

он должен быть опубликован на 21.02.2025

30,04

Последний логин: 2026 г. назад
Продуктов на странице:
N/ABPM
Vinyl