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Florian Felsch & Dynanim - The Deepwithyou Ep + Dlcode

This vinyl includes a free downloadcode were customers get the whole digital release for free via Facebook !!
Die 001. Auf Basis einer dicken Freundschaft, geben die Gründer Sebastian aus Jena und Florian aus Dresden den Startschuss für ein neues Projekt. - Deepwithyou Records' soll als Plattform dienen, um gleichgesinnten Künstlern und Freunden die Möglichkeit zu bieten, eigene Ansätze und Ideen dem kritischen Musikliebhaber vor die Nase zu setzen. Scheibe Nummer Eins beinhaltet zwei stilgebende Originale und bekommt Unterstützung durch treffsichere Mixe von Sven Tasnadi (Cargo Edition) und Funkwerkstatt (Superfancy). Wir wünschen viel Freude!

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6,97
Gabriel Le Mar - What's Your Sleeper

Brand new in those deeper days, 'DUB 2 DUST RECORDS' is going to start their vinyl-label, releasing electronic dance music with a special
focus on the various colours of deep Dub-Techno and "Dub" inspired Tech-House.

As artists and remixers Marko Fürstenberg, Gabriel Le Mar, Frank Leicher, Quantec, Luke Hess and youANDme will light a match this year for 'DUB 2 DUST' reflecting their passion and respect for the needs of a Dub head on the floor.

The dub-feeling is clearly the inspiration behind the general flavor of the DUB2DUST-Sound and will demonstrate innovative efforts to offer interesting hybrids of techno/house music. 'DUB 2 DUST RECORDS' is operated from Gabriel Le Mar & Carsten Schorr, and already based in Frankfurt am Main, Germany.

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7,69
Marvin Belton - Love Will Find A Way

finally REPRESSED !! Bomb !!

More beautifully crafted deep house from Detroit soul singer Marvin Belton. Recorded in the Motor City soon after 'Bleed To Be Free', this single is soon to be another underground classic. 3 versions including a 808 & 303 Dub for late-night dance floors...

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8,82
Club Winston - Guzzle EP

The Spinning Plates imprint returns this October with Club Winston’s ‘Guzzle’ EP, comprised of four gritty club workouts from the London artist.

The UK’s Club Winston has been steadily unveiling a series of tripped-out club ready cuts via his own UKGEORGE label over the past few years along with remixes from the likes of D.Tiffany and Tim Reaper. Here though we see him join the roster of Spinning Plates with his latest collection of works, an imprint that’s played host to material from the likes of SHKN, Neksha, Andy Rantzen, DJ Spider and Bruno Schmidt since its inception in 2015.

Title-track ‘Guzzle’ leads, laid out across five minutes with a menacing arpeggio bass lead, howling atmospherics and crunchy analogue drums. ‘Hell’ follows and tips the focus over to heavy doses of sub bass, intricately dynamic, modulating drums and intense swells of processed synths throughout.

Opening the flip-side is ‘Chart’, upping the energy levels with a pacey 4/4 drum groove while twitchy resonant synth lines, low-end pulsations and cavernous reverberations ebb and flow throughout. ‘Partook’ then rounds out the release, a cinematic ambient composition which lays focus on swirling, textural pads, glitched out resonant bleeps and fluttering low end hits.

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10,04
Ground16 - Excuse Me (Incl. Pistaccio Remix)

Our 3rd release from Ground16 erupts with deep, earthy aroma, unfurling into a bright, spore-kissed flourish and landing as a rustic, forest-born main that revels in the wild, untamed depth of fungi. PS: As a side, a deliciously nutty remix from Pistaccio caps the whole mycelial journey.

spedizoni da16.06.2026

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13,03
Charlie DK - Educator EP

Drifted welcomes label founder Charlie DK to the imprint for DR007, with his debut Educator EP.

Four club-focused tracks, shifting between high-pressure, peak time energy and stripped back, low-end weighted grooves.

A release shaped over time, now ready for the dance floor.

spedizoni da16.06.2026

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13,03
Kenneth Graham & DJ Kuya - Westward (Reissue) LP

At Curated By Time, we’re dipping back into the archives once again, this time revisiting Westward, the collaborative EP from Kenneth Graham and DJ Kuya. Originally released in 1999, the record captures a moment where deep house grooves met a subtle tech edge, built firmly with the dance floor in mind. The title track leads the way with rolling rhythms, tight percussion and understated synth work, striking a balance between depth and drive. The rest of the EP follows a similarly focused path, keeping things stripped back and groove-led throughout. Now reissued on Curated By Time, Westward returns as a reminder of a sound that still fits neatly into today’s club landscape.

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12,82
Various - La Ninya 001

Various

La Ninya 001

12inchLANIN001
La Ninya Records
16.06.2026
  • A1: T.s.o. - Metallix
  • A2: Falko Brocksieper - Framegrabber
  • B1: Joolmad & Mr Freeze - Burning Desire
  • B2: Kithers - Skylar

This summer Delasflores launches her vinyl label La Ninya Records with a various artist release. The curation is a reflection of her sound, refined, and stripped back to create a pensive atmosphere on the floor. To cement this body of work as a timeless piece she has called upon Spanish duo, T.S.O, underground minimal stalwart Falko Brocksieper delivers a track he produced in 2005, rising UK talents Joolmad & Mr Freeze, and the debut outing from Australian producer, Kithers. Each of the tracks highlight different moments of the night, patience and drive in all the right moments, the push and pull of a hypnotic ride.

“La Ninya is the pure self, untouched by labels or expectation. It marks the start of a journey when everything is uncertain, ready to feel, remember and be shaped by music. It invites you to be a blank canvas, open to colour and freedom, reconnecting with the inner child.”

pre-ordina ora16.06.2026

dovrebbe essere pubblicato su 16.06.2026

13,99
JA:CK - DINAMO

JA:CK

DINAMO

12inchICNTX003V
INTERCONNECT
15.06.2026out soon

Ja:ck is an artist who moves beyond fast-paced trends, focusing instead on a clear, driving vision. His releases on the renowned label Cocoon Recordings represent an uncompromising sound that balances hypnotic techno and energetic club dynamics. With a keen sense of tension and atmosphere, he has developed a signature style over the years that works as effectively on large floors as it does in intimate sets.
His new track, Dinamo, perfectly encapsulates this energy: pulsating, powerful, and precisely crafted. The track builds with subtle intensity before erupting into a forceful, captivating movement designed for the peak time.
Notably, Ja:ck has been supported for years by techno icon Sven Väth, who consistently integrates Ja:ck's sound into his sets. This ongoing backing underscores not only the quality of his productions but also his relevance within the international scene. With Dinamo, Ja:ck delivers another clear statement: raw, direct, and absolute club material.
The Oliver Keim remix of Ja:ck’s Dinamo translates the original track into a clean, stripped-back club aesthetic with a steadfast focus on groove and energy. From the start, a driving flow emerges: precise, dry drums meet a deep, rolling bassline that constantly pushes forward. The arrangement remains intentionally minimalist, yet leaves enough room for subtle details to unfold and build tension. Finely placed breaks provide dynamics without losing momentum, leading back into powerful, controlled drops.
The remix eschews clutter, relying instead on clarity, punch, and timing. This makes it versatile enough for both intimate club settings and larger floors, fitting seamlessly into Tech House, Melodic Techno, or driving House sets. It is a modern, functional remix—minimalist in sound, powerful in impact, and strictly geared toward the dancefloor.

Ja:ck ist ein Künstler, der sich jenseits schneller Trends bewegt und stattdessen auf eine klare, treibende Vision setzt. Seine Releases auf dem renommierten Label Cocoon Recordings stehen für kompromisslosen Sound zwischen hypnotischem Techno und energetischer Club-Dynamik. Mit einem feinen Gespür für Spannung und Atmosphäre hat er sich über die Jahre eine eigene Handschrift erarbeitet, die sowohl auf großen Floors als auch in intimen Sets funktioniert.
Sein neuer Track Dinamo bringt genau diese Energie auf den Punkt: pulsierend, druckvoll und gleichzeitig präzise ausgearbeitet. Der Track baut sich mit subtiler Intensität auf, bevor er sich in eine kraftvolle, mitreißende Bewegung entlädt, gemacht für die Peak-Time.
Besonders bemerkenswert: Ja:ck wird bereits seit Jahren von Techno Ikone Sven Väth unterstützt, der seinen Sound immer wieder in seine Sets integriert. Diese kontinuierliche Rückendeckung unterstreicht nicht nur die Qualität seiner Produktionen, sondern auch seine Relevanz in der internationalen Szene.
Mit Dinamo setzt Ja:ck ein weiteres klares Statement : roh, direkt und absolut clubtauglich.

German Text:
Der Oliver Keim Remix von „Dinamo“ von Ja:ck übersetzt den Original-Track in eine klare, reduzierte Club-Ästhetik mit konsequentem Fokus auf Groove und Energie.
Von Beginn an entsteht ein treibender Flow: präzise, trockene Drums treffen auf eine tiefe, rollende Bassline, die sich konstant nach vorne bewegt. Der Aufbau bleibt bewusst minimalistisch, lässt aber genug Raum für subtile Details, die sich im Verlauf entfalten und Spannung erzeugen. Fein eingesetzte Breaks sorgen für Dynamik, ohne den Drive zu verlieren, und führen kontrolliert zurück in kraftvolle Drops.
Der Remix verzichtet auf Überladung und setzt stattdessen auf Klarheit, Druck und Timing. Dadurch funktioniert er sowohl in intimen Clubsettings als auch auf größeren Floors und lässt sich vielseitig zwischen Tech House, Melodic Techno und treibenden House-Sets einsetzen.
Ein moderner, funktionaler Remix, reduziert im Sound, stark in der Wirkung und konsequent auf den Dancefloor ausgerichtet.

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12,56
Versalife / B Love / Simon Baker / Wolf'n'flow - 20 / 20 Vision: Full Circle Vol Three

Three decades deep and as essential as ever, Ralph Lawson's 20/20 Vision Recordings continues to mine its rich back catalogue with care. To that end, 'Full Circle Vol.3' feels both respectful and forward-facing with new mixes of enduring classics. Roman Flugel reworks 'Machine Life' into a driving club sound with fresh vocals and elastic acid lines, while MADVILLA sharpens 'Rhythm Freq' into a sleek hybrid of house, UKG and electro. Simon Baker's updated 'The Liptrick' retains its raw punch, and Formidable Force close with a warm, late-night dub of 'Reactivate'. It is a tidy reminder of the breadth and depth of sound this label has always dealt in.

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20,59
Rick Wilhite / Ron Allen / Terrence Parker - Monday Night Underground

The Collective Rhythm Network (Hamilton, Canada), is a weekly radio show that focuses on underground dance music past and present. This EP was produced in celebration of the radio show's 20th Anniversary, featuring tracks by Detroit's Rick Wilhite, Ron Allen and Terrence Parker !
.
Rick The Godson' Wilhite is a Detroit born producer/label owner/record store owner/DJ and founding member of Detroit's 3 Chairs. Rick also releases music under his Vibes New & Rare Music label. For this release Rick has provided us with a brand-new track entitled Mind Control' - a thumping late night dance floor stomper
reminiscent of early 3 Chairs, that is sure to keep the crowd jumping!

Ron Allen is a Toronto based JUNO Nominated music producer/songwriter/DJ and founder of legendary dance music label Strobe Records that was instrumental in developing the house and techno genres in Canada in the early 90's. Whispers' by The R.A.S.E. (Ron Allen Sound Experience), features melodic keys, dreamy vocals and a groovy, head-nod inducing bassline that sounds just as fresh now as it did when it was originally released in 1994.

Terrence Parker ( TP') was born and raised in Detroit and has become legendary for his skillful turntablism style of playing House Music. Terrence has released more than 100 recordings on his Intangible Records & Soundworks label and various other international record labels. With lush keys, and soaring vocals, Embrace (The Original Melody Vibe)' is one of the deeper cuts in the Intangible Records & Soundworks catalogue.

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14,92
1 Umbrella - 1 Umbrella LP 2x12"

1 Umbrella

1 Umbrella LP 2x12"

2x12inchERE1317
EMPIRE
15.06.2026
  • A1: 1 Umbrella
  • A2: One Of Those
  • A3: Code
  • A4: Baller Blockin
  • A5: The Blueprint
  • A6: Off Top (Feat. Larry June)
  • A7: No Gimmicks (Feat. Daboii)
  • B1: Pretty
  • B2: Type Of Time
  • B3: N.e.w.s. (Feat. Lingo & Dooder)
  • B4: Change My Ways
  • B5: Foreign Whip Swinger (Feat. Rexx Life Raj)
  • B6: For The Night (Feat. Larry June & 1100 Himself)
  • B7: Run The City
  • B8: Real Nigga Diary

1 Umbrella represents a watershed moment for modern Bay Area hip-hop, effectively serving as the region's "Avengers" assembly designed to consolidate the Northern California sound. For years, the local scene has been bisected by the distinct "mob music" bounce of Oakland and the melodic, trauma-drenched "pain music" of San Francisco; this collective is the first major commercial force to deliberately fuse these competing energies into a single, dominant infrastructure. The roster is a calculated cross-Bay alliance that balances opposing sonic weights: Lil Bean and Lil Yee anchor the group with the emotive, auto-tune-heavy melodies that define the current SF landscape, while Zaybang cuts through that introspection with his signature high-octane aggression.

Balancing the scales are ALLBLACK and 22nd Jim, who inject the classic East Bay attitude-ALLBLACK delivering the motivational, sports-heavy "player" lineage of the region, contrasted against Jim's nonchalant, rhythmic flow. Backed by the powerhouse infrastructure of EMPIRE and united under tracks like "Baller Blockin" and the unification anthem "The Blueprint," the group is attempting to solve the fragmentation that has historically plagued the Bay's independent market. By synchronizing their movement with the arrival of Super Bowl LX, 1 Umbrella is positioning itself not merely as a rap group, but as the official cultural ambassadors for the region, betting that a unified front can finally command the national spotlight that often eludes the West Coast's independent giants.

pre-ordina ora15.06.2026

dovrebbe essere pubblicato su 15.06.2026

26,93
Das Ding - Practical Limits of Nihilism LP 2x12"

Practical Limits of Nihilism is a double album by Das Ding containing 14 brand new tracks. On the album, Danny Bosten searches for meaning in an incomprehensible world in which even nihilism does not offer a way out anymore. Created on self-built analogue synths and drum machines, Practical Limits of Nihilism sees the typical Das Ding sound evolving into new territory, including 4 vocal tracks. The atmosphere varies from dark wave to ambient trance and italo, while remaining true to itself. The artwork on the gatefold sleeve was also created by Danny Bosten and reflects a collapsing world, leading to the emptiness that is symbolised by the white vinyl the album is pressed on.

pre-ordina ora15.06.2026

dovrebbe essere pubblicato su 15.06.2026

34,03
FIG THIEF - WE PLANTED PEONIES

FIG THIEF

WE PLANTED PEONIES

12inchBADEGO001
BAD FOR THE EGOSYSTEM
15.06.2026out soon

FIG thief is an Amsterdam-based artist from Greece. This album refers to the healing process of opening up the self to diverse encounters. This diversity represents the transgression of the material and immaterial boundaries. Peonies are the healing flowers. Planting the peonies led this creation to bloom. It is a trip-hop album with pure hip-hop elements. It portrays the playfulness of making music and accepting transformations . Slam poetry, bars, and travelling melodies with punchy breaks. Art doesn't belong to the artist. It is a co-creation.

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18,07
Nilüfer Yanya - Dancing Shoes

Nilüfer Yanya

Dancing Shoes

12inchZEN12702
Ninja Tune
15.06.2026out soon
  • Kneel
  • Where To Look
  • Cold Heart
  • Treason

Nilüfer Yanya has built a reputation as one of the UK’s mostdistinctive and compelling voices, seamlessly blending indie rock,soul and jazz into a sound uniquely her own. She released her third studio album, ‘My Method Actor’, onSeptember 13th, 2024, via Ninja Tune. The album receivedwidespread critical acclaim, earning the No. 13 spot on Pitchfork’s listof The 50 Best Albums Of 2024. Now, she releases her highly anticipated our-track EP, ‘DancingShoes’, co-written with her frequent collaborator Wilma Archer. Run of UK / EU festivals this summer including Glastonbury on theWest Holts stage (recorded and broadcasted via BBC 6 Music),Green Man, All Points East, Primavera a la Ciutat, Best Kept Secret,Way Out West and Oya Festival. Supporting Alex G on his US tour, and Lorde (90K cap) on her arenatour, with stop offs at the 02 Arena, Utilita Arena and OVO Hydro,plus Michael Kiwanuka in Istanbul for a one-off show (8K cap). Nilüfer Yanya has previously opened for Adele, The xx and Mitski, aswell as selling out her own headlining shows across Europe,Australia, Japan and the US. Previous collaborators include Sampha, King Krule, Nick Hakim,Bullion, Dave Okumu, and more. For fans of Arlo Parks, King Krule, Sharon Van Etten, Helado Negro,Sudan Archives.  “It’s a neat, cohesive body of work, one that stretches past theboundaries of her prior album.” - NME
“Over a lo-fi drum machine and eerie guitar figures, ‘Cold Heart’ floatsabout like ‘In Rainbows’-era Radiohead, while ‘Where To Look’’satmosphere is eventually punctured by sonic implosion.”- TheGuardian
“Colored with the London singer-songwriter’s signature smoky voiceand searing guitar riffs” - Pitchfork

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23,74
KennyKrazyWorld - Crash

Crash is a debut EP of Abel Dalum, aka KennyKrazyWorld. Often appearing on tracklists of many, now breaking through with his highly anticipated 4 piece solo, no-remix EP. Across four movements, KennyKrazyWorld sketches a system in flux: fragments of noise, texture, and space dissolving into one another. As he likes to say himself, "its all about the percussions".

Petrichor opens with the residue of a storm — metallic air, wet circuitry, the pulse of machines breathing beneath the rain and a broken up kick. Like a scene from Blade Runner or a concert hall opening somewhere deep in the megalopolis. The 10-minute track is there to pull in and not let go. Dust follows, bone-dry and disintegrating, rhythm shedding its structure until only motion remains, hooking the listener to lose himself in its enchanting wormhole of evolving percussions and atmospheres.

At its core, the 3rd "backbone" track of the same-named EP, Crash, is already breaking apart: percussive tension folding in on itself, and a memorable voice over to seal the deal. Divergent closes the loop — but doesn't leave the listener with breadcrumbs, rather with a feeling like a party in full effect being closed at 3AM due to some scumbag cops…
Crash is techno as erosion, but also a study of groove and flow — repetition worn into form, emotion distilled through pressure.

pre-ordina ora14.06.2026

dovrebbe essere pubblicato su 14.06.2026

18,70
Tracy Bryant - The Well LP

Tracy Bryant

The Well LP

12inchTGR054
Taxi Gauche
12.06.2026

"Imagine a classic singer/songwriter record loaded with the intimacy and grit reminiscent of Alex Chilton or Nikki Sudden." Shindig

Los Angeles singer-songwriter Tracy Bryant returns with his new album The Well, which is his first release since 2019’s critically acclaimed Hush. His fourth solo album, The Well marks a striking new chapter, trading his signature guitar-driven sound for piano-led songwriting that took root during the pandemic. The album was born out of one of the most turbulent periods of his life, written in the wake of his father’s sudden passing and birth of his first child. It was produced by longtime friend and compatriot Joo-Joo Ashworth at Studio 22 in Cypress Park, CA, and mastered by Dave Cooley at Elysian Masters. The nine songs are filled with raw emotion and driving motorik rhythm, telling tales of loss and love, relationships beginning and ending.
 
When the pandemic upended Bryant’s promotion for Hush and brought his 2019 European tour to a halt, he found himself at home rediscovering his musical roots at the piano, listening to Vince Guaraldi and Arthur Russell to take inspiration for the song structures. Without a band around, Bryant used the instrument to create both rhythm and melody, which resulted in a repetitive and precise backbeat, which was elevated when he began working with drummer Carmeron Gartung to rehearse the new songs. This different approach would define the style of The Well, creating an amalgamation of sounds with classic songwriting structures blended with post-punk, 90s indie, krautrock and psychedelia.
 
To produce the record, Bryant turned to Joo-Joo Ashworth, who share a friendship stretching back to 2011 (when Joo Joo was only 18) when both of their bands, Corners and Froth, were at the forefront of the bourgeoning Los Angeles/Echo Park music scene of the time and embarked on their first national tours together. Ashworth, who has since become one of underground music’s most respected producers, recorded the album throughout 2024/2025 on half inch tape at Studio 22 in Cypress Park, California, giving The Well a warm, considered sound that matches the weight of its subject matter.
 
The album’s emotional core was forged by two significant life events arriving in close succession. In January 2022, Bryant’s father passed away unexpectedly at the age of 67. Just three months later, Tracy and his wife welcomed their first child. The Well is a direct result of those experiences, a songwriter processing grief and joy, endings and beginnings in real time. 
 
The nine songs take the listener on a meticulously crafted journey through the nooks and crannies of Bryant’s mind. Spanning 37 minutes, the album is an exploration of classic songwriting elements moving fluidly between driving beat punk, like “Weight” and “Widow”, and more melancholic tracks like “Halfway” and “Danny”. Album opener “Cold Floor” sets the tone immediately, Bryant’s lyrics confronting the day of his father’s death with unflinching directness – the breezy California piano sound is in direct contrast to the heavy theme. The Bowie-esque title track is perhaps the album’s most expansive moment – a fully realised epic composed with a dynamic flare. 
 
 The Well feels like an arrival. Dramatic and expansive, it is a true, visceral reflection of the life changing events that altered the course of Bryant’s life. Fans will be surprised by the heavy focus on piano but they will welcome the change as a bold turning point for an artist who has lived long enough to know exactly what he wants to say. 

Some previous press:

"feels like a slice of California, down to its ringing post-surf guitars and bright melodies, but cross-cut with a folk sensibility more aligned to the work of Elliot Smith or, on occasions, Conor Oberst." Uncut - lead album review

"…sees the Los Angeles rocker confront both the finer and uglier aspects of love and life, combining classic rock with psychedelic tinges and catchy melodies." Evening Standard 4*s

pre-ordina ora12.06.2026

dovrebbe essere pubblicato su 12.06.2026

20,97
Apache / The Beatnuts - Gangsta Bitch

Apache / The Beatnuts

Gangsta Bitch

7"-VinylCF001
Concrete Flowers US
12.06.2026out soon

A tasty slice of early 90s New Jersey hip-hop makes this inaugural release from Concrete Flowers a real doozy. Apache's 'Gangsta Bitch' was produced by Q-Tip and taken from his 1993 debut Apache Ain't Shit, so it is a portal back to the raw, unfiltered energy of a time when the Flavour Unit collective was at its most vital. Apache had already appeared alongside Naughty By Nature, Queen Latifah and 2Pac before this record landed and the Q-Tip production connection to A Tribe Called Quest gives it a lineage that still hits hard. The Beatnuts' 'Hit Me With That' on the flip doubles down on the era's boozy, sample-heavy swagger, making this a perfectly paired two-sider that reminds you exactly why the golden era was so golden.

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19,75
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