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French artist Franck Roger is one of house music's most solid and consistent performers, which is why Seasons Limited has invited him back for a new EP. 'La Vie En Bleu' opens with lush 90s house drums and pensive melodies that are dreamy and wistful, while 'You're In Love' is a little more direct with dubby warmth and swirling pads for steamy sessions. 'Lost Sands' shuts down with a mix of sundown Balearic bliss, early Chicago house depths and lush Italo energy. All three of these are the sort of tracks that could be unearthed old gems, such is their timelessness. One of his best in a while which is saying something!

Sean Roman is a Toronto-based producer who has worked with Toronto Hustle before on an EP for Wolf Music. Here he serves up a club-ready crowd pleaser that shows his love for original UKG sounds. 'Did It For Love' on Selections rides on low-slung and well-swung drums with some nice tender vocals up top. The percussion is crisp and the groove drips with cool. Flip over this limited 12" and you will find a Toronto Hustle Late Night dub that pairs things back to some meaty drums and grittier textures, with the vocals more turned down and sparking synth motifs looping to bring some colour. Useful stuff.

NATURAL ROOTS MUSIC, tuned to the rhythms of the Earth! A special mix by Rooing SWE from the previous Roots & Foundation (CD) release, Side A: All
Those Who Love the Earth (Roots Man Foundation). Side B: The Danjiri Festival (Prayer for a Good Harvest) in Senshu, Southern Osaka. This first 7-inch release
pays tribute and gratitude to the local area.

As a DJ, I prioritize three key points when selecting music. I'll introduce this record in relation to those points.
The first is the power of the intro. I'm always grateful for killer tunes that get the floor moving naturally. The A-side, which begins with a catchy trombone, is a
perfect example of that. Natural Roots' performance is so dark that it almost makes you forget that you're in Osaka, the city of laughter.
The second is about the lyrics. Especially in times like these, I want to share a positive message with everyone. Frontman Livity Tabasuke sings straightforwardly
about his feelings for the Earth. It reminds us of the gratitude we often forget in our daily lives. Above all, his voice is soft and soothing.
The third is the 7-inch format. If you're going to take it to a venue, nothing beats a small, light record. The older I get, the more my hips instinctively tell me to.
The dub-inspired instrumental tunes on the B-side are also fantastic, and the album's functionality continues to increase. I also appreciate the addition of the
shinobue flute, a unique instrument unique to Senshu, a renowned Kansai reggae region, which adds to the local feel.
This album, which captures all of these elements, is extremely practical for me. I'm sure I'll be using it for a long time to come. I sincerely hope that the limited
edition of 300 records reaches reggae fans all over the country.

SND & RTN presents two exceptional dub-infused tracks, featuring deep, atmospheric remixes by the legendary Detroit artist Stephen Hitchell, under two of his many monikers. cv313 began as a collaborative project between Stephen and Rod Modell, much like Echospace. Intrusion, however, emerged as Hitchell’s solo venture into the depths of dubtechno. Limited coloured vinyl.

Joaquin Joe Claussell readies the ‘Raw Tones’ LP on Rekids this June.

The first LP since 2008’s ‘Corresponding Echoes’ on his Sacred Rhythm Music, Joaquin Joe Claussell arrives on Radio Slave’s Rekids for ‘Raw Tones’, a nine-track excursion through the sound of his exquisitely soulful house music.

Originally released on uber limited cassettes, the music within ‘Raw Tones’ caught the ear of Radio Slave, aka Matt Edwards, who messaged Claussell, a friend since remixing Edwards’ Machine project in 2012, and convinced the legendary producer that the music needed a wider audience and, so, ‘Raw Tones’ the LP is here.

Introspective opening cut ‘Lock Down’ draws for breathy strings and swirling pads, followed by the hypnotic and low-slung ‘The Blame Game (Table Top Idea)’, which sees jazzy keys float around carefully crafted dubbed-out ambience and subtle, whispered vocals.

‘Break Free’ ups the energy, bringing a wonky bassline under decisive, machine-like drum hits while both spoken and sung vocals interplay throughout. ‘You Mutha Fuka’ brings rock-solid drums and thick bass underneath delayed vocals before the dreamy chords and twinkling keys of ‘Way Back Then’ close out the B-side.

The gorgeous ‘Air We Breathe (Revisited Cassette Demo)’ marries rolling percussion across live bass and softly drawn-out pads, followed by an instrumental version of ‘Break Free’. The final side of vinyl sees the extended trippiness of ‘If It's All In Your Mind Let It Out’ lead into the floaty low tempo closer ‘Hallucinations Ejaculations’.

Joaquin Joe Claussell, co-founder of Body & Soul with Francois Kervorkian and Danny Krivit, continues to run his Sacred Rhythm Music record label and curate the Cosmic Arts community centre in his hometown of Brooklyn, NYC.

SND & RTN presents two exceptional dub-infused tracks, featuring deep, atmospheric remixes by the legendary Detroit artist Stephen Hitchell, under two of his many monikers. cv313 began as a collaborative project between Stephen and Rod Modell, much like Echospace. Intrusion, however, emerged as Hitchell’s solo venture into the depths of dubtechno. Limited coloured vinyl.

World of Echo unites with the confounding genius of TRii for a highly limited first time vinyl run of 2020's Music For Desert Reboot tape, first released as TRj on the TRjj Musik label and then again as a second cassette by Mascarpone earlier this year.

As with all the sounds produced within the TRjj/TRii /TRj/TRi universe, strange illusion is part of the process, and this is certainly music that befits such smoke and mirror nomenclature, a kind of gamelan Werkbund re-programmed via the isolationist sounds of DIY home electronics conceived for a film that might or might not actually exist. Consider this time-dilation rug-pulling that's well in touch with its own mythology, so much so that it's hard to think of any obvious contemporaries, but if you've ever enjoyed the minimalist murk of Civlistijavel, the private quarters confessionals of Thomas Bush's first LP or any one of Guy Gormley's projects, you'll not got too far wrong here. Is further clarification required? That perhaps misses the point, though there is a track that features around two-thirds in entitled 'First Time Realizing the Clock Was Absent' that might function as a form of instruction to the listener. Namely, where does the time go? Music For Desert Reboot might not provide the answer, but it certainly knows how to ask the question.

Mutant, in association with Walt Disney Music and LucasFilm, are proud to present a 20th anniversary celebratory pressing of John William's original score to the iconic final chapter of the Star Wars prequel trilogy - Star Wars: Episode III - Revenge of the Sith.



Following a powerful return to cinemas this spring, George Lucas' 2005 science fiction epic has continued to capture the hearts generation after generation. Returning for his sixth Star Wars film, John Williams brings the tragedy of Anakin Skywalker to life with a masterful flair. From the opening fanfare's hard pivot to the action packed dogfight, Williams weaves between kinetic adventure, and haunting heartbreak with grace and precision. In a series full of the absolute pinnacle of music ever committed to film, Revenge of the Sith sits proudly side by side, while feeling wholly unique.



Long out of print on physical media, and only being pressed on Vinyl for the second time ever, this limited edition release features incredible original artwork by Matt Ferguson and is pressed on 2x 140gm black vinyl.

Names Records in conjunction with Two Piers Editions are delighted to announce the long awaited 21st Anniversary reissue of the debut album from The Earlies.

'These Were the Earlies' was released on Names Records / 679 Recordings in July of 2004 and quickly became one of that summer’s essential albums.

"The Best Debut Album of 2004” – UNCUT
"Insane Pop Genius. Scintillating” - 10/10. NME
NME #1 Top Rated Album 2004
There is much here to love” - The Sunday Times
"This rustic hymn to imperfect pop is a reminder that Britain and the States still have a special relationship.” - The Observer

This Numbered Limited Edition Vinyl (1000) will be issued on Double Cream Vinyl, includes a poster and new refreshed artwork by Rina Donnersmarck. Produced by the band and Tom Knott. Beautifully Remastered by Shawn Joseph (Portishead, Beak, PJ Harvey).

Brussels-based guitarist Benjamin Sauzereau is one of the most respected figures in Belgian jazz, working across the full spectrum-from elegant jazz to adventurous improvisation. You may know him from projects such as Les Chroniques de l'Inutile, Hendrik Lasure Warm Bad, Book of Air, and Fur. Over the past few years, he has written a large number of compositions under the umbrella of 'REMORQUE', performed in various line-ups-a concept somewhat reminiscent of John Zorn's Masada compositions.



These pieces share a clever and imaginative approach to composition, improvisation, and arrangement. Typically short but vibrant, they shimmer with color and atmosphere-sometimes lyrical and contemplative, other times playful, whimsical, or slightly prickly. Each piece opens up a small, self-contained universe full of nuance, refinement, and space, interpreted by musicians who navigate fluidly between classical discipline and free improvisation.



Following the first release Un on W.E.R.F. Records, Sauzereau now presents the highly anticipated follow-up: DEUX. This second chapter dives even deeper into the sonic world of REMORQUE-further refining its playful contrasts, rich textures, and poetic unpredictability. With DEUX, Sauzereau cements his reputation as a composer who continuously reshapes the boundaries between structure and freedom, offering a listening experience that is as intimate as it is exploratory.

Limited edition on clear vinyl. Wie in het voorjaar van 2025 het voorrecht had om de theatertour van Het Zesde Metaal bij te wonen, kon daar op de koop toe genieten van een handvol gloednieuwe songs. En daarna vaststellen dat die helaas nergens te (her)beluisteren waren. Tot nu, want de goesting om de songs vast te leggen voor de eeuwigheid werd op den duur wel heel groot. En dus kampeerden Wannes Cappelle en co afgelopen zomer enkele dagen in Waimes (DAFT Music Studios), voor het eerst in de nieuwe bezetting met Kasper Cornelus op gitaar/toetsen en Sander Verstraete op bas.



Het resultaat is de EP Randgevallen: vijf songs, vijf vertellingen uit het persoonlijke en wereldse leven die andermaal bewijzen dat Het Zesde Metaal als geen ander kan beschrijven, beklijven en betoveren. Een staalkaart bovendien van de muzikale en tekstuele veelzijdigheid die de band al jaren kenmerkt. Opener Service is een opgewekte popsong waarin Cappelle sappig de drang naar reviews en hartjes in het dagelijkse en economische leven fileert: 'wa' vind je van onze service? / zou j'ons geen tiene willen geven? / asteblieft, want anders is den directeur vies.' In Traagskes Groeien verstilt het tempo en keert de blik naar binnen, het persoonlijke leven in, mijmerend over kinderen die stilaan het nest ontgroeien. 'ge moet u zo nie' spoeien / ge moet traagskes groeien / ge moe' laagske per laagske groeien', probeert Cappelle het loslaten nog even uit te stellen.



Wie dacht dat Oud En Nieuw daarna gaat over feestvieren in de donkerste dagen van december, is op het verkeerde feestje beland. Wiegend op hypnotiserende bas, drum en pedal steel passeert opnieuw de vergankelijkheid van het leven, dit keer met een bredere maatschappelijke blik. 'alles da' oud is, was ooit nieuw / en groot is ooit kleine begonnen / veel komt van weinig / glad was eerst ruw / zelfs de waarheid wierd ooit verzonnen'. Wanneer naar het einde toe pulserende synths het tempo opheffen en de song licht euforisch uitwaaiert in een instrumentale coda, kun je alleen maar de ogen sluiten en stilstaan bij wat was en nog komen zal.

Label is het enige nummer dat speciaal voor de EP werd geschreven en baadt net als Service in meer dartele klanken, terwijl Cappelle met trefzekere oneliners een beeld van zichzelf schetst. 'de meeste middens mijd ik, ik hore bie de randgevallen thuis / misschien verdiene 'kik ook een label'. Moeten we altijd proberen de ander in een vakje te duwen? Kan iedereen niet 'gewoon' anders zijn? En ironisch draait Cappelle de rollen om: 'atypisch is de norm / ge moogt buiten de lijntjes kleuren / gewoon is niet verboden / normaal zijn doet geen zeer / as ze mor hunder plekke kennen / de rare zijn met meer.'



Het slotakkoord is voor het beklijvende Duizend Soldaten van Willem Vermandere, dat Cappelle en Filip Wauters begin dit jaar brachten voor het tv-programma Ik Vraag Het Aan. Nu zet het een pakkend punt achter een EP die nogmaals de tijdloze klasse van de band onderstreept. Meeslepend, verhalend, herkenbaar, grappig, ontroerend, scherp. Het Zesde Metaal is het allemaal en heeft daar slechts vijf songs voor nodig.



Randgevallen werd opgenomen met Frederik Segers (productie) en Jasper Maekelberg (mix) aan de knoppen, en komt uit op 4 oktober. Met de plaat onder de arm én aan de merchandisetafel herneemt de band zijn theatertour, maar dan in het groot, langs fantastische zalen in onder meer Brugge (Concertgebouw), Gent (Capitole) en Nederland.

Limited orange vinyl. A bombastic closure fi lled with energetic thrills delivered by the mighty Ring Van Möbius! Oh, wait..! Didn't they just vanish from the face of the earth? You're absolutely right, Prog Head! However; they had one last full-length album up their sleeves - a sparkling fresh and vital conclusion, filled with three lengthy compositions to wrap up their legacy. "Being able to now close this chapter with such a huge sparkling concept album feels terrific and quite satisfying. We really do feel that the inspiring playfulness during these spontaneous recording sessions shines through. Obviously, it's important to us to end this journey while sounding on top of our game, while still having fun!" the band says in a most humble comment, "A tremendous finale, directly from the analog Spectral Tape Studio".

REPRESS of Mephistofeles debut album. Magenta-coloured vinyl, limited to 350 copies. Mephistofeles is one of the biggest acts of the new Doom Stoner scene from Argentina which has developed its own cult following all around the world. This debut release offers catchy grooves and melodies, complemented by a gritty, lo-fi production. The tracks delve into themes of self-destruction and drug addiction, presenting a raw and unfiltered stoner doom experience. A must have!

REPRESS of Mephistofeles third album. Yellow vinyl, limited to 350 copies. Mephistofeles is one of the biggest acts of the new Doom Stoner scene from Argentina which has developed its own cult following all around the world. This album is a slowly bubbling cauldron of eerie atmospheres and drugged-out sonics; amidst the ever-present haze of hashish and sulfur, it's by far one of the band's most authentically DOOM recordings. And at 47 minutes, the simmering slime MEPHISTOFELES here dole out so effortlessly sounds more like 47 hours, so ensnared by addiction you'll be.

Dj T-Kut Team Leader of Skratcher Madrid, Skratch Elementz & Tablist Lounge Spain, publishes a new volume of Skratch Practice. After the success of the previous volumes, this time it will be called Skratch Fu-Finger Practice. Side A consists of 12 seamless loops at 100 BPM and Side B consists of 12 seamless loops at 133 BPM. This vinyl is a perfect tool for battle routines, freestyle scratching, in which you will find classic original sounds, phrases, Fx sounds and much more. This Battle Breaks & Scratch Tools vinyl promises hours of practice and is focused both for DJs who are beginning and advanced DJs. This work is published on 12" and 7" vinyl in black plus a limited edition in colour oxide blood for 12" and gold for 7". The 7" vinyl sides A and B consist of 6 loops per side at 100 BPM. Artwork: Adolfo Gerrero Mastered: Le Jad Producer: Dj T-Kut I hope you enjoy it and Happy Skratching!

Limited Repress of the label classic BCCO001 by Kashpitzky