Beats Vinyl New Releases - News

Fire up the time machine and dial it back to the noughties with this beautiful joint courtesy of the Midnight Sons blending it old school with aged sonics crafted clean for beat connoisseurs. Summer vibes are in full effect! On remix duty hailing from the smoke is Tom Withers aka Klute in fine form with his own slick take on Bring It Back. Its time 4 magic peeps!

Up next on Club Qu is UK producer Otik, delivering a highly detailed EP melting techno, jungle, ambient and just about any type of bass music down to his own creation. Munich Duo Zenker Brothers add a rowdy signature remix of theirs to the pack and it's done - a heavy 12 suited for many different record bags.

You guys got it going on" was Serocee's first reaction when he heard the beat thatPROFIT sent over to him!

Back in 2012 Profit - the two man Berlin based producer outfit released their debut EP - Two Edged Sword. Fast forwarding to 2015 the notorious duo are getting ready to drop their second installment of fire entitled "Profit - Never Trouble".

Straight back with a bang, the boys hit hard with a slick 5-Track-EP including some heavy vocal features from an elite cast of unique UK & Jamaica vocalists, all served up on a solid bed of Tropical Bass, Reggae Dancehall and Trap/Electro flavoured instrumentals.

Consistently seeking to elevate their Ragga influenced sound, they have recruited 5 of the hottest names currently doing damage on the UK Dancehall and Grime scenes. Alongside the aforementioned Serocee, the EP also includes Lady Chann and Deadly Hunta plus the original UK Dancehall Legend Top Cat and Jamaica's finest Natalie Storm all delivering high calibre performances on PROFIT's cutting edge groundbreaking riddims. London's one and only inimitable UK soldier of Reggae-Mashup-Culture Navigator has been an integral part of PROFIT after moving to Berlin 4 years ago. Navi plays an honourable support/host role on all of the tracks, consolidating an irresistible fusion of styles, vocals, beats and genres.

"Profit - Never Trouble' is a banging EP that simply injects you with a woozy lightheaded Carnival Feeling. Ready to blaze up any dance-floor in any region, we highly doubt you will disagree with the words of the hook sung by Serocee, 'The vibes ah get so hiiigh in Ya'.

Absolutely lethal, classic footwork from these three originators — body-rocking, invigorating and startling, hybrid without compromise. The A is route-one dancefloor murder, honed and nasty, vintage Chicago and Detroit gone clear across the border; the flip is a fiercely dazzling juke vocal collage, bare and hard as nails.

Remember: you could be dreaming. Sinking or flying, sound-catching or singing. Witnessing a distant storm in silence, how it exposes purple clouds in unpredictable flashes. Hearing a submarine eruption and finding natal comfort in the warm, fragrant smoke that only wants to sheathe all your edges. The circus has left, only placards remain. And the snow. Look how the flakes sway to your feet without effort - any distance is misleading, illusory. There’s only dream and memory – the two wings of a bird that flaps with an ocean wave, blinks with an eye of a lighthouse. Fragile, you could be dreaming not alone, holding hands with the core of things. The molten core, like touching ice. You could be dreaming. Dreaming in perfect memories of shapes imperfect. Dreaming of the earth raining from the sky, of the wind inside the sea, of the lighthouse & the ship kissing, of exotic fishes in the bay of your ear. Everything is real. If you play. If you dare to ignore the margins. Echoes go on forever. They play with themselves in a stream of mirrors. Echoes of a forgotten language, of a language unwritten - a soothing, indifferent creole that reconciles feeling with understanding. Bathe in the fountain at the source of resonance. Bathe in the clouds on the eyes of intimate strangers passing. Disappear. Disappear and be seen, like the moonlit mist behind your eyes. And sway between hope and wisdom.

All songs written, performed and produced by Sasha Vinogradova and Alina Anufrienko
Recorded in Garnet village, Dmitrovsky region, Russian Federation (February 2020)

The new album 'Aesthesis' from Shapednoise aka Sicilian artist Nino Pedone is out in November 2019 on Numbers.
Over the nine tracks and thirty seven minutes, there’s a controlled collision of noise and metal with rave and hardcore. Pedone’s penchant for the peak energies of gritty techno and modern rap/trap bleed through, with earth-shattering blocks of bass and beats conveyed within his practice of sonic sculpture. ‘Aesthesis’ melts these sounds down, evolving them into something new of his own - a complex, hybrid being designed to be played loud. The first listen, CRx Aureal, is one of the most arresting cuts from the record: a nightmarish thrill embracing a sense of constant movement, with intense shards of sound ricocheting and morphing, forged together through a series of metallic refrains. This flirtation with the extremes of sound has engulfed Shapednoise’s entire creative output and lifestyle - from his albums and EPs over the last decade, to his two labels Cosmo Rhythmatic and REPITCH, having recently dropped critically acclaimed releases by King Midas Sound, Shackleton & VTSS. Pedone describes ‘Aesthesis’ as “informed by a set of key elements that intwine all the tracks together, like steps in a long research process. It is intended as a sensory experience where the senses act as an interface, sound as space.” His experimentation with unorthodox rhythmic structures and radical cinematic design reveals actions grounded in direct experience, but “inspired by a kind of speculative realism”. In seeking to master the wild heights of noise and the weight of subsonic frequencies, Shapednoise aims to “generate a sense of unreal-yet-tangible space and time, where the physicality of the music builds up a place that exists between people and objects, rather than the other way around.”

A series of artistic collaborations are heard throughout the album - from the caustic R&B of album opener 'Intriguing (In The End)' which features vocals from multimedia artist E. Jane's alter ego MHYSA (of NON & Halcyon Veil), to Justin K Broadrick (founding member of Godflesh and ZONAL) on 'Blaze', and album closer 'Moby Dick'; a collaboration with Scottish legend Drew McDowall (ex-Coil and Psychic TV member), and Rabit (founder of Halcyon Veil).

Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown. The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown. The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

From their native St. Petersburg, Square Fauna evoke a score for imaginary protoplasmic oceans, surreal, sepia-tinged space operas and Russian sci-fi folk tales; lush, green landscapes littered with the burned out husks of automobiles, military vehicles, and askew telephone poles no longer in use though marked by pools of water in which can be found the debris of modern society. Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.

‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.

A completely singular, modern sci-fi soundtrack for the discerning sofanaut.

Produced by Dices & Flaty.
Artwork by Al White aka Crud.

Created during the harsh winter nights of 2019 at a home studio in the outskirts of Seoul. “​Disfiguring Echos” i​s the first full length album of Korean artist Suggun Jang.

Mesmerizing ambient soundscapes soaked in Jang’s own environment recordings, are subtly layered with contemporary minimalist compositions to form a powerful work that reflects the harsh yet beautiful surroundings and captures the imagination.

Suggun Jang has been making music for more than 15 years, from noise and doom metal beginnings to complex and detailed sound designs for soundtrack projects, and a passion for capturing his surroundings with unique environment recordings.

DE presents the first window into the world of Suggun Jang.

in winter 2016, taumel and the ensemble adapter met for several improvisational sessions to develop an evening of music in which the contrasts and boundaries between composition and improvisation, freedom and determination, chaos and structure were to blur or collide. the sessions focused on the development of a specific, sound-gestural musical language. in a way, each musician developed kind of a character on his instrument and its own specific soundgesture. we recorded these sessions and used them as a basis for "in pieces". "in pieces" consists of the remixes of these sessions, as well as additional studio material produced by taumel. "in pieces" can be understood as a sureal sound poem, an abstract sound story that wanders through the most different states - from greatest happiness to frenzy and madness. in the 2 mutating sound fields, the associative story revolves around the theme of linguistic inalienability and thus also around the theme of 'chaos and order'. this ambiguity, the attempt at beauty and its overturning into destruction and failure. attempts at writing, attempts at speaking, stammering, stuttering, screaming, constriction, drifting away, humming... in the mutation of states, heterogeneous sound events meet or are mixed to a new kind of soundmash between song, voices, melody, harmony, instruments, noise, beats, riffs, words, electronics and alienation. the action of the instrumentalists (the instrument playing) is on the same level as any other sound producing action or vocal expression as well as any electronic sound production and is always meant gesturally, performatively, as action, as acoustic dance. "volume one" is the first part of a musical context planned as a two-part work (in pieces - volume two). in two sound parts (side a, side b) "in pieces - volume one" is not a song cycle like our other series, e.g. TRAUM, but rather a musical 2-act, later altogether 4-act. here the overall form of the musical series is not divided into albums and songs, but into albums and their a+b sides, like act 1, 2, 3 and 4. perhaps, therefore, "in pieces" can also be heard as an acoustic theater, or as a radio play without words, or as a soundtrack without a film, or as a film without a picture, or simply as an order of changing sound events . "off the record" in "off the record" taumel meets other musicians and develops albums in collaboration. here different forms of musical interaction can be tried out. in this case of "in pieces" the collaboration with the ensemble adapter consisted in these sessions, which form the basic framework and skeleton for the whole album.

Do you have the skills to become the galaxy’s number-one DJ?
Boosterpack©
GIVE YOUR EARS A BOOST!
This Boosterpack© contains 1 record with 2 additional tracks
From the core to the outer rim territories, new DJ bloom and spread their skills throughout know space. It is a dark time for Musiq Industry™ as CEOs engaged endless waves of clones and networks started to saturate.

The Dubster is an alias of drum and bass legend L Double. Released originally in 1993 on Edzy (Unique 3) label No Noise.

This EP has been a highly collectable bit of vinyl for many years and a tricky one to hunt down. It captures the vibe of the era from the Huddersfield area of the UK.

T.V. Baby is a project that came to life during 2016 in a makeshift hideaway deep within a remote corridor of industrial New York City.

The romantic isolation of their decaying surroundings leant its vibe to the otherwise occupied musicians as they intuitively explored their formative musical experiences, while playing at shifting their roles around within the band. From these changing dynamics the close friend's debut album Dignity Don't Dance was born. It comes on the label Deus Records, an imprint that continues the great independent NY tradition of dropping highly danceable music with rootsy, rock n roll swagger.

The Long Player format allows the band to meld the most naïve aspects of punk meets pop with mature, expansive and explorative grooves across ten tracks. Initially a set of sketches, the material soon became earworms that the band revelled in refining together. It is something that sits naturally with the three-piece and the result of their adaptions and challenging each other afresh is an immersive experience where the joy of creation is ever present for the listener.

The LP shows TV Baby taking hold of many sounds and combine them into something that is distinctly their own. Although rooted in electronic sounds, the unashamed and unmistakable homage to many seminal New York bands bubbles to the surface on each of Dignity Don't Dance's tracks. The rawest themes of lust, love, sexuality and abandon keep the album mercurial and constantly shifting in its form - from track to track and from bar to bar. This dynamism is guided by respect for the five classical elements and topped off with a mix down from Berlin based Brit Ewan Pearson.

With the needle in the groove tracks of soaring ease can give in to taut introspection and moments of bracing sensuality. Mechanical funk, laden with lucid dreams and chemical illusions vie with raw, earthy anthems from the basement and garage. Loose limbed abandon is born from rum soaked and acid flecked AOR.

Distinct from its musical roots and remote from a scene or set of influences, Dignity Don't Dance is a kaleidoscopic conveyor of familiar mantras hazily recalled, jacked up and reimagined with the ease of a collective fully in tune with itself.

Leo Anibaldi, Heroin In Tahiti, Laura Betti, Riccardo Schirò, Gabber Eleganza, Alvin Curran, Nico Vascellari

Remastered tracks by Leo Anibaldi (Rephlex) and legendary actress Laura Betti, new tracks by Heroin in Tahiti and Riccardo Schirò, an interview excerpt (Gabber Eleganza) and a live recording of Nico Vascellari and Thomas Baldischwyler working on / remixing a track by Italo-American sound artist Alvin Curran.

Extensive liner notes about Baldischwyler's stay at the German Academy / Rome included. LP with black and white printed inner sleeve and four colour cover in silk screened PVC sleeve.

"QUINZE" -"fifteen" in Catalan- is the title of the new release from Barcelona’s Lapsus Records. Lapsus celebrates its fifteenth anniversary with the launch of a new compilation comprised of today’s most compelling, experimental and ground-breaking electronic music. Fifteen unreleased songs from artists that best define the Lapsus sound: Attraktta, Chevel, Gábor Lázár, Gacha Bakradze, Johanna Knutsson, Karen Gwyer, Leif, Machine Woman, Patricia, Pye Corner Audio, RRUCCULLA, Steve Hauschildt, Telefon Tel Aviv, The Belgium and Ylia. "QUINZE" will be released in late February and two different versions will be available: A standard double LP edition; and a collector's edition LP packaged inside a bespoke cement case of which only fifteen units will be manufactured.

Raw Culture is back to torment your lives. This time we have the regret of having in our roster the ex ice skater Wosto.
Based In Hamburg he is putted his sign on some label such as Sign Bit Zero and he give is effort to some groups such as Fallbeil and Sauerstofff (with the duo Nostalgie Eternelle). Teerpappe is his own vinyl label where he released also solo records. This release Das letzte Nasenhaar EP is a collection of Kraut Break Beats with a strongly German and weird imprint. Borderline with noise.
Raw Ambassador had the task of cooking his version of Party Animal with the collaboration of the vocal cords of the same Wosto for a really original result, a dance floor killa.

The release will be available form 13th December in a limited series of 300 hand stamped vinyl.

Electronic music is like the universe itself, it expands at an exorbitant speed. Each primary genre takes different paths that intersect with other influences, each artist creates from his or her own criteria, so it is not necessary to be subject to the laws of the music industry or the unanimous conditions of the mainstream.

Such singular identities may seem exclusive to many erudite ears, but for projects like ours it is a blessing to discover artists with a certain originality and who are also totally anonymous, or who have not had a long career. It has happened to us with many of the artists who have released on Industrial Complexx, and it has happened to us again with H/S/P, an Argentinian artist who runs his label Armed Records and who also uses the alias Artist Øne to release techno on different platforms.

N.H.DLV is an album in which its author exhibits great potential in terms of creativity and sound design. This 15 tracks evokes the multitude of paths an artist can take to develop a work based on thousands of musical experiences, with a sound impossible to categorise as a single trend. Industrial, noise, techno, experimental…. an ambitious and non-conformist itinerary.

Smɔl Smɔl with cktrl — a wonderful piece which calls on the listener to play both records at the same time to hear the music or play them separately and hear different versions. Duval is strengthening us, encouraging us to feel comfortable with discomfort, with incompleteness, with the hard-to-understand. This is a beautiful thing.

New HC Records release is available, this time in cassette format, the label’s first K7 reference and, this time, we have put our faith to one of the most experimental faces of electronics with a proposal by the French artists InhuM’AwZ .
In this proposal they deliver us a very high-level experimental electronics set of six tracks, loaded with hypnotic atmospheres filled with unique sensations.

An outstanding work and a production with a lot of care presented by InhuM’AwZ, in which, for around 50 minutes, we will be able to embark ourselves on a journey full of unprecedented emotions.

"Just Valance being Valance, I'm no underground glitch legend or pioneer as I never cared for a title, just an individual who puts sounds together and embraces the outcome whether it's light or dark. Capturing emotions from complex patterns. I don't betray myself. Not for status. Not for power. Not for money. Not to fit into a stereotype. Not to look a certain way. Not for approval as patience and sacrifice is required to build anything.

Some aspects of the world are getting uglier every day and every ray of hope is vital to tilt the balance."
- Valance Drakes

Repress

Hailing from LA, Atlantic Connection has been pioneering his own style of ''future soul'' a signature blend of soul, R&B, dubstep and bass music.

For the 63th vinyl installment by Fokuz Recordings he delivers two exciting pieces of d&b aimed towards the soulful spectrum of the genre. The 12'' kicks off with 'One Moment', a heartfelt roller with beautiful chopped samples, textures and tones.

Fokuz Recordings returns with a marvelous 12'' disc by Bcee, RoyGreen, Protone and Rowpieces! Chilled out beats for the stay-at-home-massive.

'Breath In' by Bcee features some catchy vocals over a nice stepping beat, vibes galooorreee! Another masterpiece by one of the most respected producers today. We continue with 'Raindrop Blues' by RoyGreen & Protone. It's a heartfelt roller with jazzy breaks and cuts that fits the time of the year perfectly. Last up we find Rowpieces with 'Jungle Ballad' blending the rough with the smooth. Soulful textures with raging but well balanced bass sounds. Wait, did we say 'stay at home' Get your ass over to the dancefloor and shake it!
Release Info

Four archival Club Winston tracks remixed by heavyweight talent.

Included: a visionary D. Tiffany trance journey, a carnival bass workout from Jabes, a face melting acid-jungle remix from Tim Reaper and an apocalyptic beat science throwdown from Katatonic Silentio.

Beware Of Global Worming! Heat Intensifies As The Global Worms Creep In The Label Roster, Dropping Witty Warehouse Wreckers. Flirting With Acid, Dj W.e.b And Steve Marie Decide To Kick Off 2019 Fiercely As They Appear On Phi For Their First Time. Accompanied By Vid Vai And Evano On The Flip Side, Their Tracks Have A High Potential Of Evoking Strong Rave Nostalgia.

Clear your schedules, pack your bags and charge your phones, Edlan is taking everyone on a liquid D&B road trip - and who couldn't get onboard with that?

It's a venture we all have been looking forward to for a long time. As an artist who has become an integral part of the Liquicity family since his debut "Dreamcatcher" release in 2016, Edlan has taken us on a journey with some incredible releases over the years. From his recent "Take A Bow" single to the "Go Back Home" EP. But his next project is a particularly special destination - Edlan's debut album, "Landmarks"!

It couldn't be a more fitting title for a project representing a landmark occasion for Edlan. Three years in the making, the album is one directed at appreciating the moments in life bringing us joy. For Edlan, times spent road tripping around Europe with his parents were some of the most joyful, and it's this inspiration he has built the story of Landmarks around.

Unfortunately, we couldn't rent a car big enough to fit the entire Liquicity family in... But it has always been the Liquicity community ambition to take everyone on a journey to positive horizons - especially at the moment. Over the course of 12 tracks, Edlan invites listeners to join him in doing exactly this, each track comes with its own story to explore.

repress!!!

Very useful ringers for multiple purposes by J-R! As always accepting all payment methods.

Shaw Cuts Is Happy To Welcome A New Face To The Label Squad: Lazarus, A Young Producer From Nuremberg, Yields The Perfect Soundtrack For ‚the Magic Blade' With His Debut Record.
The Story Begins With Another Clash Between Arch-rivals Fu Hung Hsueh And Yen-nan Fei, Two Of The Country's Most Skilled Swordsmen, Both On A Quest To Number One. ‚rhea' Sets The Perfect Tempo For The Duel With Its Heavyweight Drums, Revolving Percussion And Energetic Pads.
Clanking Swords Are Interrupted By The Arrival Of Shady Company - Followers Of The Mysterious Underworld Swayer Sent By Master Yu Who Wants Yen-nan Fei's Head. Fu Hung Hsueh And Yen-nan Fei Join Forces, Slaying The Villains In Seconds. ‚reverof Nema' Rolls In, Its Commanding Rhythm And Moody Chords Giving The Swordsmen New Force And Vitality.
Yu Wants To Eliminate The Swordsmen So That They Never Gain Possession Of The Peacock-dart, An Indestructible Weapon With Thanatophoric Effects And The Object Of Yu's Desires. But Fu Hung Hsueh And Yen-nan Fei Have Already Picked Up The Scent. Bloody Battles Follow Against More Of Yu's Entourage. The Race Against Time Is Led By The Energetic Synth Delirium And Savage Drums Of ‚casio Flex', Leading Hsueh And Fei Safely To The Sublime Weapon.
The Duo Journey On, Defending The Peacock-dart Until They Reach Yu's Temple. The Final Showdown. ‚overcome' And Its Warped Groove, Warm Synths And Thundering Drums Bring Master Yu To His Knees And The Netherworld. But Who Was Master Yu Was It You The Myth Lives On...

Fokuz Recordings is back on the scene! Their latest record features a superb Technimatic remix of Macca & Loz Contreras' ''One Touch''. On the flip Silence Groove delivers what could be his bet work yet with ''Only You''. The digital release features extra tunes by Silence Groove and Austrian newcomers Air.K & Cephei. It's an exquisite get together by upcoming and established names. Don't sleep on it!

Narcissist's second release on their own label continues from where it started - four unique tracks that run between the down-right weird to tracky and peak time club music. Each track totally different yet a thread runs through all letting you know the same hands and ears made the music. The pair (Marc Ashken & Rob Bradley) jam with synths, drum machines, samplers and mic's until a track comes to light and is then recorded live, sometimes straight into zoom recorder, not a laptop. Edits, vocals and layers are then added as and if required. 

T3 is straight up club music and hooky as hell. T4 is reminiscent their previous track Key - a DnB/Electro cross-over that sounds killer on the dancefloor and isn't like much else out there. T1 samples a harp which builds and builds over complex breaks and chopped up vox. It's an intense workout. Finally, like many good club tracks the final track on the EP, Maz Baz, features a pitched down 100 year old Irish vocal. Hooked in and around broken beats it has a dance floor destroying low sub and a high pitched whistle cutting through it all. Quite mad.

Papiro’s approach to music is never technical, but always personal. Since the mid-Nineties, he has released a handful of noteworthy albums, each carefully put together and seemingly self- contained, yet all sharing an unmistakable musical language and a certain escapist aura.

La finestra dentata (The Toothed Window), is no exception. It includes both studio and concert recordings from 2016–2020. The sounds on this album appear infinite and full of marvels, ingenious in portraying imaginary creatures and environments.

The title track and Anelli take up most of the first side and include live outtakes. Papiro likes to describe his performances as therapeutic. These swirly symphonies are specifically intended as immersive deep-listening experiences for concert venues, and have been edited for this album to meet the physical demands of vinyl and domestic use. Imagine the younger cousins of Laurie Spiegel’s Concerto Generator performance, or Terry Riley’s Shri Camel.

However, those who know Papiro only from the stage might be unaware of a different side to his oeuvre; starry-eyed miniatures that may appear frivolous in comparison to the more heady stuff, but are nonetheless well worth discovering. Each piece adds a chapter to a phantasmagoric world populated by such characters as "Giant Duckling", "King Hard-Beard", or the "Bodulator". Tracks like the opener Odilon or Il triciclo nascosto, meanwhile, emanate a candor rarely found in the domain of serious music, and revisit Papiro’s early days of instrumental storytelling.

About Papiro:

Marco Papiro is a Swiss-Italian musician, composer and graphic designer. He teaches at the Schule für Gestaltung in Basel and is known for the posters and album covers that he's created for a number of prolific artists (Sun Araw, Sonic Boom, Panda Bear, Oren Ambarchi)

Art thou ready Straight fire coming from Total Science, Phaction and Fokuz Recordings stalwarts Malaky, Satl and Silence Groove. On the A side long time drum & bass veterans Total Science flip Phaction's ''Stratos'', released early 2015 into a hypnotic, soulful groove with a bopping bassline, delayed piano cuts and vocals.

Next up are Fokuz Recordings regulars Malaky, Satl & Silence Groove. Already making a name for themselves individually they now team up on ''Skyfall'' delivering an infectious, heartfelt slice of soulful drum & bass. Good vibes all around but then again, would you expect anything different from us We think not, go and cop that!