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Onsloow burst onto the Norwegian indie scene in 2022 with their self-titled debut album. They quickly transitioned from obscurity to performing concerts nationwide, garnering rave reviews, playing at festivals, and receiving increasing radio play with each new single. As is the case for many passionate amateurs with families and day jobs, this couldn’t last indefinitely. Vocalist Johanne Rimul became busy with her master’s degree and growing family, Mathias Nylenna returned to his regular job at national radio, and drummer Morten Samdal and bassist Lasse Berg pursued their own musical projects. But Onsloow wasn’t finished. They soon returned to their practice space in Trondheim, working tirelessly on new songs for over two years. The result is their second album, aptly named Full Speed Anywhere Else.

With Rimul’s commitments making further band activity impossible, Onsloow had to search for someone who could continue the band's signature sound—distinctive, melodic vocals atop jangly pop guitars and driving drums. Fortunately, Helene Brunæs, frontwoman of the emo/pop-punk sensation Lille Venn, jumped on board without hesitation. Despite her busy schedule with regular releases, a US tour, and gigs alongside pop stars like Sigrid, she found time to join Onsloow's ambitious plans. Her warm, airy vocals perfectly match Onsloow's universe of catchy power pop, quirky indie rock, and energetic pop-punk. The new album even features hints of country and Americana. Over several sessions with producer Marius Ergo, the album took shape, with the band focusing more on details and arrangements than ever before. The goal was to elevate their music beyond their self-titled debut album.

Full Speed Anywhere Else’s ten meticulously crafted tracks form a cohesive unit, allowing the band to explore various directions, moods, and expressions without losing their essence: straightforward, catchy power pop that sticks, with plenty of nuances for those who appreciate the finer points.

Showcase A delivers a refined collection of four stylish tracks, each crafted by a different artist, yet unified by their high-quality production and distinctiveness.

Opening with Fedo's 'Tunisian Rex', it immediately strikes you with a sophisticated fusion of house and techno. The track's smooth, polished sound is anchored by a key bassline, effortlessly guiding the listener through its very enjoyable flow. Following this, Andrey Djackonda & Ovil bring a lively energy with 'Lui Lui'. This song blends upbeat house vibes with playful jazz elements, creating an atmosphere of fun and positive spirit that's impossible to resist. On the second side, Legit Trip's 'Skripi Daddy' introduces a deeper, more minimal groove. The track's busy tech rhythm is skillfully layered with just enough room to then include a melody to elevate it further. Closing the album, Firesc's 'Left Or Right' offers a techy sound infused with eastern samples. The track's bouncy bassline and snapping percussion give it a unique, vibrant character that leaves a lasting impression.

Eight cuts of cinematic electronic music from synthwriter OFFLINE. To follow this rainbow of silky sounds is to reach a point of no return, where the last person on Earth you'll be able to communicate with will be a 1970s synthesiser.

Reloading, revamping, reinstalling - we've peered under the hood of last year's singles, Your Life and Take It, and decided they required the peak-time-remix-alignment. While Your Life's refix was self-inflicted by Patrick, Take It required the expertise of frequent collaborator Physical Therapy. Both reworks maintain the originals' essence, while bringing higher BPMs, weightier subs, and jacked up percussion to the table. Test driven during the summer of '24, this package is ready to rip.

Originally hailing from The Isle of Wight but now based in West Norwood, South London, Vertical Cat has been releasing tunes since 2001 on imprints like Smallfish, Vice and his own rather wonderfully named Achingly Responsive, but now finds himself delivering seven varied creations for Chicago's Kimochi Sound to issue via the kind of hand-numbered, limited edition run that's sure to get trainspotters salivating like Pavlov's dogs. From the jazz-inflected phrasing, subtle phasing and jiggly sub-bass of 'Go Willy-nilly' to the Mills-esque thumpfunk of 'Oh You Mucky Bugger!', there's a bit of everything here, but every last moment is delivered with quality and clearly perceptible personality. You've also got to love outro track 'I'm Leaving', which soundtracks an awkward call to HR with some nicely cheeky, perky exotica.

The original pressings are already hard to find, being extremely rare! Plus, to collect them all, you'd need the cost of a car for this parade of super pricey premium editions! If you want to enjoy the ultimate rare grooves, this is your only option!

These soul and funk performances, buried in the midst of the late 70s US record industry, which could be considered the destiny of the TAX SCAM label, are a must-listen! Enjoy killer tunes with grooves and feelings that are just as good as the hits of the time!

Not new, but new to us. 6 track EP of "Ghetto House" from Chicago's own DJ SLUGO. Big badass boomin' booty bass beats. Came out last year in 2023. Full pic sleeve.

Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis.

Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle.

Take Three represented the first project for a creative partnership that would spawn multiple projects/aliases spanning the UK soul, funk & dance scenes, and still continues to this day. With this compilation we showcase for the first time the group's combined output as Take Three, complete with previously unreleased material.

The Check In brings us 006 by Duncan Thomas. Anyone operating in the world of deep minimal groovers have heard the whispers and tales of his genuinely unique grooves, blurring the lines of deep and soulful to light-hearted and bouncy.

Hard synth stabs and a punchy drum grooves open the EP through the A1 Espresso Tonic, a deep roller which is seductively euphoric. Then into Movin’ To The Sound which brings out the jazzy side of Duncan Thomas with synth licks and floaty chord progressions.

Flip over and you land on See You Never which leans to the festival forrest with heavy swing, a driving lead and laser sounding synth chords. Followed by the B2 Hello Out There which closes off the EP and is easily the most soulful of the four cuts. The repeating chord stabs are undoubtedly nostalgic and the bass-line routes the nostalgia to the dancefloor. This is a sunrise groove if ever there was one

A New Musical Portal for Latin America: ROCK THA HOUSE TRAXX.

Born from the iconic Rock Tha House party, which celebrates 20 years this year, the brand now evolves into a vinyl-only label led by legendary Chilean DJ and producer Camilo Gil, alongside Mario Flores in Mexico City. Their mission is to focus on musical culture, recreating soundscapes that have left a lasting impact on time and influence.

For the first release, they bring together a fusion of styles and global sounds, featuring artists like Mihai Popoviciu from Romania, Swiss legend Quenum, seasoned Ibiza-based producer Nima Gorji, and Australia’s own Carlo Gambino.

This is not just about the party—it’s about creating and celebrating musical schools, styles, and artistic vision. ROCK THA HOUSE TRAXX is born today, bringing Chilean talent to the world.

The poet, producer and visual artist Ramuntcho Matta is coming back to music with 96. 96 – as 96 hours were needed to record this new album. Ramuntcho points out that behind this dazzling recording, years of experience enabled him to achieve the mix of spontaneity and intimacy of the album.

He was the man behind the success of Eli Medeiros’ Toi mon toit. As a matter of fact, Ramuntcho Matta likes to put artists in the spotlight, as he has done with Brion Gysin, Don Cherry and many others. However this time he decided to put himself in the spotlight, with this record which sounds very 90s – with a wink to Bill Laswell for the bass – but still very contemporary. The album unveils a dark atmosphere, as if Bashung had lost himself in a Lynch film.

Alongside the album release, Ramuntcho Matta and Akuphone have decided to make the entire discography of the artist available on Bandcamp. Each Friday since the beginning of this year, an album has been put online and made available for listening and downloading.

Record sleeve designed by Ramuntcho Matta. Unpublished notes and drawings from the artist’s logbook « Desseins du jour ». Downloading code

"A mere two years on from their formation in London towards the end of 2007, Mumford & Sons released their
debut album, Sigh No More. Introducing the group’s signature blend of folk and rock music with heartfelt lyrics and
soulful melodies, the album was instrumental in propelling the folk-rock resurgence into the mainstream at the
end of the 2000s.
Peaking at No.2 in both the UK and the US, and winning British Album of the Year at the 2011 BRIT Awards, Sigh No
More paved the way for a career that has seen the group release three further acclaimed albums, scooping up a
second BRIT Award, plus two Grammys and an Ivor Novello, along the way. The group’s lasting impact on the music
industry can be traced back to this record – now reissued on ultra-clear vinyl for National Album Day – and its
game-changing singles, among them ‘Little Lion Man’ and ‘The Cave’, which have, respectively, reached nearly 45
million and more than 20 million streams this year alone.
"

"Travis’ iconic album The Man Who - released in May 1999 - celebrates its 25th Anniversary this year. Their hit album – which is certified six times-platinum in the UK – features the timeless singles, ‘Writing To Reach You’, ‘Driftwood’, ‘Turn’ and possibly the band’s most well-known song, ‘Why Does It Always Rain On Me?’ This 25th Anniversary edition, will be pressed on white vinyl, available for National Albums Day 2024.

Berlin-based duo TRAINING team up with bassist Ruth Goller for their new album ‘threads to knot’. Frenetic free-jazz is sitting next to post-rock riffs and looming microtonal atmospheres.
The record was written in a truly collaborative effort, adapting the concept of ‘cadavre exquis’, the popular drawing game: One person would start writing a few notes before passing it on to the next, revealing only the very last note, with which the composition continues.
TRAINING is comprised of drummer Max Andrzejewski and sax player Johannes Schleiermacher, whose last album ‘Three Seconds’ saw them collaborate with Deerhoof guitarist John Dieterich.
Ruth Goller, who has been hailed by the Guardian for her 'thunderous bass-guitar hooks' has made waves this year with the release of her second album 'Skyllumina'. She’s also known as a live performer with Kit Downes, Alabaster de Plume, Melt Yourself Down among others.

2024 coloured (violet) vinyl repress for this year's Sonic Cathedral's 20th anniversary! Hull/Leeds based five-piece bdrmm release their much anticipated debut Bedroom on July 3, via Sonic Cathedral. The 10-track album was recorded late last year at The Nave studio in Leeds by Alex Greaves (Working Mens Club, Bo Ningen) and mastered in Brooklyn by Heba Kadry (Slowdive, Beach House). It's a hugely accomplished debut and a real step up both sonically and lyrically from their early singles, which were rounded up on last year's If Not, When? EP. Musically, there are nods to The Cure's Disintegration, Deerhunter and DIIV, while the band reference RIDE and Radiohead. There are also echoes of krautrock and post-punk, from The Chameleons to Protomartyr, plus the proto shoegaze of the Pale Saints' The Comforts Of Madness, not least in the cross fading of some tracks, meaning the album is an almost seamless listen. As a result, Bedroom becomes an unexpected and unintentional concept album, running through the different stages of a break-up set against the backdrop of the ups and downs of your early twenties. "The subject matter spans mental health, alcohol abuse, unplanned pregnancy, drugs_ basically every cliché topic that you could think of," reveals frontman Ryan Smith. "But that doesn't mean they ever stop being relevant. It's a fucker growing up, but I'm lucky enough to have been able to project my feelings in the form of this band, surrounded by four of the best people I've ever met." And that band name, in case it needs explaining, is pronounced the same way as the album title. "I never thought I'd get to the stage where I would have to explain it so much," says Ryan. "We have been pronounced as Boredom, Bdum and my old boss thought we were a ska band called Bad Riddim. We're all sarcastic cunts, so Bedroom spelt correctly seemed like the perfect title." He's right. The perfect title for the perfect debut album. "A modern day shoegaze classic" - NME "The general roller coaster of being twenty-somethings in post-Brexit England who find themselves awash with a shimmering soundscape that recalls Oshin-era DIIV, Deerhunter's Microcastle, or even The Cure at their most ambiently grandiose" - Under The Radar

The 25th anniversary edition of Mariah Carey’s multi-platinum selling record, Rainbow has been pressed on rainbow vinyl and includes rare photos from the era. Rainbow is Mariah’s seventh studio album, with #1 hits, “Heartbreaker” (ft. Jay-Z), “Thank God I Found You” (ft. Joe & 98 Degrees), the globally successful cover of "Against All Odds" plus more fan favorites. This deluxe album also features several bonus tracks including, ‘Rainbow’s End,’ a brand-new recording.

Das vierte Soloalbum von Lost Dog Street Band-Frontmann Benjamin Tod, Shooting Star, ist eine Hommage an mehrere Jahrzehnte Country-Musik
durch Tods hochgeschätztes und ehrliches Songwriting.

Masterminded by the prolific collaborators The Fattoruso Brothers, Airto Moreira, and Hermeto Pascoal, Opa’s Goldenwings a latin-jazz-fusion extravaganza that weaves a sonic world that lives at the intersection of lush three-part vocal harmonies, tender flute solos, pulsating percussions, and robust synth textures. Reissued on vinyl for the first time in 50 years as part of Jazz Dispensary’s Top Shelf series, the album was cut from the original analog tapes by Kevin Gray, pressed on 180-gram vinyl at RTI, and packaged in a gatefold tip-on jacket.

Reissue auf bandeigenem Label Vier Promille: Das Debütalbum der Promillos - der Klassiker von 1999 - 25 Jahre später und zehn Jahre nach der letzten Auflage wieder als limitierte (Auflage 500) LP! Gelb-schwarz marmoriertes Vinyl mit doppelseitigem Insert. Seit 2012 nicht mehr mit dabei, hat der damaliger Gitarrist und Sänger Volker Grüner mit Gründung von 4 PROMILLE - erst als Projekt, dann als volle Band - mit dem Schreiben dieser Songs gezeigt wie "Ausstieg", Läuterung oder Kehrtwende praktisch aussehen kann. Ein langer Finger in Richtung jeglichem braun-rechtem Gedankengut und die Augen nach vorne gerichtet, bewies dieses Album wie Oi!-Punk musikalisch und textlich klingen kann. Damals schon und wie auch heute noch dabei: Pommes (Thomas Müller) und Basspromillo (Ralf Schmidt). Ein Meilenstein der Oi!/Streetpunk-Szene! 12 gut produzierte Oi! Punk Songs der Düsseldorfer. Mal kräftiger, mal ruhiger, mal mit männlichen, mal weiblichen Vocals, immer abwechslungsreich. "Es sind einfach gute Lieder die die Leute berühren. Sie zum Mitsingen und Spass haben, vielleicht auch zum Nachdenken bringen. Natürlich lässt man das ein oder andere Lied im Proberaum auch gerne mal weg, weil man es seit 20 Jahren auf jedem Konzert spielt. Aber wenn wir auf der Bühne stehen und die Leute schon beim ersten Akkord von ,Ich werd mich ändern" ausrasten, kriege ich immer noch eine Gänsehaut. Dafür machen wir das alles." Thomas 'Pommes' Müller zum 20. Jubiläum von Im Nächsten Leben/Tough Magazin, 2019

Ardor or Entropy is Nzʉmbe's first album in nine years, following 2015's Titubeo. During this period, philosopher and artist Miguel Prado's sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt's latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish' song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult's smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.
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Artist: Nzʉmbe Title: Ardor or Entropy Label: Drowned By Locals Catalog Number: DBL31LP Year: 2024
Side A:
Mirror Of TauromachyZone Of AlienationGreat Vitreous TactKarman Vortex Street
Side B:
Serpentine LinesThermocline Anake and EntropyErgosferaAsymptopia
Composed, arranged and recorded by Miguel Prado Casanova
Vocal processing by Rashad Becker Piano on "Anake and Entropy" by Michael PisaroPipes on "Mirror Of Tauromachy" and "Ergosfera" by Wojciech RusinAccordion on "Asymptopia" by Alfredo Costa MonteiroTrumpet on "Asymptopia" by Ruth Barberán Electric bass on "Asymptopia" by Dominic LashElectric guitar on "Asymptopia" by Daniel BennettPercussion on "Asymptopia" by Alex Lázaro
Premixed by Miguel Prado Casanova Mixed, Mastered and Vinyl cut by Rashad Becker
Artwork photos by Lúa Ribeira © all rights reserved, 2024Design by Giovanni Murolo
This album is dedicated to Patricia
Special thanks to Patricia Fraga, Dali de Saint Paul, Mattin, Lucrecia Dalt, Laith Demashqieh, Lúa Ribeira, Rashad Becker