Beats Vinyl New Releases - News

'Rothschild 12' operated between 2009 and 2017 in the heart of Tel-Aviv, near the bustling intersection of Herzl street and Rothschild boulevard. Located on the ground floor of an elegant eclectic-style building which was built by Mr. Abraham Fogel exactly 100 years before it opened, 'Rothschild 12 began as an art gallery and quickly became a popular relaxed café and bar. While its front terrace faced the hustle and bustle of the city's main boulevard, in its back room 'Rothschild 12' hosted nightly live shows by a variety of established as well as up and coming independent musicians. What started off as improvised jam sessions soon developed into a full program ranging from jazz and rock to world music, hip hop and electronica. Now that 'Rothschild 12 is relocating to a new venue on Herzl street, it is time for a summary - a snapshot of the musical diversity which filled its walls - in the form of the compilation you are now holding. This musical summary of 'Rothschild 12' brings together a modern remix to a pioneering Israeli-Yemenite disco number from the seventies, a bundle of colourful and psychedelic beats,

Let It In on the A-Side is a banging 69 Sound... back to the early 90's... Rough kick for a sound experience... The Flip is an Ambient level... Compared to the ImproBeat 01 we here have a two dot one thing, with many more sound changes and still... taking your time with a kind of 70's naive feeling... that maybe irritate some... but let it out... Impro Beats... or no Beats ! Except the one of your heart !

Mas O Menos was set up by South African born, Manchester based, DJ and Producer Levi Love. Levi has played numerous dancefloors across the globe for the past 13 years developing a fine palate for Deep House and electronica.

A chance meeting with one half of >ONE, MAKO MCR resulted in Levi signing the DUO and their APPLEBUSH offering. To Levi, Applebush reignites the memories of Johannesburg townships when he was a teenager, which at the time was infused with
Kwaito music. Slow BPM, synth heavy and trippy at times, APPLEBUSH takes it to another level of impressive technical acumen and blessed creative prowess.

>ONE is comprised of MAKO MCR and METRODOME. METRODOME is a known producer for World renowned RED LASER DISCO imprint alongside Manchester's LEVELZ & Wet Play collectives, working with artists like Amp Fiddler & Zed Bias, with a bevy of heavy hitters to his name. MAKO MCR is no newcomer to the scene as he boasts releases from numerous labels such as Hot'n'Heavy, Gradient Audio, Abaga records and
Echodub. The Applebush EP marks the start of their creative endeavors together with an already varied back catalogue of electronic music from across the spectrum to come.

This Halloween sees the return of Peaky Beats Records sub label BRAINJUICE.

Music From Memory's sister label Second Circle returns with their first release of 2018, this time with a 4 tracker EP from French producer and Antinote via Melody As Truth affiliate D.K. aka Dang Khoa Chau.
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Titled 'Mystery Dub', this new record features two percussive house cuts on the A side with two more evocative compositions on the flip. Recorded in his studio in the 11th district of Paris, the release showcases a wide yet characteristic palette of sounds and textures the Parisian artist has been sharpening over the years: atmospheric/hypnotic strings, warm pads, dreamy landscapes and spacial rhythms.

For their 7th entry, Analog Concept Records proudly presents the mysterious and fresh sound of D82 with the Galaxico EP. From beginning to end, it's easy to hear that D82 is in fine control of the machines and its sonic dreams - navigating the listener through four scenes of lucid, spacy, atmospheric electro tracks that powerfully radiate from the speakers into your soul.. Indeed, finely blending the seams between Detroit and UK electro, while winking an eye to a fresh future sound - D82 has arrived on the premium quality vinyl shores of Analog Concept Records with the lush intergalactic sounds of Galaxico" EP.

Daily Fauli was the rare minimal synth project of Danish artist Søren Fauli. In 1983, he released one album entitled Fauli Til Daulion a small label called Gry Records. Søren was nineteen when he recorded this masterpiece and had no prior musical training. He had been playing in punk bands as a teenager and decided to break off to make a solo record. With access to stolen equipment, mainly synthesizers, he wrote these songs very spontaneously and recorded them in a period of one week. He designed the artwork using portraits his friend shot of him in his bedroom with his Casio VL-1 tone in hand, and mocked up the cover and inner sleeve himself in total D.I.Y. fashion. In 1983, the record was released in an edition of 500 transparent green vinyl LPs with a black and white inner sleeve with his song lyrics. It is a true work of art and has become a cult classic over the years.

MW re-release the album, remastered and pressed as a limited edition of 999 copies. The record is pressed on 180-gram transparent green vinyl presented in a heavyweight sleeve featuring the original album artwork accompanied by an inner sleeve with an unpublished photo of Søren and inner sleeve artwork.

Dj Crystl remains one of the pioneers of the jungle sound, with a legacy of classic EPs, featuring his trademark lush strings, and deeply meditative soundscapes, often combined with truly heavyweight amens and bass. This unique EP is a little lighter than some of his work, but still excels with the gorgeous string work and clean production. Both tracks are essential for any true junglist!

The British DJ, producer and label owner ((Infrastructure New York, Counterchange) Ed Davenport is releasing a great mini-album including four club tracks and two interludes on the Siamese imprint, owned by the production and DJ duo known as Adriatique.

As one half of Minutes Unlimited, a group formed with fellow electronic producer Michna (Ghostly International), Eliot Lipp displays a talent for creating precise, shiny techno/trap that showcases both artists’ synth and drum machine dexterity.

He also provides the prefix for the appropriately named Lipphead, a collaborative effort with underground hip-hop and downtempo producer Blockhead. Lipphead’s loose and experimental approach to dance music stands in stark contrast to the cold, methodical tone of Minutes Unlimited.

Somewhere in between and slightly off-center of these two sounds is 'Encounters,' Lipp’s forthcoming full length LP. From laid-back downtempo cuts 'Know By Now' and 'The Lowdown' to choppy upbeat hip-hop instrumentals like 'Guitar Maniacs' – Eliot condenses years of growth and influence into this expansive double LP. Comprised of 16 tracks, the sequencing of Encounters pulls from Lipp’s DJing experience, creating a seamless and cohesive listening experience from start to finish.

Remastered and repress of the Skatekat, a Ska/Tribe funky experience bringing crazy speed breakbeats and medium garage kicks with a funky bassline underneath... Big !

“Composed during one of London's endless dark and locked down winters, Fever Dreams is a fantastical, speculative take on high density living. From dark, mouldy rooms, subterranean depths, symbiosis and multi-species entanglements, it cloaks itself in the claustrophobia, excitement and despair of living in a metropolis. It is a work which both celebrates and fears the weeds, spores, vermin and grime of London. The dark fantasies, frustrations, and utopian aspirations of its urban survivors. Frozen plastic bags, cramped living quarters, the kindness of strangers, the desperate unfairness of who gets what and when. Almost getting there but not quite. Being overcome by emotion for no reason. Unexpectedly moved, inexplicably destroyed. The never still, forever unfolding moments which comprise living on top of each other. Sinking and swimming; together/apart.” - Kate Carr


A smouldering, sunken sound from Kate Carr on her album for Mana, exploring a latent and inward pressure from a mix of field recordings; gongs; underwater reverberations; flickers of static and electricity; found reel-to-reel choral recordings, played forward and backward. The result is a gothic dub and dark ambience that hangs heavily in the air, a narrative of middle spaces and dense environments where noise and muffled secrets bleed through the thin plasterboard from the next room over.

Texturally and emotionally it's a potent mix of insulated hope and gritty reality, holding a microphone to space and sound that the mind might otherwise blot out. Multi-species, metal, organic, and digital, dirty, self-built gathering ground, with towering verticals, deep subterranean depths, and gritty layers of lived-in grime, watery and terrestrial, human and non-human pressed together.

Kode9's most ambitious work yet as a multi-disciplinary artist, `Escapology' is the soundtrack album to the sonic fiction `Astro-Darien', itself soon to be released on Hyperdub sub-label Flatlines. Already available as a special edition CD and digital album, we now offer a 1000 piece limited pressing on lucent orange vinyl, in spot-gloss sleeve with additional artwork by Optigram. `Escapology' reconfigures `Astro-Darien's tense, off-world atmospheres into slices of high definition, asymmetric club rhythms, woven through thrilling sound design and vertiginous sonics. "A record brimming with ideas and novel sounds, departing from genre exercises to offer something genuinely different." - Album of the Month -DJ Mag "Kode9's most dextrous and intuitive club music yet, full of mind-bending rhythmic nuggets. He's still the brilliant master behind the scenes, quietly one-upping everyone else." - Resident Advisor "The 15 tracks become proper dancefloor scorchers _ `Escapology' builds a futuristic jumble of aesthetics and sound design." - The Wire

Beatservice Records are beyond thrilled to announce the arrival of Kohib's hotly anticipated studio album 'Today's Tales Of Tomorrow'.

DJ, producer and club organiser Øivind 'Kohib' Sjøvoll has been in truly dazzling form of late, serving a series of mesmerising singles that served as a tantalising taster to his latest album – the third he's crafted for Beatservice. Actively producing immaculately crafted sounds for over two decades, sonic alchemist Kohib continues his deft aptitude for sculpting genre-defying compositions, with 'Today's Tales Of Tomorrow' playing host to some of his most compelling material to date. From pitch black introspection to rousing dancefloor abandon, the album is every bit as far-reaching as we've come to expect from this singularly talented artist.

The collection bursts into life via the club-focused thrust of 'Golden Skies', featuring the seductive vocals of enigmatic songstress, Lydia Waits, whose stirring performance shines like a beacon as it soars over Kohib's slick four/four groove. Crisp drums drive the hypnotic rhythm over a subaquatic bass line, as icy pads and pitched synth percussion combine to stunning effect, effortlessly building to Waits' rousing chorus section. Subtly shifting the mood, we arrive in the heads-down throb of 'It's Never Late In Neon Signs', where glistening arpeggios and snarling bass caress Lydia Waits' honeyed vocal, the pristine instrumentation undulating over a mesmerising, radio-friendly arrangement.

'Fake Fur' arrives with deliciously brooding intent, with (Kohib's High Heeled Giants bandmate) Helle Larsen's bewitching vocal gliding over immersive instrumentation and otherworldly textures. Evocative harmonics combine with ethereal synth leads and dramatic aural waves, the hypnotic percussion gently driving the groove deep into the half-light of a crisp autumnal haze. Next, 'Hold That Thought' mischievously switches the rhythm, as thick sub bass and searing synth motifs power over broken drums while Helle Larsen's affecting vocal rises from delicate verse into dramatic chorus bursts.

'Sandcastles' once again sees Helle Larsen grace the stage, lacing waves of cinematic pads glide and live bass as scattered percussion forms an alluring rhythm. Sparse and precise, the evolving music ebbs and flows as the tides, gorgeously caressing Larsen's emotion-rich vocal as she weaves her seductive lyrical metaphors. The album's title track 'Today's Tales Of Tomorrow' sees sinister lead synths exploding over deviant bass as the pulsating rhythm drives the cut through distant vocals, the low-slung groove proving magnetic as the nocturnal melody works its magic.

The tempo rises rapidly, with the pounding bass arpeggio of 'This Kitty Got Claws' purposefully marching through cascading synth textures, euphoric chords, and self-assured lead vocals. Expertly displaying his expansive production finesse, the rhythm once again switches as we sashay into the utterly bewitching 'Rhythm Cast A Spell On Me', with Lydia Waits' indelible vocal providing a profoundly atmospheric moment. A sublimely constructed bed of neatly woven keys, xylophone strikes and haunting bass clarinet elegantly embrace the ethereal lead vocal.

The mystical melodies of 'Not Supposed To Be' echo over a misty woodland landscape, with Lydia Waits' unfeigned vocal flowing over jagged synth textures and gently broken rhythms, before Helle Larsen returns with the sensual swansong 'Let's Stay Right Here'. Sumptuous keys shimmer over a steady tempo, with warm bass and sugary melodies supporting the intoxicating lead vocal for a gorgeously heartfelt finale.

Vividly illustrating Kohib's unthinkably vast sonic repertoire, 'Today's Tales Of Tomorrow' looks set to further enhance the Norwegian producer's already glowing reputation, with each exquisitely-formed track combining to create a collection that's at once powerfully memorable and profoundly coherent.

Kniteforce Insanity is for the most extreme and ridiculous music we could possibly find. This is tongue in cheek, non genre, sample heavy, intensely insane music. It is not for the faint of heart...or hearing or...well...anyone, really. This EP from Dj Luna-C is made up of idiotic dubplates and experiments in foolishness, and is totally unsuitable for a vinyl release.

Meetsysteem's 2020 album Cr:GO get's the remix and rework treatment in 2022! The incredibly talented Nana Adjoa reworked L.I.W.W.W. (Love is What the World Wants). Her deft poeticism and a fierce sense of?musicianship turned the original dubby track into a beautiful triphop/indie rock pearl. She freely and poetically translated the orignal Dutch lyrics into English. Enabling the important message of L.I.W.W.W. to now reach a worldwide audience. On the flip-side Elias Mazian, the DJ/producer turned singer-songwriter, beautifully reworked Meetsysteem's nostalgic love song Sinaasappels. A beautiful minimalistic and dreamy take on the original that will be the perfect soundtrack for the spring to come. More Meetsysteem remixes to come in May 2022.

Ardor or Entropy is Nzʉmbe's first album in nine years, following 2015's Titubeo. During this period, philosopher and artist Miguel Prado's sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt's latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish' song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult's smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.
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Artist: Nzʉmbe Title: Ardor or Entropy Label: Drowned By Locals Catalog Number: DBL31LP Year: 2024
Side A:
Mirror Of TauromachyZone Of AlienationGreat Vitreous TactKarman Vortex Street
Side B:
Serpentine LinesThermocline Anake and EntropyErgosferaAsymptopia
Composed, arranged and recorded by Miguel Prado Casanova
Vocal processing by Rashad Becker Piano on "Anake and Entropy" by Michael PisaroPipes on "Mirror Of Tauromachy" and "Ergosfera" by Wojciech RusinAccordion on "Asymptopia" by Alfredo Costa MonteiroTrumpet on "Asymptopia" by Ruth Barberán Electric bass on "Asymptopia" by Dominic LashElectric guitar on "Asymptopia" by Daniel BennettPercussion on "Asymptopia" by Alex Lázaro
Premixed by Miguel Prado Casanova Mixed, Mastered and Vinyl cut by Rashad Becker
Artwork photos by Lúa Ribeira © all rights reserved, 2024Design by Giovanni Murolo
This album is dedicated to Patricia
Special thanks to Patricia Fraga, Dali de Saint Paul, Mattin, Lucrecia Dalt, Laith Demashqieh, Lúa Ribeira, Rashad Becker

New 4 songs by Parole e azioni and finally on vinyl the iconic Synthpunk debut album from the New Yorker Ces Cadaveres. Simply old-school-ebm!

This is the third reissue Underground Music has done for this seminal Jungle label ID Records. This time we bring you one of the rarest of the bunch with ID-2. This was originally released nearly 30 years ago. This groundbreaking label helped to pave the way for a whole host of other artists and labels. 2 tracks of classic Amiga produced Jungle from the 90’s. What’s not to love!

Detroitish Italo vibes soundscape from Marzahn in Berlin!!

Dream Ticket is back with a barrage of sonic bliss from SHUT boss Ryan James Ford. His is a futuristic vocabulary transmitted from a quarter century ago and decoded tomorrow: incunabulated ambience, aphextual textures, reflectivised rhythms. This EP is for anyone whose heart is in the techno, IDM, jungle & environs of the early-to-mid-90s, but whose feet are planted firmly in the here and now, most likely in the middle of a fearless dancefloor. Rave on.

Bastard Jazz is proud to present the debut EP from producer and multi-instrumentalist Simon Mavin. Most well known as the Grammy nominated keyboardist/co-producer and co- writer of the celebrated Australian band Haitus Kaiyote, Simon's had a hand in multiple projects across the spectrum, but has yet to release under his own moniker until now.

The EP, which features two original tracks and two remixes from fellow Aussies Harvey Sutherland and Close Counters starts out was recorded in-between projects at the Grove, a small recording sanctuary in Melbourne. In Simon's studio, he had installed a library of keyboards. 30-40 synthesizers, all of which were painstakingly patched in to be simultaneously accessible and ready to record in an instant. A drum kit in the corner was constantly mic'd up, and everything routed through a multitude of analog mixing desks providing different flavours of tone and texture. The Grove had such appeal that it was chosen as the studio to record the Gilles Peterson compilation 'Sunny Side Up' on Brownswood Recordings.

Things kick off with "Good Hair Day", a track originally blossoming from an infectious piano loop in which fellow collaborators Nick Lam and Henry Hicks added guitar parts and bass parts. What's resulted is a danceable, infectious feel-good dancefloor jam with an ultra funky synth bassline that harkens back to Herbie Hancock's 1970's repertoire. Harvey Sutherland takes the tempo up and takes the track deeper into outer space with deep synth work, four on the floor drums, and a punchy bassline for late night sessions.

On the flip, "Only You & Me" is a lower tempo, slow burning joint with a live drum loop played by Nick Martyn, with an alien bassline, squelching keys, otherworldly oscillating vocodor parts and jazzy keyboard solos. Up and coming trio Close Counters take the song into new territory, stripping things down with a classic Broken Beat vibe, a driving bassline and synth stabs from the original, moving things squarely on the dancefloor – definitely atrack for the breakers in the building.

Chillhop Music welcomes a new season with its Essentials Winter 2021 compilation - 29 instrumental tracks to soundtrack the colder months ahead.

Beginning back in 2016 and continuing with four releases a year, Chillhop Music’s Essentials series showcases the changing of the seasons with curated soundtracks just for you. The 2xLP features 29 hip-hop beats spotlighting the best of Chillhop Music. From lofi to jazzhop to funk and ambient, enjoy over an hour of winter soundscapes and cozy beats.

The legendary vinyl emporium BOOGIE TIMES RECORDS home of the seminal label Suburban Base Records and birthplace to careers and labels that have gone on to inspire and influence dance music for several decades.

Anyone that visited felt the energy and creativity. Regulars would spend hours soaking in the atmosphere and picking up the latest essential vinyl. Now this tribute album to this iconic part of rave history is the essential vinyl!

BOOGIE TIMES THE ALBUM – A four piece set of vinyl presented in an incredible gatefold sleeve displaying an artistic rendition of this legendary location, the detail is incredible and instantly will be familiar to anyone that frequented the store. You can see through the window the activity inside, then take a closer look… fold back the gatefold sleeve and you’re inside as you’re instantly transported back to the early 90’s, shopping at Boogie Times, hanging out with Winston Run Tings, Danny Breaks and all the Subbase Crew!

The Boogie Times label was the precursor and sister label to Suburban Base, and here we find some of the rarities and collectible that helped lay the foundation for not only Subbase but emerging genres that followed. Lovingly mastered and resorted 16 tracks, cut across 4 pieces of black vinyl in a format suitable for DJing. And including several alternate and unreleased versions of these classic early works.

This is a stunning collectible piece of rave history, even we are blown away with how great this album looks, it is probably the best packaged project we’ve ever released.

Kniteforce Insanity is for the most extreme and ridiculous music we could possibly find. This is tongue in cheek, non genre, sample heavy, intensely insane music. It is not for the faint of heart...or hearing or...well...anyone, really.

Pure electro straight from Eupasia caves. A release from Velvet Skin, a new Electro alias from VIL, an influent Portuguese techno producer and DJ, co-founder of Hayes Collective and that already has released music on Klockworks.