Novedades

Mount Liberation Unlimited are Tom and Niklas, two Swedes from space who have spent the last 5 years

carving out a particularly vivid niche in contemporary electronic music. Their previous work has seen them

connect with an impressive list of global dance powerhouses: New York's Beats In Space, Melbourne's

Superconscious and Munich's Permanent Vacation have all released 12'' heat from the duo, while their

hometown buddies at Studio Barnhus provided an outlet for what has been perhaps their biggest and boldest

release yet, 2017's double smash single Double Dance Lover. Their live shows are fervent, fast-paced and very

multi-instrumental affairs, performed non-stop at an increasingly prestigious list of clubs and festivals, serving

as prime examples of the MLU boys' core obsession: the interaction of human rhythm and electronic pulse.

They have their own great little radio show on Gilles Peterson's Worldwide FM! Australia loves them! They

got their artist friend Tom-Hadar Elde to sculpt their heads for their debut album cover!

That self-titled debut, to be released May 31 on Studio Barnhus, has been in progress since the very formation

of the MLU project in 2014. It contains some of their earliest work and of course their very latest – all perfected

at the Neve desk of legendary Gothenburg studio Svenska Grammofonstudion, in cahoots with mix engineer

Christoffer Berg (Depeche Mode, Robyn, Fever Ray).

The result is a sonically fascinating, endlessly generous and straight up FUN record that takes the listener on a

joyride through bittersweet stoner disco, frenzied scando-kraut jams and some of the sweetest dance pop to

come out of Sweden this side of Super Trouper.

The record is preceded by a limited 10'' release of album track Climb Me Up, complete with an exclusive club

mix of the song.

"We Can Do Anything We Want Because They Say We Can't Afford The Police"

Talking Heads lost in Ancoats. Prince in a Berghaus. The Compass Point All-Stars meet the Piccadilly Gardens Spiceheads.
Welcome to the world of SEE THRU HANDS.

Here to bring salvation to a Broken Brexit Britain, See Thru Hands is a fresh band from Manchester with hooks for days and a SERIOUS live vibe. Their debut EP on Manchester legend RUF DUG's label RUF KUTZ - "The Hot City EP" - brings you two new songs backed with remixes tested on the world's best dance floors.

Opener HOT CITY's energetic punk/funk conveys a dark story of British city life outside the London bubble.
Our councils are fucked, our public services neutered and all anyone cares about is when Deliveroo is gonna be available in their neighbourhood. Throw away your post-apocalyptic fantasies because it's already like that - the only option is to dance. It's grim up north.

After dancing ur arse off and simultaneously coming to the realisation that we're all fucked pls don't worry - See Thru Hands are here to pick up your pieces with NOTHING TO LOSE, a whimsical modern pop banger with shades of New British House that will instil in you a sense of freedom and ease all your worries.
Yes we are all going to hell in a handcart but with See Thru Hands as our companions, I think it's all gonna be just fine.

The package comes backed with a pair of deadly remixes - boss man RUF DUG strips back Hot City to the bare bones, rigs up a couple of jazzy neon lights and a DMX drum machine and brings you his 'Metrolink Vibes In The Area' version, while young upstart METRODOME completes the all-Mancunian lineup on this record with a twisted Marmite 2-step interpretation that is either gonna make you buzz or spew. It's not for everyone.

Legendary Italian house/deep house DJ and producer Don Carlos based in Varese, North Italy. Active since the late 70s. His productions have mixing house rhythms with afro-american jazz sounds, verging sometime towards disco, sometime towards deep house or electronic soul. There's a similarly warm and hazy feel to second cut "Analog Express", where a nagging bassline and chillin' beats come wrapped in sunrise-ready electronics, toasty chords and more cut-up old school jazzy house. Throw in some refreshingly positive synthesizer flourishes of the kind once found in Italo-house records and you've got another tried-and-tested winner. Elegant, well produced classic deep house with sensual jazzy and smooth synth elements that sound really good on any equipment. All of the tracks on this EP are quality for anyone into deep house and quality club music in general.

Following on from the inaugural Dancing People release in July, which sold out in a matter of weeks, the series returns with two more stonking edits for your dancing pleasure. Same drill - Vinyl only, 300 copies. Cut loud for the dance.

Dancing People is an edits label embracing sounds from around the globe, with the focus firmly on making you move. These DJ friendly cuts are ready for dancefloors far and wide, paying respect to the original versions by enhancing their energy, vibe and musicality.

a a1. Dancing Time Nick XOA + HWRD edit
[b] b1. Dankasa [Nick XOA + HWRD edit]

Jakarta/Indonesia based DJ/Producer/Akamady Records boss Gerhan Ferdinal & friend's project "KOMODO" made 2x floor killer tunes. Many people have been waiting for this 12" since Ene boss CHIDA played "Night Time" at his Boiler Room show in 2014. And "Make It Scream" is massive & heavy killer tune too. Underground music/party scene in East South Asia has grown up so fast these years. and still there are many great artists world unknown. Ene planning to release more Asian artist, new stuff from friends in the world in 2019.

I met a man at a party, he said "I'm a producer..."
I said "Really Neither am I"

A two man trampoline fantasy finding genesis in Gemini.
Heavy rollers for open minded floors and working DJ's
DON'T ASK WHY - JUST BANG THE NAILS

Ptaki's tunes soar wide-winged like their translation (bird) infers.
With a breakout single under their belts on the Very Polish Cut-Outs 'Krystina' and a swirling vapour of mystique surrounding them, the duo present their first full 12" of original material which is both contemplative and transfixing.
The Kalina EP on Young Adults Recordings clocks in around 25 minutes, but the ground it covers cannot be clearly conveyed through conventional cartography - a birdseye view of jagged cliffs, coastal haze, rolling bagpipe hillsides, and smoke signals.

Opener 'Warsaw' borders on the sublime with a patience and gentle simplicity that can't be taught or bought. Placidly ethereal, this is cinematic Balearia in the tradition of Quiet Village that won't soon be forgotten. Chimes, toms, horns and strums swell and crash like gentle titans.

In these troubled times, a spiritual squirrel has landed in the woods to try and spread some peace and harmony amongst the creatures of the night.

With a world turned upside down, we all need some life affirming music to get us back into the groove and on the floor.

Killer compilation of Bro David's work.. It sounds like a blend between digital reggae, disco and calypso, ''Bredda David Obi'' calls it ''Kungo'', a mélange of traditional Belizean brukdown music. Hard to describe exactly - its various ingredients make it feel somewhat familiar but the recipe with which he blends them is slightly strange, fresh, intriguing and damn groovy!! BIG one..

OK THEN GP IS ONE OF MY CLOSEST PPL IN THIS GAME, IT'S ME AND HIM TILL THE FKIN END.

WE'VE BEEN PUSHING EACH OTHER FOR A DECADE NOW AND IT'S THE BEST BUZZ TO RELEASE A FULL 3 TRACKER OF ALL OG MATERIAL FROM MY FAVOURITE GUY.

THE FIRST CHUMP WHO CALLS ANY OF THESE TUNES AN EDIT IS GETTING DECKED BTW...

THIS IS PURE CREATION FROM A TOP JOCK...RHYTHMS FOR UR FLOOR STRESS-TESTED THE WORLD OVER.

FUCK ALL PRESSED SO DIVE IN WHILE THERE'S STILL SOME WATER IN THE POOL.

2x12"

What about you - do you find yourself snacking late at night Or are three meals just plenty No way.
Bristol native Admin comes to the rescue and joins the Take Away team for a serving of three cuts to munch on...

Disco demolition did everything for us. It created the invisible wind and we never had enough of it. Here is the second installment of Rock Sucks! The best lost disco & boogie label you can ever dream about.

Chicago, July 12, 1979 was the day rock sucked. Real bad.

It was also the day that disco went underground for real.

Here is the first offering of Rock Sucks! a label where forgotten disco and boogie will finally get its revenge.

These two gems were made in 1983 and they've been ignored for far too long.

When Smallpeople went touring Australia for the third time in 2016, we played a gig in Brisbane and had an amazing time hanging with James Hilan, a young gun from the local scene-
a heavy vinyl collector and bad-ass DJ. He took us to the Wheel of Brisbane for our first Vape experience ever and after some good laughs we became friends. When James sent over
some of his deep yet pumping tracks a few years later we were blown away and when we played them out at our monthly residency at Golden Pudel in Hamburg we decided to gave
them a home on on Fuck Reality – so here we go! Typography and full cover artwork as always by Stefan Marx.

All the way from Sweden, chef Kool DJ Dust makes a special guest appearance on Take Away with a three course meal that includes plenty of spice and aroma...

“I’ve got these kids who can talk real fast,” was how record producer Sylvia Robinson described the Sugarhill Gang back in 1979, before their biggest hit ‘Rapper’s Delight’ was recorded. Fast forward forty years, and the song transcends genres, tastes and generations. Perhaps this is why as ‘Fever’ comes through the speakers there is a warm feeling of familiarity that comes with it. The exceptional US talent doesn’t end with Sugarhill Gang, as Qwestlife also enlist the help of Grammy award-winning vocalist Siedah Garrett and Furious Five members GrandMaster Melle Mel and Scorpio to bring together disco, hip-hop and soul on their latest output. Capturing the energy of a hot and heady dancefloor, ‘Fever’ makes a perfect follow-up to Qwestlife’s previous Glitterbox releases, as the duo continue their tradition of crafting great dance records with traditional analogue techniques. A funk-laden cut with an unwavering groove, the original version is joined by disco edit royalty KON’s remix on this 12”, silky-smooth and more instrumentally led, the Stateside producer’s mix is destined to blissfully float across the dancefloor. KON’s Reprise also features, providing an essential DJ tool.