Новости

French producer Laroye, brings his slick production skills to Volume 3 in this top shelf series.

On the A-side, an audacious rework of legendary anthem ‘Leaving this Planet’, with subtle yet powerful modernisation of the drums and arrangement, additional synths and brand new bass recorded by Aroop Roy.

On the flip, ‘Phantazia’ is a low-slung basement disco cut, with infectious loops and beefed up jazz-funk groove. Laroye takes the track to a new dimension, adding a growling analogue synth solo for an epic climax. VINYL ONLY

“This is sick!” Gilles Peterson

'We continue our journey into a new musical chapter as we present the first instalment of our vinyl only series. From the off we set out to bring a dark, yet groovy energy in the form of Vadim Oslov. Deriving from France he has built a reputation for his signature percussive style with deep obscure baselines; accompanied by influences from contemporary music and organic sounds to create mysterious experimental atmospheres with a minimal touch. He sets the tone perfectly for the first three tracks with a consistency to his unique sound.

Needing no introduction to the underground minimal scene, we are pleased to welcome Vid as he provides us with a driving remix filled with twisted organic sounds conducted with sharp, crispy drums to finish off the EP in good fashion. For now we will let the music do the rest of the talking, enjoy.'

Watermelon Music is a Barcelona based label, mother of the renown Slice releases. This red marbled vinyl limited to 300 copies features 3 original tracks from Neik, Pierre Codarin and Triad.

WaM01 has already early supports from tINI, Christopher Ledger, Giuliano Lomonte, Janeret, Maher Daniel, Cesar Merveille, Steve O'Sullivan, Mihigh, Andrey Pushkarev, Voigtmann, Nima Gorji, Ferro, Melodie, Herck, DoubtingThomas, Jorge Caiado, Octave, Grego G, Alejandro Fernandez, userUNKNWN, Mihai Popoviciu, Lola Palmer, Chklte.

Having delivered two outstanding EPs and a landmark triple compilation, Portugal's Pluie/Noir now returns with its first full-length album. Assigned with the enviable task is
enigmatic German producer The Marx Trukker, who has thus far kept us on our toes with a string of high-quality EPs on a handful of respected independent imprints.
With a natural affinity for experimental soundscapes that challenge dancefloors, Pluie/Noir offers the perfect platform for him to really express himself.

As much a palette of textures as it is a dance-focused collection of tracks, Couldn't See Too Clear For Edges is a kaleidoscopic and utterly transfixing listen all the way through.

The very first track, Alongside ashortside' (A1) is infused with the sort of jazzy, impulsive flavours that are part of the album - and the label's - DNA. But the tempos ebb and flow, at
times withdrawing all intensity ( The Gin Bay Hoss Ballad' (A2)), before cascading into tightly compressed microhouse rhythms ( A Kind Shaped Mind' (A3)) and other more
expansive 4x4 examinations: Couldn't See Too Clear for Edges (Two Movements)' (B1),
As Rivers Stand' (C1). Regardless of the occasionally dramatic shifts, the album never
once loses its focus. Minor Belongings' (C3) is arguably the album's finest creation in
terms of a true artistic indulgence. Dreamy and deeply absorbing, it feeds into the album's
powerful finale, Blaue Drift' (D1), which is one of the more aggressive works on show here.
As we've come to expect, Pluie/Noir again challenges what can be achieved within the parameters of dance music by empowering its carefully selected repertoire of artists.
As standard, the album will come as a limited pressing, this time around of transparent green vinyl, with a beautiful hand-drawn black and white artwork cover, ensuring this is as collectible
as it is listenable.o

Pretty Bouncy is a sub-label from Love & Loops Records.
In this new adventure we are focused on something we describe like Micro-Bumping-Groovy-Housy-Music.

The first V.A includes music from Prodot, Miguel Puente, Agus Ferreyra & Trentz and label owner Ale Castro.

The 2nd release of "fukuinn" label has brought together 4 groups of cutting-edge artists who are active in Europe.Do_1 & GGGG is the first. His details will not be disclosed, but it is a destructive sound by French nice guys who have been active in the electro and braindance scenes of the last few years.A2 is Weith. He presides over Brainwaves and has released tracks on many labels. Italian producer Caramel Chameleon who is also active in 030303 Records. The moving IDM sound is a must listen. Featured newcomer Tadan offers a clear electro track that is unique to him. This release is packed with variety of electro and acid tracks. Vinyl only!!

New York's DJ Torture drops a lo-fi acid work out on OS XXX fresh from his limited cassette drop on SWAMP TAPES.. wunderkind Bakground holds it down on the flip with 2 lo fi jungle jams.

Düve is a very mysterious project, probably due to the intense (albeit exotic) eastern folk instrumentation that populate their sonic structures. René Audiard & Ali Çakir have been exploring a bit of it all from crunchy techno grooves to emotionally charged slow drives, and
together they managed to create a very peculiar sonic balance that captivates from the moment it passes our ears.

Düve's Hargate' is a four-part voyage through the intricate musical roots, complex poli-rhythms and warm musicality of the eastern mediterranean lands. 'Esti' (A1) starts the EP in pure instrumental glory. Played by Adam Birson, the melody from the Oud is loud,
ethereal and emotionally charged, topped with sparkles of modulated synth patterns and pulsing noises for full meditative effect. The EP's title track 'Hargate' (A2) is soaked in a sort of nostalgia for sun-bathed Turkish soils, but under it there's a ever-moving train of
remarkable rhythmic endulgence and a very human sense of groove. A tour-de-force in balance between musicality and arrangement that stays with you like fata morgana.
The flip-side goes deeper and darker in ambience. While 'Yek Tas' (B1) feels like a 4-by-4 hichhicker's guide through underground Istanbul and built around the tension and release
of drum-echoes and reverberized pads, 'Sehayat' (B2) brings back the sound (and emotion)
of Ali's darbuka/santur and Soren's complex drum arrangements for a slow, dreamy drive.
This EP was visually interpreted by Juli Jah in a hand-made artistic depiction of Istanbul,
extraordinarily fitting to this installment of an ever strengthening series of releases Pluie/Noir
collectors grew accustomed to. Limited Pressing.
Japan: the land of the rising sun and one of the worlds biggest havens for creative,
forward-thinking musical freedom. Masters of a infinite number of stripped down, funk
infused brands of electronic music, the japanese crews of music makers are usually teams
of noble perfectionists.
Consistently shining a bright guiding light on the japanese scene, Radiq (aka Yoshihiro
Hanno) remains one of Japans best exports and the reflection of what it means to be a true
musician while managing his own japan-talent-only imprint Op.Disc with wit and will.
Rhapsody' adds to the chameleon's release catalog a 4-tracker of deep musicality, expansive
4x4 examinations and textured realms that ebb and flow between dance-focused sonatas and the
kaleidoscopic intimate travels, and ultimately begging a listen all the way through. The title
track 'Rhapsody' (A) is Yoshihiro's signature exploration of humanized rhyrhms, crisp claps
and deep low-ends that ebb and flow with a very peculiar organic steadiness. Circulatory
Breathes' (B) uses micro-house patterns as starting point to build something more intricate
where robotic movements remain constantly intertwined with amoebic perc-samples, vocal
snippets, groove swings and jazzy synths. Clocking at 14 minutes, the dreamy and deeply
absorbing Antigone' (C) is the EP's longest work, and a true hypnotic anthem that works
like a musical vortex. Radiq's artistic indulgence culminates with Sad Strings' (D), the
EP's jazziest exploration around heavy drum programming and dramatic mood shifts.
The double EP was visually interpreted by Max Binski in a heavily textured acrylic painting,
giving this release the visual perk Pluie/Noir collectors grew accustomed to. Limited Pressings.

Sister label of HouseOnWax.

Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.

Vinyl Only

Expo 2000? Mousse T? Cyberhouse at Hanomag? The many shades of Hannover. If you haven't heard of Felice, now's the time. The city's most hidden secret guides us towards Fantasy, that is. The Nine-Oh-Nine, the piano, it's all in there. House Music for the Jilted Generation. Made in Linden. For the time being available on beautiful, one-sided vinyl only. Well we through in a little download card just in case. Now close your eyes, move your feet and sing along as if nobody is ever watching.

Repress!

Second in a special vinyl only series from established tech house
heavyweight label, Danse Club Records. The EPs are collection of the labels best tracks and previously unheard vinyl only edits.

Proud to announce the first vinyl-only release of Rythmē, the Turin queer party made with the effort of all of his lovers and dancers. The A-side opens with “Tomorrowasteland”, an open question about the dancefloor of tomorrow – a dystopic stomper with ready-made and punk attitude. Hard Ton served a luscious waterfall of synths on their original take of Fabrizio Modonese Palumbo’s song while Matteo Coffetti “Kelakitun’s Pipe” explore an exotic imaginary with an Indian touch. Last but not least, an original track of Barabbah closes this heavyweight vinyl with a sunny and techy stomper. And yes, inside the sleeve there’s also a download code for a Rythmē exclusive and digital only edit…

Mihai Pol delivers a solid 3-tracker for Underplay – Make Noise EP

Some tunes can teleport us to the right place - you just need to close your eyes and let yourself go. With Overtunes 002 it is not the exception. Cape's label is back with Cordero's first solo vinyl debut you can't miss. The young Argentinian talent has finely produced 4 club-oriented bangers showing strong influences of 90's house, acid, progressive and electro.

The 4th purple box is a gift by Ross Kiser

No digital promotion
Vinyl Only - Limited Edition
Purple Coloured Vinyl

BEFORE Records are now here with their debut release. Straight off the reel with 001 is label owner Ben Jones with his ‘Fizzy Water EP’ including two heavyweight remixes.

A Side - Fizzy Water expresses Ben’s snappy signature drums and driving basslines backed up with a groovy remix from Nolga.

B side - Grey Area the atmospheric journey is combined with analog sounds, jungle elements and is finished off with a wide breaky remix from Bobby ODonnell.

Hello World !

3 storys by Kirik:
Day
Night
Morning

Two electro fellows uniting in one record to share their impressions and memories from travel experience around Europe.

This release transmits the beauty of nature and architecture through eyes and feelings of two producers - Low Tape and Dmitry Distant. Close your eyes and keep your belt fastened.