Beats Vinyl New Releases - News

Consisting of Dennis White, Charlie May, and Dave Gardner, Quiet Places is a new project by the UK producers focusing on vivid and wide-screen journeys. Between the three, their production roots go deep into some of electronic music's most important outputs of the last few decades. Be it performing live as part of Sasha's recent Refracted shows, their own individual projects such as Spooky, Sentre and Cosmonauts or remixing the likes of M83, The XX, Thom Yorke, Little Dragon or Elizabeth Fraser, they are no strangers to electronica.

Swedish producer Shielding lands on Facta and K-LONE’s Wisdom Teeth imprint with an extended collection of hazy dub techno, drone and downtempo. With previous releases on Kimochi and Leif’s UntilMyHeartStops imprint (as Okänd Konstnär), ‘Collecting Seaweed’ is the artist’s fullest body of work to date, comprising six tracks cherrypicked from a vast set of recordings produced over the last two years. The record’s pulse recalls Basic Channel and the clicks-n-cuts of Jan Jelinek and SND, but its textures are loose and painterly. Looping, pulsating textures sprawl out to create rejuvenating, emotive soundscapes. Patterns repeat, but no two strokes are the same.

Heavy Psych Sounds is really proud to announce a brand new series of split albums that will be called DOOM SESSIONS. We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene. Each volume will host two bands. This record you are holding is VOL. 2 - a split album with our heavy doom bands 1782 and Acid Mammoth. 1782 is premiering three brand new tracks "Bloody Ritual", "Hey Satan" and "Witch Death Cult". Acid Mammoth is releaasing three new tracks too: "Black Wedding", "Sleepless Malice" and "Cosmic Pyres".

Transversales Disques is very glad to announce the release of Nuits Blanches au
Studio 116, unreleased rarities from Ariel Kalma’s personal archives recorded in the
legendary GRM’s Studio 116 during the 70’s.
Born and raised in Paris, Ariel Kalma started playing the recorder and saxophone as a
youth. After successive studies of Computer Science, Music and Art in Paris he performed
in various concerts from middle-age music to free jazz duo. Ariel performed and recorded
with several bands (J. Higelin, R. Pinhas, NYL, G. Scornic, Baden Powell…).
After learning circular breathing on soprano sax, Ariel could include those endless notes
into his own long-delay-effect system, dual Revox set-up and two tape machines “chained”
together to form a long delay system.
In France during the mid-1970s, Kalma was staffed as a recording assistant at legendary
Groupe de Recherches Musicales (INA GRM) studios, where Ariel recorded some of his
compositions in the Studio 116; the same music “concrete” laboratory that spawned
masterpieces by members Luc Ferrari, Bernard Parmegiani…

**LIMITED REPRESS**

An Exact Science is a fantasy of long time ASC fans have had for many years (ourselves included) come to life with results that surpass our imagined results.

For his first release on Cantina Cuts, this 4 track EP from DJ Jedi features two brand new hardcore tracks, plus two exclusive jungle remixes by Deluxe and DUG.

Just like his previous When Darkness Turns To Light EP (TMR010) Trax brings three different flavours of DnB/Jungle to this 3 track EP.

Support from: Double-O, Paradox, 2 Bad Mice, Equinox, Nookie, Foul Play, Enjoy, Threshold, Monita, Harmony, Ant-TC1, Meditator, Greenleaf.

A sort of slowly unfurling raga that plays tricks on your sense of depth and temporal perception, this stunning new album from long-string instrument master Ellen Fullman and cellist Theresa Wong has sent us into a light hypnotic trance with its slowly shifting tonal formations. Rarely is drone music so full of quietly cosmic eruptions - everything stays the same // nothing stays the same - pure aural alchemy.For the uninitiated - Fullman’s instrument consists of 70-foot-long metallic wires, anchored by a wooden resonator, across which she moves backwards and forwards with rosin-covered fingers to create an effect that’s been compared to the experience of standing inside an enormous grand piano. Developed in 1981, Fullman was in search of tonalities that couldn’t be achieved with traditional instruments - and her massively cumbersome instrument has been utilised to that effect ever since.
On Harbors, Inspired by the foggy San Francisco Bay, she’s joined by Cellist Theresa Wong to create elliptical tonal changes and anxiously resonant dissonance that feel like being stranded at the end of the earth. Wong is a Mills College alumnus who has developed highly individual playing techniques that take the cello into areas more closely rooted in the sounds of the natural world, always with a kind of theatrical dexterity.
Split into three movements, the piece is anchored by Fullman’s transfixing and slowly shifting drone, cut and overplayed with an orchestration of aberrant melodies and glistening atmospheres that are shimmering with life. It’s a fascinating addition to Fullman’s catalogue - at once disciplined but also quietly delirious in a way that’s pretty much impossible to describe. Anyway, there’s a video online of the pair of them checking test pressings of this album, gently swaying to the music. You can almost sense them both getting lost in their own mythical dimensions.

We're delighted to be able to welcome Scientific Wax head-honcho Equinox to 7th Storey Recollective, bringing with him three previously unreleased cuts from his 90's archives.

As one of the most respected DJ's and producers in Jungle & Drum n Bass, Equinox needs little introduction to those in the know, with a slew of releases spanning well over 25 years on Brain Records, Paradox Music, Inperspective Records, Bassbin, 8205 Recordings and his own Scientific Wax and off-shoot imprints to name just a few.

Fundamental Records' electro music project called ''Electric Eclectics'' does not end with the monster release of 21 vinyl records in a wooden box (with tracks from Arpanet, Cygnus, Carl Finlow, Cignol, Jensen Interceptor and Microlith to name a few), but comes with the additional ''Ghost Series'', that literally fit perfectly in the remaining space of the ''Electric Eclectics'' box. Each record is a picture of the electro music released in the line that Fundamental Records has us accustomed, each sleeve silkscreen printed by hand in the same color of the vinyl record. Talk about the music itself is something that Fundamental Records try to avoid in each release, if you want to know why you only have to check the project Music for The Other People Place to find out more about their philosophy.

Ola Bergman with a impressive album under his alias "Obergman". 8 tracks of perfectly executed acid and electro bombs. Limited pressing of 200 copies..

EP00001 is the first audio release from Matteo Zamagni's Seven Orbits project. 5 original tracks including a collaboration with Nervous Horizon's TSVI, plus remixes from 33EMYBW, Gooooose and Zaliva-D. Seven orbits is an audiovisual performance designed for immersive sensory experiences. It plays with the senses through vibration, light and sound to induce potential altered states with an emphasis on the transcendental and animistic connection with the natural world and the divine as can be found in past and present rituals around the world. The softwares used to create the experience communicate with each other so that the sound, played live on DAW, drive the real-time graphics as well as physical live elements; Further control of the experience is also achieved by using external physical interfaces.

MFM048 sees the release of a special collaboration between two unique voices within the ambient landscape, Suso Sáiz & Suzanne Kraft (SK U KNO), with their collective debut album ‘Between No Things’.

Whilst having first connected at a Gaussian Curve release show in Amsterdam back in 2017, in which both musicians also performed, the two really got to know each other during a three day recording session that followed immediately after; “We would have good chats and laugh setting up and in between long takes but, for the most part, we almost didn't talk when recording.” An instant apparent chemistry between both was present and which, via effortless experimental jams, resulted in over 30 hours of raw material that would sit silently untouched until the tracks were slowly narrowed down to a potential album in late 2018.

Treated with overdubs and edits by the duo at Suso's studio in Madrid in 2019, the album slowly began to take on it’s final form. It would eventually be completed when Suso sent one final piece, resulting in something of a remote jam session between the two, which would become the closer of the record as well as the title song. Fully improvised, ‘Between No Things’ is an honest musical reflection of a new friendship between two kindred musical spirits, in its purest form.

Tape Loop Orchestra’s ambient concrète aesthetic embraces clammy choral swells and bombed-out, buried percussion in the first of a new two-part project following 2019’s ‘Interiors’ series.
Washed out and as barren but evocative as his native Lancashire moors, ‘Returning One’ explores classic TLO terrain for contemplative mind hikes. In the words of Andrew Hargreaves aka Tape Loop Orchestra himself,
the ‘Returning’ project “explores the links between mind and body, consciousness, and how this affects the way we interact with the world at large”.
It’s all quite impressionistically and philosophically lofty stuff, leaving acres of billowing space for mediation,
but it does so without coming across as challenging. Rather, he carefully seduces us to this mindset, using only the slightest human presence of glossolalic voices and distant percussion fed thru his tape loop system to conjure a vast sense of scale that evokes his ideas in elemental terms. These kind of ideas used to be connected with religion, but that’s not what TLO is about. His ideas suggest a similar sense of existential wonder and angst to say, William Basinski, as much as the supernatural explorations of fellow Pennine artist,
Sam McLoughlin aka Tongues of Light

Tape Loop Orchestra’s ambient concrète aesthetic coalesces clammy choral swells and bombed-out, buried percussion in the second of a new two-part project following 2019’s ‘Interiors’ series.
The second part of TLO’s current cycle comes down from the windswept heights of Vol.1 to settle in a more valleyed state of contemplation. Operating around 20bpm, the music on ‘Returning Two’ evokes his ideas on consolidating mind and body from a lower altitude and perspective where the choral winds die down and stealthily leave listeners to their own thoughts.
On this volume the sounds are less vertiginous and more pooled into solemn stasis, with choral notes gently scudding the surface of dappled and dripping piano keys and foggy bass that appears to spread out and cocoon us in its immanent glow. ‘Thinking Flesh’ follows with a denser sound, with reverbs trimmed to a clammy closeness and powered by a thicker heartbeat of bass, eventually resolving into some of the project’s most deliberate melodic arrangements that find his thread of logic gathering into a woolly fabric that again calls to mind the supernatural explorations of fellow Pennine artist, Sam McLoughlin aka Tongues of Light as much as a decayed, weatherbeaten Arvo Part.

Archival recordings made by Frak @ Studio Styrka - Johannishus - Sweden 1990-1991. Very experimental and playfull Electronic melodies strange rythms tapeloops and more... Edition 300x...

Following the Turner Street Sound collaboration with Rings around Saturn, Melbourne producer and DJ Midnight Tenderness presents his second offering to Butter Sessions, Digi Modes. Throughout, Midnight Tenderness maintains his fixation with dub-wise rhythms and heavenly melody, delivered with his signature silky smooth production.

Digi Modes begins with the complementary pairing of tracks Crosswinds and Dub Dreams which feature on the limited yellow 7". Crosswinds is a bright medley of garage breaks against hazy synth-work that gently inhales and exhales. Dub Dreams, as its title affirms, is a mirage of sweeping synth loops and chattering rhythms. Elastic Dub is a more traditional homage to early dub works of the 1980s, marked by persistent echoes and rumbling bass that divides and conquers. Reflexitones, and the EP's endnote Regent St Dub, both add a sprinkle of house and electro, primed for a discerning dance floor or perhaps for now, a dance at home. As a whole, Didi Modes is an affirmation of Midnight Tenderness' mastery to adopt and adapt acquainted sounds in a unique way.

Repress!

To mark Osiris's 60th release, label head Simon Shreeve dons his Mønic guise for a richly saturated three-track EP that pays homage to the label's Drum & Bass origins and Shreeve's own past as Kryptic Minds. From the screaming call-to-action horns of 'Regeneration' on the A-side, to the creeping menace of 'Research Methods' and the Jazz in fuelled beats of 'Always for Tomorrow' on the B-side, a return to the rhythms and textures of D'n'B contrasts Shreeve's recent outings as CUB with Karl O'Connor, solidifies Mønic as his most experimental, genre-defying, and preconception breaking alias.

Recorded live at the Donaueschingen Music Festival on October 17, 1971, Actions features a truly mind-bending confluence of musicians of the avant-garde, in the broadest sense of the term. Don Cherry - the brilliant American free jazz trumpeter - had recently expatriated to Sweden and was finding his way not only among the emerging free-jazz scene of Europe but also within his own constantly expanding musical palette that had begun to incorporate elements of African rhythms, Turkish folk idioms, and Indian classical music.

Cherry, in collaboration here with Krzysztof Penderecki - one of Poland’s greatest modern composers, who is perhaps best known to casual audiences for the use of his music in The Exorcist, The Shining, and more recently, the 3rd season of David Lynch’s Twin Peaks – creates a sonic landscape previously unrivaled in his work. Combining modern classical and avant-garde elements, choral arrangements, and a large free jazz ensemble - The New Eternal Rhythm Orchestra, formed specifically for this performance and featuring a veritable who’s who of the European scene including Peter Brotzmann, Han Bennink, Terje Rypdal, Albert Mangelsdorff, and Gunter Hampel – Actions is one of the most expansive sets of Cherry’s storied career.

Highly ELEGAL material indeed!! From what we can tell its a rag-tag collection of obscure and hard to find tracks from the years 92/93/94. Featuring melodic breakbeat from early San Franciscan rave act Enlight, moody Techno from James Bernard's Cybertrax project (the track in question here having only seen the light of day on the 1994 'The Secret Life of Trance Volume 3' compilation) and epic Trance-breaks from Germany producer Utasia. Hot stuff!!

Repress!

'Then it was time for the man himself, Wolfgang Voigt. This, to put it simply, was a masterclass in ambient music. The sounds, beautiful; the transitions; perfect; the experience, unforgettable. The sound emanating from his quite simple set up filled up the church completely, in a room lit only by a few candles, his music shone through and brought everything to life. Everyone and everything became one with the music, moving with its ups and downs, delighting in it's near perfection. I went to this concert expecting something amazing, I got much more than that, an enthralling evening from start to finish'.

Debut EP by Serbian producers and record label Chorbika, taking in a crossover of electro and organic dance music over it's 5 tracks.

The songs are a fusion of Marko's taste in electro style and Jelena's roots in rock music and the material they produce is home-made, a product of their everyday life experimenting with sound.

Cwtch releases its series focusing on UKG, Minimal Garage, Breaks and Dubs courtesy of Ease Up George, 3 original cuts accompanied by a remix from Harry Wills, boom....

Not So Much return with a trip inducing two-tracker of electro-tinged, Gaunt workouts.

‘She’s Not Patsy’ opens up the EP with metallic hits, glitching crashes and cartoon styled sound effects interweaving to give a futuristic, constantly morphing state to this formidable track.

On the flip side, out come the cosmic canons for ‘Spacebirds’. Extra-terrestrial blasts, unearthly synths and spinning pulses surge around this far-away galaxy, tied together with a thumping beat and crashing percussion that will burst supernatural waves out across the dancefloor.

4 tracks of lush downtempo house mixed with grime and jungle influences. J. Albert has released with labels such as The Trilogy Tapes and Opal Tapes and has been crafting his quirky and unique style for years.

As a special edition for the 25th release on Balkan Vinyl - six tracks selected from the label's back catalogue - four of them having never before released on vinyl, the remaining two from highly sought after out-of-print releases.

Includes the last ever track released by LFO I Love Acid', Global Goon's acid anthem Craehzrhd' from the very first Balkan release in 2010, and the opener from the late Andreas Gehm 12' on I Love Acid Heaven and Hell'. Luke Vibert, B12, and Plaid round off the EP with tracks that were previously only available as part of a digital download from the label itself (never in shops until now).

This is a vinyl-only release.

OMIC is a new side-project from Ian McDonnell - better know as electronic music producer and DJ Eomac - exploring the experimental, the unusual, the idiosyncratic side of his output. Inspired by the idea of 'outsider' music and explorative producers like Jim O'Rourke and Arthur Russell, OMIC approaches music without the constraints of genre and style or the 'dancefloor' considerations and conventions that are usually present in Ian's output. Off-key vocal experiments, downtempo electronica, ambient, noise, pop, techno - expect all, any and none of the above.

Hectic is one of the greatest old skool labels and represses have been in demand for decades. We have lovingly remastered these tracks and are proud to be putting out these fine slabs of vinyl from our old friend / competitor label haha! Its a certified classic, not to be missed even if you already have the original, and it is, hopefully, the first of many

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Limited edition 45 vinyl with two brand new tracks form Juno and Mercury prize nominated Canadian soul Queen Tanika Charles. On the A side "Love Overdue" the 1st taken from the forthcoming new album "The Gumption" is an irresistible R&b/Soul mover that equally pays homage to Amy Winehouse and 60s Club Soul. On the flipside the floorshaking "Remember to Remember" sounds like Diana Ross and The Supremes produced by Drake, explosive contemporary Motown ssound.

Produced by a stable of some of Canada's finest musical minds including DJ Kemo (The Rascalz, Kardinal Offishall), Chin Injeti (DJ Khalil, Eminem, Drake) and Daniel Lee (Hooded Fang, Phedre), "The Gumption" is the awaited new album by Juno Award and Polaris Music Prize-nominated Canadian new star Tanika Charles and it's scheduled for release on May 10.

Watch out 45 is limited to 500 copies worldwide.

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Only Vinyl

Here we go again with lucky number 7 as the new very polish sampler is out and ready to be served worldwide, on time with the approaching 10 year anniversary of Zambon's cult label.

The new instalment contains 4 new polish jams tailored for the modern dancing experience.
You will find here great late night dance floor tracks like the breakbeat-infused and nostalgia-filled FOPA & Tamten re-interpretation of the Polish pop classic 'Jezioro Szczescia' ('The Lake of Happiness') or the Moroder-esque acid groove of Izabela Trojnowska's 'Jestem Twoim Grzechem' ('I am your sin') by Dyyune.

Fans of slower grooves for sure will appreciate Bisti's and Dyyune's take on the the hip-hop driven unsung cut 'W Moim Niebie Nie Ma Gwiazd' ('There are no stars in my heaven') which was recorded by a less known 80's Polish girls band called Fiesta.
The whole package is rounded up by Stachy.DJ (a polish veteran who recorded with DJ Koze) closes the show bringing a hypnotic stomper to the table, a highly addictive dub version of 'Obiecany Raj' ('Promised Paradise') from one of the top Polish synth bands of all time. As always all killers no fillers and a very limited pressing !!

Das Debütalbum des Briten Jake Storm Glover aka Stametshroom, der von Alex Paterson (The Orb) gebeten wurde, einige Ambient/Downbeat-Tracks für dessen Resident-DJ-Sets bei WNBC Radio zu erstellen. Das Ergebnis sind diese fünf entspannten Tunes zwischen Balearica, Space-Electronica und Ambient/New Age in Längen zwischen drei bis acht Minuten.

Erweiterte 25-Jahres-Reissue des Kollabo-Albums "Spinner" (1995) von Brian Eno und dem legendären Public Image Ltd.-Bassisten Jah Wobble, featuring Jaki Liebezeit (Can) on drums. Basierend auf dem Brian Eno-Soundtrack zu Derek Jarmans Filmtribut "Glitterbug" (1994), übergab Eno Stereo-Mixe der Sequenzen an Wobble, der diese mit Hilfe von Instrumenten ausschmückte und zu den "Spinner" Tracks verarbeitete. Das Resultat fusioniert eisigen Ambient mit einer Art psychogeografischem Funk. Physische Formate waren seit 15 Jahren nicht mehr erhältlich und enthalten nun die Bonustracks "Stravinsky" (ein Original aus Enos "Glitterbug" Soundtrack) und den brandneuen, exklusiven Jah Wobble-Track "Lockdown" auf CD und als LP-Download-Code.

Berlin based producer and live artist Ben Böhmer has risen through the Anjunadeep ranks to become a breakout star of the past 18 months, amassing almost 40 million streams, picking up BBC Radio 1 support from Annie Mac and Pete Tong, including an ‘Essential New Tune’, and being featured in Billboard’s ‘Ones To Watch’.

In addition to running his own fledgling label Tön Töpferei, Ben has put out singles on Anjunadeep and acclaimed remixes for Monolink and Jan Blomqvist, both of whom now feature on Ben’s debut LP ‘Breathing’. Opening track ‘In Memoriam’ is an emotive tribute, blending powerful strings with stirring vocal samples. Title track and lead single ‘Breathing’ with collaborators Nils Hoffmann and Malou follows. A long-awaited highlight in Ben’s live shows over the past year, 'Breathing' layers Malou’s delicate voice above swung percussion and hard-hitting synths.

An avid collaborator, Ben is also joined on the album by two further breakout German stars, vocalist Monolink who features on ‘Black Hole’ and multi-instrumentalist Jan Blomqvist who lends his vocals to ‘Decade’. Through the album Ben explores a range of emotions, from the hopeful ‘Hunting’ with Jonah, to energetic instrumental ‘Maelstrom’ through to the hard-hitting ‘Wall Of Strings, which samples The Cinematic Orchestra. Following the release of the album in November, Ben will be taking his live show on an extensive world tour - dates and information to be revealed in the coming months.

Dawl on Art of Dark

Special record produced by Microlith (Rhys Celeste) and Sound Synthesis (Keith Farrugia) some years ago. This EP is a special homage by two friends from Malta to their ambient and electronic influences from the 90s. As with all Fundamental releases, this is a limited release and will not be repressed.

Domenico Rosa's prolific electronic label, Propersound Italy presents the second of two repressings from the vivid electronic vision of Reedale Rise; this time, the highly sought after- The Reasoning EP.

4 tracks of dynamic variation from Electrosoul to Deep House pressed on high quality vinyl, and includes color artwork. Limited copies pressed!