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Das beliebte Duo Angus & Julia Stone hat sein Comeback angekündigt und verrät, dass ihr erstes Album seit fast vier Jahren der Soundtrack zum kommenden Videospiel Life Is Strange sein wird: True Colors.

Das Album wurde in den kurzen Zeitfenstern aufgenommen, in denen Angus und Julia nicht an ihren jeweiligen Soloprojekten arbeiteten. Das Album selbst ist einzigartig, da die Gruppe mit den Tracks neues
klangliches Terrain betritt.

Als eines der beständigsten Aushängeschilder der Rockund Popgeschichte hat Shaky mehr gesehen und erreicht, als sich die meisten Menschen erträumen können, seit er als Teenager das Publikum zum ersten Mal verzauberte.

Mit "Re-Set" liefert Stevens nun ein weiteres aufregendes Kapitel in dieser einzigartigen Geschichte und freut sich sehr darauf, es mit seinen treuen Fans, aber auch neuen Bewunderern zu teilen. "Im Grunde genommen ist es eine Fortsetzung", sagt er, "aber es ist auch anders.
Die Menschen waren von "Echoes Of Our Times" überrascht, und ich schätze, dass das Gleiche mit "Re-Set" passieren wird."

Wie auch beim Vorgänger "Echoes Of Our Times" erzählen die Songs auf "Re-Set" zutiefst persönliche Geschichten, inspiriert aus der Familienchronik, aber auch auf das Arbeitermilieu anspielend, aus der der junge Michael Barratt heraus seine unglaubliche Karriere startete. Die einzigartige Kombination aus stimmlichem Können und unaufhaltsamer Entschlossenheit half ihm dabei, zu einem Star zu avancieren, der zum meistverkauften britischen Single-Künstler eines
Jahrzehnts wurde. Seine beeindruckende Erfolgsbilanz umfasst 33 Top-40-Hits in Großbritannien, vier Nr. 1-Hits, unzählige Hit-Alben und eine nach wie vor ungebrochene Popularität in ganz Europa und dem Rest der Welt.

Two tracks from Numero’s Eccentric Soul compilation which documented Bob Abrahamian’s passion and devotion to celebrating unknown Chicagoland group harmony music. His untimely passing in 2014 left a huge hole for many music devotees. SO, I CAN MAKE THIS CHANGE was THE KRASH BAND’s only record, it came out in 1976 and is a revered 45 amongst serious collectors. With it’s crisp bass, phased harmonies and the crowning accomplishment, the seraphic falsetto by Evelyn Holder!ONENESS previously known as The Audition’s recorded HARD TO KNOW in 1977 for Cincinnati’s AMG label, alas this sweet harmony jewel never got released and was only heard by those who tuned into Bob’s Sitting in the Park radio shows until the compilation put that to rights.

Please note this song was rescued / restored and there is tape damage in parts.

Bog Bodies - the band consisting of Robert Stillman, Anders Holst and Seán Carpio delve into deep time to carve sonic abstractions across their self-titled new album on MIC.

Navigating the “liminal territory between noise and signal, chaos and control, form and abstraction,” the trio recorded and mixed the album on an

8-track cassette machine. Bog Bodies is a searching inquiry into the mythologies and magical undercurrents that knit together our existence in the information age.

Bog Bodies opens with a leftfield homage to Superman III, exploring the mythical qualities of technology through a series of angular horn lines that dissolve into the mire of feedback noise on the album’s raking, anthemic title track. Reverberating in tectonic sheets of sound on ‘One That Is Reflected In The Image Becomes All’ and Bog Bodies reaches its climax on the 11-minute ‘Cave Painting 2019’ - a subterranean epic of mystic force, drawn up from the earth in sweeping drones.

Bringing together their combined experiences playing with the likes of Manuel Göttsching, Luke Temple, The Smile and more recently Coby Sey.

Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (DBL himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

Presented in a matt-laminate gatefold digisleeve.

LP COLOUR IS CLEAR. New vinyl edition of the second album from USA emo / indie rock band The Appleseed Cast. Originally released in 2000 on Deep Elm Records.

This is the second volume of the compendium of artists connected through their dark sounds called “Atlas of Penance”. Its main objective is showcasing the different explorations of occult aesthetics from around the world.

The EP opens the A side with a gloomy, feet-dragging, post-punk track by Hanging Freud, goes to a dream-like techno-ebm rave with Kenny Campbell and finishes this side with an industrial infused half tecnho/half electro track of Syndikat Kommando 98, a project by Viktor Lenis (Cute Heels, Modernista).

The B side is no less stronger, starting with a straight up techno banger by the prolific producer Drvg Cvltvre, moving on to a genre defying track filled with experimental elements fuelled with modular sythesis and harsh kicks by Black Potion, and ending the EP with an anxiety inducing dark ambient track by Dim Garden.

KAU is an instrumental project based in Brussels consisting of André Breidlid (drums), Matteo Genovese (bass) & Jan Janzen (keys). Representing various European backgrounds, their coming-together is in the spirit of the city they grew up in.

Taking inspiration from jazz, they create a head-bobbing atmosphere using bassy beats and catchy melodies. By implementing acoustic instruments, the trio stays true to an organic and rich sound, granting themselves the liberty for improvisation & spontaneous happenings. Influenced by artists like BADBADNOTGOOD & Christian Scott, their music is contemporary, powerful, and audacious.

The EP "III" is the collaboration between the three core members of the band and Maxime Dereux, talented French saxophonist already guested on "II". Having built strong musical ties over the course of the last years, the idea to make more music together arose naturally without a shadow of a doubt.

The result is a 4 track EP with a high concentration of powerful riffs and sharp themes. The title song 'Mad Max' perfectly represents madness incarnated. On "Moonwalker" they go to new places with ever-changing melodies and sax lines. 4 minutes of holding on to your seat in anticipation of the next measure.

This EP also features Brussels born and bred rapper "Jay MNG" who has made a name for himself around many concert halls & festivals in Belgium. Having collaborated notably with Commander Spoon and Kuna Maze, the polylinguistic rhymes of Jay MNG left a mark on this emerging music scene. Enraged, banging in whatever language that may be, Dutch, French or English, he manages to make a massive impact on the atmosphere of the tracks and add his own flavour.

Through Crooked Aim has the feel of a record to accompany the listener on epic journeys through strange and daunting territories. Adjust the rear-view mirror and press play as the landscape rolls behind you. Filmic. Atmospheric. Classic, Americana and Folk influences peppered throughout, It's a journey that rolls through valleys, painting its own rich, vivid pictures inhabited by troubled, nuanced characters looking for ways to keep going. Recording it at Old Jet in Suffolk, an old US Airforce base turned creative arts community developed and run by Quin added its own majesty to proceedings. Waking up to see herds of deer walking through the moors and mist whilst surrounded by these aircraft hangers. You can't help but find some of that magic seeping into the recordings.

Bold, delicious and full-bodied, it’s no wonder Rube Goldberg Series Wines have such a loyal following. Volume nine is certainly a top spot for exceptional tunes. Here, cool fogs help to keep temperatures down, giving the beats time to ripen slowly and develop intense, complex flavours. Oliver.R, B.Love, Two Opposites and Let's Talk bring out the best of this prized fruit, crafting a bright, silky record that’s a real step up from the norm. Discover vibrant notes of house, funk and sweet rhubarb, with touches of baking spice and earthy forest dancefloor. The tunes are aged for up to 12 months, giving it soft tannins and a smooth texture.

One side of a banging Hardcore, legendary tune ! And on the flip a pityless double tempo Speecdcore killaz.
A record that won't let you down.