An LP of tracks, taken from various cassette releases, by Belgian synthwave luminaries The Misz (Jan Van den Broeke and Dries Dekocker)! 600 copies on 180 grams vinyl.
The Misz formed in Gent in 1983 by Jan Van den Broeke and Dries Dekocker at a time when they had both just relocated from the country. They lived on the same street and collaborated freely with the limited equipment they had, which always centered around the Fostex 250 4-track tape recorder. They used an unknown monophonic synthesizer, casio synths, roland drum machines, hand drums and guitars through effects pedals, improvising with their voices and often and included friends for additional voices and sounds. They captured these sonic experiments and sometimes released them on cassette in editions of 100-200. They were also included on numerous cassette compilations throughout the 1980s on labels like Mad In Belgium, The Cassette Factory, 3RIO Tapes, Minimart production, Fraction Studio, Cauchy Productions, Home Product, R.R. products, ZNS Tapes, and Body Records. They described themselves as young, immature and bit strange yet totally bold and fearless. They sang about what surrounded them from world politics and environmental catastrophes to love and lust. The songs on The Lonely Crowd span from various cassette releases and have been remastered from their original reel to reel tapes.
Поиск:le le
Все
- Four Secret Weapons for the Night' wäre sicher auch ein
passender Titel für Katalognummer 11 aus dem Hause
Polyfon gewesen. Doch das erschien den stets angenehm
zurückhaltenden Label-Aktivisten aus Thüringens MiniMetropole Erfurt vielleicht ein ganz klein wenig zu dick
aufgetragen. Gerechtfertigt wäre der Name auf jeden Fall
gewesen. Schlussendlich aber haben wohl die gefühlten 12000
Jahre Danceoor-Erfahrung der beteiligten Protagonisten die
EP benannt. Dass das Ganze dabei absolut fresh rüberkommt,
steht außer Frage. Den Auftakt zu der Mini-Compilation liefern
Tino Bohne und Benjamin Brunn aka The Hangout Project mit
- I´m crazy about you', einer charmanten Elektronik-Nummer,
die durch ein wunderschön und dezent eingesetztes VocalSample sowie einer sowas von überraschend loslegenden 4/4-
Bassline überzeugt. Diese erinnert auch sofort daran, dass
man zum tanzen auf der Welt ist. Weiter geht es mit Le
Rubriques Abenteuern in der - Bar Celona'. Ob diese nun in
Katalonien oder Hessen steht, weiß man nicht. Die Tonart ist
auf jeden Fall nach Frankfurter Art, so dass der Bembel bebt.
Kez YM ist sowieso egal, in welcher Region oder Galaxie sich
etwas bendet. Mit - CL05VER06' lässt er Raum und Zeit auf
jeder Tanzäche links und rechts der Milchstraße zerießen,
wie es auf unserem Planeten noch am ehesten die großen
Meister in Michigan zelebrieren. Und dass Johannes Albert
seinen ganz eigenen - Style of House' hat, sollte nun wirklich
jeder wissen. Ob in der Waldschänke Dornheim oder im Boiler
Room Amsterdam! Check!
On this third release, Deviant Disco keeps on digging up lesser known gems of various origins and delivers a hot batch of four brand new edits. The French label sticks to its peculiar aesthetics and welcomes you once again to an enthralling musical trip — starting with Tchamy Patterson's groovy & percussive afrobeat only to spiral into Barnes' and Ygalove's hypnotic The Mongol Raid slow-mo trance edit, and steering from La Decadanse's tropical and sensual rework of Yves Simon vintage hit Amazoniaque all the way down to Eric Vincent's obscure 80s French erotica.
With the help of the Orchestre Regional de la Réunion, Labelle opens a new chapter in the merging of classical and electronic music, and the heritage of Europe and the Indian Ocean. This third LP, composed especially for the Orchestre univers, was recorded live over the course of four concerts, performed at the four corners of the Réunion, in the island's most beautiful concert halls. A sequence of breathless trancelike moments, Post-maloya and technological experiments, the album floats between tradition and modernity, like a sonic odyssey that is only the beginning of an ongoing saga...
- A1: Hanna Schörken - U
- A2: Lucky Charmz & Devotion - Ich Hasse Das Leben
- A3: Untitled
- A4: Aztlan Fm - Ixtac Octli
- A5: Marvin Horsch - Destroy_Active
- A6: Assam Jr. - Der Letzte Mann Im Internet
- A7: Paul Trachtenberg - Hamlet
- A8: Tulips - Rhythmus For Fantasy
- A9: Becks Karamell - Das Nachthorn
- B1: Viba - Miniatur
- B2: Der Kleine Herr Jakob - Dans Le Foret
- B3: Jiyun Park - Whale
- B4: Antonia Alessia Virginia Beeskow - Saxoglass
- B5: Huyghend - Love Theme
- B6: Philipp Lack - Butter Drops
After seven years of label making, Dorfjungs says goodbye with a final collection. GroupWorks mixes improvised vocal jazz and tropical ambient with sweet pop music, bad-tampered hip-hop and pitched down techno tracks. Thanks to all friends, fans and collaborators. Adieu
For those who like pop music and French music it is getting hard not to know about Olivier Marguerit aka 'Ô'. He played he countless acts from the new French pop scene, from Syd Matters to Mina Tindle, Thousand and Chelvarex. He's also highly praised by his peers and iconic French singers such as Etienne Daho and his first album 'Un Torrent La Boue' has been critically acclaimed by press, radio and web journalists upon its release. With this new album, in which is imagine himself falling down only to bounce back stronger, Olivier Marguerit's once again demonstrates his talent to craft exhilarating pop melodies, confirming his status as one the keystones of the rising scene of the genre in France.
Komos Records are proud to present the first time reissue of a cult French private press rarity at the intersection of jazz, percussion and experimental sounds.
'Hypnotic percussion tracks and organic soundscapes drawing on African, Asian, Indian & South American traditions, recorded deep in the French countryside in 1984."
- Founded by long-time friends Gerard Kurdjian and Stéphane Olivier alongside compatriot Christian Berthier in 1983, Nakara Percussions was a trio from the south of France, fascinated with percussion instruments, rhythms and textures from across the world.
- Steeped in Jazz and ethnographic recordings, the trio designed and built their own instruments and played across the South of France throughout the 80s, recording a single album in the tiny village of Alliens in 1984.
- Self-produced and mainly sold at gigs, the record reflects the inquisitive, experimental approach of the group and has become a cult album among DJs and music lovers for its blend of complex rhythms and organic soundscapes, taking in everything from Brazilian batucada to Indian tabla rhythms by way of West African thumb pianos and the drums of the Maghreb.
- The track 'Balimba' has become a dancefloor classic, finding a home in the sets of openminded techno DJs as well as on the jazz dance and tropical scenes.
- A1: Intro
- A2: Crackelefanten
- A3: Der Ton
- A4: Hero
- A5: Raucherpause
- A6: Space Cookie Feat Hans Solo
- B1: Move
- B2: Chip Im Arm
- B3: So Raw
- B4: Hulk
- B5: 1984
- B6: Alptraum
- C1: Conspiracy
- C2: Nutten
- C3: Der Joint Danach
- C4: Le Mpc
- C5: Sonntag Feat Elvis Prestin
- C6: Excuse Moi
- D1: Glaub An Dich
- D2: Der Tod
- D3: Schöne Neue Welt
- D4: Die Lüge
- D5: Outro
Limited Edition Of 500 Copies On Black 2lp Vinyl. Comes In Gatefold Sleeve With A Funky Artwork By Boggie Cramb! Skipping Through Endlessly Boring 70s Flics From Eastern Germany And Digging In The Crates For 1€ Records Crammed With Scheisse Volksmusik Is Something Torky Does All The Time. Don`t Ask Yourself Why. Listen!
- A1: La Fine Equipe & Fakear - 5Th Season
- A2: Clement Bazin - Xo Ft. Jt Soul
- A3: Robert Robert - Okay Alright Okay
- A4: Fakear - Mana
- A5: Leska - Waterfall Ft. Madjo
- A6: Lénéré - Living Waters Ft. Clara Sergent
- B1: Jumo - Tout Ira Bien
- B2: Gangue - Geste Propre
- B3: Everydayz - Secret Fire
- B4: Kultur - Second Youth
- B5: Yann Kesz - Parabox 432H
- B6: Skence - The Speech
- C1: Fakear - Skyline
- C2: Clement Bazin - "Romeo
- C4: La Fine Equipe - Make U Greedy
- C5: Douchka - This Mood Ft. Hi Levelz
- C6: Everydayz & Phazz - Algeria
- C7: Robert Robert - Let Her Go Ft. Lia & Le Vasco
- D1: Unno - Walls
- D2: Jumo - Nomade
- D3: Awir Leon - Maybe We Land
- D4: Brnkfd - Sixteen Ft. Camille Michelle Gray
- D5: Hugo Lx - Doma Ft. Nia Andrews
- D6: Hoosky - Rush Hour
* Five years have passed since the first release of Nowadays Records.Launched with Fakear's signature (seen on Ninja Tune), the label founded by oOgo and Chomsky from La Fine Equipe has seen the growth of many projects such as Clément Bazin, Everydayz, Phazz (who produced for Travis Porter, did remixes for Soulection, Interscope and Mad Decent), Leska, Jumo and many others, all of them carried by the irreplaceable quartet of La Fine Equipe.
Five years during which Nowadays Records released 75 EPs and LPs, toured in and outside of France, and generated several hundred millions stream plays.With its heart in the right place, its eyes on the emerging scene and its ears open on the world, Nowadays built itself a singular and racy identity through the time. Fed by inspirations like Stone Throw, Ninja Tune or Warp, the label places itself as an ambassador of a fast growing scene, defending it through its shows, releases, and events like the two Boiler Room shows in Paris and London.Without sticking itself to a musical gender, Nowadays keeps on widening its horizons by working with foreign artists and mixing the inspirations through its releases, driven by its sound and visual trademarks and aesthetics.
In order to celebrate those five years spent defending as many projects as musical crushes they had, and to thank its community made of more than 150 000 followers around the world, Nowadays unveils the 'Nowadays V', double album with a digital and physical release on November 30th.Through this compilation, Nowadays gathers on one side the tracks that marked its history and, on the other side, unreleased tracks that sometimes lead to collaborations such as the one between Clément Bazin and Leska, or the one between Fakear and La Fine Equipe.
Crom and ticheur delivers an acid mental A-side with 2 tunes, very R-Zac style, wild dry galop. The Flip with jaquarius and Crom is more singing... Spiraling as well, but with that little Jaquarius Acid way of disturbance, melodious and non-stop changing... Crazy record, one of the ebst on l'Hypnotik records ! Don't miss !
- A1: Vous Et Nous
- A2: Patriarcat
- A3: Mon Enfance
- A4: Vent D'automne
- A5: Le Serveur Du Dôme
- A6: Je Suis Venu Te Voir
- A7: Rien Que Changer
- A8: Le Ciel Est Doux
- B1: Les Épis
- B2: Le Repas Des Dromadaires
- B3: Vous Et Nous
- B4: L'amour Parfait
- B5: Un Soleil
- B6: Dans Ma Rue
- B7: L'orage Est Fini
- B8: Gamme
- C1: Le Brin D'herbe
- C2: La Harpe Jaune
- C3: Je T'aimerai
- C4: Diabolo
- C5: Cher
- C6: Ce N'est Pas Un Ennemi
- C7: Encaustique
- C8: Petit Sapin
- D1: Mon Lit
- D2: Je T'aimerai
- D3: La Déchirure
- D4: Le Petit Cheval Bleu
- D5: Personne
- D6: Les Roses Sont Farouches
- D7: Le Bouc
- D8: Dessin
- D9: Les Muzdus
Art is a matter of different phases and influence. The artists' core reaches out like heat waves. And very rarely do these artists' core merge like Brigitte Fontaine and Arseki Belkacem have. Their Saravah Era lasted ten years (1969 to 1979), ten years of "folle sagesse" (crazy wisdom), above all genres and song limitation.
"Le plaisir secret que donne une chanson, dessin à la craie sur le mur de tes sons" (the personal delight within song, a chalk drawing on your wall of sounds) whispers Areski, right after Brigitte's voice on the penultimate song of the double album "Vous et nous". Released in 1977, this free flowing record contains 33 songs, it's their 6th album after "Comme à la radio", "Brigitte 4", "Je ne connais pas cet homme", "L'incendie" and "Le bonheur", and it continues to spread the wide and generous spectrum of the couple fully blossoming talent. Electronic experiments, North African trance, refined acoustics and medieval drones gracefully blend with the acid and candid tongues of the singers, surprising us each step along the way. The making of this record was also full of twists and turns. It started out as a solo effort by Areski at Jean-Pierre Chambard's studio. Little by little, as Areski was filling tapes with poems and improvised skits, Brigitte would sneak into the studio at nightfall, adding her voice here and there, her whispers then became screams, giving fuel to the fire in a total blaze, a surreal blaze. The solitary work ("je") thrived to become us ("nous") and you ("vous") ...
Benjamin Barouh, June 2018
- A1: Lokonon André & Les Volcans - Mi Kple Dogbekpo
- A2: Picoby Band D'abomey - Mi Ma Kpe Dji
- A3: Gabo Brown & Orchestre Poly-Rythmo - It's A Vanity
- A4: El Rego Et Ses Commandos - Se Na Min
- B1: Napo De Mi Amor Et Ses Black Devil´s - Leki Santchi
- B2: Orchestre Poly-Rythmo - Gbeti Madjro
- B3: Roger Damawuzan - Wait For Me
- B4: Ouinsou Corneille & Black Santiagos - Vinon So Minsou
- B5: Orchestre Super Jheevs Des Paillotes - Ye Nan Lon An
- C1: Tidjani Kone & Orchestre Poly-Rythmo - Djanfa Magni
- C2: Discafric Band - Houiou Djin Nan Zon Aklumon
- C3: Le Super Borgou De Parakou - Congolaise Benin Ye
- D1: Vincent Ahehehinnou - Ou C'est Lui Ou C'est Moi
- D2: Les Volcans De La Capital - Oya Ka Jojo
The Analog Africa label delves into the amazing history of music from 1970s Benin and Togo.
This compilation highlights forgotten raw and psychedelic Afro sounds, and the well-researched liner notes tell fascinating stories to accompany the mind-blowing music. The essence of Analog Africa is clear, searching in dusty warehouses for forgotten music to keep the sound alive!
- 1: J'ai Le Blues
- 2: Pardon
- 3: Je N' Sais Pas Quand Ça Finira
- 4: Les Gens Parlent D'amour
- 5: Escort Girl
- 6: L'histoire D'un Negro
- 7: 30 Euros
- 8: Mon Cv
- 9: Noyé Dans Mes Rêves
- 10: K-2000
- 11: J'sais Qu't'as Mal !
- 12: Je M'en Rappelle
- 13: Vagabond
- 14: Je N'ai Plus Peur De Me Souvenir
- 15: Je L'aime Autant Que Je La Hais
- 16: Amicalement Vôtre
Guizmo has for many years left a strong imprint in the French rap scene with his unique personal universe and an acknowledged gift to writing. Three years after release the album 'Dans Ma Ruche' and the surprise street album 'GPG 1 in 2016, the singles of this fifth album are already receiving praises from the fans and the medias, paving the way for another success for the 26-year old rapper. Guizmo is a viral sensation and strategizes his own social campaigns to reach his fans directly. He's gathered 400+K followers on YouTube and 160+M views, 730+K Facebook fans, 100+K Twitter followers and more than 95K followers on Instagram
Emotional Rescue is delighted to offer this compilation of music from Elaine Kibaro and her particular coalesce of chanson, folk, balearic and touch of disco, all encased in her strong French and North African roots.
The music included here, released between 1979 to 1989, is an expression of her development, of music changes matching growth in life, conveyed through her emotions in song. Opening with the spoken word Introduction from her debut album, "Mirrors" and the folk rock of melodies of Le Reveil from the 1981 follow up, Au Soleil, her early works are characterised by band, orchestra and choirs complimenting her voice as one.
This is further heard on the mystical Sorciere, psyche percussion of Secret, the marching Le Guerrier and the inclusion her first "hit" with Aurore, appearing her in all it's extended, off-kilter guitar meets organ form.
Exploring sensitivity and desires the compilation matches these earlier folk and world inspired songs with her move towards electronic production that accompanied a return some 4 years later, adding balearic and even pop dance found on 1985's Le Long De Fleuve Amour and the following 1989 opus, in Kiroel.
L'Amour Pour Bouclier and Ne Doute Pas lift her music higher towards lovers' heights, with word, melody, and rhythm giving the desire to dance and be free, while her continuing exploration of chanson and spoken word takes on new meanings via the new wave meets estoric Douleur, while the emotionally charged soundscape of Kiroel brings balance.
Inspired by the purity of song, Kibaro's music's has a timeless essence to behold, a voice and words found through life experience - beauty, discovery, nature and dreams.
A love and hope in music, her quest for the infinite potential in song.
Africa Seven's next installment returns to Cameroon with a special edition version of Momo Joseph's in-demand LP, "War For Ground", with three extra tracks. Momo may be better known for his work as an actor, having featured in such titles as "La Haine" (1995) and "The African" (1983), but his small foray into music is definitely memorable as he lays it out in true Afro-Boogie style. Apart from two singles, "War For Ground" represents Momo's only other body of work, and only studio album which was self-released in 1983. With this "Edition Speciale" reissue we provide you all the originals from "War For Ground" remastered alongside his party-time classic "Cameroon Airline", "Love Africa Soul" and his lesser known tack "Oh Momo".
The A-side starts with "Africain", which also featured on our compilation "Africa Airways Four". Glistening synth lines work it out over the top of romantic guitars, while the continual and hypnotic vocal chant of "Africa" tells you exactly where this music is coming from and what it means. The tempo creeps up a bit with "N'Gon Le Bek" which again takes advantage of driving guitar lines, this time facing off with the horn section. The last cut on the A-Side is "Out Side No Fine", which flows great after the previous two, keeping up the same aesthetic with a bit more of a tropical feel to it.
The B-side kicks off with the title track "War For Ground". In this one Momo starts off rather melancholic before things end more triumphantly with the backing vocals and horn section again providing much of the driving force. The final two tracks on this record make up the "Edition Speciale" element of this reissue. "Love Africa Soul", taken from Momo's 1980 single of the same name, at first seems to be one of the more straight forward disco led tracks on this release until an ecstatic synth line breaks things up in a forward thinking break down before a trademark Momo groove kicks back in. The other track featured on that single was"Cameroun Airlines", a bonafied afro-disco classic. Next we delved into the vault and unearthed a recording session for "Oh Momo", this never released version of the track reflects a slightly different side of the signer, with a more afrobeat feel.
This "Edition Speciale" version of "War For Ground" offers a thorough observation of Momo Joseph's work as a musician and looks to help shine a light on Momo's career and musical genius.
- A1: Safari Disco Club
- A2: Que Veux-Tu
- A3: C'est Pas Une Vie
- A4: Comme Un Enfant
- A5: Chimie Physique
- B1: La Musique
- B2: Mon Pays
- B3: J'ai Bu
- B4: Le Grand Saut
- B5: Unillusion
- B6: S'éteint Le Soleil
- C1: Que Veux-Tu (Madeon Remix)
- C2: Safari Disco Club (The Shoes Remix)
- C3: Comme Un Enfant (Dactylo Remix)
- C4: Mon Pays (Lo-Fi-Fnk Remix)
- D1: Que Veux-Tu (Logo Remix)
- D2: La Musique (Lorenz Rhode Remix)
- D3: Comme Un Enfant (Second Date Remix)
- D4: S'éteint Le Soleil (Ridu Remix)
The 2nd album from French pop act Yelle gets a long-awaited reissue, the first one since the initial release in 2011! Following her first album 'Pop-Up' (2007) and an unexpected international success which brought Yelle on tour with Katy Perry, 'Safari Disco Club' is an explosive cocktail of rich pop melodies and tribal rythms filled with the peculiar childish energy of singer Julie Budet (aka 'Yelle'). The release of the album was followed by an international tour which included a second appearance at Coachella. This deluxe edition includes the original album featuring productions from Yelle's long-time partners in crime Jean-François Perrier (aka 'Grand Marnier') and Tanguy Destable (aka 'Tepr') and also from German producer Siriusmo. It also includes an additional vinyl compiling on vinyl for the very first time remixes from Madeon, Lo-Fi-Fnk, The Shoes and Logo, among others.
- A1: Arcueil
- A2: Gymnopedie Iii - 1888
- A3: Etre Jaloux De Son Camarada Qui A Une Grosse Tete - 1913
- A4: Gnossienne I - 1890
- A5: Lui Manger Sa Tartine - 1913
- A6: L'initiation Fragmento - 1891
- A7: Valse Du Chocolate Aux Amandes - 1913
- A8: Gnossienne Ii - 1890
- B1: Gymnopedie I - 1888
- B2: Gymnopedie Ii - 1888
- B3: Gnossienne Ii - 1890
- B4: Le Chant Guerrier Du Roi Des Haricorts - 1913
- B5: Profiter De Cel Qui'il A Des Cors Aux Pied Pour Lui Pendre Son Cerceu - 1913
- B6: Petite Prelude A La Journee - 1913
- B7: Prelude A La Porte Heroque Du Ciel Fragmento - 1894
- B8: Arcueil
Originally released in 1986 under Luis Delgado's cult imprint El Cometa de Madrid'
Produced by Luis Delgado (Finnis Africae, Mecánica Popular) and performed by Patricia Escudero, this beautiful record dives into Erik Satie's compositional work thru an experimental optic.
Entirely recorded on Synthesizers, and making heavy use of FX and timbral manipulation, this recording brings out a Satie that's never heard before.
-This record was remastered and cut from the original tapes. However, those tapes were highly affected for what is known as the Sticky Shed Syndrome, and were very deteriorated.
Even though that was professionally taken care of, it was a very long process to get a result that exceeded our standards to be pressed. That being said, there are very few parts were you might find an slight change on sound that was impossible to eliminate completely, due to the above mentioned issue
Deep late 80's percussion LP created to accompany contemporary jazz-dance classes. African instrumentation meets Western Jazz arrangements and computer technology. TIP!
.
Percussions Pour La Danse was a collaboration between North American born jazz & contemporary-dance instructor Tony Kennybrew and French musician Jean-Pierre Boistel. Tony, a Washington native who had studied, taught and danced professionally since the age of 12, found himself in France in the late 80's. It's here that he linked up with like-minded musician Jean-Pierre; who had recently returned from a 6-month trip to West Africa. A trip that helped refine his craft that begun in the early 70's.
The music was created for Tony to use when teaching contemporary jazz-dance classes and to accompany live performance, allowing students to 'dance slowly, rapidly and change speeds without changing the tempo!'. This work of rhythmic research was based on the 'Balance of The Walk'; in 4 times, in 6 times, in 7 times & in 3 times. In order to reach the spatial possibilities he was striving for, Jean-Pierre would also use computer assisted programming to sample and re-play his own instrumentation. This allowed him to lay down the tempo of the track and then play live over the top, which in turn gave him the freedom to add the desired instruments and effects to each song.
Jean-Pierre's use of instruments such as the Kalimba, Talking Drum & Sanza gives the album a distinctly African feel, while contemporary Jazz-dance time signatures adds a unique perspective to these traditional instrumentations creating an ethereal balance between the old and new.
LAATE is a project from Clayton Guifford (Fragil / Recordeep ). Pierre Codarin is our guest on LAATE006. This British/
Italian guy with a french name is a big record selector and Hardware enthusiast. Pierre have perfect skills to producer
whatever he wants and he shows us! At the menu, 3 original tracks Deep & House with an Electro touch.To close the Ep , we
have the honor to welcome our friend Le Loup with a mental & spacy remix !!!!
- A1: Woken Furies
- A2: Darl All Day (Feat. Timmy Capello & Indiana)
- A3: When You Grow Up, Your Heart Dies
- B1: The Drone Racing League
- B2: Rise The Midnight Girl
- B3: Thrasher
- C1: Black Blood Red Kiss (Feat. Kat Von D)
- C2: Time After Time
- C3: Honour Among Thieves
- C4: Art3Mis & Parzival (Feat. Stella Le Page)
- D1: Symmetrical
- D2: Cyber City
- D3: The Gates Of Disorder
Auch Auf Seinem Zweiten Album "dark All Day" Überzeugt Das Synth-pop-trio Gunship Mit 1980er Retro-sound Aus Analogen Synths, Cineastischen Vocals Und Cyperpunk-attitüde. Und Genau Wie Beim Selbstbetitelten Debütalbum Aus 2015 Übernehmen Diverse Persönlichkeiten Sprech- Und Gesangsparts, Darunter Schauspieler Wil Wheaton (the Big Bang Theory, Star Trek, Stand By Me), Celebrity-model Kat Von D Sowie Der Tina Turner- Und "the Lost Boys"-saxofonist Timmy Capello. Die Doppel-lp Wurde Audiophil Auf Halber Geschwindigkeit Gemastert Und Läuft Auf 45rpm.
Raw analog engines sound, roaming around concrete paved roads. Hypnotic rhythms mixed up with dystopian sound spheres. A perfect blend of analog synthesizers combined with bowed double bass and drums. CHOGORI project a picture of retro futuristic complexeties, intriguing compositions manifested in a massive HEAT HAZE. Hailing out from Düsseldorf, composed by Ralf Stritt and Gregor Kerkmann with drum performance by Martell Beigang.
- A1: La Chanson De Prévert
- A2: L'eau À La Bouche
- A3: Mes Petites Odalisques
- A4: Requiem Pour Un Twisteur
- A5: Sois Belle Et Tais-Toi
- A7: La Femme Des Uns Sous Le Corps Des Autres
- A8: La Recette De L'amour Fou
- A9: Jeunes Femmes Et Vieux Messieurs
- A10: L'amour À La Papa
- B1: Le Poinçonneur Des Lilas
- B2: Viva Villa
- B3: En Relisant Ta Lettre
- B4: Du Jazz Dans Le Ravin
- B5: Mambo Miam-Miam
- B6: Le Charleston Des Déménageurs De Piano
- B8: Black Trombone
- B9: Les Cigarillos
- B10: Les Goémons
- A1: Through The Arch
- A2: Molienda
- A3: Looking For Kiwanos
- A4: Interludio - The Caves Of Magdalena
- A5: The Sleep Tree
- A6: Kemu Kemu
- A7: Maglalang Avenue
- A8: Interludio - Beach Of Los Coquitos
- B1: Mi Malphino 82
- B2: Ototoa
- B3: Interludio - Puerto Flamingo
- B4: Viento Del Mañana
- B5: Interludio - Lluvia De Verde
- B6: Segunda Molienda
- B7: Impain Ku
- B8: Mono Borracho
- B9: Le Bella Isla
- A1: Der Lachende Junge (To Gelasto Pedi)
- A2: Ich Bin Ein Fremder (Le Métèque)
- A3: Göttingen
- A4: Zündholzschachtel (Tha Sou Steilo Mana)
- B1: Mein Kummervoller Mann (To Palikari Echi Kaimo)
- B2: Hoheslied (Asma Asmaton)
- B3: Niemand Ist Jetzt Noch Da (Den Pairnei Edo Kaneis)
- B4: Menschheit, Menschheit (Lume, Lume)
- B5: Der Traum Vom Fliegen
When Michaela Meise performed at WestGermany at Kottbusser Tor in Berlin-Kreuzberg on March 20, 2015, accompanying herself on the accordion, I was perplexed. I knew her first album from 2010, which was about hymns (»Preis dem Todesüberwinder«, originally released on Clouds Hill, available as a download and stream through my label from July 2018 on), but what she was playing weren't spiritual songs! I wanted to put this music out on my label: the songs sounded sad, aloof and wistful but also proud, determined and unerring.
The album title »I am Greek« is a tribute to Melina Mercouri's album »Je Suis Grecque!«, which was released in 1971 when Mercouri was deprived of citizenship by the Greek military junta. Mercouri lived - like Mikis Theodorakis and many other cultural workers - in exile. Meise's album is dedicated to the chanson scene of post-war Europe, whose songs were popularly folksy, but also political. Some talk about the experience of war, the Shoah and labor migration. Michaela Meise has translated the Greek, French and Romanian songs into German (with the help of Aliki Marini and Carmen Gheorghe) so that the lyrics are understandable to a German audience, a gesture that was also common in the European chanson scene. More than half of the songs are by Mikis Theodorakis. He knows the translations and new recordings, gave his blessing and just noted a wrong tone ... The other pieces on the album are by the French artists Barbara and George Moustaki and the German musician Alexandra. There is also a Romanian folk song.
The album was recorded by Michaela Meise together with members of the group Isolation Berlin as well as the guest singers Carmen Gheorge and Dirk von Lowtzow (Tocotronic). The producer was David Specht (Isolation Berlin).
Michaela Meise and me both have intimate relations with Greece - Michaela has innumerable holiday memories with parents and brother, I have a friend who lives in Athens and whom I have been visiting regularly for about ten years now. This friend, the graphic designer Vasilis Marmatakis, styled Meise's album using an impressive, scary photograph taken in May 1985 during the occupation of Polytechnio Athens. Together, we opted for an elaborate packaging made by a bookbinder, a so-called Japanese tip-on-gatefold cover. The packaging reminds us of the records that were made in Greece for export and taken by German tourists as a souvenir back home.
- A1: Daniel Forestal Et Sa Guitare - Ces P'tits Je T'aime
- A2: Casimir Létang - Travail Z'enfants! Chantez Après!
- A3: Cyril Diaz Et Son Orchestre - Feeling Happy
- A4: Georges Tinedor Et Manuela Pioche - Collié Et Zanno
- A5: Henri Debs Quintet - Douce Kombass
- A6: Joseph Lacides - Mr. Morin
- B1: Geno Exilie - Lan Misè
- B2: Dolor Et Les Diables Du Rythme - Salvana
- B3: Sydney Lérémon Et Ses Amis Du Calvaire Baie- Mahault - You You Matayango
- B4: Raymond Cicault Et Son Orchestre Volcan - À Mon Ami Lucien Jolibois
- B5: Orchestre Esperanza Et Jean Leroy - Ou Pas Bel
- B6: Henri Debs Sextet Et Paul Blamar - Moin Çé On Maléré
- C1: Le Ry-Co Jazz - Si I Bon Di I Bon
- C2: Remy Mondey - Meringue Mondey
- C3: Henri Guedon Et Les Contesta - Van Van
- C4: Les Shupa Shupa D'haiti - Batterie Shupa
- D1: Paul Blamar Et Vélo - Lovency
- D2: Eric Virgal - Stanislas
- D3: Les Aiglons - Les Aiglons Ka Satisfait
- D4: Tutus De La Guyane - Nanao Nanao
- D5: Guy Conquette - Assez Fait Cancan
Lift To The Scaffold Or, In The Original French Title, Ascenseur Pour L'échafaud, Is A Brilliant Film Noir From 1958 That Helped To Establish The Nouvelle Vague And The New Modern Cinema Scenes. No Less Brilliant Is The Score, Composed By Miles Davis And Featuring Mostly French Musicians, Including The Great Barney Wilen On Tenor Saxophone, As Well As Kenny Clarke On Drums, This Is Some Of The Most Lonesome And Morose Music Davis Recorded In His Career. Perfectly Matching The Stark, Dangerous, And Grim Moods Of The Film, This Is A Truly Amazing Score By One Of The Biggest Names In Jazz Music History.
- A1: Kalson - Ocean 808
- A2: Dj Xed - Inner Contact
- A3: N-Ter - Corals Of Pannonia
- A4: Wichiwaka - Chasing Ufos With Danny
- B1: Le Chocolat Noir - Futureworld
- B2: Eb King - Mucek
- B3: Quasar - Luminosity
- C1: Alavux - Planet
- C2: Christian Kroupa - Transhumanism
- C3: Barion - Matter
- C4: Bramor - Rov
- D1: 1983 - Zero Compromise
- D2: Microslav - Mt3
Elektroliza is a series of club events formed by a group of dedicated electronic music enthusiasts in 2006. It is hosted by Ljubljana's Channel Zero, a legendary club that is part of the autonomous social centre Metelkova which used to be the Slovenian headquarters of the Yugoslav National Army.Filling a void in Slovenia's electronic dance scene, the night was a hit from the start and quickly grew into a diverse and successful series focusing on new and exciting electro, acid and dark techno.Elektroliza hosted many memorable DJ and live acts by performers/producers/pioneers coming out of international music incubators in Gothenburg, The Hague, Berlin and as far as Detroit. Even more importantly, it brought together producers and crews from the former Yugoslav republics of Slovenia, Croatia, Serbia and Macedonia. Inside the former Yugoslavian military barracks DJs and producers from Skopje to Ljubljana began bonding again through music, forming new friendships, starting new collaborations and dancing the night away... in 'Electro City Ljubljana'.This first double vinyl compilation of the Balkan Elektroliza family is a collection of our shared memories and visions of the future to come.
Superb Fatal Digital Dub From Shinobi, The Digital French Dub Tradition ! .... Check Out The Old School !
Shinobi Was An Artist From Brest, Friend Of Ultramars Who Pressed The First Medicinal Records In Year 2004. Shinobi Also Released Some Gread Hip Hop Tunes Too, By The Way...
Helas Shinobi Died Young... Here Are Some Of His Unreleased Tunes.
May The Peace Be With His Familly & Friends.
And R.I.P. Shinobi.
Only those who read all the credits on record liner notes will know the full details: Areski is of course Brigitte Fontaine's partner in life, but also her creative alter ego, and the composer of the music of most of her songs. Even though it was his wife Brigitte and not him who wrote the lyrics, Areski is a poet in his own right. Furthermore, he is polyvalent: composing, arranging, singing, improvising, playing every possible instrument and even acting! Areski, to sum up, is the perfect mix of the tradition of Munir Bashir with the European sophistication' of someone like Jean-Claude Vannier, one foot permanently in Versailles (where he was born) and the maghreb. Areski, is left bank French songs without the stylistic effects, revised and updated through contact with arab-andalusian music. He is a Living Theatre style happening with a dose of cosmic free jazz, surrealist poetry viewed through the prism of Kabyle culture... All that and a lot more!
Areski honed his talent observing the stars of traditional chaâbi, testing it out in bars and dives before meeting, during military service, the singer Jacques Higelin with whom he would record his first cult album, and who would present him to his wife-to-be, Brigitte Fontaine. Between 1969 and 1980, with her, Areski would contribute an essential chapter to French underground music including classics such as Comme à la radio (with the Art Ensemble of Chicago), Je ne connais pas cet homme, L'Incendie, Le Bonheur and Vous et nous. For all that, Areski has never really tried to have a career under his own name, in spite of the wonderful Un Beau matin first published in 1970, and which it is high time to de (re)discover (better late than never). Those already in the know will not be surprised to see, especially, Jean-Charles Capon, author of the inspired L'Univers-solitude, Brigitte Fontaine of course, or Daniel Vallancien, author of a no-less inspired duo with saxophonist Philippe Maté. All contributing to an acerbic poetic universe, concerned but never militant, and open to worldwide influences long before they became a fashion.
Inspired, poetic, in a word essential: Un Beau Matin is one of the best albums of the French underground produced by Pierre Barouh on his label Saravah, alongside those by Maurice Lemaître, Catharsis, Claude Yvans, Mahjun, Barney Wilen, Cohelmec Ensemble et Michel Roques.
Sing a song fighter have never been more proud and happy than to finally announce and release this unissued and unheard fantastic recording South African in exile Johnny Dyani was one of the greatest bass players. Played with Don Cherry, Chris McGregor, Archie Sheep, Dollar Brand / Abdullah Ibrahim etc etc. He also made many great albums as a bandleader. And a few rare minimal albums where it was mostly him and his upright bass. He died way too early, in 1986. Karl Jonas Winqvist (Sing A Song Fighter) ranks some of Dyani's works ("African Bass", 'Witchdoctor's Son" with Okay Temiz and "Good News From Africa', with Dollar Brand) as "the most natural, creative musical force there is'. KJW investigated for years if there was more recorded Dyani material waiting to be heard. And where After e-mailing endlessly with the National Radio Museum in Switzerland he finally found what he was looking for.In 1978 graphic designer Niklaus Troxler arranged the great Willisau Jazz Festival in Switzerland. A lot of legendary artists like Max Roach, Jan Garbarek, Elvin Jones and Don Cherry were performing, and Johnny Dyani was one of them. He did this rare solo concert with some of the material that two years later would end up on his great album "African Bass". This LP contains the concert from beginning to end, showing Dyani at his very best on piano, gong, bass and vocals. Spiritual, adventurous and truly free,beautiful music.Gatefold cover, with extensive liner notes from Francis Gooding and Niklaus Troxler
- A1: Pollen
- A2: Chowsy In Upstyled Onesy Minor
- A3: The Perfect Adult Man
- A4: Le´ Cave´ Isnt It Funny To Think Once Apon A Time People Thought The World Was Blue White Flat And Square
- A5: 808 Frapé
- B1: Reecard Farche The Torture Of Credo Mutwa And The Theft Of The Necklace Of Mysteries_Noel
- B2: Industrial Kingpins Und Drachoen
- B3: Sharkblood Sure The Sharks
- B4: Golife Refracto Relationé
- B5: Attilas Own Photos From The Shoot
Anklepants Introduces His Brand New Album For Detroit Undergroud, A Collection Of Ten Cuts, Made With His Very Own Arsenal Of Digital And Hardware Toys, Most Of Them Self Made And Customised For His Purposes. This Multi Faceted Artist Creates A Blend Of Twisted Ryhthms, Synthetic Melodies And Weird Textures And Noises, Yet Danceable Stuff But With Heavy Focus In Experimentation And Risk.
Pollen Opens The Release With A Weird Arabic Style Riff And Arpeggiated Clean Synths Over A Simple Beat, Until More Melodic Layers Complete The Equation.
Chowsey In Upstyled Onesy Minor Follows With Sampled And Morphed Traditional Instruments, Laying Over Destructed Beats And Rythms.
The Perfect Adult Man Relies On Atmospheric Stabs, Four Four Kick And Analogue Bubble Bassline, Dark, Grey And Melancholic.
'lé Cavé_isnt It Funny To Think Once Apon A Time People Thought The World Was Blue White Flat And Squaré' Is Made Of Twisted Samples, Asymetrical Grooves, Organic Instruments Decimated And Multiple Sound Layers.
808 Frapé Is An Homage To The Classic Drum Machine, Electro Shaped Drum Patterns, Floating Sounds And Crispy Metalic Glitches Dance With Random Sequences And Bleeps In A Robotic Exercise.
Reecard Farche The Torture Of Credo Mutwa And The Theft Of The Necklace Of Mysteries_noel Goes Again To Weird Random Bleepy Fields, Alien Grooves, Heavy Sound Processing And Glitched Details.
Industrial Kingpins Und Drachoen Is Dark, Obscure Number, Clear Rythms, Strings And Resonant Bassline Collide, The Groove Transforms To Broken Beats After The Break Bringing New Life To The Overall Feel.
Sharkblood, Sure The Sharks, Repeats This Phrase In Different Pitches Over A Solid Kick Pattern While More Vocal Layers Are Added Progressively In A Voice Madness.
Golife_refracto Relationé Again Plays With Samples In A Mad Style, Altering Every Parameter, Creating Granular Efects, Destroying The Audio Files Creating An Asymetric Tune.
Attila's Own Photos From The Shoot It's The Epilogue, In A Relaxed Mood, Sound Textures, Various String Samples Melting In Different Pitches And Crunchy Atmospheres.
td 80 copies. Numbered.
Music by Ayato
Serygraphied on 180GR glassed paper.
Visual by Raf & Chris with the help of Rom, Mathieu, Vestee, Virgi'.
I always loved Muslimgauze and Badawi's productions... This record is the result of loads of conversations with Ayato concerning these 2 musicians, who he is also feeling close to. Long time project, this finally comes out in a limited 100 copies edition, with hand made visuals from Bodega Absurd crew... With original letters and forms they created... A superb record for all oriental electro fans ! Enjoy !
- A1: The Cure All Cats Are Grey
- A2: Black Sabbath Planet Caravan
- A3: Nino Rota O' Venezia Venaga Venusia
- A4: The Band I Shall Be Released
- B1: Georges Delerue Camille
- B2: Japan Ghosts
- B3: Scott Walker The Old Man's Back Again
- B4: Jeff Alexander Come Wander With Me
- B5: Cat Power Metal Heart
- C1: Minnie Riperton Lovin' You
- C2: Tan Dun For The World
- C3: Sébastien Tellier Le Long De La Rivière Tendre
- C4: Lee Hazlewood My Autumn's Done Come
- D1: Robert Wyatt P.l.a
- D2: Elliott Smith Let's Get Lost
- D3: The Troggs Cousin Jane
- D4: Air / Alessandro Baricco Musica
- D5: The Cleveland Orchestra Ravel: Pavane Pour Une Infante Défunte








































