Beats Vinyl New Releases - News

Needwant Records arrive with the latest in their ever-evolving roster showcasing the sounds of underground city life, proudly presenting label newcomer NATE08's kaleidoscopic debut LP, 'Furaha'.

London-based label Needwant Records have been tirelessly advancing dance music's esoteric fringes for well over a decade, with their immaculately curated catalogue routinely moving dancers and garnering respect and plays from the industry's most revered tastemakers. Here, the newest recruit to the label's glittering line-up, Mumbai-based musician, producer, and DJ, NATE08 brings forth his breathtaking inaugural album.

Equally adept as a producer, session bass player, and genre-spanning selector, Nathan Thomas has become an irrepressible force in India’s blossoming underground music scene. The Mumbai-based musician’s solo project, NATE08, treads the groove-oriented territories of funk, r&b, and house – with his elegantly spun productions firmly rooted in dance music's glorious heritage while imbued with a future-facing production gloss.

Title track 'Furaha' blissfully sets the tone for what's to follow, with dextrous Latin guitar gliding over intricate percussive waves as heavenly chords fill the sun-kissed panorama. Upping the energy just a touch, Azamaan Hoyvoy's honeyed vocal enlivens the summer haze of 'Trigger Fool', arriving over evocative chords and laser tight four/four rhythms to create a stunning slice of low-slung future house deepness.

The funk-flecked bump of 'Bunker' sees Nathan's bass mastery arrive in full force, with spirited slaps propelling misty chords and sublime guitar licks across a loose-limbed beat. Continuing the horizontal sensations, the captivating chord progressions of 'Hold Up' soar over thick, rolling bass notes and shimmering synth swells.

Lead single 'Sunrise Sundown' is a stunning example of NATE08's organically spun deep house prowess, with Jitwam's soul-drenched vocals cascading over succulent chords and dancing synth melodies as smokey beats and pulsating bass cement the heads-down groove. Next, hypnotic fusion guitar refrains soar over lively percussion and gentle pads for a life-affirming Balearic voyage, maintaining the carefree spirit while enlivening the senses as the arrangement heads for the horizon.

The 'Let's Go To Ibar' interlude makes way for the mesmerising deep house flex of 'Want You', where Megan Murray's yearning vocal provides the seductive hook as acidic bass notes bounce over glistening chords and propulsive beats. A prime example of NATE08's futurist intentions arrives in the form of r&b-meets-house hybrid 'Feel It', with Lojal's striking performance flitting between searing soul and street-ready swagger powers over an intoxicating, organ-infused bed.

The forward-thinking two-step rhythm of 'Cold Muse' sees broken drums drive emotion-heavy chords and bewitching guitar licks over sensual bass, before closing track 'Primrose' sees the album home with a fitting flourish. Here, Naisha's heartfelt vocals sail across an ocean of glassy chords and staccato synths, with kinetically charged congas enlivening the groove as the magnetic bass adds body to the celestial instrumentation.

Clear Vinyl

Eine Auswahl der Kollabos des US-Noise-Trios Wolf Eyes mit Freunden (Nate Young, John Olson, Alex Moskos, Gretchen Gonzales, Aaron Dilloway, Raven Chacon), ursprünglich in Eigenregie als limitierte 7"-Boxsets mit handgemalten Motiven erschienen. Von avantgardistischem Rock'n'Roll über verzögerungsgetränkte Drum-Machines bis zu klassischem Michigan-Underground-Audio-Wirrwarr. Ltd. Clear Vinyl mit 16-seitigem A5-Booklet.

Straight after his reworking of Skitty's 'Hornsman' on FDX008, X Nation returns with his first full EP for the label. Three cuts of present day jungle, simultaneously classic in style but also avant-garde in approach. Perfect for the FDX Black imprint!

Infinite Waters - A long dubbed out intro of cold horn riffs leads up to a unique weighty amen drop that will have people slapping walls and bawling for rewinds like it was 19949 Digit Roots - Taking influence from 80s digital dub, this exploration of dancehall vibes and jungle breakbeats takes many twists and turns mangling audio soundboy style Kiss Me Neck - A vocal intro that should bring waves of nostalgia to any seasoned junglist soon gives way to some showcase X Nation breakbeat edits and sublime sub bass

An 8 track album from the French artist ‘Victor Gaudin’ also known as ‘Cepren Synth’: 5 years of unreleased tracks from ‘L’oiseau Blue’, Brussels and ‘168 Cours De La Marne’, Bordeaux.

After a moment of silence Niels Docter is back with this love filled EP “A Lovers’ Paradise”. A place where anything is possible. Purple sunsets, pink oceans, many full colored moons and party into eternity. Call it paradise, call it the afterlife, but this is the place Niels, aka Doctr, went to to create his new 4 tracker. Each track is filled with feelings of nostalgia, euphoria and a hint of melancholy. Craving for a summer of love, getting back together for hugs, kisses and…dancing.

'Veiled Sisters' is dedicated to the Palestine Liberation Organization, with its two halves-Sister One and Sister Two-calling on the history and conflicts of the modern Islamic world through opaque titles and snatches of musical oration

Peter Saville says of Sub-Culture "LABEL ONLY was specified in 1985 due to time pressure around the original release and as a consequence, a sleeve design for the re-release has no actual precedent. However, exploring the principle 'the solution is in the problem’ has led to the subliminal evocation of a sleeve that is still LABEL ONLY”.

Dispatch Dubplate continues its long-awaited return with the second of six new releases, brought to you by Quartz. Championing the best in unreleased music and prominent dubs from within the dnb scene, Dispatch Dubplate 19 is no exception.

Forming the centre piece of this release is the track "Brass Knuckles" with the instrumental edit taking that special place of vinyl exclusive - never to be sold digitally.

Immediately impressed by this heavily percussive and bongo-led track, Ant TC1 built an instant love for the tune. With an early test version getting impressive crowd reactions in his sets and then seeing it get the same kind of response in Mantra's Keep Hush stream in 2018, he knew "Brass Knuckles" would make for the perfect Dispatch Dubplate release. Reworked in 2022, we're hyped to finally get this one out there.

Alongside this Quartz flexes his tech roots for another two standout tracks that pack a special punch. Full of funk and dynamic impact, expect to hear these on heavy rotation.


b B1 Brass Knuckles (Instrumental) vinyl exclusive

Freestyle drop another killer reissue of a much sought-after UK boogie gem, this time from T.J. Johnson Band, originally released on the Switch label in 1983 and recorded at the legendary Landsdowne Studios!

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"Switch Records was started by myself alongside Bill Campbell in the early eighties", says Aaron Harry - a library music producer who began using Lansdowne Studios in Holland Park for his productions on the renowned Bruton Music label. The studios had been operating there since the late 1950s, becoming the breeding ground for some key & early UK jazz and pop records (owner Adrian Kerridge teamed up with Joe Meek to lay down the first recordings there in 1958). It was here that Harry and engineer Chris Dibble started to work together as a regular team. After spending some time at the studio observing them in action, Kerridge and (Burton MD) Robin Phillps "recognised what a good team Chris and I had become" says Harry, "so, it was inevitable that I would also make pop music alongside Production Library Music."

The output of the relatively obscure Switch label is the result of this work, and Freestyle has licensed 3 of the most hard to come by 12"s as part of their series of rare & foundation UK funk & soul records. This one, I Can Make It (Good for You) is provided by the T.J. Johnson Band - a talented and seasoned guitar T.J. Johnson aka T.J. Bedeau is still working the gig circuit to this day, and this 12" is backed up with another piece by Bedeau in the form of Dragonfly - a killer instrumental track that really showcases TJ's astounding guitar work.

Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant.

Raw electro jams made with a variety of devices.

More Zeta Reticula on vinyl with five diverse, floor-shaking electro bombs, built by the acclaimed Slovenian producer also known as Umek.

Limited Edition pressed on Ultra Clear vinyl. Do Not Sleep!

Transparent Blue Vinyl

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all.

On Blowback Tricky works with Ed Kowalczyk, the singer with the band Live, Alanis Morissette, the Red Hot Chili Peppers, Ambersunshower, Cindy Lauper and Chris Blackwell's signee Hawkman. The album is full of contrasts and surprises. The excitement and the imagination and the sheer audacity that made the first album 'Maxinquaye' such a ground-breaking record are back. "When I made that first album I had a dream of changing the world," Tricky says. "You realise after a couple of years you aren't going to do that and its all a load of bullshit. Which is OK and you carry on. But now I've got my dream back. Music has stood still or five years and it's time to change it around again.

Moody Oxford post-punk quintet Exit 13 became Aerial FX at the dawning of the 1980s, the promise of their minimal sound, with its prominent synthesizers, yielding a publishing deal with Island Records and an early single released by the label. Debut album Watching The Dance has shades of dark synth pop and Goth, with future Radiohead manager/producer Chris Hufford firmly in the spotlight throughout. The influence of acts like Van Der Graaf Generator, Modern Eon and others lurk beneath this hidden Cold Wave gem.

For Hooversound’s ninth release, SHERELLE and NAINA welcome San Francisco-based DJ and producer Chrissy to the family for the label’s debut album release. Coming out on the 27th October, ‘Physical Release’ blends elements of ravey techno, house, and jungle that have run through his previous work. The final result is an exploration of what our scene’s physical spaces mean and how they feed into themes of politics, family, connection and joy.

Speaking about the album Chrissy says,
​​"These songs were inspired by our scene's physical spaces: the warehouses, clubs, record stores, late night cafes, lofts, and friends' living rooms that let us connect to each other, experience the joy and wonder of dance music culture, and find our family.

I've seen these spaces gradually decimated by cops, property developers, cynical corporate brand partners, irresponsible promoters, and a global pandemic. The end result is a dance music culture that feels more online and disconnected, culminating in over a year without any physically shared spaces.
Encouragingly, I've seen many in our community finally acknowledge a painful reality: our scene has failed to live up to its utopian ideals, and to protect, value, and uplift all of our peers. No matter how fondly we remember our first raves, the culture was and is broken, and it's our job to fix it.

So while this album may feel like a paean to a bygone era, it is more a reflection of optimism about the future: a hope that we can rebuild our scene and our communal physical spaces with better priorities and better values, so that everybody can experience the euphoria, joy, transcendence, and physical release of the dancefloor."

The album opens with a quote from artist, author, and transgender activist Edie Fake, who also designed the artwork for ‘Physical Release’. A fellow Chicago-to-California transplant, Edie’s previous work has dealt largely with physical spaces, including historical queer nightlife spaces.

Manuel Darquart joins the Planet Trip massive with a healthy slab of signature jam hot, house and boogie. With lashings of dream-like sonics throughout and energetic drum work forged together to create pure balearic pleasure.

The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!

I'm in it. The music on Coast doesn't beckon, it purely compels you closer through sheer insistence on its existence. insist in sist ins ist i nsist insist 'Spiral' presents full gorgeous tones, timbres and textures. Round throbs like the lighthouse spins of light, very orbic. orbic orb ic orbi c orbic 'Later' is distilled even further. It makes you stand up, announcing itself not with some cry or bang but with a style of momentum rarely encountered: inviting yet insistent. ins orb ist ic ent

Andrew Choate

Mike Majkowski is a double bassist / music-maker from Sydney, based in Berlin. Active across a wide range of experimental music since the early 2000s, he has released music with numerous projects. Coast is his twelfth solo recording.

Kynant EX is a series for non-dancefloor focused records on hand-stamped vinyl. The second release comes from Leeds-based, abstract turntablist, NikNak – the first Black turntablist to win an Oram Award. She created Bashi by manipulating and processing samples through her decks. First released digitally in November 2020, now the album is expanded with a live edit and remixes from Bristol 140-don Pinch and Kamau (FKA Darling Farah). Bashi X2 has also been remastered by Neel.

Relocating home to Zambia during the pandemic, Sampa sought to reconnect with a different side of herself, a side that is freer and closer in resemblance to the younger artistry she cultivated growing up in Africa. This process of discovery would become the gateway to revealing her highest version of self. Choosing to collaborate with creatives Rochelle Nembhard and Imraan Christian from South Africa, As Above, So Below introduces us to a 360 Sampa, unveiling her many sides for the first time. From the funny to the serious to the sensual, As Above is Sampa outside’s self, and So Below, is the Sampa within, together uniting to reveal the most authentic version of Sampa, without a mask, or role to play.
As Above, So Below is anchored by spoken word in Bemba. The record delves into Sampa’s memories of Africa, Africa’s relationship to the world and what womanhood in Africa means to the world. We are also introduced to the persona of Eve, the highest version of Sampa that speaks to all facets of her womanhood.
The musical styles of As Above, So Below reflect the hybridity of Sampa’s upbringing. Raised in Botswana (a different country to her birthplace in Zambia), and then going on to attend school in different countries again, Sampa picked up varied musical influences along the way. Each style has attached itself to her own musical encyclopedia, and finds a new mode for expression throughout the record.

Limited edition of 300.

Brussels based master tastemaker & DJ (and producer), soFa deliver his first ever solo EP “All My Friends Are Witches”, tipping Planet Trip records into double digits.

Take a head first dive down the wormhole of soFa’s dubbed out triiips made even more special with incredible vocalist collaborations with Saeko Killy, Ank and Nyati Mayi, plus a mind bending remix from fellow PT extended family Mogwaa to close out the EP.

One to hold close.

Recorded by soFa & friends during the first covid lockdown at Rocket 23 Studios Molenbeek - Brussels
Written and produced by soFa
Mixed by Mick t-woc
Mastered by Nick Arks
Artwork By Johann Kauth

SPLASH RECORDINGS DROP 4 UNRELEASED GEMS ON A BEAUTIFUL PICTURE DISC!

The recent popularity of the Undercover Agent compilation released via Suburban Base proved that there is incredible demand from jungle connoisseurs in the ground-breaking music from the Juice Records & Splash Recordings labels.

To celebrate this heritage, a special limited edition picture disc has been pressed to showcase 4 tracks that represent the labels historic discography, including some in demand unreleased exclusives.

Back in 1994 Splash Recordings released its debut single Barracuda b/w Rougher Pt 3. The A side of this picture disc see’s these 2 pioneering tracks remixed and remastered.

Rougher gets a 2022 update from X Nation, who adeptly keeps the spirit of the original which bringing a fresh twist on this classic cut. Track 2 see’s the high value Barracuda getting a full phat remaster from the original studio DAT recording.

The flip side see’s two previously unreleased versions of SPLASH005, one of the labels most sought-after singles, with these versions finally seeing the light of day. This unreleased version of Liquidizer has been hidden in archives for 27 years now. Originally recorded for DAZ & DJ’s who supported the label to test on acetate dub plates back in the day.

The Identity (DAZ VIP Version), again was created strictly for the artist to play in his sets so has also never seen an official release until now.

The artwork for this picture disc is styled around the labels original artwork, created to look like an expanded oversized version of one of the centre labels pressed onto vinyl. A great addition to any junglists record collection, will look stunning framed on your wall or spinning on your 1210’s!!

The final part of the quadruple Fokuz All Stars compilations series. Two tracks by Random Movement, one remixed by Ivy Lab and one by Lenzman.

If we tell you that's Marseille's new wave electronic heroes Martin Dupont have supported the likes of The Lotus Eaters, The Lounge Lizards and Siouxsie and the Banshees, but also been sampled by Madlib and Tricky, then we're beginning to get to the heart of their wide appeal. Now, after the success of 2018's The complete collection 1980-1988, the band have returned complete with original members (alongside some new additions) and their first new LP for 35 years. It's not hear to see their influence on electronic artists - the surging, dark DXS7 synths and programmed drums remain intact - as well as the goth appeal of singer Alain Seghir, with his shadowy voice clocking in somewhere between Scott Walker's doomy self-reflection and Billy Mackenzie's compelling histrionics, shown off to its best here via 'Nice Boy' and 'Your Passion'. Drama, death and tragically doomed love... What more do you need to liven up your lunch hour?!

JIN’s 2nd EP storms out the gate with Hong Kong’s finest Mr. Ho. The Klasse Wreck’s head honcho boss drops three originals.

A1 “Holy Smokes” is a slow-motion, acid-flavored chugger, making one feel like snake-rolling through Hong Kong’s urban jungle. B1 “Not Good with Others,” a no BS bassy and bossy track, swings with a filthy kick from the get-go. The EP finishes with B3 “Emo Springs”, which blends futuristic jungle, tribal, house, and juicy basslines into a must-get dance floor heater.

Added are two sonic-weapon-remixes:

On A2 UK OG duo Dawl & Sween hits all the cylinders with mean breakbeat banger remix of “Holy Smokes.” On B2 Hong Kong’s 宀 Club’s music curator Sunsiaré runs “Emo Spring” through an electrifying old school jungle reshape, leaving all buzzed by his sonic assault.

Pleasure Zone welcomes TmrsTn from Romania to the artist Family!
his will be just the first of many releases we'll present you in future by this Duo which convinced us straight with the first demo.
More soon!

On his debut 12" EP, Chicago producer and bike messenger DJ HANK captures the feeling of racing against traffic and, as he puts it, "trying to make it out alive with the chaos of the city going around you."

DJ Hank grew up in North Carolina, Eastern USA. As a teenager, he began making rap beats on pirated music software while also DJing and playing keyboards in experimental punk band Whatever Brains. In 2011, at age 18, Hank moved to Chicago to pursue a career as a bike messenger. In a city dominated by 21+ clubs and venues, Hank gravitated to the famous footwork hub Battlegroundz due to it's all-ages inclusivity and raw energy. DJ Rashad, DJ Spinn and other luminary figures of the footwork community spun weekly, while dancers spanning multiple generations and crews battled it out on the dance floor every Sunday.

Through the underground network of Chicago footwork events, Hank became a close and frequent collaborator with international footwork collective Teklife. He has released music on Teklife's record label but isn't a member of the group itself. In similar fashion, he's loosely affiliated with dance group Take Ova Gang (TOG) founded by DJ Manny. Hank maintains a fluid relationship with the footwork culture from which his sound draws. Beyond collaborating with his friends, Hank has collaborated with Chilean rapper Catana, Berlin-based DJ Paypal, and Floridian DJ Orange Julius.

On "Traffic Control," however, Hank explores a wide range of sounds, from melodic to experimental, influenced by everything from UK Garage and Grime to Ghetto House and Snap music (or Southern Hip hop production in general). Artists like Kode9, MachineDrum, and Sherelle have been supporters of Hank's music, playing his tracks throughout multiple recorded sets. In a live setting, Hank has shared the stage with such influential acts as Loefah, DJ Deeon, Sporting Life, DJ Spinn, Traxman, and pioneering footwork artist Jana Rush, who has been both a friend and mentor to Hank during his formative years in Chicago.

Latvian producer mu tate joins Utter with the ‘Faded’ EP, a collection of five mesmerising ambient electronica pieces.

mu tate - real name Artur Strekalov - has been diligently and unceremoniously weaving his musical magic for the past half-decade. ‘Faded’ walks the same spectral path as his feted album ‘Let Me Put Myself Together’ (Experiences Ltd, 2020), which introduced many to Strekalov’s highly atmospheric, blissed-out sonic explorations. The EP glides along, each track enveloping the listener in a cocoon of undulating frequencies and ghostly rhythm, softly contained yet stretching out beyond into wide open space. Delicate, crackling sparks fizz in and out of perception above.

It’s a trip alright!

‘Faded’ is available on limited vinyl and digital formats, mastered and cut by Anne Taegert at D&M. Artwork by AS, laid out by Alex Egan. A special insert designed by Art Crime is also included with physical copies.

First release on Sydney based label Natural-High comes from Neotex with four cuts ranging from club focused music to ambient home listening. Music for your body and mind.

! Repress incoming..! in Silver Vinyl

RAWAX welcomes back Matthias Schildger with an Various Artist EP of pseudonyms by himself. The Split Personality EP shows his varity skills in music production. From 80s styled synthpop to house and jackin' tracks to breaky UK styled tracks, each song stands for another musical direction and project he does.

Newly formed London-based jungle collective 4am Kru have been making big waves in the UK's flourishing jungle scene in 2021. Showcasing their immersive brand of hardcore-tinged 1993 flavoured jungle, the Good Time EP marks their vinyl debut with 4 timely cuts from their 2021 digital back catalogue on Embrace The Real Records.

- NEW FROM OUTTA SIGHT! 'THE HOTTEST RECORD IN THE LAND' - New-to-7 inch vinyl, the massive dancefloor anthem 'Something For The Weekend' by DJ Ben Westbeech- Includes 'Z' remix by house music legend Dave Lee (aka Joey Negro)- Look out for forthcoming releases by James Walsh Gypsy Band, DeRoberts and the Half Truths, Sky Hi, The Cuban Brothers and more

Welcome to our first mid-season special and the perfect record to herald the spring/summer collection

'Something For The Weekend', by house music DJ, Ben Westbeech, has been packing the Modern Soul dance floors across the country and is now crossing over to the Northern Soul venues, making it the hottest record in the land...right now! Produced by Enzyme Black, 'Something For The Weekend' is a house-inspired, disco-tinged feelgood groove written and recorded by accomplished musician and DJ Ben Westbeech and taken from his album There's More To Life Than This. Also featured in the package is the undisputed master of modern disco Joey Negro who adds his unique magic to the main mix.
Crossover To Modern Soul Today!

“If you slide in on Bisk’s homepage, you will see at the very top it says “Good Electronic Music” – a brave, and foremost, true statement. Being an active producer since 1996 Bisk has released seven albums, and after a 12-year hiatus he returned again in 2012. Bisk’s eighth album is Vacation Package on Ominira.

Vacation Package consists of eight eclectic tracks, their origins being traced back to several performances taking place at radical live music venue Forestlimit, Tokyo, in late 2019 and early 2020. Reinterpreted, reconstructed, sawed into pieces, Bisk presents his own fragmented interstellar funk: ultramodern yet effortlessly cool and timeless, with a slight relaxed nonchalance. Warm, groovy basslines centering stretched out cosmic colours, gliding melodies and vocals. Bisk’s play with rhythms and his intense, at times rather sparse, drops of beats makes the pace so speedy that, contrary, the record seems to go in ultrarapid - taped so fast it actually plays to the listener in slow motion. Bisk presents a sincere and emotive collection of work with Vacation Package. Funky and slick, without the cheese.”

The first release from Edinburgh-based rave Headset, showcasing unsung Scottish artists making alternative house, techno, garage & breaks in dubby styles.

Creep Woland provides the first EP with floating breaks, UKG & broken beat, finishing with a creepy slow jam.

Pressed on heavyweight 180g vinyl

Mastered & cut by Optimum Mastering in Bristol (Livity Sound, Tectonic, Pressure Dome)

Pressed by MPO

DJ approved by Hodge, Danielle, Daisy Moon, Chris Farrell (Idle Hands) & many mor

3 years after his debut on the label, Jason McCracken AKA illektrolab returns with Temporal Interference. Across 4 tracks, the Arizona-based producer delivers an onslaught of breaks, acid and bass-heavy electro fine-tuned for the dancefloor.