Die österreichische Progressive-Rock-Band Mother's Cake wurde Ende 2008 gegründet. Mit ihrem Debüt "Creation's Finest" (VÖ-Datum: 26.10.2012) sorgten sie für großes Aufsehen in der nationalen und internationalen Musikpresse. Im Jahr 2013 wurden sie mit dem "Austrian Newcomer Award" ausgezeichnet und spielten viele ausverkaufte Shows, unter anderem als Support für Iggy and the Stooges, Omar Rodriguez Lopez Group, Deftones und Tito & Tarantula. Zum 10-Jahre-Jubiläum erscheint "Creation's Finest" nun als limitierte Anniversary LP auf farbigem Vinyl.
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Detroit's premier creative space, art gallery and club Spot Lite kicks off its brand new label with a bang! This first deep house, vinyl/digital EP from staple Alton Miller (mastered by Atjazz) radiates strong energy, warmth and vibe with a versatility to fit in almost any house set.
"Remember Who You Are" (Side A,) sets the record's tone with a big sound, infectious bassline, keys along with lush vocals from Nina.
Flip it to the B-Side and you'll find the instrumental along with another deep banger called "Impilo." This effort complements both tracks completely, ensuring future classic status.
Be sure to get your hands on this limited-edition vinyl that is limited to 300 first pressing on a deep purple colored vinyl. Experience the magic of Detroit's underground house music.
La Candela del Río is the debut album by Paris-based Venezuelan quartet Insólito UniVerso. In the space of 8 tracks, the band fuses traditional Venezuelan styles, such as joropo, merengue caraqueño, or tambores de San Millán with psych, chanson, and contemporary electronics. Co-produced by The Heliocentrics' Malcolm Catto, the record shows two distinct sides; on the one hand there's euphoric music that begs to be danced to, while on the other there's melancholy, mystery and devotion.
Originally released back in 2018, the record's initial run of 500 copies has been long sold out and is presented here in a new edition of 300 including the original artwork and printed lyrics insert.
- A1: Büþra Kayýkçý - Genius Loci
- A2: Pavel Milyakov - Gtr Chords Movement 1
- B1: Felicia Atkinson - Le Poème De L’angle Droit
- B2: Carmen Villain - Luften Imellom
- C1: Kuniyuki Takahashi - Moere
- C2: Kmru - Stretch Mabati
- D1: Ana Quiroga - London Fields
- D2: Abul Mogard - Teatro Romano Di Tuscolo
- D3: Pedro Vian - Neue Nationalgalerie
it’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection, namely Felicia Atkinson, Büþra Kayýkçý, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov,
KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic kaleidoscope through which specific territories can be gazed upon from unexplored points of view. The
compositions that make up this compilation are synaesthetic windows through which we can observe with our ears. To look through them, all we have to do is listen and we’ll be able to contemplate, in a unique
way, spaces located in such different places as Vilches (Chile), Istanbul (Turkey), Oslo (Norway), Sapporo (Japan), Nairobi (Kenya), London (England), Rome (Italy), Berlin (Germany), or even in imaginary universes.
Leith Ross is a songwriter, singer, and artist born and raised in a small town outside of Ottawa, Ontario, Canada. They've been a sensitive and overly artistic person since birth and when they started writing songs around the age of 12 it quickly became Leith’s favourite way to be sensitive and overly artistic. Still is. Since then, they've recorded and released two projects, and have a new one underway. "To learn" is a 12 track full album available on CD and LP
- Introduction By David Kapralik / My Name Is Barbra
- Much More
- Napoleon
- I Hate Music
- Right As The Rain
- Cry Me A River
- Value
- Lover, Come Back To Me
- Band Introductions
- Soon It's Gonna Rain
- Come To The Supermarket (In Old Peking)
- When The Sun Comes Out
- Happy Days Are Here Again
- Keepin' Out Of Mischief Now
- A Sleepin' Bee
- I Had Myself A True Love
- Bewitched, Bothered And Bewildered
- Who's Afraid Of The Big Bad Wolf?
- I'll Tell The Man In The Street
- A Taste Of Honey
- Never Will I Marry
- Nobody's Heart Belongs To Me
- My Honey's Lovin' Arms
- I Stayed Too Long At The Fair
Every Aspect of the Production Personally Supervised by Barbra Streisand
Mixed by Jochem van der Saag from the Original Analogue Session Tapes & Mastered in 24 bit/96 kHz by Paul Blakemore
Lacquer Pressing Master Created by Bernie Grundman
Pressed at RTI
Tip-On Gatefold Jacket
Deluxe 12-Page Booklet Featuring Barbra's Recollections, the Recording's History & Production, and Performance Photos
The Premiere New York City Nightclub Event of 1962! The Most Anticipated Live Album of 2022!
In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway.
Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the release of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records - in conjunction with Sony Music Entertainment - is proud to present the audiophile 180-gram vinyl LP and SACD editions of the most sought-after recordings in Barbra's legendary career: Live at the Bon Soir: Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers.
IMPEX RECORDS has created two versions of this noteworthy release: a two-LP vinyl edition and a 24 bit / 96 kHz SACD. To achieve the best fidelity possible, engineer Paul Blakemore transferred the original three-track session tapes to high-resolution 96/24-bit digital files, which were then mixed by Jochem van der Saag. For mastering, Blakemore used an all-analog signal-processing chain in order to maintain the warmth of the original analogue recordings. To master the vinyl LP edition, IMPEX engaged Bernie Grundman, who has mastered many of Barbra's albums over the last sixty years, to create the lacquer pressing master.
Rich with the club's atmosphere, these historic, essential recordings present a warm, charming portrait of a truly important moment in New York City history and American pop culture. Several years removed from Manhattan's flourishing jazz nightclub scene, tiny clubs such as the Bon Soir began popping up, and served as both a forum and launching pad for some of the finest vocalists and musicians the east coast had to offer.
Because of Barbra's success there, Columbia Records A&R rep David Kapralik decided that the first album from his newly-signed artist would emanate from a setting in which she had become most comfortable: the small stage at the Bon Soir. Producer Mike Berniker and recording engineers Roy Halee and Adjutor "Pappy" Theroux set up the mics and recorders, and for three nights harnessed the electrifying show that Barbra had crafted.
"The recordings we did at the Bon Soir were so authentically 'Barbra.' I produced her first three albums at Columbia, and while they were wonderful accomplishments, I thought that what she did each night at the Bon Soir transcended anything we ever did in the studio." - Mike Berniker
Columbia ultimately decided to bring Barbra into the studio to record her first album, and except for the inclusion of several tracks on compilations through the years, the Bon Soir tapes laid dormant in the vault. Now, through this extraordinary release, everyone can at last enjoy the early sound and style of an icon in-the-making: the same brilliant artist whose performances at the Bon Soir were lauded by everyone from actress Helen Hayes to lyricists Alan and Marilyn Bergman. We invite you to join us for an evening at the fabled Bon Soir. Take a seat, order a drink and revel in the magic that is Barbra. You will not be disappointed!
Tidal Waves Music proudly presents the re-issue for Nina Simone's 'A Very Rare Evening'. Originally released on PM records in 1979, featuring Weldon Irvine on organ, Don Allias on drums and Jazz legend Gene Perla on bass. Included on these European sessions from 1969 you'll find Nina classics & rare versions of recordings written by Aretha Franklin, Barry Gibb, Randy Newman & Pete Seeger.
One of the most sought after Nina Simone albums is now back available as a deluxe limited vinyl edition for the first time since 1979. Produced by Gene Perla, officially licensed from PM Records & featuring the original artwork created by A.M. Schnider.
"It's her first LP in years, but was taped back in 1969 in Europe with a confident, impressive organ and rhythm section backup band. Simone is an acquired taste. But, for those who appreciate her singing, these eight tracks will prove welcome." - BILLBOARD
Anything by this lady of song is welcome, especially when she's in front of an adoring audience, as she is in these decade-old, never-released sides. Simone covers all bases from Barry Gibb's "In The Morning," to Pete Seeger's adaptation from the Book of Ecclesiastes, "Turn! Turn! Turn!" She gives special meaning to such tunes as the poignant "The Other Woman," the gospel inflected "Save Me," and "I Think It's Going To Rain Today." But the highlight is her own tune, composed with keyboardist Weldon Irvine, Revolution."- CASH BOX MAGAZINE
Though the Simone catalog overflows with live recordings, this 1969 German concert outranks all others. Focusing almost exclusively on then-contemporary material--the Gibb brothers' "In the Morning" and "To Love Somebody," Randy Newman's "I Think It's Going to Rain Today," Aretha Franklin's "Save Me," the Byrds' "Turn! Turn! Turn!"--Simone is at her most assuredly earthy and intrepidly regal.' - THE JAZZ TIMES
Lloyd Cole & The Commotions – Cole, Blair Cowan, Lawrence Donegan, Neil Clark and Stephen Irvine – were formed in Glasgow in 1982, where Buxton-born singer-songwriter Cole was studying Philosophy and English at the University of Glasgow -Their sound swam against the tide of shiny 80s synthesisers, offering intense, melodic, guitar-based pop, topped with droll words packed with literary references.
Given just how loved debut album Rattlesnakes was, it would have been hard for whatever followed to be received as warmly – yet Easy Pieces made a good first of it. It was to sell twice as many copies in its first two weeks as Rattlesnakes had to date, giving the group a Top 5 chart placing on its release in November 1985. Recorded with 80s super-producers Clive Langer and Alan Winstanley, its first two singles, the brooding, gospel influenced Brand New Friend and the forever-jaunty Lost Weekend reached the UK Top 20.
This re-issue faithfully replicates the original 1985 Polydor Records UK release with printed inner sleeve and is pressed onto high quality 180g vinyl.
Erstes Studioalbum der Punk-Ikonen seit 5 Iahren!
Weiterentwicklung ihres genreübergreifenden und einzigartigen Sounds
Nachfolger des #1 Live-Albums „A Night Of A Thousand Vampires“
Vorab 3 Single-Auskopplungen inklusive Musikvideos
In-Store Poster und Banner in Media-Saturn Märkten sowie umfangreiche Print- und Online-Kampagne mit Mediawert >20k€
Große Europatour im März und April mit 4 Terminen in Deutschland
Erstes Studioalbum der Punk-Ikonen seit 5 Iahren!
Weiterentwicklung ihres genreübergreifenden und einzigartigen Sounds
Nachfolger des #1 Live-Albums „A Night Of A Thousand Vampires“
Vorab 3 Single-Auskopplungen inklusive Musikvideos
In-Store Poster und Banner in Media-Saturn Märkten sowie umfangreiche Print- und Online-Kampagne mit Mediawert >20k€
Große Europatour im März und April mit 4 Terminen in Deutschland
- 1: The Rig (Main Titles) 0:03
- 2: Wake Up 00:6
- 3: Omen 00:58
- 4: Fossils Digging Fossils 00:31
- 5: Flesh Meets Floor 03:2
- 6: Vision 00:22
- 7: Ghost 01:31
- 8: Helideck 04:0
- 9: S.b.v Lights 02:03
- 10: Body, Rejecting 01:11
- 11: Circles 01:15
- 12: Leck 02:48
- 13: Search For Hutton 01:34
- 14: Spiderdeck 02:46
- 15: Alwyn / Discovery 03:06
- 16: Surrender 02:02
- 17: No Fire Without Flare 04:14
- 18: We’ll Bring Him In 01:40
- 19: Survivors, Arriving 03:45
- 20: Person Unknown 00:57
- 21: Don’t Let Him Out Of Your Sight 01:26
- 22: Rov 02:55
- 23: The Altar 03:10
- 24: Fissures Spread 01:00
- 25: Sleep Tight 04:47
- 26: The Charlie 01:49
- 27: Rose Takes Control 03:57
- 28: Bigger Than All Of Us 01:39
- 29: It’s Quitting Time 02:11
- 30: System Priming 02:48
- 31: Life Remains In Life 01:23
- 32: The Wave 04
- 33: The Rig (End Credits) 01:02
- A1: Moth To The Flame 5:28
- A2: Fly On The Wall 4:21
- A3: I'll Be Waiting 4:24
- A4: River Of Pain 3:36
- B1: Future Train 5:26
- B2: Til The River Runs Dry 4:20
- B3: Stand Up 3:58
- B4: Preaching From A Chair 6:17
- C1: Castles In The Sand 4:43
- C2: Too Scared To Live 4:25
- C3: Ball And Chain 4:48
- C4: It Happened In This Town 5:55
- D1: In A Broken Dream 5:20
- D2: Stand Up 3:54
- D3: Til The River Runs Dry 5:00
- D4: Preaching From A Chair 4:23
Behind Closed Doors, das dritte Studioalbum der englischen Hardrockband Thunder, wurde 1994 veröffentlicht und erreichte bei seiner Veröffentlichung Platz 5 der britischen Albumcharts. Damit festigte die Band ihren Ruf als eine der besten Rockbands von den
britischen Inseln. Drei UK Top 40 Singles wurden daraus ausgekoppelt: Stand Up, River Of Pain und Castles In The Sand.
Produziert wurde das Album von Gitarrist Luke Morley und dem langjährigen Mixer Mike Fraser, wobei alle Bandmitglieder sowie der ehemalige Produzent und Duran Duran-Gitarrist Andy Taylor Beiträge lieferten. Das Album gilt unter Fans der Band und des Hard Rock
gleichermaßen als Klassiker. Diese neue, erweiterte Ausgabe enthält vier bisher unveröffentlichte Live-Versionen von klassischen Songs des Albums. Außerdem wird das Album zum ersten Mal seit seiner
Veröffentlichung im Jahr 1994 in limitierter Auflage auf zweifarbigem Vinyl neu aufgelegt.
- A1: Steamboat Bill - From ’Steamboat Willie’
- A2: Who’s Afraid Of The Big Bad Wolf - From ’Three Little Pigs’
- A3: Whistle While You Work - From ’Snow White And The Seven Dwarfs’
- A4: When You Wish Upon A Star - From ’Pinocchio’
- A5: Little April Shower - From ’Bambi’
- A6: Saludos Amigos - From ’Saludos Amigos’
- A7: Bibbidi-Bobbidi-Boo (The Magic Song) - From ’Cinderella’
- A8: Mickey Mouse March - From ’The Mickey Mouse Club’
- B1: Once Upon A Dream - From ’Sleeping Beauty’
- B2: The Tiki, Tiki, Tiki Room
- B3: It’s A Small World
- B4: Chim Chim Cher-Ee - From ’Mary Poppins’
- B5: Winnie The Pooh - From ’Winnie The Pooh And The Honey Tree’
- B6: The Bare Necessities - From ’The Jungle Book’
- B7: Oo-De-Lally - From ’Robin Hood’
- B8: It’s Not Easy - From ’Pete’s Dragon’
- C1: Under The Sea - From ’The Little Mermaid’
- C2: Beauty And The Beast - From ’Beauty And The Beast’
- C3: Circle Of Life - From ’The Lion King’
- C4: Colors Of The Wind - From ’Pocahontas’
- C5: Reflection - From ’Mulan’
- C6: Hawaiian Roller Coaster Ride - From ’Lilo & Stitch’
- D1: We’re All In This Together - From ’High School Musical’
- D2: Dig A Little Deeper - From ’The Princess And The Frog’
- D3: Let It Go - From ’Frozen’
- D4: How Far I’ll Go - From ’Moana’
Silberfarbenes 2LP-Vinyl zur Feier des 100-jährigen Jubiläums von Disney mit Favoriten von Three Little Pigs, Snow White and the Seven Dwarfs bis Coco, Encanto und mehr!
- A1: Does It Feel Like Love?
- A10: A Better Man
- A11: The Moment Of Truth
- A12: Flawed To Perfection
- A13: Like A Satellite
- A14: Baby I'll Be Gone
- A15: A Better Man
- A16: The Moment Of Truth
- A17: Like A Satellite
- A2: Everybody Wants Her
- A3: Low Life In High Places
- A4: Laughing On Judgement Day
- A5: Empty City
- A6: Today The World Stopped Turning
- A7: Long Way From Home
- A8: Fire To Ice
- A9: Feeding The Flame
repress
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel.
Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd at the legendary Studio One. By 1968, he had formed the group Sons of Negus and the first overtly Rasta record label, Zion Disc. As Rasta filtered into the mainstream, Henry released more music including albums for Trojan, Dynamic and Grounation labels.
Originally released in 1974, Peace And Love - Wadadasow is Dadawah’s magnum opus. Produced by Lloyd Charmers, the album features slinky basslines, wah-wah guitar, hypnotic keyboards, dubbed-out studio trickery and, of course, the propulsive drumming and rhythmic chanting characteristic of Nyahbinghi.
Antarctica Starts Here presents the first widely available domestic release of Peace and Love - Wadadasow. This reissue is part of an archival series that focuses on Trojan’s essential ’60s and ’70s catalogue. Liner notes by JR Gonne.
- A1: You Are Not Alone
- A2: Sexy, Sexy Lover
- A3: I Can't Give You More
- A4: Just Close Your Eyes
- A5: Don't Let Me Go
- B1: I'm So Much In Love
- B2: Rouge Et Noir
- B3: All I Have
- B4: Can't Get Enough
- C1: Love Is Like A Rainbow
- C2: How You Mend A Broken Heart
- C3: It Hurts So Good
- C4: I'll Never Give You Up
- D1: Don't Let Me Down
- D2: Taxi Girl
- D3: For Always & Ever
- A1: You Are Not Alone
- A2: Sexy, Sexy Lover
- A3: I Can't Give You More
- A4: Just Close Your Eyes
- A5: Don't Let Me Go
- B1: I'm So Much In Love
- B2: Rouge Et Noir
- B3: All I Have
- B4: Can't Get Enough
- C1: Love Is Like A Rainbow
- C2: How You Mend A Broken Heart
- C3: It Hurts So Good
- C4: I'll Never Give You Up
- D1: Don't Let Me Down
- D2: Taxi Girl
- D3: For Always & Ever
Alone was Modern Talking's eighth studio album and the follow-up on their comeback album in 1998. Their comeback was well celebrated, because this album topped the charts once again. The album was supported by two singles, “You Are Not Alone” and “Sexy, Sexy Lover”, which charted at #7 and #15 in Germany. The album itself debuted atop the German Album Charts and remained there for four consecutive weeks. Alone was eventually certified platinum in Modern Talking's home country.
Alone is available as a limited edition of 1500 individually numbered copies on yellow & black marbled vinyl and includes an insert. The run-out groove contains secret inscriptions.
Roadburn festival is arguably the world's most cutting edge boutique music festival out there, and has been a fertile breeding ground for innovative acts from a broad spectrum of musical genres for many years. Last year saw the unique collaboration of Danish electro-industrial duo John Cxnnor and Hungarian doom-folk artist The Devil's Trade take the stage to deliver a sonic journey into the void of deep space. Today, we are ex- cited to release this iconic set on vinyl to immortalise this one-time convergence of three akin artistic minds. John Cxnnor is made up of one half of Danish sci-fi-sludge metal juggernaut LLNN and sees the brothers Rasmus G. and Ketil G. Sejersen collaborating with numerous fellow artists to explore the synth side of their main project. Inspired by the Terminator-franchise and the scores of other sci-fi movies, the Sejersen brothers have been creating menacing industrial electronic opuses, the frst of which a crushing rendition of a The Devil's Trade track. "We've been enjoying the music from The Devil's Trade for quite some time now," commented the duo on the release of «Dead Sister Merope», describing it as "an interesting match of musical expressions formed by the same DNA." Indeed, the haunting atmospheric folk compositions of The Devil's Trade mastermind Da'vid Mako' carry a similarly cavernous quality which, when taken to the stage of Roadburn, is only reinforced by the sonic violence of John Cxnnor. Unlike many other live records, this set is captured and excellently produced down to the finest level of detail. On centrepiece «Lullaby», the trio seem to have perfected their definition of heaviness, with heavy bass blasts beyond anything you've heard before booming from the speakers. Together John Cxnnor and The Devil's Trade reach new heights in their respective trades capturing both the pressing darkness that gathers `round a bonfire at night as well as the void darkness of deep space. FOR FANS OF Author & Punisher, Godfesh, Lustmord, LLNN, The Devil's Trade, The Body, Uniform Ltd Gold (single colour) edition!




















