Spectre is the third album by the late West Coast composer, healer, and medium Pauline Anna Strom. First released in 1984, the album finds Strom exploring the darker corridors of human mythology under the influence of vampiric lore, evoking a hushed gothic solitude and showcasing
her breathtaking dexterity of sound design. Despite its shadowy hues, Spectre offers generous glimpses of a vivid light that could only have come from a heart wide open to the cosmos. Restored and mixed from the original reels by Marta Salogni, and newly remastered, this is the album’s first ever official reissue, and the definitive edition of a visionary statement.
Cerca:lore
repressed !
ls Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt der es KOMPAKT erlaubt, Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 84 kehrt der dänische Altmeister und globale Fan-Favorit KÖLSCH zu seinen Labelwurzeln zurück (oder zumindest jenen seines bekanntesten Projekts) und liefert heldenhaften Techno, dessen elektronische Grandezza nur von der Lieblichkeit seiner Melodien eingeholt wird.
Das nunmehr fünfte Speicher-Release von Rune Reilly KÖLSCH erreicht uns im Gefolge des gesichtsverdrillenden Wahnsinns von "Loreley" (KOMPAKT EXTRA 68), der pianogetriebenen Melancholie von "Opa" (KOMPAKT EXTRA 70) oder den Bestseller-Akkorden seiner Kollaboration mit Gregor Schwellenbach (KOMPAKT EXTRA 79), irgendwie auch eine Hommage an all diese Meilensteine im Rahmen eines zugegebenermaßen massiven Zwo-Trackers. Das erste Originalmaterial seit einiger Zeit, übernehmen diese Stücke den Staffelstab von gefeierten Remixarbeiten für eine ganze Reihe an Künstlern kontemporärer Unterhaltungsmusik, von hochgehandelten Popstars wie Coldplay zu Bewahrern feinster Tanzflurtradition wie House-Mobster Monkey Safari oder dem Bassmusik-Liebhaber Henry Krinkle.
- A1: Dreamlover
- A2: Hero
- A3: Anytime You Need A Friend
- A4: Music Box
- A5: Now That I Know
- B1: Never Forget You
- B2: Without You
- B3: Just To Hold You Once Again
- B4: I’ve Been Thinking About You
- B5: All I’ve Ever Wanted
- B6: Everything Fades Away
- C1: All I Live For (Extended Version)
- C2: Endless Love (Duet With Luther Vandross)
- C3: Do You Think Of Me
- C4: Workin’ Hard
- C5: My Prayer
- D1: Hero (2009 Version)
- D2: Anytime You Need A Friend (Extended Mix)
- D3: Music Box (A Capella)
- D4: Dreamlover (Live From Top Of The Pops)
- D5: Without You (Live From Top Of The Pops)
- E1: Dreamlover (Def Club Mix)
- E2: Anytime You Need A Friend (C&C Club Version)
- F1: Anytime You Need A Friend (Soul Convention Remix)
- G3: Smeday (Live At Proctor’s Theater, Ny – 1993)
- G4: Without You (Live At Proctor’s Theater, Ny – 1993)
- G5: Make It Happen (Live At Proctor’s Theater, Ny – 1993)
- H1: Dreamlover (Live At Proctor’s Theater, Ny – 1993)
- H2: Love Takes Time (Live At Proctor’s Theater, Ny – 1993)
- H3: Anytime You Need A Friend (Live At Proctor’s Theater, Ny – 1993)
- H4: Vision Of Love (Live At Proctor’s Theater, Ny – 1993)
- H5: I’ll Be There (Featuring Trey Lorenz) (Live At Proctor’s Theater, Ny – 1993)
- F2: I’ve Been Thinking About You (Terry Hunter Remix)
- F3: Workin’ Hard (Terry Hunter Remix)
- G1: Emotions (Live At Proctor’s Theater, Ny – 1993)
- G2: Hero (Live At Proctor’s Theater, Ny – 1993)
“Pulses and Resonances” is Rene Lorenzo’s debut album on Subtempo. This album represents a culmination of more than 20 years of electronic music exposure as a DJ and a clear point of view. We can hear influences of broken beat, techno, drum & bass, all through the unique lens that Rene brings to the table, deeply steeped in ambient, deep techno and downtempo. Even though this isn’t a dance record, it’s filled with energy and drive. It is an out-of-the-ordinary album, with intricate shifts and turns with well-crafted kick drums, round bass lines and enveloping subs. A record filled with warm sounds, head-nodding rhythms, and rich textured spaces. It’s all woven into an easy-listening experience, without demanding the listener’s full attention, but creating a landscape that is unique and varied throughout. We can hear references to artists like Boards of Canada, Jan Jenilek, Synkro and the like.
“In this record, every track has a different pulse or rhythm, and I use different resonators in the sound design process to achieve these tones. I started by leaving the space open with the ambient pads and hardly any rhythm, and I’d let myself be carried away by my sense of rhythm slowly building the compositions. I am obsessive with audio processing and I almost never leave a sound in its initial form. I like to add some subtle effect that sounds like something different and give new sounds to the elements I use.”
“Pulses and Resonances” is out via Subtempo on vinyl and digital on February 2nd.
We’re very proud to welcome Rome’s Andy Romano to the Bordello family with his long-awaited debut release! These tracks were shelved for more than 10 years and floating around between a handful of DJ’s after Andrea Confrancesco chose a different path in his creative career by becoming a professional illustrator.
The A-side makes space for the almost 10 minutes long monster anthem “Monday”. A killer composition in typical Romano fashion and on repeat at the Bordello HQ for many years. The flipside starts with the very catchy love ballad “Loredane” featuring the master himself on vocals, followed by the galactic journey “Cyber Black Spaceship”. Grandioso.
‘Double Pink’ is the debut album by And Is Phi (Andrea Isabelle Phillips), a multidisciplinary artist from Norway and the Philippines now based in South East London. ‘Double Pink’ is a nuanced world that draws on colours and texture; with influences of Joni Mitchell and Frank Zappa, 90's R&B and Madlib’s ‘Shades Of Blue’ blending languidly to produce a base for uncovering layers of self, a deep release, and fragile new form.
Written by Andrea and co-produced with Fiona Roberts and Lorenz Okello over a nine month period; ‘Double Pink’ thematically explores the many movements of internal change, speaking from a deep inner voice inside the body. The title track is an invitation to be as unapologetically hungry as you please after a long absence of life giving passion and trust in oneself. ‘White Noise’ is a recovery song playing in your soul the first time you made it back out to the dance floor after a heart break so massive it laid rest to the person you used to be. Songs like ‘Working’ and ‘Staaar’ come from a candid and contemplative aspect. Stages of grief and resilience and wonder and wisdom are all touched upon.
“The album explores metamorphosis, liminal spaces, and the multiple faces of love”, says Andrea. “I mention love as a key ingredient, because anyone who has had to push and pull and hold and yield themselves through great loss and transformation knows it ain’t gonna happen without love. Tough times ask for double love, a stronger heart, something like a double pink”.
Andrea’s story dots between periods spent living in Norway, the Philippines and England - experiencing joy and beauty battling corruption and violence in Manila, DJing in Oslo, losing her sizable record collection in a warehouse fire before making friends and family in the jazz scene in London. Every story needs a scene, a landscape, an environment; all things Andrea visualises when writing songs.
“At my heart I am emotional and imaginative, searching for freedom for my spirit. What grounds it all is coming from a family of storytellers. My father played drums and percussion, he was a great dancer and a true collector and connoisseur of music from everywhere. My wise mother instilled in me a sense of faith and grace”.
Andrea is far from new to the scene, having performed with Steamdown, Emma Jean Thackray, Hector Plimmer, Scrimshire, William Florelle and many more as a valuable and inspiring creative force within the South London music scene. Andrea also created the album’s artwork and music videos: musicality and painting evolved from her initial creative languages of drawing and dance. All aspects are dialects of her common language: singing what can’t be painted and painting what can’t be sung.
- A1: The M.v.p.'s - Turnin' My Heartbeat Up
- A2: Major Lance - You Don't Want Me No More
- A3: Paul Anka - I Can't Help Lovin' You
- A4: The Vibrations - 'Cause You're Mine
- A5: Laura Greene - Moonlight Music In You
- A6: Lou Edwards & Today's People - Talkin' 'Bout Poor Folks Thinkin' 'Bout My Folks
- A7: The Seven Souls - I Still Love You
- B1: Dana Valery - You Don't Know Where Your Interest Lies
- B2: Shane Martin - I Need You
- B3: The Metros - Since I Found My Baby
- B4: Sandi Sheldon - You're Gonna Make Me Love You
- B5: Lorraine Chandler - I Can't Change
- B6: Lou Courtney - Trying To Find My Woman
- B7: Johnny Robinson - Gone But Not Forgotten
Wigan Casino - the original UK dance culture super club - ran its’ first Nothern Soul All-Nighter in September 1973. It’s last session was in December 1981, and by then its 500 plus frantic All-Nighter had firmly stamped Northern Soul as an integral part of the British music landscape,
Wigan Casino Classics 1973 - 2023 proudly celebrates 50 years since the birth of the most important ever Northern Soul venue with 14 all time classic floor fillers. The Sandi Sheldon, Major Lance, The Seven Souls and Johnny Robinson gems were originally released on the Uber cool Okeh label but despite being part of the mighty Columbia Records empire sank without trace on release in the USA only to be discovered (and revered) by UK Soul devotees.
The Metros and Lorraine Chandler tracks were produced by Detroit’s mighty Pied Piper Productions crew and demonstrate that Motown were far from the only Motor City set up that knew how to conjure up truly breathtaking music.
In Northern Soul lore there is an intriguing story behind all 14 tracks - who produced and wrote them, which Rare Soul detectives - the original crate diggers - discovered them, what DJs played them..
But at the centre of it all is Wigan Casino, the seen better days Lancashire dance hall where 2,500 plus Soul fanatics flocked to every weekend to dance dance dance at the pre Rave era ultimate Rave. The recent 50th Anniversary celebration in Blackpool attracted a 5,000 turn out. The legend lives on.
This release marks the return of the always style wise Joe Boy label. Their trademark on point graphics are reinforced with the LP front sleeve being devoted to an iconic photograph by Francesco Mellini taken at the last ever Casino All-Nighter.
Soul plus Art from The Heart of Soul.
Lorenzo De Blanck breaks new ground and makes his Hot Creations debut with ‘Feel My Desire’. With an impressive year under his belt, earning recognition as one of the ANTS’ ‘Next Gen Top 10’ plus success on labels such as Hottrax, Moon Harbour, Repopulate Mars, Italian DJ/producer Lorenzo De Blanck now makes an electrifying debut on Hot Creations with ‘Feel My Desire’. The release showcases three thumping tracks already garnering support from leading figures, including label boss Jamie Jones and Joseph Capriati, embodying the label’s reputation for propelling pioneering artists to the forefront.
The title track ‘Feel My Desire’ combines speaker-rattling basslines with an unwavering sonic landscape, meticulously crafted to ignite a dance floor frenzy, while ‘Energy’ locks in a slick groove with percussive rhythms and eerie vocal snippets for a hypnotic trip. Closing out the release, Show Me The Way’ lightens the mood combining bouncing drums beneath a slick sample of Dave Lee's 2003 hit ‘The Way’, before blending escalating synths for a rolling workout.
The debut release from Sofia Grant delves into the topic of environmentalism, a subject close to her heart and a topic foremost in the minds of many. With smoky vocals and accompanied by spectacular musicianship from the likes of Poppy Daniels, Ernesto Marichales, Lorenz Osengor Okello, Sofia has created a five track EP that introduces a noteworthy talent to the Jazz re:freshed catalogue. In keeping with her values, Sofia specifically requested that the physical format be pressed on eco-friendly vinyl which produces a uniquely coloured product that utilises recycled materials and offsets carbon emissions created in its manufacture....
Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.
Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.
Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.
The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.
'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.
Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn.
Pluto’s Plan is back with another carefully selected four-tracker EP, featuring Man/ipulate, Marcos Coya, Existencia Pasajera & Mati F, and Lorenzo Slider. Hard-hitting grooves and pure nostalgia guaranteed.
Here we are - the new release from the italian project Club Soda is finally here!
The trio, made up of Nicola on bass, Simone on drums and samplers, and Filippo on keys, is bringing some real, raw, authentic sounds to the table. Their first LP, "Vibin' Places" dropped in 2020 and it's a versatile homemade electronic album that hits different, whether you're a listener, DJ, or clubber.
This new EP is fire too. A1 track "Basso e Batteria" with Sara Loreni on lyrics and vocals, has clear echoes of a '00s vocal-house joints, but sounds like it was recorded in a Chicago basement. The dirty grooves, thumping bass, and enveloping pads create a free-form vibe that's perfect for you summer madness.
But then they go and take it to the next level with the remixes on B side. Cristalli Liquidi's remix is on some current dance floor-ish, with bouncing rhythms, a wild bassline, and a catchy vocal cut. And Hill's dub mix is straight up trippy - like you're lost in a warehouse at 6am, with dreamy pads, a solid bassline, and rhythms that are distant but still pull you in.
And let's not forget "Gin Tonic" (A2) - it's a dope sunset jam session that's pure “Club Soda style”, with congas, DX7 keys, funky bass, and an MPC chop. This EP is the real deal, from start to finish! Shout out to Giulia Dall’ Ara for the sick artwork on the cover and label too - she killed it!
After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ, fatally wounded in a climate related event.
All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. Wailing odes tell the story of the catastrophic activity of eroding waves and winds shaping the land that are enhanced by the climate crisis. First hand experiences and meetings with local maritime experts on the subject of these receding coastlines inspired Wanderwelle to compose these albums.
During their travels, the artists stumbled upon a small church in a town on the east coast of Scotland. The building was quite damaged, the roof was being stabilized and the ancient walls showed great tears running vertically down the structure. One of the church’s volunteers told Wanderwelle that the damage had been caused by a nearby cliff that collapsed in the sea. An event increasingly common in the region.
The church organ was ruined in such a way that it was deemed unplayable, as most of the pipes were gravely damaged and in dire need of restoration. Musical instruments directly affected by the environment -and especially the climate crisis- are quite rare. Despite the damage, the artists were allowed to record a few tones of the instrument with their equipment, which was actually meant to be used for field recordings later that day.
In Black Clouds Above The Bows, antique cavalry trumpets were recorded and manipulated by Wanderwelle to sound an environmental alarm in the same manner as they were once used to warn men on the battlefield. Similar processing was used on the recordings of the dying organ, resulting in spectral, deconstructed tones beyond recognition. In addition to the damaged organ, the artists recorded piano, cello and harmonic additive synthesizers in later stages of the composition process, manipulating these sounds to mimic the perpetual activity of the sea shaping the land.Furthermore, a great deal of inspiration was found in maritime superstition, lore and mythology.
As told in the legend of Aspidochelone, a legendary sea creature of enormous size, was once mistaken for an island. After sailors docked and lit a fire, the beast submerged resembling a land mass sliding into the sea. The album’s title is derived from the saying ‘All Hands Bury The Dead’, a maritime burial phrase, as the duo likes to think ‘All Hands’ refers to all of mankind since we are all responsible for these impending catastrophes.
Cello, violin, voice, pipe organ (damaged), bowed guitar, EBow, Prophet-6 synthesizer, modular synthesizer, field recordings.
RIYL: Oliveros/Deep Listening, Arvo Part, Lambda Sond, Sarah Davachi
Tutto Bene is the new imprint of the North German vinyl digger Hagel. The plan? Release infectious but versatile grooves reminiscent of the nineties with hefty doses of funk - rich in percussion, rolling sub basses, charismatic rhythms, and light-hearted yet odd synths. The first record, 'Too Easy EP', comes signed by AlleyOP, a collaboration project between Hagel and Berlin-based wonder producer Atree, and features two original tracks and two remixes by Lorenzo Chiabotti and Audio Werner.
A side's 'Die Another Day' opens the record with robotic rhythms under mildly paranoid tones proper for dancefloor hypnotization. Lorenzo Chiabotti brings an unexpected melodic touch to the original, completely re-shaping its groove and determinately swapping its freaky tonalities with hopeful scales. B side's 'Too Easy' follows the same path of minimal arrangements and straight-to-the-point drum programming and sampling but opts for warmer sonic tones - making it appropriate for dusk and dawn dancefloor moments. Audio Werner elevates the warmth in scale and ups the vibe by intensifying the breaks and synth atmosphere of the original and shooting it into a stratosphere where melody and detail are elementary.
Son of Chi returns to Astral Industries, alongside Spanish artist Clara Brea, for the collaborative release of AI-29. A product of fate, chance experiments, but most of all, sensitive artistry - ’The Wetland Remixes’ exists as a confluence of two kindred musical spirits, a wayfaring epic that draws together a rich archive of ecological field recordings, live instrumentation and higher inspirations.
Ahead of Hanyo’s concert at Calma (Madrid) at the end of 2019, the curators organised a special dinner and arranged the meeting of Clara and Hanyo. As Hanyo recalls,“It was like stereochemistry. There was an instant match and understanding, and basically we decided in a split second to exchange recordings and to collaborate on future live and studio experiments.”
The auspicious meeting of the two ignited a remote exchange of materials and ideas, as the world descended into a series of pandemic-related lockdowns. The first of said recordings included the stems of Clara’s ‘Wetland Project’ - a site-specific audiovisual project originally produced for Eufonic Festival (Spain), using field recordings from the Ebro Delta nature reserve (one of the most threatened regions of climate change on the Iberian peninsula).
From this initial impetus, Hanyo began working on the first sketches of the album back in Rotterdam, Netherlands. Just like their meeting in Madrid, the project developed naturally and spontaneously with extraordinary ease. Later, Hanyo started adding field recordings from the Magic Cave and Wetlands of the ‘Kallikatsou’ (Patmos, Greece) as well as organic and acoustic overdubs, featuring bass, drums, percussion, guitars, oud, piano, hammond organ, wurlitzer, flutes, bells, and mouth harp.
In the distance, the sound of birds peak through the effervescent wash of the wetland soundscapes. The pass of running water flows deeper into a land full of secrets never told. On the strike of dusk, the silhouettes of shapely trunks and foliage melt slowly into the impenetrable darkness. As darkness passes, light emerges, with exquisite moments of tranquility that seemingly emerge from nothingness.
Beneath the shimmering veneer of textures, wildlife and melodies, one may hear the deeper references of ’The Wetland Remixes’. With credit to Clara’s input, for Hanyo the album process became a kind of refuge, and ultimately inspired the return to the core of Abstract Sound - what the Sufis call“Saut-i Sarmad.”Such references allude to the spiritual quality embedded in the music - the autonomous process of self-expression, the great mystery. Hanyo: “An ambience like this cannot be created by routine. There is no blueprint. The music has to find you. It’s like a blessing if it happens. You should not interfere, just observe and be impressed...”
Deep, luscious mind trips as per the classic Chi sound, ‘The Wetland Remixes’ beautifully correlates the interconnecting dots of geography, ecology, and mythology’s forgotten lore.
- A1: Can’t Get Enough Feat Sahara Beck
- A2: At The Disko & Lorenz Rhode
- A3: Fireworks Feat Moss Kena & The Knocks
- A4: Don’t Stop
- B1: Dopamine Feat Eyelar
- B2: I Remember & Elderbrook
- B3: Opposite Of Crazy Feat Bloom Twins
- B4: Hypnotized & Sophie And The Giants
- C1: Loneliness Feat Francesca Lombardo
- C2: Hands To The Sky Feat Fiorious & House Gospel Choir
- C3: Money Money & Pink Flamingo Rhythm Revue
- D1: Playbox
- D2: Exotica Feat Mind Enterprises
- D3: Wanna Feel Like A Lover Feat Ed Mac
3rd Edition, Black Version!
Curtea Veche celebrates its 10th release with this stunning 10' by Pressure Traxx boss Einzelkind & and Point of view head honcho Giuliano Lomonte, There will be a very limited amount of the Splatter effect vinyl and the rest will be black !
Played by Franco Cinelli , Raresh , Cesar Merville , Suciu, Lorenzo chiabotti & More
Lorenzo Chiabotti's 'Each One Teach One EP' starts with the subtly minimal roller 'Esc One', 'Blondie Brownie Beat' follows on, taking a more electro edged approach whilst title track 'Each One Teach One' bubbles along on a tide of energetic percussion.
After the success of his 'I Speak Synth' EP which gained massive support globally from the likes of Barac, Cap & East End dubs, Lorenzo Chiabotti is back on Fake, this time with Vatos Locos's David Gtronic, 3 deep hypnotic grooving house tracks that have been getting support from the Fuse London crew amongst others.
Mana is producer and composer Daniele Mana from Torino in Italy. His debut EP for Hyperdub, 'Creature', is also the first under his own surname. It's one of his most vivid, personal and confident releases to date. Since 2010, he has been releasing under the moniker Vaghe Stelle, with EPs and two full length albums on labels such as Gang of Ducks, Aisha Devi's Danse Noire, Astro:Dynamics and most recently, Nicolas Jaar's Other People records. He is also a member of One Circle with Lorenzo Senni and soundtracks composer Francesco Fantini. On 'Creature', over eight tracks, he ingests Shostakovitch, Drexciya, Darkthrone, Frank Ocean and Paul Lansky, and refashions them into an almost operatic record - a rich, melodrama of dark tension and excitable in-your-face synth melodies. In using his own name for the first time, he says he is confronting the unfiltered, brutal truth' of his self, compressing tension and anxiety' into a claustrophobic sense of emotional vacuum.' From the skulking clockwork of 'Crystaline,' the rich drifting ambience of 'Sei Nove', to the panicky, rushy rave stabs meets horror theme of 'Running Man', it's lucid, dynamic synth music which uses drums sparingly, but occasionally swirls into little sublime vortices of arpeggiated hyperrhythm. The melodies are bright and pitch bent, swollen by euphoric voltage surges and stuttering, soaring strings in 'Rabbia', plucking wide-screen, heart strings on 'Uno e Solo' and lulling down into the delicate, shimmering prisms of 'Wetlife' and 'Consolations'. While in its own lane, 'Creature' feels totally at home on Hyperdub.
Every record includes a downloadcode to get the whole digital release for free via Facebook !!
Moenstrous teamplay EP on Moensterbox. The family in form of Moenster and Rene Onze gets joined
by newcomer Tasaka and Dan Caster & Toby Montana (Stil Vor Talent, Shaker Plates).
Played & supported by Monika Kruse, Hanne & Lore, Patrick Kunkel, Gunjah, Arts & Leni, Paco Osuna, Carlos Sanchez and many more.
After a long development with several releases for Labels like Microtonal and Inclusion Records
Sascha finally decided to set up his own playground to release music with heart and emotions.
The debut EP is pretty much showing his large variety of producing unique music.
Played & supported by Laurent Garnier, Toni Rios, Max Cooper, Slam (Soma), Alexi Delano, Paco Osuna (Plus 8),
Anderson Noise, Alex Flatner (Cocoon, Poker Flat), Patrick Kunkel (Cocoon), Tim Xavier (Clink),
Kolombo (Kompakt, Systematic), Carlos Sanchez (8bit Supernature), Patrick Lindsey, Franco Bianco (Argentina),
Hanne and Lore, Microtrauma (Traum), Alec Troniq (Ipoly), Beatamines, Summer - Brendon Collins (Manual Music),
Fine Cut Bodies (Chi Recordings, Resopal), Turm 3 (Seenplatte), Laurent N. (France) and more
We welcome David Jach (Deich Records, Kol Mojito, Mangue Records) - DJ
and Promoter from Dresden, Germany on Cometomusic. After delivering a hot remix for Raumakustik´s 'Glaub Mir Doch' David presents a great melodic and charming Original with two massive remixes - a straight one by Minimal Lounge (Damm Records, Rennbahn, 040 Recordings) and a house remix by Timo Jahns (9Volt, Freundchen, Klang Gymnastik)
Played & supported by Butch, Sascha Braemer, Hanne & Lore,
NTFO, Andreas Henneberg, Marco Fender, Oscar, Alexi Delano,
Paco Osuna and many more.
crystal clear vinyl[27,94 €]
Black Vinyl[23,49 €]
vintage transparent green vinyl[27,86 €]
Black Vinyl[23,49 €]
2026 Repress
Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.
Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.
'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.
Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.
- 1: Neo-Paperopolis Jump Suite
- 2: Upworld Groove (Tv Version)
- 3: You Wouldn't Understand It's Swamp Thing
- 4: The Neverending Skylines Of Taipei
- 5: E.b.e. Bridge-Jump
- 6: A View From The Otherside Of The Rollercoaster
- 7: Central Jungle, Paperopolis
A conjuration between our favourite dreamweaver Spencer Clark and Italian psychic traveller Mondo Riviera, Lorenzo's Oil present an oracle of aural travelogues between seen and unseen worlds on 'Paperopolis'.
Two likeminded individuals on their distinct but complementary quest for the netherworld, Clark and Riviera's meeting of the minds projects sonic artefacts assembled from lucid dreaming keyboard pads, narcotic late night TV rhythms, spiralling sequences and mangled voices.
The 10+ minutes 'Neo-Paperopolis Jump Suite' makes these intentions quite clear right from the start, veering from no frills keyboard runs to a mid tempo bounce and on towards the house of mirrors synth stabs and driving rarefied percussion that close the suite and open the pathway to such "places" as 'Central Jungle, Paperopolis' and "visions" as 'The Neverending Skylines of Taipei'. Ride on.
- A1: Window In The Sky
- A2: The Bachelor
- A3: Harry
- A4: Helnwein
- A5: Youth Packing
- A6: Syukatsu Process
- B1: Grandia Ad
- B2: Collapse Roppongihills
- B3: Driftwood
- B4: Memoria
- B5: Drakedreamdrain
- B6: Get Out
Following his critically acclaimed debut "Dentsu2060" released via Lorenzo Senni's Presto!?, Tasho Ishi's second full-length album "Tasho Ishi lI" is now available on his own label T's.
tI features the new-wave Parapara anthem "Collapse Roppongihills" which became a staple at Narita Airport raves. celebrity trap rave track "DreamDrakeDrain" reminiscent of jam session between Drake and David Chronenberg. the junk entertainment track "Hellnwein" depicting modern pop utopia and its violent underbelly.
The Japanese-style Eurodance meets Philip Glass "The Bachelor" inspired by reality TV. These anthems are contemporary, pop, and carry Tasho Ishi's unique critical edge.
The second album, 'Tasho Ishi Il', is both a musical translation of Japan's diverse techno-animism and a sequel to the previous work "Dentsu2060" Techno-animism: Para Para, anime voice actors, reality TV, epics, advertising, and raves. Each track stands alone yet forms part of a larger, chronologically unfolding narrative.
While all tracks are animated by Japan-specific sound imagery, this is a pop album rather than avant-garde or abstract. In essence, it's a series of songs generated by rave trans-layers, serving as both reportage and documentation tracing Tasho Ishi's visionary city and its phenomena.
- A1: Glimmerine
- A2: A Slow Collision
- A3: Gravity Test
- B1: Tilth (Apparat X Káryyn)
- B2: Hum Of Maybe
- B3: A Echo Skips A Name
- C1: Enough For Me
- C2: Lunes
- D1: Williamsburg
- D2: Pieces, Falling (Apparat X Bi Disc)
- D3: Recalibration
Ltd. Green Vinyl[28,53 €]
Six years after his Grammy-nominated LP5, Sascha Ring - aka Apparat - takes a bold dive into the complexities of life with his sixth studio album.
A Hum Of Maybe is detailed, finely crafted, and wonderfully unpredictable. At its core, the record is about love - for himself, his wife, and his daughter - and holding onto it, protecting it, and constantly recalibrating as it is in a constant state of flux. As the title suggests, the songs explore being stuck in between: not a clear yes or no, but A Hum Of Maybe.
Ring elegantly combines the perspectives of an electronic producer and a classical composer, working closely with long-time collaborators Philipp Johann Thimm (cello, piano, guitar) - who also co-wrote and co-produced the record - Christoph “Mäckie” Hamann (violin, keyboard, bass), Jörg Wähner (drums), and Christian Kohlhaas (trombone). The album also features Armenian-American artist KÁRYYN - Apparat’s Mute labelmate - on ‘Tilth’, and Berlin-and Rome-based musician Jan-Philipp Lorenz (aka Bi Disc) on ‘Pieces, Falling’.
A Hum Of Maybe is complex, deeply personal, and embraces a state of limbo, marking an exciting new chapter for Apparat.
- A1: Purple Disco Machine - Body Funk
- A2: Shakedown - At Night (Purple Disco Machine Extended Remix)
- B1: Claptone & Mylo - Drop The Pressure (Purple Disco Machine Remix)
- B2: Tensnake - Coma Cat (Purple Disco Machine Extended Re-Work)
- C1: Purple Disco Machine - In My Arms
- C2: The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix)
- D1: Purple Disco Machine - Beat Fantasy
- D2: Fallout - The Morning After (Purple Disco Machine Re-Work)
- E1: Purple Disco Machine - Dished (Male Stripper)
- E2: Fatboy Slim - Praise You (Purple Disco Machine Remix)
- F1: Spiller Ft. Sophie Ellis-Bextor - Groovejet (If This Ain't Love) (Purple Disco Machine & Lorenz Rhode Remix)
- F2: Weiss - Feel My Needs (Purple Disco Machine Mix)
Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.
- 1: Eternal Silence
- 2: Look Away
- 3: The Apparition
- 4: Gifted Shame
- 5: No Hand To Lead
- 6: Prediction
- 7: Burials Of Birth
- 8: Fractures
- 9: New Day Symptoms
- 10: Pale Sun
Steeped in nocturnal, death rock adventurism, riven with a post-punk anxiety that feels increasingly like the twitching heart of our modern age, and driven by hardcore punk intensity, the second studio album from Boston’s FINAL GASP, titled New Day Symptoms, does what all great rock records do - not only does it place itself within a lineage, summoning up and amplifying a spectrum of powers from Rock n' Roll lore, it makes them resonate in the here and now. It gives voice to those fears and frustrations lurking just under the surface of waking consciousness and turns them into a rallying cry. Throughout New Day Symptoms, FINAL GASP create a potent reaction from the furious and the forlorn, frontman Jake Murphy’s vocalizes both a supercharged howl into the void and a remorseful echo back. But where the band’s 2023 debut, Mourning Moon, was a concentrated shot of acrid, underground death rock, its propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms keeps all the core urgent energy while vastly broadening its scope. Through the anthemic, acid-corroded vistas of "Look Away" and gothic tub-thumping beat of "Gifted Shame" to "No Hand To Lead" channelling "Don’t Fear The Reaper" and its loping groove, New Day Symptoms takes the familiar into uncharted territory and makes the unfamiliar instantly, internally recognisable. With new space to explore, this is an album that feels a mapping of personal trials and dark recesses. Short: Boston's FINAL GASP return with New Day Symptoms - the new album steeped in nocturnal, death rock adventurism, riven with a post-punk anxiety that feels increasingly like the twitching heart of our modern age, and driven by hardcore punk intensity! FFO: Danzig, Killing Joke, TSOL, Lathe of Heaven, Poison Ruin, Gouge Away, Tribulation
- 1: =
- 2: Sovay
- 3: A Nervous Tic Motion Of The
- Head To The Left
- 4: Fake Palindromes
- 5: Measuring Cups
- 6: Banking On A Myth
- 7: Masterfade
- 8: Opposite Day
- 9: Skin Is, My
- 10: The Naming Of Things
- 11: Mx Missiles
- 12: =/=
- 13: Tables And Chairs
- 14: The Happy Birthday Song
In 2003 Andrew Bird removed himself from the noise of city life in Chicago to work on his music in a barn in rural Illinois. The result was a career-defining record exploring childhood, creativity, and science with wit, precision, and ambition. The Mysterious Production of Eggs crystallized Bird’s signature style and introduced the live-looping ingenuity that would define his performances for decades.
Two decades later, its influence still resonates throughout the indie world, inspiring artists and audiences alike. This year, Bird marks the milestone with a limited edition boxset, a re-issue of the original album, and anniversary tour, performing Eggs in full alongside the world’s foremost symphony orchestras proving that some mysteries only grow richer with time.
Alongside the 3LP deluxe boxset, Bird is re-issuring the beloved album garnished with deluxe reimagined artwork by longtime collaborator Jay Ryan, whose whimsical artwork graced the original and is a crucial part of its lore.
- 1: Bella Donna (4:08)
- 2: Générique (4:3)
- 3: Venus Mélodrame (4:47)
- 4: Solide Solitude (3:30)
- 5: Bleu Mirage (:49)
Générique unveils a rich musical world that brings French chanson, indie rock and electronic textures together. The five tracks, recorded at La Frette Studios in Paris, are brought to life by an ensemble of acclaimed Anglo-American musicians directed by Mercury Prize-winning producer James Ford and Loren Humphrey. Tinged with dark, mischievous poetry that glimmers with sensuality, Générique is a hymn to liberated women. A call to live and love freely.



































