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Belgium's freshest voice debuts his first ever 12" with four minimalistic and emotional recordings on Somov. A delicate feel throughout exploring deep and timeless senses.

Wendy Eisenberg hat die letzten zehn Jahre als feste Größe der Independent-Musikszene und als Künstlerin von inspirierender Vielseitigkeit verbracht. Als Singer-Songwriterin, Improvisatorin und virtuose Gitarristin sind die Koordinaten ihrer Kunst ständig im Wandel, von Art-Rock über Jazz bis hin zu mitreißender freier Improvisation und ausdrucksstarker Folk-Musik. Mit Höhepunkten wie dem 2020 erschienenen Album Auto" und dem 2024 Free-Jazz-Album Viewfinder" hat sie sich einen Namen als ambitionierte Künstlerin gemacht. Nachdem sie die letzten fünf Jahre damit verbracht hat, in verschiedenen Bands, Genres und kreativen Herausforderungen zu experimentieren, und nach einer Phase der Selbstkonfrontation, die sie mit einem persönlichen Exorzismus vergleicht, hat Eisenberg einen Meilenstein erreicht. Die poetischen und formal gewagten Folksongs von Wendy Eisenberg sind ihre bisher klarste Vision. Die Songs begannen 2020 Gestalt anzunehmen, als Eisenberg aus West-Massachusetts wegzog, wo sie nach ihrem Studium am New England Conservatory in Boston einige Jahre gelebt hatte, und nach Brooklyn zog. Aus Sehnsucht nach der ländlichen Atmosphäre ihres früheren Zuhauses fühlte sich Eisenberg zu den warmen Klängen von Country und Folk hingezogen. Die Songs sind echte Folk-Lieder", sagt Eisenberg über ihr Album. Bei der Produktion geht es weniger darum, zu sehen, was die Gitarre leisten kann, sondern vielmehr darum, die inhärente Fremdartigkeit der Sprachen zu akzeptieren, die sie seit anderthalb Jahrhunderten spricht." Auf Wendy Eisenberg schafft die Künstlerin ihr eigenes Paradigma mit einem eng verbundenen Kreis von langjährigen Freunden und Mitwirkenden, darunter Bassist Trevor Dunn, Schlagzeuger Ryan Sawyer und Co-Produzentin Mari Rubio (more eaze), die für Pedal Steel, Synthesizer und Streicharrangements zuständig war. Die Aufnahmen fanden oft in Eisenbergs Haus statt und verliehen jeder Note eine wunderschöne Ensemble-Textur. Endlich war ich von Menschen umgeben, die mich akzeptierten", sagt Eisenberg. Viele der Songs auf diesem Album sind in diesem neuen Gefühl entstanden. Ich wollte, dass es unglaublich beruhigend wirkt, da es einige massive Veränderungen im Selbstverständnis und Selbstwertgefühl beschreibt. Es geht um Erleichterung."

As Flight Mode unveils its ninth physical release, Belgian‑Moroccan DJ and producer Zaatar presents a five‑track EP that naturally bridges her universe with that of the label. The result is a meeting point of visions, blurring stylistic boundaries once again.

Following recent releases on Over/Shadow, Future Retro, Loop Progression and Bukva Sound, Peeb makes his debut on Wilderness with the Endless Skies EP, showcasing a deep, blissed out and atmospheric angle to his sound across 4 tracks that capture a sense of wonder, flowing from track to track to take you on another journey.

legwork Barcelona launches its inaugural release, thoughtfully titled in Catalan: ‘PEUS I ÀNIMA’, dedicated to the global spirit of dance music.
All 4 cuts come from a live set recorded in 2025 at a legwork party. They were then postproduced and re-jammed in 2026 to create this 12" built strictly for the floor. This creative process is intended to continue in future EPs.

Across the tracks, the signal mutates while always keeping that raw energy alive. The whole concept comes from a deeply personal mix of self-doubt, determination, friendship, and a pure passion for music and dancing.

Solid, no-nonsense material.

Mastered by Johanz Westerman
Artwork & design by PEBE Studio

Katz Mulk's ''All the mess'' is a collection of songs about playing and play-work, recorded between 2023-25 in Glasgow and Tokyo. Developed from performances across the UK and during a residency at Xevarion Institute in Hong Kong, with dancers, costume design by Mary Hurrell, and mobile speaker design by Chris Ball. Slithering breath, crackling synths, dented gongs, and dub loops pull songs into unexpected, unsettling patterns, like being a kid again but with more electronics.

Presenting this limited edition 300 picture disc vinyl on Warehouse Manifesto from label boss GAMADON with the original track REPROGRAMMED and five amazing remixes by Parand, X-Truder, Ohverclock, Doug Cooney and Commissar Lag. This 4/4 sci-fi inspired original has been reimagined in five very different ways, with all executed to perfection, providing a wide range of dance floor annihilation! This is part three of a three part series from GAMADON with remixes from some of the best in the underground.

Cromby delivers a four-track EP built for the dancefloor, each cut hitting a different shade of club energy. On the A-side, Love on Tenderhooks kicks things off with a high-octane bassline, euphoric builds, driving organ and haunting vocal hook. It's followed by All Night, a deeper, darker roller driven by sub bass, dubby textures and a relentless groove. Flip it over and On Target takes a more trippy turn, riding a warm, bumping bassline with swirling, psychedelic vocals drifting across the mix. Closing things out is The Beat, a percussion-led groover that locks into a hypnotic rhythm and keeps the floor moving.

Diffuse Reality presents RVDMNTL - La Fuerza De Mostrarse Vulnerable. A 12" vinyl and digital release built on solid, robust Techno. Four tracks on vinyl, complemented by three additional digital cuts. Powerful sounds, raw textures, and atmospheres that pull you deep into an inner ocean. The vinyl includes remixes by Adriana Lopez and Tensal, adding even more rigidity and intensity with their signature sound. Here, the sound reveals itself as aggressive and abrasive, a record that will go straight into your bag for those moments of pure tension and impact.

RAPRAVE is an exciting collective born out of New York City, specialising in creating music teetering on the cusp of hip-hop and dance music. Consistently great releases like 'Heaven Plus', which is the ninth on the label, perfectly showcase how successful they are at executing this vision. The two tracker, headed by Dallas export Stonie Blue, is a fine display in a mixture of Chicago House, deep house and hip-hop, akin to a Galcher Lustwerk, or from the other side of the pond, Isaac Carter. On 'HEAVEN', smooth, sexy chords and choppy percussion prop up Blue's lyrics: "I found heaven, Heaven in the club". Then, as if in an attempt to make a club ready two-tracker even more club ready, Blue recruits London-based producer tom huna to inject some 2-step flavour into the B-side with 'FWM (S+H MIX)'. On this track, glitchy drum workouts and slick electric piano stabs meld with sensual vocals to create an intimate, late night banger.

Gravity Pleasure welcomes Maude Vôs for their most intimate EP offering to date, Medicinal Properties. Dripping in serenity and grounded in connection, Medicinal Properties is a musical elixir concocted with the healing modalities of the natural world and derived from the intentional planting and nurturing of sapphic seeds. Through minor modes, swimming cinematics and mineral-rich textures, Vôs traverses an ecosystem of sensuality and bonding, a symbiotic journey of long-distance love colored and shaped by their affinity for the earth.

Taking root in California and continuing throughout Ireland, Iceland, and Montreal, the EP translates this cross-continental connection by blurring the lines of timezones, genres, and natural landscapes. Inspired by sea swims, country oyster cottages, diner pancakes, snow flurries, geothermal soaks, mossy mornings, and adventures to igneous formations, Vôs invites you to experience this potent body of work, which forms the harmonious emotional bedrock of both kinship and creation.

Support comes from Yushh (“LOVE, so good!!!”), Jossy Mitsu (“Incredible <3”), Mixtress (“v pretty”), Peder Mannerfelt (“hot”), Batu (“like Maude Vos, downloading”), Vladimir Ivkovic (“Good! Thank you”), and OM UNIT (“Orr kore is lush”), amongst others.

Y-3, the pioneering sports-fashion collaboration between adidas and Yohji Yamamoto, has for three decades dwelled calmly within the ''tensions of existence''. In conceiving the brand's long-awaited return to runway format at Paris Fashion Week, these codes laid the groundwork leading up to the Spring/Summer 2025 season. Whilst the focus for runway is traditionally placed on garments, models, styling, environment, and the pageantry in between, it was crucial that music play an integral role in the conversation. Three seasons later, sound has informed creative direction from the very earliest phases of ideation. Commissioning all-original compositions has become a natural part of this ideology. The return to runway has invited the opportunity to define a new sonic palette for the brand, and beyond that, to usher in a new era of sound for Y-3 that echoes across music & culture. Following this ethos, and with a mandate to support obscure talent, Montreal duo Solitary Dancer have emerged as the first collaborators in shaping the intimate brand architecture of noise & feeling. With a body of work now spanning over a trilogy of seasons, the genre-defying Y-3000 imprint provides an outlet to disseminate & recontexualize the original compositions beyond the traditional runway. The label embodies Y-3's enduring commitment to explore innovation within opposing cultural forces. The works, originally released on Y-3000 as a series of white labels, are now being featured as a 6x 12'' vinyl compilation. Designed by Trevor Jackson and limited to just 99 examples, the recordings will also be made available both digitally and on streaming services for the very first time.

Entering into the portal once again, The Black Lodge releases its 9th offering, this time a full EP from Russian hardware wizard LVRIN. 6 tracks of dark psychedelic electronics traversing through Jakbeat, Techno, Industrial and Krautrock sonics - guaranteed to take the dance floor to the beyond!

Pioneering in the 80' and 90's and an absolute spearhead in the world of post-punk, cold and new wave, EBM, electro... a series of albums and compilations from the extensive Antler Records archives are now being released again.

The first compilations 'Early Years Vol. 1, Vol 2 and Vol 3” were received with great enthusiasm and flew out the door. Now there is Vol. 4 with again carefully chosen gems from the rich Antler archives with carefully selected recordings of influential bands such as Snowy Red, Poësie Noire, Sigmund und sein Freund and Vomito Negro, a.o.

Again a great compilation of the best what the Belgian synth-wave/EBM scene had to offer in the eighties of the 20th century.

To commemorate 10 years since its original release, Architects present a physical-only reissue of All Our Gods Have Abandoned Us. This isn"t just a repress; the album has been completely remixed and remastered for this 10th anniversary edition, featuring brand-new artwork and an insert of never-before-seen studio photos from 2016. Exclusive to vinyl and unavailable on digital platforms.

Special 30th anniversary collector's (Limited) edition: a 3x12-inch Gatefold Green Coloured vinyl. This release offers a carefully curated retrospectiveof Furax' career, bringing together his most influential tracks alongside exclusive selections. Making it an essential piece for fans and collectors alike.

Born from Amsterdam’s intimate dance night, Notturno now steps into a new phase as a record label. Simon Paw unveils the debut release on his new imprint with Inner Space, a deeply personal two-track EP that sets the tone for the label’s sonic identity.
The title track, “Inner Space,” is an introspective and atmospheric journey rich in texture and feeling. With additional keys by Marco Airaghi and expressive flute and saxophone from Maurizio Moscatelli, the track unfolds with haunting elegance and organic warmth.
On the flip, “Eternal Sunshine” reveals a deeper, spiritual side of Simon’s production. Warm grooves carry evolving melodies and delicate piano moments, creating a track suited for immersive dance floors and reflective listening alike

From the subterranean grooves of deep techno to the cosmic pulse of electro and IDM, Deep Space Protocol sees Japanese legend DJ Compufunk navigate a vast sonic universe with precision and feeling. A veteran of Osaka’s celebrated Compufunk Records scene — where he’s sold and spun cuts for nearly three decades — Compufunk seamlessly weaves together influences that span Detroit-infused machine rhythms, hypnotic electro textures, and the thoughtful intricacies of left-field IDM.
Pressed as a limited vinyl release, Deep Space Protocol feels like both a nod to classic techno lineage and a forward-thinking exploration of sound — perfect for listeners who cherish the raw pulse of the dancefloor as much as the cerebral depths of an immersive listening session. With roots that include releases on Detroit’s Motech and connections to Underground Resistance figures, this is an album that bridges cultures and decades while leaving plenty of room for the future.

John Andrews has spent the past few years tucked away in Red Hook, Brooklyn - a neighborhood that sits just beyond the natural drift of the city. Once shaped by maritime industry and later a haven for artists in search of vast warehouse space, its history and isolation give it a quiet magnetism. Streetsweeper, the fifth album by John Andrews & The Yawns, reflects that vantage point-tranquil, self-contained, and curious about the movements most people overlook.
Just a few cobblestone blocks from the freight-ship-lined harbor, Andrews wrote dozens of new songs at his electric piano. Nine of them found their way to Los Angeles to be recorded with Luke Temple, who played guitar and some bass. Drummer Noah Bond and bassist Kevin Louis Lareau, both longtime members of The Yawns and Cut Worms, form the rhythm section. Will Henriksen of Florry played fiddle on “Something To Be Said,” while Emily Moales of Star Moles sang harmonies recorded remotely by Kevin Basko at Historic New Jersey.
Red Hook may not be the easiest neighborhood to reach, but that distance gives it a singular glow-one Andrews sneaks into every note of Streetsweeper. The Super 8 video for “Something To Be Said,” shot by Hilla Eden, wanders through its streets like a hazy love letter. The album offers a similar invitation: step off the main road, linger a little, and notice the small, overlooked moments that make a place-and a life-rich. Andrews has swept those margins with care, leaving songs that listen, observe, and stay with you.