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The S.E.T. - Self Evident Truth
  • 1: This Chain
  • 2: T.m.t
  • 3: White Lies (Feat. Gut Instinct)
  • 4: Predetermined Hate
  • 5: Prey Strikes Back
  • 6: Truth Revealed
  • 7: Self Evident Truth
También disponible

Tape[14,50 €]


Out of Baltimore, Maryland comes The S.E.T. who are crafting 100% unapologetic hardcore music. Formed between bassist Che (founder of Flatspot Records), guitarist Brady (formerly of Turnstile), and drummer Ryan (formerly of End It), the band started through jam sessions in early 2024. Before they knew it, they had instrumentals for seven songs written and were ready to put lyrics to the tracks, and the search for a vocalist began. Che spotted Tim hopping on stage and grabbing the microphone at Disturbin’ The Peace Festival, invited him to try out for vocalist, and The S.E.T. was then complete.
The S.E.T. will release their debut Self Evident Truth EP, on February 27th through Flatspot Records. It’s 15 minutes of fury and groove, taking cues from Baltimore acts such as Gut Instinct (whose Sebastian Gorgone features on “White Lies”) and Stout and the crossover sounds of New York like Leeway and Judge. Recorded and mixed by Justin Day at New Noise Recording and mastered by Brad Boatright at Audiosiege, the tracks roar with thick bass lines, fast-paced drums, and rage fueled vocals. Lyrics come from a place of candor, expressing the basis of equal rights and defying the propaganda the current administration is spewing.
As The S.E.T. comes into fruition, the band wants to exist as a place to put words to action and come together as a community through both their music and live shows

Reservar06.03.2026

debe ser publicado en 06.03.2026

25,00
The S.E.T. - Self Evident Truth (Tape)

Out of Baltimore, Maryland comes The S.E.T. who are crafting 100% unapologetic hardcore music. Formed between bassist Che (founder of Flatspot Records), guitarist Brady (formerly of Turnstile), and drummer Ryan (formerly of End It), the band started through jam sessions in early 2024. Before they knew it, they had instrumentals for seven songs written and were ready to put lyrics to the tracks, and the search for a vocalist began. Che spotted Tim hopping on stage and grabbing the microphone at Disturbin’ The Peace Festival, invited him to try out for vocalist, and The S.E.T. was then complete.
The S.E.T. will release their debut Self Evident Truth EP, on February 27th through Flatspot Records. It’s 15 minutes of fury and groove, taking cues from Baltimore acts such as Gut Instinct (whose Sebastian Gorgone features on “White Lies”) and Stout and the crossover sounds of New York like Leeway and Judge. Recorded and mixed by Justin Day at New Noise Recording and mastered by Brad Boatright at Audiosiege, the tracks roar with thick bass lines, fast-paced drums, and rage fueled vocals. Lyrics come from a place of candor, expressing the basis of equal rights and defying the propaganda the current administration is spewing.
As The S.E.T. comes into fruition, the band wants to exist as a place to put words to action and come together as a community through both their music and live shows

Reservar06.03.2026

debe ser publicado en 06.03.2026

14,50
Oronzo De Filippi - Meccanizzazione LP
  • 01: Architettura Industriale
  • 02: Fabbrica - I Versione
  • 03: Fabbrica - Ii Versione
  • 04: Termomeccanica
  • 05: Dinamica
  • 06: Raffineria
  • 07: Dinamica - Ii Versione
  • 08: Meccanizzazione Agraria
  • 09: Industria Metallurgica
  • 10: Chimica Industriale

First-ever official reissue - 180g black vinyl edition

In the late 1960s, a distinctive musical movement began to flourish in Italy—while also gaining momentum abroad, particularly in France and the United Kingdom. Known as library music (or sonorization), this genre consisted of genuine music libraries created specifically to accompany audiovisual productions such as television programs, commercials, documentaries, and films.

Produced under conditions of complete artistic freedom, these recordings often defy clear categorization, as they are not tied to any single musical genre. This creative independence allowed composers—frequently working in total anonymity—to experiment boldly, crafting avant-garde and forward-thinking sounds that, in many cases, anticipated musical trends that would only become widespread years later.

Oronzo De Filippiis known not only for his contributions to library music, but also for being part of the projectThe Braen's MachinealongsideAlessandro Alessandroni, one of the most significant figures in this field.

Meccanizzazione is a fully instrumental album—as is typical of the genre—literally dominated by the distinctive sound of the harpsichord. The record essentially alternates between two main compositional approaches: on one hand, more accessible and "friendly" tracks with a refined jazz-lounge and bossa nova flavor; on the other, darker and more hypnotic pieces, whose repetitive structures vividly evoke the rhythms and mechanical pulse of the industrial world.

Reservar06.03.2026

debe ser publicado en 06.03.2026

28,36
Fabio Monesi - Cruel Intention LP 2x12"

"Wilson Records proudly presents the new LP by Fabio Monesi, an artist known for his uncompromising analog approach and his ability to merge heritage with innovation. This latest work draws from a rich palette of influences--new wave atmospheres, raw electronic structures, and the unmistakable pulse of Chicago house while projecting a distinctly future-facing vision. Crafted entirely through hardware sessions, the album showcases Monesi's deep command of analog equipment and his instinct for blending grit with elegance. On You Are The One For Me, Fabio lends his own voice, adding a personal touch that shapes the emotional core of the record. A profound and reflective body of work, the LP explores themes of self-awareness, resilience, and inner transformation. Based on a true story."

Disponible a partir del29.04.2026

27,10

Ültimo hace: 11 Días
JAMIIE & Ape Drums - 4ME (Incl. Whitesquare Remix)

JAMIIE & Ape Drums reunite for captivating collaboration ‘4ME’ on Crosstown Rebels.

Out on 27th February 2026, the Berlin-based DJ/producer and Miami-based Major Lazer member make their first appearance on Damian Lazarus’ label, featuring a bold reinterpretation from Whitesquare.
Following their widely championed 2025 collaboration ‘111’, a standout of the summer season, JAMIIE and Ape Drums reconnect for ‘4ME’, a track born from long-distance sessions and a unique creative flow. Crafted via a partnership that thrives on spontaneity, with ideas bouncing seamlessly between Berlin and Miami, the result is a production that feels alive, organic, and meticulously detailed as they both make their debut appearance on Damian Lazarus’ renowned Crosstown Rebels imprint.

The original ‘4ME’ moves at its own pace, layering resonant synth textures, alluring vocal phrases, and subtle melodic chords to create a hypnotic pull. Moments of intimacy give way to rolling, percussive grooves, pulling the listener into a slow-burning, immersive journey.

On the flip, Italian DJ/producer and returning Crosstown Rebels talent Whitesquare sharpens the track, injecting jittering percussion, bubbling organ stabs, and a taut, club-ready pulse that transform the hypnotic original into a late-hours weapon without losing its emotional core. A continuation of their creative dialogue, ‘4ME’ showcases JAMIIE and Ape Drums’ ability to fuse emotive depth with kinetic energy, offering a release that captivates from the first listen to the final drop.

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13,87

Ültimo hace: 3 Días
Italo Deviance - Purple Galaxy

Italo Deviance aka Marcello Giordani returns with the captivating "Purple Galaxy", a standout Electro/Cosmic gem crafted exclusively with warm analog synths, delivering an impeccable blend of vintage futurism and hypnotic groove. On the flip side, the previously unreleased "Weightless" makes its vinyl debut: a sleek Acid/Disco cut pulsing with raw 303 lines, funky basslines otherworldly atmospheres perfect for late night dancefloors and collectors alike. A must have 12" that bridges classic influences with timeless dancefloor energy.

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13,66

Ültimo hace: 11 Días
Anna Prior - Firefly EP

Having transitioned between London, Lisbon and back again as a DJ and producer, as well as across the world as the drummer in beloved pop group, Metronomy, Anna Prior remains an essential and independent force in alternative and electronic music culture. The current epicentre of this creativity is undoubtedly Prior’s own label, Beat Palace. Established in 2021, it has showcased the talent and diversity of FLINTA producers carving an esoteric space within alt-pop and electronic music.

Returning to the imprint for the first time since its inception, Anna Prior utilises this vital platform to refine her own craft across the five-track ‘Firefly’ EP, exploring new moods and styles, balancing playfulness with vulnerability, shadow and light. Prior describes ‘Firefly’ as, “a collection of moments - some fleeting and some stubbornly lingering.... Each track came together almost by accident, but now feels to me like they've always belonged together.”

Lead single ‘True For You’ pulsates with soft euphoria, as Prior weaves softly cascading synths with her own earnest declarations, composing a sensual, sophisticated drama about “letting other people's differing truths sit alongside your own” that nonetheless carries a distinct club energy. In contrast, title track ‘Firefly’, written alongside co-producer Matt Karmil, unfolds as a spoken-word piece, investigating memory, “the tricky mirror that reveals more than it conceals”. Throughout, Prior’s inquisitive, native Yorkshire accent anchors a wide-eyed soundscape that gradually, impressively escalates into the cinematic.

Centerpiece track ‘Silence’ turns this approach inside out, escalating the tempo and revealing a DnB-influenced shade of Prior’s work that is certain to surprise and impress, scattering elegant syllables amongst serious soundsystem pressure as Prior navigates the feeling of being ghosted; by friends, lovers and even her own work. ‘No More Drama’ returns to pop, presenting a bold cover of Mary J. Blige’s classic that inverts the original’s unmatched intensity for a more serene, but no less affecting rendition.

Finally, ‘Beside You’ delivers one last, sublime blend of Prior’s songwriting and sequencing instincts, a simple pop incantation that coaxes dancers into a soft trance while concluding with a reminder from Prior that “amid life’s unanswered calls and fleeting highs, there is always space to feel safe and unjudged.” Concluding this sublime EP, Prior finds new ground to settle into her talents.

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14,50

Ültimo hace: 51 Días
Fabe - Flowkey EP

Fabe

Flowkey EP

12inchSN017
Salty Nuts
02.03.2026

Limited obi strip edition, exclusively in our store!

To celebrate the 10th anniversary of Salty Nuts, label head Fabe returns with his first EP of 2026.

The record captures the unmistakable signature of the label: groove-driven drum work, punchy basslines, and razor-sharp sample chops, all coming together to form the infectious sound Salty Nuts is known for.

Across four carefully crafted club tracks, Fabe delivers music designed to work at any moment on the dance floor. Each cut carries peak-time energy while remaining versatile enough to set the tone in early hours or drive the floor deep into the morning.

Disponible a partir del24.04.2026

13,24

Ültimo hace: 16 Días
Dae Han - Blue

Dae Han

Blue

12inchAGS-031LP
Aloha Got Soul
28.02.2026
  • 1: Dc2Nyc
  • 2: Interlude 1 (Movin')
  • 3: Dc2Nyc2 (Feat. Maryanne Ito, Shing02, Spin Master A-1)
  • 4: Interlude 2 (Ooh Aah)
  • 5: Blue (Feat. Nicholas Kaleikini)
  • 6: Interlude 3 (Game Over)
  • 7: Honolulu Jazz
  • 8: Disco
  • 9: The Flu
  • 10: In A Dream

Dae Han is the unsung backbone behind progressive Honolulu acts and international artists. He’s the go-to drummer whenever Japanese rapper Shing02 tours the US and Asia with a full band. In 2019, Takuya Kuroda tapped Dae to organize a band to support the Brooklyn-based trumpeter’s gig at Blue Note Hawaii. Dae also recently teamed up with guitarist Gilbert Batangan and bassist Mark Tanouye to open for Khruangbin. And every year he organizes an always impressive jazz-forward tribute to the late J Dilla.

On the drums, Dae’s swift, technical style compliments every situation, from jazz and funk to R&B, reggae, and hip hop. Much the same, Dae has approached the compositions and arrangements for his debut with craft and purpose.

BLUE, coming in February 2020, came to fruition over the past 12 months with the help of Nelson Cho, the musician and recording engineer behind Lightworks Recordings in Wahiawa, Oahu. Together, the two spent countless hours honing a sound that travels across hip hop, jazz, and house.

The resulting songs act as a diary of the artist’s fateful journey from Washington D.C. through New York to Honolulu, where he resides today. Reflecting on joyful highs and the lowest lows, Dae creates a collage for the listener to hear, appreciate, and understand the path he’s traveled thus far.

Reservar28.02.2026

debe ser publicado en 28.02.2026

20,59
Ben Kweller - Cover The Mirrors LP
  • A1: Going Insane
  • A2: Dollar Store (Feat. Waxahatchee)
  • A3: Trapped
  • A4: Park Harvey Fire Drill
  • A5: Depression (Feat. Coconut Records)
  • A6: Don't Cave
  • B1: Optimystic
  • B2: Brakes
  • B3: Killer Bee (Feat. The Flaming Lips)
  • B4: Letter To Agony
  • B5: Save Yourself
  • B6: Oh Dorian (Feat. Mj Lenderman)

San Francisco–born singer-songwriter Ben Kweller returns with Cover The Mirrors, his seventh studio album — and perhaps his most personal work to date. Known in the late ’90s as a member of post-grunge outfit Radish, who were signed to Mercury Records and even counted Nils Lofgren among their fans, Kweller has since carved out a long and prolific solo career rooted in melodic indie rock and unfiltered emotion. Cover The Mirrors is a deeply poignant record, written in honour of what would have been Kweller’s late son Dorian Zev’s 19th birthday. It also marks Kweller’s first release since Dorian’s tragic passing in 2023 — an event that reshaped both his life and his music. Far from retreating into silence, Kweller channels his grief into a collection of songs that explore loss, love, and renewal with raw honesty. “This is the most personal, emotionally raw project I've ever worked on,” he reflects, and every track bears that truth. The album features an impressive roster of collaborators from across the indie landscape: Waxahatchee joins on “Dollar Store,” a sparse and arresting song built on two vocals and a guitar that eventually erupts into a distorted, soaring finale; MJ Lenderman lends his touch to “Oh Dorian,” a tender tribute steeped in warmth and melancholy; Jason Schwartzman resurrects his mid-aughts project Coconut Records for the haunting “Depression”; and psych-rock icons The Flaming Lips appear on the shimmering, otherworldly “Killer Bee.” Musically, Kweller’s craft is as sharp and sincere as ever — intimate yet expansive, stripped-down yet powerful. Cover The Mirrors captures an artist walking through grief with purpose, turning heartbreak into something both fragile and transcendent. It’s the sound of Ben Kweller looking loss directly in the eye — and finding beauty, courage, and connection reflected back. - “One of the great American songwriters” – Jack Antonoff TRACKLIST: A1. Going Insane A2. Dollar Store (feat. Waxahatchee) A3. Trapped A4. Park Harvey Fire Drill A5. Depression (feat. Coconut Records) A6. Don't Cave B1. Optimystic B2. Brakes B3. Killer Bee (feat. The Flaming Lips) B4. Letter To Agony B5. Save Yourself B6. Oh Dorian (feat. MJ Lenderman) Clear Vinyl LP

Reservar27.02.2026

debe ser publicado en 27.02.2026

28,53
Damily - Fanjiry LP

Damily

Fanjiry LP

12inchBJR119LP
Bongo Joe
27.02.2026
  • 1: Fanjiry
  • 2: Alohotsy
  • 3: Sikilony
  • 4: Kalavabitiky
  • 5: Zongoya
  • 6: Zipo Tralala
  • 7: Tsapatsapao
  • 8: Roro Soa
  • 9: Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn — not away from trance, but deeper into its core.

Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely — bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark.

There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title — the last star before dawn — captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

Reservar27.02.2026

debe ser publicado en 27.02.2026

24,79
Parlor Greens - Emeralds LP

Parlor Greens

Emeralds LP

12inchCLMN12072LP
Colemine Records
27.02.2026
  • 1: Eat Your Greens
  • 2: Mustard Sauce
  • 3: Drop Top
  • 4: Parlor Change
  • 5: Emeralds
  • 6: Letter To Brother Ben
  • 7: Francisco Smack
  • 8: Jolene
  • 9: Lion’s Mane
  • 10: Red Dog
  • 11: Queen Of My Heart

Emeralds, the sophomore long player from Parlor Greens, finds the trio serving up a beautifully curated sampler of what funky organ music can be. Three true masters of their respective crafts: Tim Carman (formerly of GA-20) on drums, Jimmy James (True Loves, formerly of Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Seasoned and soulful pros coming together to make infectiously funky instrumental jams. Parlor Greens are truly in top form: tour tight and more confident than ever in who they are and where they’re going.


The first time these three met in Loveland at Colemine’s Portage Lounge studio was marked by a certain freshness. It was new, it was the first time they had all played together. It was exciting, it was unknown territory. The session for Emeralds weighed much heavier on all three members. All three dealing with personal tragedies in their individual lives, the session truly served as a genuine moment of joy for the group. Just three talented musicians, writing and playing music now as friends in a familiar environment. No moment is the weight of the session more obvious than with the album’s closer, “Queen Of My Heart,” a tune Jimmy wrote for his mother shortly after she passed away. So with a heavy and soulful heart, Colemine Records is beyond proud to present the sophomore effort from three maestros. Parlor Greens presents… Emeralds.

Reservar27.02.2026

debe ser publicado en 27.02.2026

26,85
DAMILY - FANJIRY

DAMILY

FANJIRY

12inchBJRLP119
LES DISQUES BONGO JOE
27.02.2026
  • Fanjiry
  • Alohotsy
  • Sikilony
  • Kalavabitiky
  • Zongoya
  • Zipo Tralala
  • Tsapatsapao
  • Roro Soa
  • Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn - not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely - bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title - the last star before dawn - captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

Reservar27.02.2026

debe ser publicado en 27.02.2026

22,65
MMBTUPM - Meditation Music Beyond The Unsleeping Psychopathic Mind

'Meditation Music Beyond The Unsleeping Psychopathic Mind' — a raw, deep free-jazz exploration where synth, voice, saxophone, and percussion dissolve into a single, unfiltered sound world. No boundaries, no polish — just presence and freedom for sonic expression.

Music spontaneously composed (improvised) by all members of the group. Recorded at Threshold Studios in Hamilton, Ontario, Canada. Produced by our good friend Devin Brahja Waldman and wrapped in hypnotic cover artwork specially crafted by renowned Vancouver-based artist Boone Naka.

Annie Shaw - keys/synth/vox
Sarah Good - keys/synth/vox
Nadah El Shazly - keys/synth/vox
Adam Kinner - tenor saxophone
Connor Bennett - soprano saxophone
Devin Brahja Waldman - synth, alto saxophone
Vicky Mettler - guitar
Alexei Orechin - guitar
Daniel Gélinas - drums, percussion
Philippe Melanson - drums, percussion

Reservar27.02.2026

debe ser publicado en 27.02.2026

26,85
Lance Ferguson - Dominoes / Cold Bear (7")

New Zealand–born, Melbourne-based guitarist, producer, songwriter, DJ and recording artist Lance Ferguson returns with a killer follow-up: two new 7" releases from his third instalment of the acclaimed Rare Groove Spectrum series, offering a fresh set of reimagined and reworked classics. From '70s Australian jazz-funk and Latin-fusion to big-band soul and golden-era funk, Ferguson blends crate-digger sensibilities with modern studio craft.

The "Dominoes / Cold Bear" 7" features the exclusive track "Cold Bear", a fiery reinterpretation of The Gaturs' New Orleans funk classic. Sitting alongside it is a fan favourite among modern funk and soul lovers: Jungle's "Dominoes", stripped back, amped up and played live with an unpolished, authentic feel that pays homage to the essence of the original.

Reservar27.02.2026

debe ser publicado en 27.02.2026

16,39
NUKE WATCH - PEPPER’S GHOST LP

Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be.

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Police, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

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23,74

Ültimo hace: 55 Días
MAKAM - TARP LP 2x12"

MAKAM

TARP LP 2x12"

2x12inchDKMNTL114
Dekmantel Records
27.02.2026

Making a welcome return nine years on from his last outing on Dekmantel, Makam offers up a generous helping of wayward grooves that take his curious spirit even further into unmarked territory. With a strong dub sensibility grounding his rich tapestry of percussion and instrumentation, Guy Blanken follows his own path to arrive at an album that embodies house music as a launchpad for experimentation.

Blanken says himself he was determined to approach his first Makam productions in years from a place of total freedom — "It's not a single direction, but rather a landscape of sounds, moments, and textures. TARP feels like a new beginning, a free project that just had to happen naturally." The steady pulse of the club remains a guiding principle boldly manifested on heads down roller 'Static Shade', but even in the lilting organic loops and tumbling percussion of 'Forgive' there is a funkiness that's beholden to continuous movement.

At times the direct thump of 4/4 disco juts out as a call to dance, not least on 'Flying Birds' and 'La Tuna', but elsewhere the rhythms are more slippery. 'Dub In Loen' plots a delicate path through dub techno and 'Lummel Spirit' casts off into pattering Balearic bliss. The pervasive dub mood of the record comes to the fore on expertly crafted stepper 'Diagonal Rain' and crooked album opener 'Clear Skies'. 'Jackie B' lands as a love letter to quintessential deep house, and yet still there's a left-of-centre charm that gives the track a personality that is pure Makam.

Exuding warmth and imagination at every turn, TARP is the perfect example of how to make a groove-oriented album a rich home listening experience. There are ample moments primed for the spectacle of the dancefloor, but the mellow hue and broad sweep of approaches make Makam's welcome return utterly compelling from end to end.

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24,58

Ültimo hace: 11 Días
TRYPHEME - ODD BALADE LP

TRYPHEME

ODD BALADE LP

12inchIMPTNC09
IMPATIENCE
27.02.2026

French artist Trypheme debuts on Impatience with “Odd Balade”, a darkly-hued collection of songs drawn from human delicacy and dreamworld mythology.

“Odd Balade” is Trypheme’s most ambitious and boldest record to date - both lyrically and musically. The album’s thirteen tracks resist rigid genre boundaries and flutter from medieval folk realms, sprawling synths, gothic 80s wave, leftfield pop, haunted vocals, mutant electronica to reverbed guitars - all reflected through her own shadowy prism. Especially album closer “A Walk In The Vercors” evokes a soothing serenity that echoes the sonic balm of Julee Cruise.

Trypheme’s musical repertoire trends heavily electronic and somewhat abstracted, but on “Odd Balade”, the artist slips into the role of the modern troubadour with a shift to a more poetically and personal songwriting that is infused with symbolism and dreamlike fantasies. The connective tissue of the album is the audacity to love and the vulnerability that ensues. As intimate and introspective as the lyrics are, the themes remain universal and human to the core: the fear of losing a loved one, the melancholia of leaving places and t“the fear of losing a loved one, the melancholia of leaving places and the cycles of life. The record was largely composed in Chars, stirred by the French village’s eerie atmosphere and frequent trips to the seaside in Brittany, where Trypheme resides. Drawing inspiration from the rugged terrain of the seaside landscapes, the writings of Allen Ginsberg and Mark Fisher and the hyperrealist art of Scott Prior, Trypheme uses her songs to depict life with broad strokes of rhythm.

On “Odd Balade” Trypheme consolidates herself as a gifted, nimble songwriter, masterly producer and subtly powerful vocalist. The record combines her skill for crafting lush, alien sound worlds and efficient, alluring arrangements with stealthily devastating songs. Belin’s voice becomes a key ingredient, appearing on eleven of Odd Balade’s thirteen tracks, by turns heavily manipulated, sampled and replayed as a form of percussion, or basically bare.

“Odd Balade” is the manifestation of Trypheme’s roving artistic practice, a ceremonial-grade sacrament cast in a rich nocturnal glow. Pairing the mundane with the mythic, the album stays true to its core: odd and strangely familiar.

RIYL - Riding off into the sunset to an unknown destination, hauntology, present, tales told by the fireside, hot summer rain, adventures, to feel a warm presence when you are walking in the forest or in the mountain, coastal landscapes, sailor’s stories, slow motion, vitesse, heavy blossoms, colors, the warmth of the sun, the tenderness of the moon, getting lost in unfamiliar streets, city’s lights, motorway rest area by night, magic numbers, rendez-vous, picnic, serendipity, poetry, the smell of old records and old books.

Tiphaine Belin has been releasing music as Trypheme since 2016. Odd Balade was written and produced by Belin, and mixed by Belin and Abel Roux. It was mastered by Amir Shoat. Cover art photography is by Ariane Kiks, with art direction by Ariane Kiks in collaboration with Mathilde Chaize.

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22,90

Ültimo hace: 55 Días
Das Spezial - Romantic Schizophremic

the debut release on mule musiq by das spezial.

das spezial is a bold collective of artists crafting genre-defying music that challenges norms and reshapes the uk independent music scene.

this track was recommended to us by henrik schwarz as a perfect fit for a mule musiq release. it is also featured on laurent garnier’s fabric mix cd.

a super-killer track that feels as if isolée and pepe bradock were blended together and then remixed by laurent garnier himself.

the henrik schwarz remix, pitched down, dubby, atmospheric, and deep, is a floor-killer that will be played across the boundaries of house and techno.

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13,87

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Dave Hughes - Fastplay E.P.

Dave Hughes

Fastplay E.P.

12inchCORPO02
IL CORPO
26.02.2026

The second release from Irish label IL Corpo Records comes from Dublin native Dave Hughes. The Fastplay E.P. sees the accomplished audio engineer and Dj return to production duties with 4 carefully crafted excursions into mid tempo deep house with elements of dub and techno. Having had multiple releases on John Tejada’s legendary Palette label and iRecords amongst others, the production values are top notch and well executed making this an interesting listen indeed.

Fastplay chugs along building gradually before sultry vocals from Svelte weave their way into the mix and beckon the listener to the dance floor for the night ahead.

Feel Better is a downtempo dubby experiment inflected with a dose of rave nostalgia.

Walk Alone sees more atmospheric chord work and well chosen percussion that cements the sentimental feel of the E.P.

Tabouli rounds out the release with broken beats wrapped up in mid eastern rhythms. Moody chords and a G Funk lead line keep the groove evolving to the end.

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15,34

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