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Cymbals' landmark 1998 debut album That's Entertainment finally returns on vinyl.
This masterpiece blends Asako Toki's crystalline vocals with Reiji Okii's refined melodies, featuring signature tracks like “Show Business,” “Rain Song,”
and “RALLY.” A defining album for Japan's stylish pop scene, it effortlessly incorporates elements of 60s pop, neo-acoustic, and soul.
It stands as both Cymbals' origin and a crucial work in 90s J-POP.

Cymbals' second album, ‘Mr. Noone Special’, released in 2000, makes its debut on vinyl.
Building on the pop sensibility of their first album, this record evolves into a more soulful and mature sound.
Featuring expressive vocals by Asako Toki and mellow, refined compositions by Reiji Okii, it includes classics like “Do You Believe In Magic” and “Highway Star,
Speed Star.”
A defining work from Cymbals' mid-period, distinguished by its sophisticated, urban sound and assured melodic sense.
This essential album for any discussion of Japanese pop from the 90s to the early 2000s finally gets its long-awaited first vinyl release.

For the first time ever on vinyl Four new instrumental tracks, produced, recorded, composed & played by Dam-Funk. Pitchfork described “Free” the EP closer “… distills his daily inspirational thoughts into a breezy, sun-kissed glow, delivered with his usual cool sincerity. Of course, the style is purely West Coast, but the message is universal: funk is freedom. And in Dâm's world, funk is the future.”

Die Rock-Virtuosen Dance Gavin Dance aus Sacramento präsentieren die dritte Veröffentlichung ihrer „Tree
City Sessions“-Reihe. Wie schon bei den vorherigen Alben hat die Band auch für „Tree City Sessions 3“
neue Versionen ihrer früheren Dance-Gavin-Dance-Songs aufgenommen, alle mit dem aktuellen Sänger
Andrew Michael Wells.
Die CD enthält 12 Tracks. Die 2LP erscheint auf 140g schwerem „Velaris“-Farbvinyl und bietet auf
der zweiten LP 12 zusätzliche Instrumentalstücke.

In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole, the ground shakes periodically. Between Mount Vesuvius and the Tyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hovering in a sonic space between liquid and air.
Tasked with creating a soundscape that would suspend space within Rosi’s film, Blumberg called upon the extended technique of saxophonists Seymour Wright and John Butcher to create a gossamer fabric of traces and sounds abstracted from their instruments. Having transitioned from theoretical physics to the saxophone, John Butcher has always deeply considered space in the context of his playing. His concerns are with flow, density and how the saxophone is situated in the living world. Zeroing in on the core sonic properties of the mechanical and acoustic components of the saxophone, Seymour Wright has integrated its every breath, reed vibration, keypad clatter and hissed microtone of his alto into his own, unique improvisational language. In his work with these two seminal players, Blumberg makes his most concentrated soundtrack to date - reinforcing the film's sense of overlapping time and space, and pushing at the limits of experimentation.

Initially recorded in Daniel’s flat in London, Butcher and Wright centre themselves around long, consistent tones, so soft that it seems breath is being gently pulled from the saxophone's bell by an invisible hand. Blumberg himself adds haunting bass harmonica, and recordings of Wright’s launeddas - a traditional and ancient triple pipe polyphonic reed instrument from Sardinia, Italy. Blumberg then travelled to the volcanic region of Baia, next to Pompeii. Once a flourishing classical Roman city loved by Nero, Baia slowly sank under hydrothermal pressure, leaving the city in a kind of geological purgatory. Using specialised geophones and hydrophones, Blumberg took those initial recordings and amplified them underwater, sending them calling out across the ruins of Baia’s mosaics, Nymphaeum statues and villas.

“It was important to me that the music was whispered in the same landscape that Gianfranco has worked for the past three years, so that you can hear the volcanic air gulping, the lapping of the waves, the steam and bubbles popping against John and Seymour’s saxophone breaths – an echo from a suspended time.”
What emerges is deeply melancholic, tender, subtle and right at the edges of audio technology. Submerged in an aquarian mausoleum, the mysterious vibrations of the saxophone and its bell become an echo of an echo, wading from the future into the past. ‘Sotto le Nuvole’ is less a soundtrack than a process of aeration - a sonic puncture in the material of the film which allows its central message to breathe, and a remarkable experiment at the limits of the saxophone’s possibility.

In this new project on Audio Music World, we find an internaonal-renowned Italian trio composed of
DJs/producers Daniele Baldelli, Marco Fra-y, and Marco Flash.
Their sound explores every nuance of Electronic Music, keeping one eye on the past and a steady gaze
toward the future. Following several notable producons and successful remixes, this new venture from the
three producers is certainly among their most accomplished.

For the 10th Anniversary of the iconic and unique For Honor, Kid Katana Records teamed up with Ubisoft to bring you this high quality album on an exclusive double vinyl. With over 35 million players since its release, For Honor has kept on bringing new content in the game, enriching the players’ experience with new Heroes, Factions and Music to keep the battle for survival and honor alive.


The physical edition is a premium 2LP designed in close relationship with the game's creative team:


● Track selection handpicked by For Honor team, including 2 new tracks (Year 10 exclusive) and a track never released before from Y1 Season 7
● 2 Golden vinyls
● Exclusive cover art with glossy effect on the logo
● Exclusive 16-page booklet with insights on each faction’s music, liner notes
from the game’s creative team and composers Luc St-Pierre, Danny Bensi and
Saunder Jurriaans



The tracklist is a selection of music from the 10 seasons of the game, one side per faction:

“Danny Elfman’s musical score was to die for, and
it was incorporated into ‘Wednesday’’s joyfully
bleak coming-of-age story so brilliantly.” -

 Double LP on Purple Goth with Smoky Shadow
vinyl, with full colour gatefold sleeve and inner
sleeves.
 Composed by four-time Oscar nominee, two-time
Emmy winner Danny Elfman (‘Milk’, ‘Big Fish’,
‘Men in Black’, ‘Good Will Hunting’, ‘Live from
Lincoln Center’, ‘Desperate Housewives’, ‘The
Simpsons’) and three-time Emmy nominee Chris
Bacon (‘The Tick’, ‘Bates Motel’, ‘Smash’,
‘Gnomeo & Juliet’, ‘Sherlock Gnomes’,
‘Immanence’).
 Elfman also composed music for Tim Burton’s
‘Beetlejuice’, ‘Batman and Batman Returns’, ‘The
Nightmare Before Christmas’, ‘Mars Attacks!’, ‘Big
Fish’ (for which Elfman earned one of his four
career Oscar nods) and ‘Alice in Wonderland’,
among others.
 Chris Bacon is a protege of the great James
Newton Howard, and won an HMMA for ‘Gnomeo
& Juliet’, which he shared with James and Bernie
Taupin (Elton John).
 Online - Promoted through all Lakeshore Records social
media.

Danou P Serves Up Deep, Funky Heat with his 'In The Brine EP' on Definitive Recordings.

Rotterdam-based producer and DJ Danou P delivers a standout four-tracker with 'In The Brine EP,' released on Definitive Recordings. Known for his warm, soulful and funk-infused take on house music, Danou channels raw rhythm and musical flair into a collection that feels both classic and freshly personal.

Opening track 'The Flex' sets the tone with stomping deep house drums, playful chord stabs, and clever vocal sample play that gives it a raw, jacking feel. It's got attitude and groove in equal measure. 'On My Own' keeps things rolling with a classic deep house bassline, gradually introducing a soulful vocal loop that blossoms with the arrival of shimmering synth layers. Danou brings emotion without ever losing grip of the dancefloor.

Next comes 'Spirit', flipping the rhythm into broken beat territory. Another catchy vocal sample rides alongside vibey, jazzy stabs, offering a breezy, uplifting moment that's both heady and driving. It's the kind of track that sneaks into your set and ends up stealing the show. Rounding out the release is 'Bronstige Bakvissen', a deep and moody closer built on a heavy, rolling groove and rich classic house chords. It's stripped back but full of warmth, closing the EP with a nod to soulful late-night sessions.

Best known for his work alongside Jamie 3:26, and with releases on Glitterbox, Tru Thoughts, and Soulfuric Trax, Danou P is steadily building a solo catalogue that's as musical as it is danceable. His 'InThe Brine EP' is a bold step forward, out on Definitive on July 25th 2025.

The Weather Channel is the new instrumental album from Bad Brains bassist Darryl Jenifer. It follows his 2010 solo debut, In Search of Black Judas. The record features a venerable lineup of heavy-hitters from the jazz world, including the likes of John Medeski, Ben Perowsky, Jack DeJohnette, and Lenny White, among others. The tracklist includes nine new compositions, as well as new interpretations of two Bad Brains classics.

Daughter of Swords ist das Soloprojekt der Singer-Songwriterin Alex Sauser-Monnig aus North Carolina (they/she), die auch mit Bands wie Mountain Man und The A's Musik veröffentlicht hat. Ihr Solodebüt, Dawnbreaker, war eine ruhige Folk-Platte, die 2019 veröffentlicht wurde; in den Jahren seither hat Sauser-Monnig ein neues Selbstverständnis gefunden, persönlich und musikalisch. In den letzten Jahren ist die Musik von Daughter of Swords dorniger geworden, ein unvorhersehbares Gewirr aus Synthesizern, berauschenden Gitarren und blubbernden Rhythmen, ein Glanz, der Songs über die rohe menschliche Intensität im großen Stil umhüllt - Verknalltheit, Verlangen, Wut, Entfremdung, die Schrecken des Spätkapitalismus, die kaskadenartigen Paradigmenwechsel, auf die wir alle zuzusteuern scheinen. Eine Neubewertung innerer Systeme und Beziehungen aller Art - mit Kunst und Kreativität, mit anderen Menschen, mit dem Geschlecht - all dies ging einher mit Sauser-Monnigs Hinterfragung der spätkapitalistischen Kultur, die das Leben für arbeitende Künstler zu einer ungerechten Plackerei macht. Gezwungen, ihre gewohnten Denk- und Lebensweisen aufzugeben, fanden Sauser-Monnig neue Energie darin, alte Beschränkungen aufzulösen - sei es in Bezug auf das Musikgeschäft oder ihr Konzept von Geschlecht. Ihre Priorität war es, die Stimmung jedes Tracks zu maximieren, was in "Alex" Schichten aus synthetischen Texturen und unorthodoxen Schnörkeln zum Ausdruck kommt.

Es gibt ein altes Klischee über den letzten Tag der Sommerferien: dass er den Zugang zu endloser, müheloser Freude symbolisiere. Aber so ist es in Wirklichkeit gar nicht. Frag einfach Payson Power, den Gitarristen und kreativen Kopf hinter der Torontoner Band Daydream Plus. ,Als ich aufwuchs und einen Film sah, der am letzten Tag des Sommers spielt, dachte ich immer: ,Du bist schon beim deprimierenden Teil angelangt!` Der schöne Teil ist der vorletzte Tag des Sommers, denn das ist der letzte Tag, an dem man noch ohne Konsequenzen leben kann." Dieser Moment, in dem man noch Filme schauen und Videospiele spielen kann, bis die Sonne aufgeht, inspirierte Power dazu, das erste Album von Daydream Plus mit dem Titel ,Second Last Day of Summer" zu schreiben. Was diesen Tag so schön macht, ist, dass man unbewusst weiß, dass alles bald zu Ende sein wird. Nachdem er sein Leben lang Heavy Metal gespielt hatte, gründete Power 2020 Daydream Plus, um melodische, eingängige Kompositionen zu erkunden und Einflüssen nachzugehen, zu denen er zuvor nur in kurzen Momenten Zugang gehabt hatte. Nach zwei EPs, auf denen sich das Trio aus Toronto in der schmalen Schnittmenge zwischen komplexem Math-Rock und urbanem City-Pop bewegte, erweiterte Power langsam seinen Horizont. Mit Elementen aus Videospiel-Soundtracks, energiegeladenen Anime-Melodien und Akkorden, die direkt aus dem Songbuch von Steely Dan stammen, erschafft Daydream Plus auf ,Second Last Day of Summer" eine detailreichere Welt. Unterstützt von Powers Bandkollegen von Tomb Mold, dem Schlagzeuger Max Klebanoff und dem Bassisten Kevin Sia, arbeitet das Trio daran, den Geist von Don Caballero aufzunehmen und ihn mit einem Hauch von Smooth Jazz zu überziehen.

Das siebte Studioalbum der Hip-Hop-Pioniere De La Soul. Ursprünglich 2004 erschienen, wartet das
Album mit hochkarätigen Gastauftritten von Künstlern wie Ghostface Killah, Sean Paul, Flava Flav und
dem Produzenten J Dilla (A Tribe Called Quest) auf. Anders als ihre anderen Alben verzichtet „The Grind
Date“ auf Skits und Interludes und gilt als durchweg hochwertiges Album ohne Füllmaterial. Es enthält
außerdem vier instrumentale Bonustracks

Irish band Dea Matrona return with their second album, Hate That I Care. Darker and more emotionally intense, the record finds Mollie McGinn and Orláith Forsythe coming into their own, embracing alt-rock with a sharpened edge. Written with a deeper awareness of the world around them, Hate That I Care explores desire, rebelling against expectations and the complicated process of self-discovery.

Sophisticated Boom Boom is the 1984 debut album by the pop group Dead or Alive. As one of the first synth-goth bands they created a new landmark with this record. Pete Burns' outrageous appearances and his dramatic singing style were characteristic for this new band.

Synthpop and dance elements were integrated in their songs. The album contains the band’s first single hit, a cover version of KC & the Sunshine Band's "That's the Way (I Like It)". The music has monotonous grunting and groaning and some decent dance rhythms can be found on this record. The other single hit from the record is "Misty Circles".

Dead or Alive gained success in the mid-1980s and sold over 50 million records worldwide. Founder and vocalist Pete Burns passed away in 2016 and since the band discontinued.

Sophisticated Boom Boom is available as a limited edition of 1000 individually numbered copies on purple vinyl, and comes in a deluxe sleeve with leather laminate finish.

Inklusive Shepard Fairey x Dead Pioneers Kollabo-Poster

Death Cab for Cutie is one of the definitive indie-rock bands of the century. After twenty-odd years in the major label system, the band returned to their indie roots and signed with ANTI- Records and they"re back with a brand-new eleventh album titled, I Built You A Tower out June 5th. I Built You A Tower is the sound of loss, compartmentalization, and then grief bursting out from the seams. It"s also the sound of the growth that comes after falling apart, of acknowledging pain without letting it destroy you. "I see the tower existing on your emotional horizon," Ben Gibbard states. "You don"t always have to look at what"s inside it, but it"s a reminder that it happened. You know it"s there. You have to face it." The band is set to hit the road in the US this summer, kicking off on July 10 and includes a two-night run at The Greek in Los Angeles. This comes on the heels of a historic, sold-out global tour marking the 20th anniversary of the album Transatlanticism, and the release of their universally acclaimed, 2022"s Asphalt Meadow.

Die Adult-Punks von DEBT RAG beweisen einmal mehr das explosive Potenzial gemeinschaftlicher Zusammenarbeit. ,It Is Clear What's Going On" gewährt uns einen Einblick in ihr gemeinsames Gedankengut, das auf Band als ein pulsierendes, funkelndes Ganzes festgehalten ist. Diese Platte anzuhören ist, als würde man durch das Schlüsselloch in den Proberaum spähen und auf ein Feuerwerk aus Farben und Experimenten stoßen, gespickt mit schallendem Gelächter. DEBT RAG lachen - nein, nicht über dich, aber auch nicht mit dir. DEBT RAG kümmern sich nur um DEBT RAG und den freudigen Lärm, der entsteht, wenn man mit seinen kreativsten Mitstreitern Musik macht. Diese Songs bergen Möglichkeiten, und zwar nicht im Abstrakten. Was ist der Tonumfang eines einzelnen Beckens? Wie viele verschiedene Lautäußerungen können drei Menschen hervorbringen? Was ist das emotionale Potenzial einer Trompete? DEBT RAG stellt diese Fragen und gibt gleichzeitig die Antworten. Ihre Musik ist weitreichend, völlig frei, aber niemals selbstverliebt. Ob sie nun die langjährige Tradition des Trios mit Anti-Gesellschafts-Hymnen (,Gary's World", ,Syzygy") fortsetzen oder die Überreste einer Bandprobe collagieren (,Drumbo 2", ,Smartest Musicians") - es sind sorgfältige Kompositionen mit einer spannenden Logik, die sie selbst erfunden haben. Jeder Song ist eine kleine Welt, resonant, messerscharf, mit absoluter Klarheit der Vision. DEBT RAG ist, wie DEBT RAG eben ist. Wir könnten alle das eine oder andere davon lernen. - Grace Ambrose

Def Leppard, Großbritanniens größte Arena-Rock-Band, präsentiert die neu gemasterte „Greatest Hits
Sammlung auf einer schwarzen 180-g-Heavyweight-Vinyl-LP. Mit den größten Hits der Band, darunter
„Pour Some Sugar On Me“, „Hysteria“ und „Photograph“.

,Future Development" ist das dritte Album von Del The Funky Homosapien und war nach seinem Weggang vom Major-Label Elektra sein erstes Solo-Album für sein Independent-Label Hieroglyphics Imperium Recordings. Ursprünglich 1997 auf Kassette veröffentlicht und später 2002 auf CD und Vinyl neu aufgelegt, stützte sich das Album größtenteils auf Dels eigene Produktion sowie Beiträge von Hiero Crew-Mitgliedern A-Plus, Opio und Toure. Der einzige Gastbeitrag auf dem Album stammt von Crew-Mitglied Casual, der Del auf dem energetischen ,Checking Out The Rivalry" begleitet. Klanglich schlägt ,Future Development" eine Brücke zwischen den funklastigen Stilen von Dels Debüt und den dunkleren, futuristischeren Texturen, die er auf ,No Need for Alarm" erkundete. Textlich verfeinert Del sein rasantes Wortspiel mit einer schärferen thematischen Ausrichtung und beschäftigt sich mit dem Leben in Oakland, gesellschaftlichen Beobachtungen und der Hip-Hop-Kultur - alles mit einer Mischung aus Humor, straßenkluger Einsicht und mehrsilbiger Gewandtheit. Letztendlich fängt das Album einen Schnappschuss seiner Entwicklung vom rohen Talent zu einem konzeptionell gereifteren Songwriter ein. Es bleibt ein bedeutendes und unterschätztes Kapitel in Dels Entwicklung, das die frühen Keime der Kreativität und Unabhängigkeit zeigt, die einen Großteil seiner weiteren Karriere prägen sollten.

"Delegation is a British soul, funk, and disco band known for their success across Europe, though they remained
relatively under the radar in the U.S. Formed in 1975 by Jamaican singer Ricky Bailey, the group’s music quickly
gained traction with their first single, ‘The Promise of Love’ and follow up ‘Where Is the Love We Used to Know’
became a hit in Britain. Despite frequent lineup changes, Bailey was a consistent member throughout as the band
recorded much of their music in London, including their popular Eau de Vie album in 1979. The band continued
to evolve until the early 1990s and put out new music back in 20121. This is a comprehensive Best Of across two
sides of coloured vinyl."

2026 repress of classic fourth album by U.K. Psychobilly legends DEMENTED ARE GO! Originally released in 1991 on FURY RECORDS / U.K.! Mark 'Sparky' Phillips - vocals * Antanoid 'Horseman' Thomas - drums * Lex 'Luther Boy Wonder' - Guitar * Billy 'Space Cadet' Munster - Slap bass Initially released by the legendary rockabilly / psychobilly label Fury Records in 1991, DEMENTED ARE GO's "Orgasmic Nightmare" is brought back to life again for all you cellar beasts and demon angels! Twelve tracks of 100% psychobilly mayhem for all you stompers and wreckers out there! Classic (black vinyl here)!

2026 repress of classic fifth album by U.K. Psychobilly legends DEMENTED ARE GO! Originally released in 1993 on FURY RECORDS / U.K.! Spark "Douche" Retard - Screaming and Ranting * Antenormous "The Horse" - Death Beat and Keyboards * Lightning Lex Luther - "Geetar" And Distortions * Gray Boy "Get Off My Land" Grant - Big Bass Fiddle More classick (sic) DEMENTED ARE GO! This time around "Tangenital Madness On A Pleasant Side Of Hell", the Demon Ted's rumbling full-length from 1993 on Fury Records UK! Filled with thrill killers, "Tangenital Madness On A Pleasant Side Of Hell" is definitely one of the best 90's DEMENTED ARE GO records that was recorded, with hits such as "Brand New Corpse", "Mongoloid", "Zombie Stalk" and "Queen Of Disease". Sick! Sick! Sick! Black vinyl LP w/ printed inlay.

2026 repress of classic fifth album by U.K. Psychobilly legends DEMENTED ARE GO! Originally released in 1993 on FURY RECORDS / U.K.! Spark "Douche" Retard - Screaming and Ranting * Antenormous "The Horse" - Death Beat and Keyboards * Lightning Lex Luther - "Geetar" And Distortions * Gray Boy "Get Off My Land" Grant - Big Bass Fiddle More classick (sic) DEMENTED ARE GO! This time around "Tangenital Madness On A Pleasant Side Of Hell", the Demon Ted's rumbling full-length from 1993 on Fury Records UK! Filled with thrill killers, "Tangenital Madness On A Pleasant Side Of Hell" is definitely one of the best 90's DEMENTED ARE GO records that was recorded, with hits such as "Brand New Corpse", "Mongoloid", "Zombie Stalk" and "Queen Of Disease". Sick! Sick! Sick! Black vinyl LP w/ printed inlay.

39 Jahre nach ihrem Debutalbum und 13 Jahre nach "Welcome Back To Insanity Hall" veröffentlichte eine der legendärsten original Psychobilly-Acts um den charismatischen, außergewöhnlichen (manche würden sagen "frenzy") Bandleader Mark "Sparky" Philips ein Dutzend neue Songs, oder sind's nicht doch 13? Schon von jeher scheren sich DAG einen Dreck um den klassischen Psychobilly-Purismus: Ihr Sound ist immer noch eine einzigartige Mischung (Hellbilly) und kombiniert Elemente von Rockabilly, Punk, höllischem Rock'n'Roll mit mal Country-esken Einflüssen oder dunkelsten Blues, alles immer geprägt von Sparkys rauem, giftigem Gesang. Und als ganz besonderer Gast tritt Emanuela Hutter von The Hillbilly Moon Explosion wieder im Duett mit Sparky bei ,Cast A Lonesome Shadow" an. Eine wilde und schräge musikalische Reise durch menschliche Abgründe, Wahnsinn und dunkle Sehnsüchte. "Psychotic Mutilation" mit genau den Songs, die diese kranke Welt verdient. Simply a masterpiece!! Die Pressung der LP-Erstauflage dürfte ein jedes Sammlerherz höherschlagen lassen, denn neben 180g Vinyl, klassisch schwarz oder Multicolour, gibt es noch ein Plakat und am Ende der der endlos B-Seiten-Rille ein verstecktes Special zu finden, oder genauer gesagt: ganz in der Mitte der B-Seite....lasst euch überraschen. LP als 180g Vinyl, Glanz-Cover & A2 Poster, CD als Digipack. Diese Version hier ist schwarzes Vinyl mit rot-orange-weiß Splatter (Lonesome Shadow Splatter)

"Time Is Slipping Away is an album by American R&B/jazz fusion producer, composer, keyboardist and vocalist Dexter Wansel. It is the last of four studio albums released at Philadelphia International Records. The album contains songs with different styles from P-funk to sophisticated quiet storm music to instrumental jazz-funk. It features the two popular songs ""The Sweetest Pain"" and ""I'll Never Forget (My Favorite Disco)"". The former song features vocals by soul singer Terri Wells. Time Is Slipping Away is available as a limited edition of 500 copies on purple coloured vinyl and includes an insert with lyrics."

dgoHn (pronounced “John") is the moniker of John Cunnane, who hails from somewhere between London and Essex. ‘Tessares,’ his fourth album but his first for Planet Mu, is playful, unconventional drum & bass that contrasts sparse effects and melodic elements with complex drumfunk and breakcore. He often uses unusual time signatures and head-spinning polyrhythms inspired by jazz and math rock, sometimes within the same track. Somehow he makes it sound effortless, and occasionally pretty as well, keeping a fine balance that never feels punishing; exploratory without getting lost.

He's built a name for himself over the last two decades performing live at festivals and events around the world, while collaborating with fellow artists such as Macc, Nic TVG, Jodey Kendrick and Badun as well as solo releases.


The album opens with ‘Waiting For’ which combines complex breaks with melodic fills, spacey effects and dubbed out vocals that feel like snatches of lost conversations - a combination he uses throughout the album giving it an eerie touch of humanity. Lead single ‘I Couldn't Remember So I Made Something Up’ is in 15/8 time. It feels like a conventional melodic drum & bass track, but the time signature disrupts the listeners’ expectations, while the detuned melody eases its sense of dislocation. ’Whistling On A Tuesday’ opens with a light echoey piano countdown into bass stabs which introduce heavy whirling amen breakbeats that switch between 180 and 120 bpm. ’Holly Can Swim But She Doesn’t Really Like It’ is the most rhythmically challenging track here. It feels hard to hang on to as its knotty breaks play out over bell chimes, like something Autechre might make if jungle was in their DNA. The album ends on the dubbed-out drumfunk of ‘7 Years Or More,’ with an arrangement that builds a filmic, dusty atmosphere of chimes and electric guitar, layering in vocals, vinyl crackle and echoing synth giving way to tough drums, before all that is taken away so that just a voice remains.

Für Ihre politischen und gesellschaftlichen Entscheidungen von gestern, heute und morgen gibt es nun einen neuen, verlässlichen Anbieter. Wir kündigen zum nächstmöglichen Zeitpunkt den Wechsel zu der FLINTA-geführten Institution DIE BEHÖRDE aus Bremen an. Als erster amtlicher Schritt wird die Musikproduktion mit dem Titel DER LETZTE ARBEITGEBER erscheinen. Darin enthalten: acht exklusive Stücke mit einer flüchtigen Spielzeit von knapp 20 Minuten. Düster, punkig, relevant und mit dem nötigen Bremer Ernst vorgetragen. Textlich wird der sich erhärtende Verdacht, im falschen Leben zu sein, mit wütender Ehrlichkeit von der Straße gesammelt. Unbewältigt stehen Themen wie Diskriminierung, patriarchale Dominanz und Migrationsfeindlichkeit auf der Tagesordnung. Eiskalte, angriffslustige und hallende Gitarren prallen auf mäandernde Basslinien und pointiert-scharfes Drumming, während der Gesang in aller Dringlichkeit verwüstet, zerstört und wieder heilt. Die Anmut der hier vorgetragenen dienstlichen Beschwerde liegt in der Hoffnung, dass die Lösung nur ein paar Straßenbahnhaltestellen entfernt liegt. Ausführung und Qualität erinnern an Musikgruppen wie Berlin 2.0, Rauchen, Pogendroblem oder Frustwut. Damit ist DIE BEHÖRDE unabdingbarer Bestandteil des derzeit verfügbaren, hochwertigen und notwendigen Bildungsangebots. Ausrufezeichen!

Wenn Leidenschaft, Freundschaft, Identität und Kunst aufeinandertreffen, kann es sich anfühlen, als würden dir kämpferische Worte aus den Adern spritzen. Und während die postmoderne Gesellschaft bröckelt, springen Die Spitz ausgelassen zwischen einem Dutzend verschiedener Möglichkeiten hin und her, um sich zu wehren. Wenn die Welt der Rockmusik eine Eisdiele wäre, hätte das Quartett aus Austin jede Sorte probiert, den Gefrierschrank umgeworfen und angefangen, mit den Angestellten zu tanzen, denen sie geholfen haben, sich zu organisieren. Auf ihrem Debütalbum ,Something to Consume" kämpfen Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston und Kate Halter gegen den unausweichlichen Konsum, der das Leben umgibt. ,Das hat eine politische Seite, aber auch Sucht und Liebe können alles verzehrend sein", sagt Livingston. Und während die vier ihre Instrumente tauschen, sich beim Songwriting und Gesang abwechseln und kraftvolle Songs in mitreißenden Ausbrüchen schreiben, haben Die Spitz ihre eigene kleine Welt geschaffen, in der wir alle gemeinsam am Abgrund stehen können.

Diles Que No Me Maten sind eine fünfköpfige Band aus Mexiko-Stadt, deren vom Krautrock beeinflusster Art-Rock sich zu etwas wirklich Einzigartigem entwickelt hat - drahtig, poetisch und voller Improvisationslust. Ihr viertes Album ,Escrito en Agua" (Geschrieben im Wasser), ist ihr bisher fokussiertestes und zugänglichstes Werk, aufgenommen in einem provisorischen Studio in Santa María La Ribera mit Produzent Sebastián Rojas. Aufgebaut um zurückhaltendes Schlagzeugspiel, bewusste Pausen und die spirituelle Schwere der Begräbnismusik aus Oaxaca, bewegt sich das Album mit einer gemächlichen Selbstsicherheit, die sich hart erkämpft anfühlt. Thematisch ist ,Escrito en Agua" ein Album über Präsenz, Umherirren und Widerstandskraft - Songs, die mit Mehrdeutigkeit leben, anstatt sie aufzulösen. Die Lead-Single ,Hiriku" gibt den Ton an und verbindet frenetischen Krautrock mit Zeilen aus José Vicente Anayas visionärem Gedicht ,Híkuri", während der herausragende Track ,No me" ein Mantra der Selbstsicherheit in etwas weitaus emotional Komplexeres verwandelt. Gewidmet sowohl dem indigenen Morgenstern Tunuwame als auch dem palästinensischen Dichter Mahmoud Darwish, endet das Album so, wie es beginnt: still und transzendent, mit achtsamer Aufmerksamkeit für die kleinsten Details dessen, was es bedeutet, lebendig zu sein.

Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with '7 Seas' they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock and pop.

[a] A1 - Golden [Dubplates From E14 Broken Beats]
[b] A2 - Golden [Dubplates From E14 Steppers Mix]
[c] B1 - Oye Coma Va [Dubplates From E14 Broken Beats]
[d] B2 - Oye Coma Va [Dubplates From E14 Steppers Mix]

Divine wasn’t just a singer, Divine was a phenomenon. Born Harris Glenn Milstead, Divine transformed drag, performance, and queer visibility long before it was mainstream. From the underground stages of Baltimore to international fame, Divine became a muse for filmmaker John Waters, starring in classic cult films like Pink Flamingos, Female Trouble and Hairspray, that redefined shock, satire, and queer cinema.

Native and Queer (The Complete Experience) brings together the full force of Divine's musical legacy in one explosive HI-NRG compilation. anthems,. Featuring the iconic anthems that shook dancefloors worldwide, “Native Love (Step By Step)”, the track that launched Divine into international stardom, “Shoot Your Shot”, “Walk Like A Man”, “You Think You’re Man” and more bold tracks. American producer Bobby Orlando aka Bobby “O” was the architect behind Divine’s most tracks and is regarded as an innovator in the HI-NRG genre, while Pete Waterman & Barry Evangeli produced “You Think You’re A Man” and “Walk Like A Man“ was a solo effort by Barry Evangeli.

All tracks are sequenced, edited and mastered by Ben Liebrand.

Native And Queer (The Complete Experience) is available as a limited edition of 1000 individually numbered copies on blue splatter vinyl.

DJ DIE SOON is the apocalyptic alter-ego Daisuke Imamura, whose performances of masked malice have been a fixture in the Berlin underground for the past decade. His latest record My Brothel The Wind takes inspiration from Sun Ra at his most grotesque, conjuring a distorted phantasmagoria with an eclectic crew of compatriots like Rully Shabara, Sara Persico, and longtime collaborator Kiki Hitomi. Film director Hiroo Tanaka’s visual contributions in the album art, poster, and music video complete the album’s narrative, telling a story not of villainy but of phantom caprice in a dying world.
My Brothel The Wind shows DJ DIE SOON as an alchemist of distortion, transmuting the club-forward beats of his 2020 debut Kappa Slap and the seething horrorscapes of DIEMAJIN, his 2022 collaboration with Tokyo vocalist MA. Imamura’s obsession with noise stems from his upbringing in Tokyo, where he grew up hearing the deafening roar of trains every day. “The buildings were really tall, so the sounds reflected so much and it was so loud that you couldn’t even have a conversation on the phone. Hearing this noise every minute when living in this flat, it became a normal thing,” he says. While most would content themselves with avoiding loudness, DJ DIE SOON seeks to unpack its visceral potential.
DJ DIE SOON’s subterranean productions form a monstrous gestalt with the eclectic contributions of his network of co-conspirators. “Unfinished” and “Directions” are pulsating chimeras that highlight animalistic vocalizations from Hitomi and Shabara; Italian MC Franco Franco’s verses snake underneath the noisy onslaught. The tectonic textures of “Dandelion Crackers” are courtesy of multi-instrumentalist Laure Boer’s handmade stone synth. Sara Persico’s mangled vocables hang as fleshy reminders of human fragility on “SAQ4IME”; in the Hiroo Tanaka-directed music video, the track’s sonic uncanniness is made cinematic, with an ambient dread that references Hiroshi Teshigahara’s 1964 psychological thriller Woman in the Dunes.
While Sun Ra’s intergalactic Moog reached for the stars, DJ DIE SOON plunges into the depths of hell. “Everybody, Shake Your Body, We Chill At Party” feels like the sonic equivalent of a wax museum burning to the ground, rigid smiles melting into the fire. Rather than a vision of the future, My Brothel The Wind is a laugh-cry of despair in the face of a Hadean present. DJ DIE SOON confronts the world with a new hand-made mask, reborn in the ashes.

There are two versions of the vinyl edition: classic 140g black record or limited (Universe Edition) 140g black + 7" black vinyl with two bonus tracks.


WE ARE THE BIOBOTS is an album by Michal Baj (DJ Eprom), who has ties to Silesia. It will be released on 21th January 2026, by the legendary Polish label JuNouMi Records (est. 2002). WE ARE THE BIOBOTS is an album that not only talks about technological progress, but also touches on the digitization of human consciousness in the 21st century. Although it discusses the dangers of AI development, no artificial intelligence was used in its creation.

The album features legendary hip hop DJs, including the art of scratching. The album will feature the most outstanding DJs from Poland, England, the USA, and Japan. Thanks to this, the album has a chance to gain a broader, international context. Eprom's professional experience to date has allowed him to bring together such a wide range of artists and bring them together on the album, including:

DJ D-Styles – a legend of scratching from the USA. A pioneer of the genre. Member of groups such as The Beat Junkies and Invisibl Skratch Piklz, creator of many scratching techniques still used today.
DJ Prime Cuts – founder of the legendary Scratch Perverts from London, multiple world champion and creator of unique scratching techniques.
DJ Flip Flop, Prolifix – representatives of the DJ community from the US coast.
DJ Tigerstyle – a leading representative of the DJ community in England, multiple world champion in scratching.
DJ IQ – the most successful scratching champion in the world.
DJ Miyajima – the unrivaled master and creator of the Japanese school of scratching.
DJ Melo-d – co-founder of The Beat Junkies collective, multiple DJ champion hosting a legendary show on Radio HOT 97 in the US.
DJ Ben, Krootki – co-founders of the Modulators group from Poland, World Champions in scratching.
Daniel Drumz – Polish DJ and music producer known worldwide.
Mr Krime – pioneer of DJing and turntablism in Poland.


Michal Baj is a multi-talented musician, artist, and music producer born in Jastrzebie-Zdroj, as well as the owner of the analog Eprom Sounds Studio, where tracks based on mixing and mastering are produced and gain worldwide recognition.

The inspiration for the album is Eprom's connection to Silesia. His work at the KWK Borynia mine, surrounded by heavy equipment and mining technology, became a direct inspiration for creating a musical story about people, machines, as well as the directions of technological development and the impact they have on society.

The album is released by JuNouMi Records, a label specializing in vinyl records, founded in 2002. Your wax supplier.

DJ Himitsu is a Tokyo-born, London-based producer and DJ, known for his understated approach and deep knowledge of Japanese vinyl and book culture. Following a debut EP of acid house on Australian imprint Lunatic Music in 2023, 'Exotic Animals' marks a new waypoint in Himitsu's artistic evolution.

On this debut full length, driving 303 basslines and kickdrums are traded in for obscure recordings and convoluted samples, which spiral and fuse to form shuffling, heady new compositions. Like shattered pottery reassembled into top-heavy sculptures with golden glue, 'Exotic Animals' shapes and juxtaposes opposing forms and fragments, with lolloping aplomb.

When not producing, DJ Himistu runs Caravan - a vintage Japanese record, ceramics and bookshop in London. It's with the same warmth, care and curiosity that he arranges his findings in the plunderous grotto of 'Exotic Animals'. In this way, stepping inside this work is like entering a remote trading post of instruments, memoirs and other sonic curios - as Himitsu stands patiently at the counter.

Recommended for fans of Jon Hassell, Giovanni Venosta, Discrepant.

Volume 16: The Original Masters is classic Triple Six Mafia down South
Hip Hop
DJ Paul has been a highly influential writer, producer, and artist since 1994. His
dark production, often referred to as Gangsta, Crunk, Horrorcore and sometimes
Hardcore Hip Hop, really stands apart from the corny rap of the current era. Paul
has created a truly unique sound that continues to resonate after all these years.
Featuring Koopsta Knicca, Gangsta Blac, Kingpin Skinny Pimp, Lord Infamous,
and the late great Gangsta Boo.

In ein paar Jahren kann viel passieren. Für Jarred Beeler von DJ Plead bedeutet das, ein ganz neues Album aufzunehmen, es dann wegzuwerfen und schließlich etwas völlig Anderes zu veröffentlichen. ,Please" wurde zusammengestellt aus einem Ordner mit 120 Demos und Skizzen, die zwischen 2023 und 2025 entstanden sind, und präsentiert die unverwechselbare musikalische Palette des libanesisch-australischen Produzenten, die Techno, House und Dub aus dem Club mit den Dabke-, Mijwiz- und Shaabi-Klängen eines levantinischen Tanzkreises verbindet. ,Please" folgt auf ,Relentless Trills" aus dem Jahr 2020. Veröffentlicht als Teil von Boomkats ,Documenting Sound"-Reihe war diese Veröffentlichung eine Offenbarung, die über die hochintensiven Hard-Drum-Kracher hinausging, die über Livity Sound, Nervous Horizon und sein eigenes Label Sumac erschienen waren, hin zu einem eher ambienten Ausbruch seiner markanten Percussion und gewundenen Maqam-Melodien. ,Please" ist ein noch intimeres Werk, dessen Cover eine Nahaufnahme von Beeler zeigt , der in der einen Hand eine Tasse Kaffee hält, in der anderen seine Habseligkeiten. Handy, Schlüssel, Tabletten, Tiger Balm. Es ist eine zutiefst persönliche Darstellung des Alltags, die die gemächliche emotionale Resonanz der Trackliste des Albums widerspiegelt. Ein melancholischer Ambient folgt auf das verzierte Dahintuckern von ,Seven Eight, Too Late", das von Downtempo-Atmosphären heimgesucht wird. Das sanft groovende Klavier, die Gitarre und der Bass des Abschlussstücks ,Traffic" verschmelzen mit dem organischen Nachhall und Verklingen von Raum und Zeit. ,Ich fühle mich nicht ganz wohl dabei, diese Tracks zu veröffentlichen. Ich fühle mich verletzlich", sagt Beeler, der Smalltown Supersound-Labelchef Joakim Haugland als entscheidend für die Verwirklichung von ,Please" würdigt. ,Ich bezweifle, dass diese Demos jemals von jemandem gehört worden wären, wenn er sie nicht aus dem Ordner geholt hätte." Aber haben wir nicht Glück, dass er es getan hat? Die schwülen Keyboard-Improvisationen des Albums bei Höhepunkten wie ,Right On Time", ,Pa700" und ,Open Era" sind eingebettet in eine Mischung aus schwankenden Found Sounds und mikrotonalen Läufen. ,Bei einigen Songs spiele ich auch einfach nur Keyboard über einem Loop, den ich erstellt habe. Da gibt es nicht viel Produktion oder Glanz, hinter dem man sich verstecken könnte", erklärt Beeler. ,Gerade diese Tracks wirken ziemlich roh." Diese behutsamen Schritte außerhalb von Beelers ästhetischer Komfortzone aus Kontrolle und Funktion hin zu ungefilterter Offenheit erzeugen eine spannende Spannung. ,Please" nähert sich gekonnt jenem schwer fassbaren Punkt zwischen Distanziertheit und Sentimentalität, wo das Alltägliche, das Spezifische und das leicht Absurde auf das Tief empfundene und aufrichtig Bewegende treffen.

DJ Pone returns to his roots with Bass Culture (out March 6, 2026), a new 19-minute mixtape. A renowned turntablist, DJ Pone delivers an immersive and mesmerizing mix. Following his success with Birdy Nam Nam, he has released several genre-blurring projects, including the cinematic Radiant and the deeply introspective 1978. These albums showcase a producer with a meticulous ear for detail, atmosphere, texture, and storytelling—at times overshadowing the full extent of his talent and charisma behind the decks. With this new release, he reconnects with his first love: sound collage, razor-sharp cuts, and the magic of real-time manipulation. The mix fuses a burst of tracks into a seamless journey, punctuated by precise breaks and UK and tropical inflections. The sound design feels both cathartic and transient—a subtle blend of beats and sonic landscapes that echo and dissolve into one another with remarkable finesse. From an opening manifesto paying tribute to DJ Shadow and DJ Qbert to a rawer section infused with urbex textures, recalling the energy of Company Flow, Pone crafts a narrative that is as thoughtful as it is intensely joyful—yet paradoxically soothing. Mostly instrumental but never lacking soul, Bass Culture is filled with glitched melodies and vocal samples, echoes of his recent travels to Barcelona and beyond. The project stands as a personal, tactile canvas—instinctive and unembellished—pushing back against an era dominated by digital excess. It resonates as a true statement of faith in the art of DJing, reminding us that, even as a producer, DJ Pone’s touch on vinyl remains grounded and almost magnetic, far removed from today’s passing trends.

With his highly accomplished third album If This Is It, DJ Seinfeld (Armand Jakobsson) evolves further into the artist he always set out to be, refining his emotional, club-leaning sound across nostalgic house, UKG, and 2000s-tinged trance.

The 12-track LP — featuring SG Lewis, Confidence Man, TS Graye, Dan Whitlam, ARY, “Norwegian pop witch” Moyka, and Barry Can’t Swim affiliate just lil — explores letting go in a world that can often feel overwhelming.

“A million ideas turned into a few, a few turned into no ideas at all, and no ideas eventually turned into one,” says Jakobsson of the album, which he began the week his acclaimed 2021 record Mirrors was released. “Through writing it, I’ve tried to turn long-held anxieties into acceptance, and I hope listeners can take their own meaning from it.”

Norway's Dodheimsgard was formed in 1994 by Vicotnik & Aldrahn. The early incarnation was that of a raw & melodic black metal band, with their debut album also featuring Fenriz of Darkthrone on bass, before the poisons of a more schizophrenic concoction started to take hold. One of the top bands & visionaries of the mid-90's Norwegian Black Metal evolution, DHG are widely hailed as masters of dark & psychotic psychedelia-tinged extremity. 'Satanic Art' was originally released in 1998 & is considered a significant turning point for the band, as the compositions became less traditional in their structure & delivery, & instead became far more abstract & twisted. Besides the duo of Vicotnik & Aldrahn, the line-up also featured members of other notable Norwegian acts such as Aura Noir & Fleurety, with studio work assistance from Garm of Ulver.

Los Angeles rock trio Dogstar is back with All In Now, the band’s fourth studio album and the follow-up to 2023’s Somewhere Between the Power Lines and Palm Trees. Produced by Nick Launay (IDLES, Amyl and the Sniffers, Nick Cave & the Bad Seeds), All In Now marks a new era for Dogstar, with layered guitar riffs and heavy bass inspired by their time out on the road. Includes black LP in a gatefold jacket with a printed insert.

5th anniversary limited‑edition vinyl, featuring standout tracks like “Woman,” “Need to Know,” and “Kiss Me More” ft SZA. Pressed on a translucent pale blue vinyl.

Neu remasterte Neuauflage auf 180-g-Vinyl von Don Henleys klassischem, mit 6-fach Platin ausgezeichnetem dritten Solo-Studioalbum, erstmals auf 2 LPs. Enthält die Hits „The End of the Innocence“, „The
Last Worthless Evening“, „The Heart of the Matter“ und „New York Minute“.

Der aus Sydney stammende Soul-Revival-Troubadour Don West veröffentlicht das erste Vinyl seiner selbstbetitelten 2024er EP parallel zu ausverkauften Tourneen durch Europa, UK und seinem Heimatland Australien.

Der aus Sydney stammende Soul-Revival-Troubadour Don West – mit knapp 3 Mio. monatlichen Spotify-Hörern - veröffentlicht sein Debütalbum "Give Me All Your Love" parallel zu seinen ausverkauften Tourneen durch Europa, UK und seinem Heimatland Australien. Australiens einziger Spotify Radar Artist für 2025 wurde bereits für die Australian Independent Records Awards in der Kategorie "Beste Soul/R&B-Veröffentlichung" und für den APRA AMCOS Award in der Kategorie "Meistgespieltes Soul/RnB-Werk" nominiert und erreichte Platz 6 der australischen ARIA-Charts.

"Wenn Sie sich ein Gedankenexperiment gewünscht haben, das berauschend sinnliche Soulmusik aus der Blütezeit von Stax und Motown mit dem Charme eines angesagten Frauenschwarms verbindet, dann hat Don West die harte Arbeit für Sie erledigt; er ist die Antwort." – Onestowatch

The Scottish singer Donovan embraced the folk-music boom during the sixties that swept both England and America.

In 1965 Fairytale was released, his second studio album which planted the seed of what was yet to come. It foreshadowed the jazzy feel and descriptions of life in urban London that Donovan would continue to explore over the next two years. Fairytale features his hits “Colours”, “Universal Soldier” and “Jersey Thursday”.

Fairytale is available as a limited edition of 750 individually numbered copies on transparent vinyl.

Limited edition 10th anniversary 2LP Picture Disc!

When Dope Lemon – the moniker of acclaimed Australia artist Angus Stone – released Honey Bones in 2016, it didn’t arrive with the noise of a blockbuster debut - it drifted in effortlessly, all hazy grooves and sun-faded introspection, and in doing so laid the foundation for something far more enduring. Over the past decade, the album has grown into a cult touchstone, defining a signature sound that fans have come to associate with escapism, nostalgia, and emotional ease.

For listeners, Honey Bones has become more than a record, it’s a feeling they return to, a constant companion through road trips, long summers, and reflective moments. But just as importantly, it was the catalyst that transformed Dope Lemon from a side project into a fully realised creative force. The album established a distinct identity and unlocked a new global audience, driving consistent streaming growth, and creating the platform for sold-out tours and subsequent releases that could confidently build on its world. In essence, Honey Bones didn’t just resonate—it set the trajectory, turning Dope Lemon into a lasting brand with both cultural credibility and commercial momentum.

Limited Edition of 1,000 Hand-Numbered Units on Ruby Red Vinyl. Includes never heard before audio and lyrics printed on heavy board inner sleeves!

40 years later - and still no one does it like this. We’re celebrating the unstoppable legacy of one of hip-hop’s most iconic collaborations: Doug E. Fresh and Mc Ricky D (now globally known as Slick Rick) “La Di Da Di" along with the pop dance tune "The Show."

From its very first breath, this track reshaped sound, style, and storytelling — a cultural moment that became a timeless movement. Decades on, its influence is everywhere: sampled, quoted, reimagined — but never duplicated. “La Di Da Di”and “The Show” didn’t just belong to an era — they created one.

To mark this monumental anniversary, the Hip-Hop legends decided to drop a limited 12” 40th Anniversary Edition. The release features the original versions of “La Di Da Di” and “The Show” - plus a rare demo of "The Show" as well as an unreleased street version of "La-Di-Da-Di" recorded live from The Lincoln Projects in Harlem NY) that take you deeper into the sound that started it all with the Get Fresh Crew.

Downtown Boys have pushed relentlessly forward as an artistic and political project since their founding. Singer Victoria Marie and guitarist/singer Joey La Neve DeFrancesco first met at union meetings while working together at a hotel in Providence, RI, writing many of the band's early songs about labor organizing and exploitative workplaces. The quintet is completed by Joe DeGeorge (sax/synth), Mary Jane Regalado (bass), and Joey Doubek (drums). Over years of touring, and three acclaimed albums, Downtown Boys have continued to grow as artists, musicians, and organizers. Now, the band has arrived with Public Luxury, an enthralling album that keeps politics front and center while summoning the band's most urgent and powerful sound to date. The definition of Public Luxury falls very much in line with that of the title of the second Downtown Boys LP, Full Communism. Straight up, Public Luxury means, "everything for everyone." It's the stubborn insistence that a better world is possible, while fully recognizing the horrors we witness daily, and the individual and collective responsibility to resist the nihilism and hopelessness we all feel. Sentiments like "everything for everyone," and "we will have it all" perfectly represent the cathartic, communal live experience this cadre of multi-instrumentalists create. These sentiments also encapsulate the inclusive, joyful sonic fusion that defines the album: anthemic punk and indie rock mix with Latin traditions, drum machines blend with acoustic drums, saxophones punctuate riffs, and layers of synths add flourishes from new-wave to industrial. The amount of ground covered on Public Luxury can't be overstated, and yet the album feels totally vital and cohesive. Public Luxury is a revisitation of the band's past for the sake of their future. It was co-produced by DeFrancesco with recording engineer and longtime Downtown Boys supporter Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz) at the Pawtucket, RI studio and arts space Machines With Magnets, not far from the band's first home of Providence, RI. Victoria Marie's grandmother-a monumental figure for the band throughout their existence-passed away in May of 2025, and her influence looms large over the album; the songs "No Me Jodas" and "Sirena" are crystallized representations of the love between a woman and her ancestor. Beyond the loss, rage and frustration of the present, Public Luxury points boldly towards a vibrant, open-hearted vision of both music and the world: "Our music is simply for anyone and everyone who believes in the new future we can make together," Victoria Marie declares. "A world that will be awkward, inconsistent, yet truly free when it comes to all that matters."

Feiere das 25-jährige Jubiläum von Drowning Pools legendärem, mit Platin ausgezeichneten Debütalbum
„Sinner“. „Sinner“ erschien ursprünglich im Jahr 2001 und verhalf Drowning Pool mit „Bodies“ – einem
sofortigen Klassiker, der bis heute aus dem Moshpit nicht mehr wegzudenken ist – zum Durchbruch. Die
limitierte Jubiläumsausgabe zum 25-jährigen Bestehen ist auf meerblauem Rauchvinyl gepresst.

PAUL WALKER: Paul Walker is the debut studio album by American post-hardcore band, Drug Church. It features 10 tracks, including "Thinking About Joining Drug Church", "Reading Youtube Comments", and "Clifton Country". SWELL: Drug Church, monsters of alt-rock, have weathered a year of dope shows and fan adoration since the release of their seminal punk masterpiece Paul Walker. Now, the chickens have come home to roost. The band has dedicated itself fully to a true ‘sophomore slump’ EP full of indulgent missteps and overreaching stabs at pop crossover. All that being told, they’re “the sickest band ever” has yielded real results. On Swell, Drug Church push their idiosyncratic blend of punk and alt to new heights of sick. Recorded with J. Robbins (every band, ever) in a big, professional studio, Swell delivers the biggest Drug Church sound to date. It’s pretty much the life-changer you assumed it would be. This new repress of the album includes remastered tracks. HIT YOUR HEAD: Drug Church is the logical limit of heavy alt. Like the Bee Girl from the Blind Melon video pitting hard for Helmet. Hit Your Head, recorded with Jay Maas, fully embraces the futureless aesthetic the band hinted at on previous records. This is worst-body-on-the-beach music. These are fired-from-your-window-tinting-job songs. An album for people on probation for crimes that aren't even cool. Big riffs and petty concerns.

PAUL WALKER: Paul Walker is the debut studio album by American post-hardcore band, Drug Church. It features 10 tracks, including "Thinking About Joining Drug Church", "Reading Youtube Comments", and "Clifton Country". SWELL: Drug Church, monsters of alt-rock, have weathered a year of dope shows and fan adoration since the release of their seminal punk masterpiece Paul Walker. Now, the chickens have come home to roost. The band has dedicated itself fully to a true ‘sophomore slump’ EP full of indulgent missteps and overreaching stabs at pop crossover. All that being told, they’re “the sickest band ever” has yielded real results. On Swell, Drug Church push their idiosyncratic blend of punk and alt to new heights of sick. Recorded with J. Robbins (every band, ever) in a big, professional studio, Swell delivers the biggest Drug Church sound to date. It’s pretty much the life-changer you assumed it would be. This new repress of the album includes remastered tracks. HIT YOUR HEAD: Drug Church is the logical limit of heavy alt. Like the Bee Girl from the Blind Melon video pitting hard for Helmet. Hit Your Head, recorded with Jay Maas, fully embraces the futureless aesthetic the band hinted at on previous records. This is worst-body-on-the-beach music. These are fired-from-your-window-tinting-job songs. An album for people on probation for crimes that aren't even cool. Big riffs and petty concerns.

PAUL WALKER: Paul Walker is the debut studio album by American post-hardcore band, Drug Church. It features 10 tracks, including "Thinking About Joining Drug Church", "Reading Youtube Comments", and "Clifton Country". SWELL: Drug Church, monsters of alt-rock, have weathered a year of dope shows and fan adoration since the release of their seminal punk masterpiece Paul Walker. Now, the chickens have come home to roost. The band has dedicated itself fully to a true ‘sophomore slump’ EP full of indulgent missteps and overreaching stabs at pop crossover. All that being told, they’re “the sickest band ever” has yielded real results. On Swell, Drug Church push their idiosyncratic blend of punk and alt to new heights of sick. Recorded with J. Robbins (every band, ever) in a big, professional studio, Swell delivers the biggest Drug Church sound to date. It’s pretty much the life-changer you assumed it would be. This new repress of the album includes remastered tracks. HIT YOUR HEAD: Drug Church is the logical limit of heavy alt. Like the Bee Girl from the Blind Melon video pitting hard for Helmet. Hit Your Head, recorded with Jay Maas, fully embraces the futureless aesthetic the band hinted at on previous records. This is worst-body-on-the-beach music. These are fired-from-your-window-tinting-job songs. An album for people on probation for crimes that aren't even cool. Big riffs and petty concerns.

Dudu Tassa, einer der führenden Rockstars Israels, ist der Enkel des kuwaitischen Musikers Daoud Al
Kuwaiti. Dessen musikalische Zusammenarbeit mit seinem Bruder Saleh als Al Kuwaiti Brothers erlangte
zwischen den 1930er und 1950er Jahren in der arabischen Welt Berühmtheit. Dudu Tassa und die Kuwaitis
eröffneten vor einigen Jahren das Coachella-Festival und wurden von Radiohead als Vorband für eine ihrer
US-Tourneen ausgewählt. Die Al Kuwaiti Brothers zählten in der ersten Hälfte des 20. Jahrhunderts zu
den bedeutendsten Komponisten und Musikern Bagdads. Dudu Tassa hat einige der Aufnahmen der Al
Kuwaitis aufgegriffen, weiterentwickelt und zu seinem eigenen Sound modernisiert. „El Hajar“ erschien
ursprünglich 2019. Diese Version ist eine Wiederveröffentlichung im Stil ihres selbstbetitelten Albums und
von „Ala Shawati“ und enthält eine komplett neu interpretierte Version von „El Hajar“.

The Dwarves return to their punk roots with a fun, energetic record. Standout tracks include: Damned If I Do, We Are The Scene, Psychosis Tripping. Jenkem finds The Dwarves returning to the raw, confrontational energy that defined their early work, delivering a fast, irreverent blast of punk rock that blends melody, aggression, and their trademark shock humor. Packed with short, high-impact tracks like "We Are The Scene," "Damned If I Do," and "Psychosis Tripping," the album balances tight songwriting with the band's chaotic, anything-goes attitude, moving effortlessly between hardcore punk bursts and hook-driven rock moments. Formed in the mid-1980s and long led by founding member Blag Dahlia, The Dwarves have built a reputation as one of punk's most provocative and unpredictable acts. Emerging from the underground with releases like Blood Guts & Pussy, they became notorious for their explicit artwork, confrontational lyrics, and myth-making persona that blurred fact and fiction. Over decades, the band has shifted fluidly between garage rock, hardcore punk, and pop-inflected punk, while maintaining a consistent identity rooted in speed, satire, and rebellion. Their ever-changing lineup has included notable musicians such as HeWhoCannotBeNamed and members connected to acts like The Queers and Zeke, reinforcing their deep ties within the punk scene. With Jenkem, The Dwarves reaffirm their core strengths--brevity, intensity, and attitude--while delivering a record that feels both nostalgic and immediate. The songs hit quickly and leave an impression, driven by sharp riffs, pounding rhythms, and Dahlia's biting vocal delivery. As a continuation of their long-standing ethos, the album stands as a reminder of the band's enduring ability to provoke, entertain, and channel punk's most unfiltered spirit.

The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the record's genius becomes obvious all over again. Ranked the 118th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling LP in history, and considered the foundation on which the Golden State's mid-‘70s music scene was built, the 1976 landmark is a music staple immune to shifts in trends, eras, and styles. Fearlessly addressing the chaos and consequences of American life, its songs remain strikingly prescient and gain creedence with each passing day.

Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 17,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set ensures you will want to permanently check into and never leave this particular Hotel California. Up to the herculean task of standing head and shoulders above all prior reissues, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, massive dynamics, and microscopic levels of detail. You'll be able to practically smell the colitas and feel the breeze in your hair. Songs come across with an epic sweep and feature immersive, front-to-back soundstages that allow the music unprecedented air, roominess, and separation. As for the noise floor? It's basically as invisible as the spirits that waft in the corridors of the unforgettable title song.

Aesthetically, the premium packaging and presentation of the UD1S Hotel California pressing befit its esteemed status. Housed in a deluxe box, it features gorgeous foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. From every angle, this UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the renowned cover art to the meticulous finishes.

Indeed, the opportunity to zero in on all the particulars of the 26-million-selling Eagles record dubbed "a legitimate rock masterpiece" by vaunted Los Angeles Times scribe Robert Hilburn has never been better. A global phenomenon that marked the band debut of guitarist-singer Joe Walsh, Hotel California continues to resonate and connect with listeners of all generations taken by its narrative depth, stark directness, picturesque melodies, daring majesty, and ardent emotionalism. Adorned with a breathtaking exterior photograph of the Beverly Hills Hotel that serves as the simultaneously haunting and alluring cover art, and rounded out by a rear-cover shot of the Lido Hotel lobby that reinforces a notion that teeters between permanence and transience, Hotel California is brilliantly tied to a specific place that functions as a universally understood metaphor for the American Dream.

Confronting the darker undercurrents and oft-ignored constructs attached to that romantic notion, the record's songs revolve around a host of shared themes: excess, mobility, stability, illusion, fame, destruction, and idealism included. Notably, Hotel California appeared at a crucial junction in American history: During the country's bicentennial and amid escalating controversies related to the Vietnam War, energy crisis, and governmental corruption. That the Eagles manage to channel such cultural, social, and economical matters into a cohesive, stately, big-picture statement is alone a stupendous feat. That the album's reach, boldness, vitality, accessibility, and understated intensity have never waned make it a marvel.

Reflecting on Hotel California 40 years after its original release, and indirectly explaining its enduring appeal and increasing relevance, singer-songwriter Don Henley confirmed the record pertains to the "loss of innocence, the cost of naiveté...the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of ‘peace, love and understanding.'"

It can be argued that Henley and company squarely hit on and drove home those ideas in the surreal title track, chart-topping "Life in the Fast Lane," and grand "The Last Resort" alone. But that would miss the forest for the trees. Experienced as an unbroken whole, complete with the pristinely shot imagery and physical grooves, Hotel California unfolds like a geography-conscious saga by James Michener and plays like colour-saturated movie shot on 70mm film by Martin Scorsese. It's about our collective and individual decisions – and the shape of our past, present, and future. And, just like that conjured by our imaginations, Hotel California continues to take on a life of its own.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

Earth hat die moderne Musik maßgeblich geprägt - von Experimental Metal über Electronic/Ambient bis hin zu Stoner Rock - und Künstler von SUNN O))) über The Bug bis hin zu Godflesh beeinflusst. Die Geschichte von Earth wurde in der gefeierten Dokumentation "Even Hell Has Its Heroes" aus dem Jahr 2023 festgehalten. Das dritte Album von Earth, "Pentastar: In the Style of Demons" aus dem Jahr 1996, ist ein Klassiker der trägen Riff-Verehrung, der vor einer dicken, verzerrten Schmiere nur so strotzt, in der Black Sabbath, Hawkwind, Hendrix, Drone und Ambient-Musik miteinander verschmelzen. Das Ergebnis fühlt sich an wie eine lange, einsame Fahrt durch die Wüste, mit dem inneren und/oder äußeren Weltraum als einzigem Ziel. Als wohl rockorientiertestes Album der Band enthält "Pentastar: In the Style of Demons" die zeitlose ,Hit"-Single "Tallahassee". Diese 30-jährige Jubiläumsausgabe erscheint auf grünem Vinyl und enthält einen limitierten "Wraparound"-Kunstdruck mit einer Neuinterpretation des Albumcovers durch den zeitgenössischen Künstler Matt McCormick.

Ushering in a new era, Berlin based, New Zealand heavy psych duo Earth Tongue lower the castle gates on their third album Dungeon Vision, a trove of fuzz-drenched anthems produced by garage rock luminary Ty Segall in Los Angeles. Guitarist Gussie Larkin and drummer Ezra Simons spent the Berlin winter of 2025 refining the album’s twelve tracks in their self-described “windowless cave” rehearsal space, crafting a record that channels both isolation and the duo’s live intensity. With the songs finally taking shape and a studio deadline looming, they flew to Los Angeles to turn their hard-won ideas into the real thing. Once there, the band and Ty captured lightning in a bottle, recording and mixing Dungeon Vision in just ten days at Altamira Sound. Tracked live to tape, Dungeon Vision pulses with human energy, fuzz guitars, bone-battering drums, and hauntingly tuneful vocals. Ty Segall’s influence is all over the record with Ty choosing the best takes based on feel rather than technical perfection. The “king of fuzzy guitar tones” pushed the duo to find new sonic textures while championing their raw chemistry. “Ty’s been a big driving force,” says Ezra. “We supported him in New Zealand back in 2023, and he’s backed us ever since even bringing us on tour through Europe and the UK in 2024.” Since their emergence in 2016, Earth Tongue’s world-building, visuals, and relentless touring have earned them global attention and a cult-like following. Their 2024 album Great Haunting, also released on In The Red Records, received a Taite Music Prize nomination and saw them win Best Group at the 2025 Aotearoa Music Awards. They’ve toured extensively, sharing stages with the likes of Queens of the Stone Age, IDLES, Acid King, Brant Bjork and Kikagaku Moyo. With Dungeon Vision, Earth Tongue deliver their most immersive work yet, a richly human, fuzz-soaked journey that bottles the magic of their live show and cements their reputation as one of the most exciting psych rock acts on the planet.

“All I can do is make my art from an honest place with an honest intention.” Earth-o-Naut.

Earth-o-Naut is a songwriter, drummer, musician and producer. He was born in Liverpool and raised in one of its satellite towns, Skelmersdale. He was raised by his mum and uncles on music from every genre, falling in love, amazement and awe with the groove and the craft of songwriting. Nothing has changed to this day. Songwriting has also always been a constant. That quest to create something original and use the songwriting process as some form of catharsis. Learning guitar and piano was the next logical step, to help with the creation of new ideas into new songs. A lot of time was spent playing drumming gigs and then taking his own songs on the road, solo with just an acoustic guitar, learning the ropes and serving his apprenticeship. Great songwriters The Beatles, Curtis Mayfield, Bill Withers, Neil Finn and many others inspire Earth-o-Naut to this day.

Earth-o-naut has worked hard for many years on his studio chops and is the writer, arranger, recording engineer, mix engineer and producer on all of his own material, and he also works with other artists as a producer. Earth-o-Naut's debut album, 'This Is Nowhere. This Is Everywhere.' will be released on Agogo Records in June 2026. The debut album features UK drumming legend, Steve White and also the vocals of Amalia Estradas and Suzanne Maddock. 2026 will also see Earth-o-Naut take his songs on the road and play some live shows.st singular, emotive, and genre-defying releases of its era.

Vinyl Only!
250 copies, no repress!

Following on from the instant sell out release we had for our joint 13th release with Pirate Cutz, we’re back with number 14 featuring the +98 stalwart Ease Up George, alongside a remix from our very own L&F.



Don’t sleep on this one !

The scope, variety and ambition of Ebbb’s debut album Shallow Hits is clear from the off. “Come Alive” whirs into being quietly before morphing into a sun-kissed, radiant piece of calypso-esque electronic pop; the Latin-flavoured “Now You Know” feels destined to soundtrack sun-drenched festivals this summer; “Shallow Hits” is as deft and detailed as it is big, bold and euphoric; while the wonky yet propulsive charge of “Side On” sounds like a drum ‘n’ bass club and church choir combined. A fervent eclecticism and unpredictable restlessness underpins the album. Latterly the record dives into the moody technoid textures and multi-layered harmonies that characterised their debut EP All At Once - exemplified by ‘Youth’ and the closing track “I’m Not Enough” that lands an emotional gut punch to an album that is already littered with them. However there’s a remarkable coherence and identity that underpins the album. Ebbb are exploring far and wide, deep and vast, yet they do so via an approach that remains unmistakably them.