Beats Vinyl New Releases - News

Omura is Fracture and Sam Binga’s fantastical Electro LP. The duo set out on a study of the creative process and to explore the relationship between magic and art via their love of world-building acts such as Drexciya and The KLF.

The music was built piecemeal, sometimes sweating through 72hr sessions in a tiny studio in Hornsey, other times bouncing files up and down the virtual M4 between Bristol and London. “We took chords from 30 year old digital synths, worked entire tracks around them before suddenly pitching them down entire octaves, revelling in the digital flotsam that suddenly jumped out at us.” The process was fluid and never questioned. The raw creativity flowed, almost as if channelled from an external source. Visions of an ecosystem appeared - Sea, Land, Air and Earth - held together by mythical creatures and technology. So strong was the energy, that the duo felt compelled to name it and offer gratitude. “Never in our wildest dreams did we foresee that simply writing music with no deliberately stated goals or aspirations would somehow end up with a full magic ritual in a forest on the edge of London. Somehow it felt right and has ultimately left us to consider what else is possible when you let go and just allow things to play out?”

An unknown whale, migrating across an uncharted sea. Eyes staring from the sky, from the trees, from the roots. Joy springs from the earth, life bursts through like sunlight. Virtual mountains captured on obsolete media, slowed down to the pace of a glacial lake. The threads exist outside the ego and offer guidance.

Jamie Paton, something of a veteran on the label, is once again exploring the inner realms of electronic music. This 7” is not a step in the wrong direction from his earlier high-quality standard; Paton’s crystal-clear sound cuts like surgical laser through a block of ice.

“Parabolas” and “Fleshed Out” are in all their static cold beauty, quite advanced compositions in regards to cooperating rhythm patterns; Paton knows his machines like his own children, giving them a proper playmate in his synthesiser-day care – a man-machine playground!

This release manifests Paton as a master of leftfield-half tempo house oriented-kosmische music.

After more than a year of strengthening our bodies through workout, our poetic endeavors via the discovery of our inner worlds, and also the life of plants and mushrooms, insects, arachnids, birds and wild mammals, after a year and a half that saw us in lockdown, shattered around the planet, after one a and a half year in which we deepened our production skills and also the meaningfulness of our work, Cómeme returns to a new planet with new music.

The beginning is this unique collaboration between Medellín based musician and DJ Julianna, and Matias Aguayo aka “The Don” himself.

In this deep therapeutical exploration of rhythm and sound, these artists established a magical dialogue on distance, leading up to this EP called “Que si el mundo”, roughly translated: “What if the world”.

Between soulful industrial expressions, emotional breakdowns but also discoveries free of any grids and algorithms, Julianna and Aguayo have created a beautiful piece of work, intense as the movements that we had to experience mentally and economically. “Que si el mundo” is state of the art electronic music of today, a work that is both introspective but also extremely open to the outside world and the universe. Compositions reminiscent of Coil, Angelo Badalamenti, Closer Musik, Steve Pointdexter or Mark Broom, shaped this EP that can be considered a short album in its conceptual layout and narrative. Let’s dive into it...

A1. Hiedra
One of the more danceable tunes, ideal for both a sensual warmup or the very late night to the rising sun sensitivity, is polyrhythmical melancholy and hypnotic inevitability, slow dance, deep trance.

A2. Primer Paso
A fat, slick and modern synth sequence, accompanied by heavy drumming and celestial drops that seem to fall onto the body of the listener or dancer, this post EBM stomper is a manifestation of elegant minimalism and reason. As if Liaisons Dangereuses reincarnated in a cloudy forest, to then pause towards the end of the track, with sentimental and gloomy synth chords that open the view towards the horizon.

B1. Que Si El Mundo
The title track keeps up the more melodic approach - somewhere between ambient, avant- garde and late night jazz. Morphing melodies that are both disturbing and soothing at a time encounter smooth free jazz drumming with drums that seem to have travelled from the sixties to today’s world.

B2. Bajo Tierra
This track continues the deep drumming experience that this record means, between laid back rides and intense taikoesque drumming. Distorted dark pads and subterranean choirs build up to a heavy sadness and intensity. Again, a therapeutical track to send those demons fly.

B3. Micelio
A more hopeful conclusion of the EP is “Micelio”. Open chords, soothing and melancholic, spread over profound drum grooves of champed and house. Nothing seems as it was before. A new life has begun.

Piano, handmade electronics, tenor sax, couple strings.

I was after something tangible. Sounds you could roll around in your palm and consider different, complex, and flawed textures. Feel the weight, maybe even smell them.

This desire is probably a reaction to the dissociative nausea from the constant simulacra of these early 2020s. Like deliberately going barefoot to feel yourself grounded in a real place, as I read Andrea Needham did when facing charges for disarming a warplane.

Anyway, my methods to achieve these sound "objects" was to use a healthy amount of acoustic instrumentation with all its familiar sonic unevenness, to free sounds from rhythmic or thematic structure, and to give plenty of blank space around each note so the ear can reach in and pluck it out. A berry from a bush, an eyelash from a friend's cheek.

Really though, a lot of the time now I just want to listen to the birds. There are plenty on here. Mourning dove, titmouse, helicopter.

"Hunter on the Wing" is a reference to De'Andre Hunter, the Atlanta Hawks small forward.

KF, Dec. 2021

This winter, Detroit techno pioneers Octave One re-establish their introspective side-project Never On Sunday with a fantastic new double EP, Contemplate.
It follows some taster remixes earlier in the year and shows another super side to the brothers’ famous sound. The Burden Brothers have been as busy as ever in 2021 with a third volume in their Locus of Control series, some new reworks and first Never On Sunday tracks since the 90s.

It is a project reserved for more pensive atmospheres and deeper grooves, so naturally came back to the fore during the quiet months spent at home during the pandemic. Although the iconic Octave One live act is back on the road, the pair have also found time to craft this first full Never On Sunday release in 30 years.
‘The Bearer’ (main mix) opens up in beautifully melancholic fashion. A wistful lead synth hangs in the air while a crisp breakbeat powers the groove along, but it’s Karina Mia’s stunning and tender vocal that really tugs at the heat. She again lights up the tumbling breakbeats of ‘Contemplate’ (main mix), her aching voice providing the centre point amongst the cosmic melody all around. Closing out the Side A, ‘Enterstella’ is an intriguing three minute ambient piece with gurgling machines and slithering synths taking you deep into another world. The fantastic ‘Price We Pay’ (main mix) is another celestial excursion with bright, lush cosmic twinkles and Mia’s heartfelt voice soothing your soul. The broad bass adds real weight then ‘A Moment of Truth’ slows things down to an absorbing and atmospheric pace. Majestic string sounds, astral lights and a gentle breakbeat sink you into a pensive headspace, then closer ‘Metal Forest’ leaves your brain feeling cleaned with its watery sound effects, glass tinkles and heavenly atmosphere punctured only occasionally by big, sonorous bell hitsThis cinematic EP proves that Never On Sunday is a perfectly thoughtful yin to the more energetic techno yang of Octave One.

Serge Geyzel combines his affinity to the early 2000's electronica with the aesthetics of electro and dark ambient colours. Born in Russia,raised in Jerusalem and Based in Berlin

Released on labels such as Mindcolormusic,Brokntoys, Flesh or die, Zodiak Commune Records,Science cult just to name a few

The third release on U-TRAX in 1993 was also a third debut, this time by Natasja Hagemeier and Jeroen Brandjes. Early in their career, they used several artist names, but became most commonly known as The Connection Machine. With their debut mini-album The Dream Tec Album they more or less described their style: dreamy techno. It became an instant Dutch techno classic and U-TRAX is proud and delighted to offer a fully remastered re-release, including three never before released bonus tracks (one of which is digital-only).

Natasja and Jeroen resided in Utrecht back in the 90s. In 1991 they assembled all their ideas and recorded the track "24 Hours" with DJ Paradize. Soon after this experience, they started to buy their own gear, all strictly MIDI (which wasn't too obvious in those days). In their early recording years, they had three producer-names (Syndrome, The Connection Machine and Bitch&Bites), that were all collected under the The Utroid Machine Missions umbrella, which was used for their debut on U-TRAX.

All tracks on The Dream Tec Album are The Connection Machine's earliest works, from the 1991/1992 years.

"An Overflow of the Mind" is a beautiful, dreamy track with almost divine sounds and strange voice-samples that serves perfectly as an introduction to their entire repertoire.

Their first production was "24 Hours", and what a brilliant one it is! A well-known jazz-musician talks about a "24 hour party going on", on top of a sinister and trancey rug, woven of sampled sounds from pioneers in electronic music and nailed down to the floor with a deep pounding bassdrum. At the time they made this track, 141 bpm was unbelievably fast...

"Evilish Cosmos" is all about a very sad and personal emotion, so everything we say about it will be absolutely wrong. Just listen to the meandering piano line, distorted voice samples - and feel it.

The first bonus track on this release is "Recognized Pain", which was intended to be part of the original The Dream Tec Album. It had appeared on the Phuture Classical Section C cassette in 1993, on the famous Drome Tapes label that formed the roots of U-TRAX. It truly is an amazing track: pure sonic terror with haunting rhythms, psychedelic synth lines and shards of voice samples that make the listener feel slightly uncomfortable.

"X_Manray" is many electronic music lover's favorite track. It is sooo deep that it is hard not to get hypnotized by it. Warm strings are coupled with deep beats that show up and disappear every now and then. Could serve perfectly to start off any DJ's set, as long as she or he has the guts.

Though "Braindrain" is probably the most danceable track on this album, it is carefully designed to tease the listener. Everything in this track drops in too late and every tone, melody or loop last exactly a few bars too long. Designed as a DJ-teaser and so it is.

The second bonus track, "Cafe d'Anvers", is another previously unreleased work, of which unfortunately no master recording was saved. All that is left, as far as we know, was an old VHS Hifi tape from the U-TRAX Archives. And that is where this bonus track was taken from. Mastering engineer Thee J Johanz managed to restore the quality of the recording somewhat, while at the same time maintaining its dark, clubby sound, a tribute to the famous club of the track's name in Antwerp, Belgium.

"Dream Affected Dream" is one of the most recent productions on this album. It was recorded with CNN playing live on top of it. At this exact moment, CNN was having an interview with David Koresh, the leader of the infamous Branch Davidians sect from Waco, Texas, while they were under siege by an armed police force. Natasja and Jeroen were just ready to record Dream Affected Dream, and spontaneously decided to mix in the audio from CNN. Not very long after that, the cult members set fire to themselves. A very strange and oddly funky track, that also serves as a time-document.

The final track is another bonus track. Like Cafe d'Anvers, "Voight-Kampff" is taken from on old U-TRAX VHS Hifi tape and masterfully mastered into a lovely relaxed dreamtech piece. Very suitable to start the Sunday after a long night of clubbing. This track is available for free to buyers of the complete digital album only.

Original release date: July 1993.

Black Vinyl Repress

marbled green vinyl - limited to 300 copies

Nero Zang open the ep with a slow emotional lysergic journey followed up by Oblako Maranta, the new project composed by A-Tweed and Radial Gaze, with a tribal triplets flow scanned by edgy synth, literally a peak time fire gem.

Pletnev close the A side with a trippy electro sequence marked by his voice.

Turn the vinyl to listen Matteo Coffetti in search of a new galaxy, planets are connected to each other through glitchy synths, Camboja draw us a dark scenario with twitchy screaming coming from who?

Closing the various is Hassan Abou Alam the Egyptian emergent artist with triggered voices floating on fattybass.

"Finally, Zach Witness' sought after rework of The Purple One's '17 Days' is available physically and on hand-stamped purple vinyl no less !"

Arctic Music 14 takes you down ambient jungle and electronic paths, switching tempos with the ethereal atmospherics and vocal riffs of Azarca.

Peel off the shrink-wrapping, open the snow-marble jacket, place the vinyl on the deck and immerse yourself in the sounds of Alaska x Synkro.

For the first time ever, here is the soundtrack from the 1983 post-apocalyptic flick directed by Joe D'Amato, Endgame - Bronx Lotta Finale. A compelling Carlo Maria Cordio's mighty Vangelis-meets-John Carpenter score. With hangovers from previous Giallo-based outings, Endgame's themes are more gentle and introspective than, say, Claudio Simonetti's muscular work for The New Barbarians and Hands of Steel but also, arguably, musically more diverse. In particular, the opening title track 'Atomic Contamination" is genuinely chilling when set against the stock footage of a nuclear bomb going off.

While liberally pinching the vibe of Blade Runner's more symphonic textures, Cordio's synthesizers also do bombast, melancholy and menace when required, whilst the pretty pieces for Lilith are like semi precious jewels shining out of the murk and machismo.

Strategy and Cartridge unveil their new alias "Regents" in the form of a 4-track EP straight out of Manchester on Deep, Dark & Dangerous.

The beats are as gritty, full and bassy as you would expect from Cartridge while Strategy's bars are as cold as they get. Both absolute masters of their craft, Regents combine to create something new, unique and quintessentially Mancunian.

orange marbled vinyl

"How does it feel to reminisce? That was something I wanted to try to capture in soundwaves. I tend to reminisce a lot. About the good and bad parts in the past, and everything in between. I try to remember which specific parts in my life made me who I am today. Thinking about those events is going to make me feel a certain way, and i wanted to try to convert these feelings into songs.

Reminiscing to me, is also a very visual experience in my head. So I decided to take sounds that were close to me from the past and make something cinematic that still works as a full song. I've been using a lot of granulated sounds, which is almost like a shattered memory reconstructed into a new one, as your feelings can change recovering the same memory. So you can close your eyes and go on your own reminiscing journey, discovering loads of layers weaved through these soundwaves."
- Sam A La Bamalot

Twisting junglisms into irregular shapes since 2017, Manchester’s pride and joy Alex Lowther-Harris brings Thugwidow to Sneaker Social for a ruff yet refreshing ride through the rave. No doubt his skin in the game reaches back further than his first recorded output, but just trying to get a handle on his released catalogue is work enough. In 2019 alone he released no less than six albums and three EPs, laying down immense slabs of material on tapes as much as wax. As well as coursing through the dense undergrowth of the cassette scene, his 12”s have appeared on labels like Western Lore, Warehouse Rave and Astral Black, and he’s collaborated with Dead Man’s Chest and Bruised Skies.

16-17 return to Praxis with a triple assault of ultrasonic remixes. The Pandemic Wargames Remixes are based on backing tracks originally recorded in 1995 for a follow up to the album Gyatso which eventually materialised earlier in 2020 in the form of the Phantom Limb LP on Trost. After that Alex Buess once more gave three tracks a severe treatment for The Pandemic Wargames Remixes 12” on Praxis, bringing sound and mix firmly into the 2020s.
16-17 started in 1983 in Basel, Switzerland as a three-piece “industrial punk jazz” outfit with Alex Buess, Markus Kneubühler and Knut Remond. They released a number of cassettes, before debuting with their self titled album in 1987. Two years later this was followed up by When All Else Fails, an LP of treated live recordings on Vision, the precursor label to Praxis.
By this time 16-17 had already garnered a cult following with their incredibly forceful live performances.
Around the same time there was a proliferation of side-projects and Alex Buess became the sound mixer/co-producer of the Vision material and it wasn’t till 1994 that the band came out with a new album. Gyatso was produced by Kevin Martin (Techno Animal, The Bug) and released on his Pathological label (re-released in 2008 on Savageland, both times on CD only) and, besides Martin, featured G.Green (Godflesh) as a guest musician.
Buess also collaborated with Martin on the ICE project which also included Justin Broadrick aka J.K.Flesh of Godflesh, the other half of Techno Animal. Buess also took part of the Sprawl project with Peter Brötzmann, William Parker, Michael Wertmüller and Stephan Wittwer which appeared on Trost Records in 1997.
Following Gyatso there were to be two other significant releases bearing the 16-17 name. The first was a direct outgrowth of the collaborations with Kevin Martin: Human Distortion, released on Digital Hardcore Recordings in 1998, and Mechanophobia on Praxis (Praxis 31, 1999).
Mechanophobia presented two “Sound System Mixes”, dynamic, morphing tracks, produced by Alex Buess and Roger Graf, and featuring Daniel Buess on drums. Around the same time the two Buess started the Cortex project and would together reappear on Praxis with Vacuum Theory (Praxis 48) in 2011 and “Skin Craft” (Praxis 55) in 2016.
Unknown to the public there were a number of 16-17 recordings with the line-up Alex Buess/Damien Bennett/Michael Wertmüller from 1995 which had remained unfinished. Out fo these, with contributions of Eugene S. Robinson, Kasia
Meow and Roger Graf, the album Phantom Limb was crafted in 2018/2019 and released on Trost in January 2020.
Out of these sessions came the raw material to The Pandemic Wargames Remixes which include the first track of the Phantom Limb album ‘The Hate Remains The Same’, as well as two more mixes,including the heavy dub version of ‘Nemesis’.
Praxis is very happy to present these on vinyl, available now!

While previous albums, most notably Leland and Minutes of Sleep (2014) as well as two albums released as one half of the duo Aris Kindt (most notably the stellar Swann and Odette from 2017) have relied on singular thematic and narrative drives that were often of a personal, collaborative, or hermetic in nature, Thresholds is an album that aspires to sonic universality and the presentation of a fully formed psychoacoustical world. That being said it is not an “album of ideas”. Inspired by the ecological and political upheavals of the present and the role of speculative thought as an avenue of global transformation Thresholds is the work of a mature artist fully in control of his powers. Both expansive and nuanced the album widens the aperture of the affective possibilities of the electronic assemblage; themes skip from one track to the next, elevating and informing each other in tangible fields of abstract figuration. The titles, while often heady, concisely allude to strategies implicit in the construction and arrangement of the works: Cut Up, within the context of the album, is exactly that. Luck Takes a Step juxtaposes stately synths with just the right touch of playful fluctuation and latent atonality. The title track itself is a knotted mass of uncertainty and propulsive beats the breakdown of which is a nervous series of fits and starts that resonate not just within the track but as the fulcrum of the entire album: the threshold of our Threshold: “…we are caught up in our own original transversals of time to the point of dissolution, and that which remains a part of the contrivance of ourselves is ultimately that which crosses the threshold and is somehow, miraculously, reconstituted on the other side of it. Because it is via the threshold that we can best observe the conditions of experience as lived even as we cross to the other side of understanding, rejoining the ancient equilibriums of which we, in our depths, are comprised.” (From the liner notes)
No track overstays its welcome and with the help of standout vocalist Eliana Glass, and instrumentation by Dave Harrington (Darkside with Nicolas Jaar), Mark Nelson (Pan American), Will Shore, Greg Paulus and Gareth Redmond, and mixed by Phil Weinrobe, the result is a dizzyingly pure inward gaze that is first and foremost an album about connection.

Double Stars; often orbiting in tandem and gravitationally bound together, are usually mistaken as a singular light. An unmistakable parallel to the Space Cadets, Leeds trail blazers Lisene and Adam Pits join in magnetic union for Planet Euphorique’s big 1-5 to showcase their sole vision; superior prog synergy. Warp Drive gets flung into hyperdrive by your local enigma Rudolf C and the B side is a case of nuclear audio fission, splitting the duo so their individual and technical flair can shine. No doubt you’ve crossed paths with something hot on this disc in the encompassing party atmosphere; four straight up essentials for a function of chaos.

The title track breaks in the EP with frisky righteous drums, precision in rhythm; swinging stylishly. Cosmos loom within reach, infinite rolling with baselines built for the long haul; an expertise in tension and release revealed through sonic sweeps and delicate filter explorations. A match made in heaven, Rudolf C has been gliding on similar trajectories; elevating the Warp Drive to a celestial level; the Psychedelic Envisionment accentuating the original's intricacies whilst maintaining the swagged flow and dancefloor steeze. Distorted pulsations and modulations swirl above head to signal the B side split show; driving bass anchoring the higher frequency expeditions, Lisene mastering the spectrum of sounds with Moral Panic and breaking up the 4/4 pursuit. Meanwhile Adam Pits closes things out with an ethereal highway drive; cruising, twinkling and boasting telescopic trance like skills.

A perfectly balanced blend of modern, innovative and familiar, veteran status technological slick hits; you’re in good hands.

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for theButter Sessionssound of ten years in the making, the answer lies here.

Synth-buoyant euphoria coming through on the maiden
Coymix release. This 4-tracker from South African producer
Biodive is complex and straight-to-the-point, dreamy yet direct.
A journey into all things blissful. The Halcyon days are not
over.

Repress
blue marbled vinyl

Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

Repress

The much revered Swiss duo are back with another EP showcasing their deft sonic touch. 5 tracks that exhibit all the elements of the QZB style, featuring another stunning collaboration with vocalist Charli Brix.

The Clairvoyant EP comes on a limited edition 12" clear/transparent vinyl.

No time to waste: nine months after Tim Vanhamel released 'Dubs Pour Oh La La', his debut album under the moniker Comité Hypnotisé, the Millionaire frontman presents already the second album 'Hiking The Trails Of Mount Muzak'.

Hardly leaving any traces of the dubbed out vibe which marked the first record, Tim expands his Comité Hypnotisé universe to a surprising next level on this second album: exploring a place where James Last, Wu-Tang Clan and Dj Shadow are cooking up a Thai meal in a Peruvian restaurant overlooking the breathtaking peaks of Mount Muzak.


Ney flutes tumbling backwards over the edge of easy listening in opener 'Rise Of The Equinoxians', lurking for feel good vibes in 'Red Wolf Riddim' and breezing in to new dimensions in 'Zing Zoing' on the A-side while the Comité enters the chambers of the 70's 'Disco Skank' and rides an untamed dragon towards the scorching sun in search of a flame-bringing beat in 'The Dragon Rider' on the flipside.

Stereo's debut album ‘Together’: Deep Ethereal and Drone Beats with early 2000s TripHop reminiscences.

With the found sounds, raw samples and distorted drums, the author invites to follow his melancholic and sometimes heartbroken journey through different and yet similar emotional states: from recovering from an injury to contemplating about the human role in the universe.

Berlin-based producer, beatmaker, and all-around big papa Suff Daddy returns with an irresistibly-bouncy instrumental long player to herald in the new year, aptly titled “Basically Sober,” releasing on Jakarta Records February 25, 2022.

"Die Insel" is the first release from Amatori, a various track 12” EP that invites the listener to a magical journey. It explores the five authors' inner sound in its purest form and proposes a way back to our origins: The tribe.

Der Liverpooler Produzent Paul Rafferty aka Ancient Plastix liefert auf seinem selbstbetitelten Debütalbum ausgereifte Neo-Ambient-Kompositionen als Soundtrack zu einem imaginären Neo-Noir-Film, der sich zwischen Industrielandschaften und nebelumhüllten, dunklen Wäldern bewegt. Ein immersives, zusammenhängendes Werk zwischen der Ambient-Melancholie von Marc Barreca und Tim Krogs Carpenter'schen Horror-Soundtracks.

Pink & White Vinyl

After three standout EPs on Atomnation, Japanese producer and live artist Ryunosuke Hayashi a.k.a. boys be kko serves up his long-awaited debut album. Hensa is a serene nine-track electronic trip that oozes musical charm.

He makes his music in a studio with its own roof terrace and counts the likes of &ME and Bonobo as fans while Running Back boss Gerd Janson has remixed him in the past. This new album finds him expand on his always emotive, clean and futuristic fusion of house, disco and melodic techno in alluring new ways.

This is a brain-cleansing, soul-enriching work of melodic electronic perfection from boys be kko.

Taking a quick break from their usual STRWB sales, Fraise proudly presents a two track 10" EP from the tool traders themselves D&P.

After many years of saving the mundane dancefloor with their up-beat crowd pleaser productions, They've finally let us into their toolshed to bring you two tracks built for all types of soirées.

We hope you're ready to move to D&P's Party Tools

Estella Boersma debuts on Dance Trax with a wide ranging dance floor focused EP taking in Techno, Electro, Breakbeat & Ambient!

It’s all about timing! This release wasn’t on the schedule, but when we’ve received the demos of Igaxx (that we didn’t knew earlier), it made evidence that it should be release on Macadam Mambo as soon as possible. All ingredients were here to make a very special record. The fully analog music produced by the Tokyoite, Shota Ikawa aka Igaxx, immediatly rang a bell to our memory : Irdial Discs, the legendary UK label that we instantly connected with his music, the long housy loops, the deepness of the atmosphere, the tropical jungle sounds was not without remembering Aqua Regia or Pluto to name a few… the EP alternates infectious ambient tunes, hypnotic beats and dance music. It’s the kind of gem that could very quickly become a classic, TIP.

La Mañana is the ideal toe dip for people not familiar with the styles and sounds of John Beltran. Longtime fans will recognize the luscious production and arrangement detail synonymous with John’s name and gravitate to the EP quadrant they identify with.

Rips joins the ranks on Foamplate's imprint 'Plantpower

Second edition of Night Defined Recordings’ new compilation series launched last year. NDVAX02 gathers tunes of longstanding old hands alongside rising talents. Four songs that find their common ground in a strongly pronounced emotional and melodic level.

In 2022 Listen is presenting its very first compilation as an extension of its year-round Our Scene platform. This release unites a wide spectrum of electronic music on a double gate-folded vinyl. With 12 artists serving up anything from ruff techno to ambient, the Our Scene Compilation sketches a profile of the diversity that characterizes Brussels’ music scene.

"The ideas of the ruling class are the dominant ideas in every epoch; or, in other words, the class which exercises the dominant material power in society is at the same time its dominant spiritual power. The class which has at its disposal the means for material production has at the same time at its disposal the means for spiritual production, which means that the ideas of those who lack the means for spiritual production are at the same time, on the average, subjected to it".
Karl Marx and Friedrich Engels: Feuerbach. Opposition between materialist and idealist conceptions. German ideology.

Night Songs is the latest record from awakened souls, the Los Angeles based husband and wife duo- James and Cynthia Bernard (marine eyes). In the Spring of 2021, they found a good night's rest was more important than ever to help them through pandemic days of schooling kids from home and balancing work and life. After going on an evening walk, James and Cynthia would write in their bedroom studio and test the evening's songs out for sleep. Even prior to being together, they both loved searching for just the right album to calm their minds at the end of the day. Night Songs is their combined version of a sleepy evening record, exploring slowly evolving loop-based ambient primarily using bass guitar and vocal textures. The tracks which ultimately made it on the album helped them relax enough to go to a place where thoughts fade.