Beats Vinyl New Releases - News

On Miniatures, Swiss composer and producer Samuel Reinhard looks to indeterminate techniques of mid-century experimental composers to produce a sonic path forward that’s as refined as it is evocative. While Miniatures is built from recordings of short piano gestures decaying towards silence, amid the four movements that comprise the suite, something else grows. Notes cycle, collide, and wash away within boundaries the artist has set, but in their wake new processual textures develop. A hiss blankets the harmonic material, and clicks that once marked sharp cuts between repetitions become a percussive undercurrent.

Working with digital tools, Reinhard conjures the interior of an animate environment and extends an invitation to notice the small stuff that swells when we settle in with duration.

Simian Mobile Disco’s Jas Shaw and new talent Bas Grossfeldt present ‘Klavier’ – an album of haunted elegance, graceful poise and cerebral depth, which is centred around the Yamaha Disklavier.

Combining the prepared piano minimalism of Hauschka with Basic Channel style dub techno, the pairing is mirrored in the duo, where Shaw’s formidable dance music experience synergises with Grossfeldt’s arts-based appreciation of contemporary composition.

180g - Vinyl Only

After messing about with vinyl, Ableton and music in general for more than 10 years, Dyzz from The Illuminated decided it's time to take 'matters' into his own hands:

Introducing Degenerate Music - a label focused on bass heavy, chest rattlin', floor shaking & dub influenced soundsystem music - starting off 2020 with his inaugural and sharply curated 040 - 010 EP.

On "That Side" we can find 2 sought after VIP's from the duo Dyzz & Rebus, better known as The Illuminated. Both originals Scavenger & Eindhoviah have been released on New Moon Recordings, the deeper / techy sister label from the Moonshine camp and Underslung Audio (digi only). Scavenger got picked up early by the likes of Skream & Benga (BBC1 Extra radio premiere), Joe Nice (cut on dub), N-type & Walsh (Rinse.fm) and more. Eindhoviah became a warehouse dub for the gentlemen and close friends. The VIP's go way beyond the originals, fulfilling the gunfinger reload requests from the last few years.

On "This Side" we find another Scavenger version, this one fully locked on the triplets and loaded with some vocal samples from a galaxy far far away. Last but not least, Eindhoviah gets the young gun Hebbe treatment, this one's for the heads.

Now all the VIPS, versions & remix get the treatment they deserve, freshly cut on a 180 grams 12" heavyweight plate

About The Word Collected Works

The Word is one of the better-kept secrets of 1980s Austrian disco music. Yet once you put the needle on this record, you notice that it sounds oddly familiar. The awe-inspiring signature piece “Lobster” has the same analogue, slow-moving aesthetic as Zenit’s timeless “Waiting” that was featured on Edition Hawara’s first release. The same goes for the three other wonderfully unconventional, proto-electronic songs: “Easy”, “All my life” and the eponymous “the word”. And there are even more commonalities with Zenit’s LP: The vocals are Linda Sharrock’s, who here teamed up with Karl “Charly” Ratzer and Peter Ponger, the twin brother of legendary Falco producer Robert Ponger. The result of this collaboration is, well, also quite legendary. How this kind of sound emerged in Vienna in 1984 is still a bit of a mystery, but clearly all the stars were aligned when Sharrock, Ratzer and Ponger were jamming in the studio. We at Edition Hawara are very proud to share this secret with you. Just as there are very few lobsters in landlocked Vienna, there are very few records like this

out there.

Dutch studio wizard Billy Ray de la Haye drops a timeless and spaced out Mini-LP on eudemonia with six tracks made between the 90’s and 2019.

yellow & red mixed vinyl

Mike Redman's Deformer project has achieved cult status throughout the years. Known for its extreme, horror infused electronic music and surprising collaborations with groundbreaking musicians, visual artists and film studios, Deformer keeps reinventing its sound while keeping its signature aesthetics. Consistent in being outrageous... with the new record "Inner-Outcast" musical boundaries are being crushed, again with a little help from some heavyweight invitees. On four of six tracks Deformer's fierce breakbeats enter into a deadly duel with the live drums of legendary ex-Suffocation drummer and blastbeat pioneer Mike Smith. Vernon Reid of Living Colour lays down some menacing guitar solos, Body Count's Ice-T provides some threatening words and many more legends are making "Inner-Outcast" an original, intense and above all, an unpolished release. A special appearance is made by iconic Hollywood actor Tony Todd, providing a haunting vocal performance as horror villain Candyman. Oh, and the cherry on top is definitely the amazing cover art by visual artist Ed Repka, known for his classic artwork for legendary bands like Death and Megadeth. With "Inner-Outcast", music journalists may have to come up with a new term for yet another genre, because Deformer's ever evolving sound is more unorthodox than ever...

Nach einer fünfjährigen Auszeit, in der er sich ganz unterschiedlichen Musikprojekten widmete, kündigt Squarepusher sein nächstes Studioalbum "Be Up A Hello" an. Für das neue Album setzte Tom Jenkinson nach vielen Jahren erstmals wieder auf dieselbe digitale und analoge Hardware, mit der er in den frühen 1990ern seinen Trademark-Sound definierte. Die Verwendung der Vintage-Synthesizer und -Effekte (inkl. eines Commodore Vic-20) markiert eine radikale Kehrtwende für den Briten, der auf dem Vorgänger "Damogen Furies" noch komplett auf moderne Tools und die neueste Software setzte, von ihm selbst im Laufe von 15 Jahren programmiert und optimiert. Das Ergebnis klingt vor allem ausgelassen, wenn Tom astreine Breakbeat-Tunes wie "Nervelevers" und "Terminal Slam" – klassisches Dancefloor-Material – vom Stapel lässt. Düstere Tracks wie "Vortrack" und "Mekrev Bass" belegen derweil, dass er nach wie vor ein Faible für perfekt ausbalancierten Psycho-Overload hat. Insgesamt verweist "Be Up A Hello" auf die Ära der DIY-Raves in Essex, deren Ekstase, Ausgelassenheit und Hemmungslosigkeit die ganze Herangehensweise von Tom nachhaltig prägen sollten.

B.Traits launches her Baby T alias, with a new musical direction and an upcoming live show. Under this alias she explores the middle ground between fast techno and jungle, fusing lessons learnt from her time in both communities.

The Portra EP contains 3 versions of the title track by Baby T - Hybrid, Ambient, and Jungle, spreading across tempo’s (and no tempo) to showcase styles Baby T will touch on. It’s a confident debut - a sonic summary of the Baby T path. To compliment these versions, Homemade Weapons and Ancestral Voices have contributed remixes that reinterpret Portra through their visionary processes, with impeccable results from both artists.

Blind Prophet returns to Dub-Stuy with the Clash EP, showcasing his versatility and increasing maturity as a producer. Following two previous 12” singles for the label, the Portland producer takes full flight with a 5-track EP exploring various tempos and styles of bass music, old and new. To take us along the journey, he is accompanied by various friends from the global sound system scene including Rider Shafique, Redders, Titus 12, and Tailored Sound from Bristol, Tenor Youthman from Russia, and GREAZUS from Vancouver.

Der in Berlin lebende Komponist und Produzent Ben Lukas Boysen meldet sich mit seinem bislang progressivsten Album zurück: Mirage ist ein wahrer Formwandler. Zuvor unter dem Alias Hecq bekannt, handelt es sich bei Mirage um den mit Spannung erwarteten dritten Longplayer, den Boysen unter seinem eigenen Namen veröffentlicht, und Nachfolger zu den Alben Gravity (2013) und Spells (2016). Letzteres bescherte ihm nicht nur sehr viel Kritikerlob, sondern begeisterte auch die Fans und viele seiner Kollegen: Es gab u.a. Remixe von Max Cooper und Tim Hecker, während Jon Hopkins einen Titel von Spells zum Eröffnungstrack seiner Late Night Tales-Compilation machte. Wie schon auf seinen Alben Gravity und Spells, wird Ben im Verlauf von Mirage von mehreren Gästen unterstützt: Mit dabei sind unter anderem die Cellistin und Komponistin Anne Müller sowie der australische Saxofonist/Komponist Daniel Thorne. Beide sind auf dem ersten Vorboten "Medela" zu hören, der die Zuhörer*innen auf eine Reise durch kaleidoskopische Klangräume führt, in denen verschiedene Genres ganz spielerisch ineinander übergehen. Das geht so weit, dass man hinterher kaum noch sagen kann, was man da eigentlich gerade gehört hat: "Ich wollte experimentieren und versuchen, diese Aufnahmen mit 100% künstlichen Elementen zu verbinden. Dabei ging ich oftmals so weit, dass ein Instrument zu einer Abstraktion seiner selbst wurde, dass sich der Beitrag eines Musikers an einem Song eher wie ein zentraler DNA-Strang des Stücks anfühlt, aber nicht mehr wie eine deutlich erkennbare Spur." Insgesamt fühlt sich Mirage, wie im Titel bereits angedeutet, wie eine klangliche Illusion, eine vertonte Luftspiegelung an: Jedes Stück vereint Klänge und Techniken, die dermaßen bearbeitet und verändert wurden, dass sie wie überbelichtet wirken. Das allzu filzig wirkende Klavier von "Clarion" etwa, Daniel Thornes Saxofon auf "Medela", die einzelne Gesangsnote von Lisa Morgenstern, die sich im Verlauf von "Empyrean" in unterschiedliche Akkorde aufspaltet. Man kann diese Elemente durchaus erfassen, kann sie aber auch ohne weiteres übersehen - wie auch die beiden Klaviere von "Kenotaph", die man für ein einziges Instrument halten könnte. Genau genommen sind es zwei Instrumente, die sich in unterschiedlichen Räumen, ja sogar in unterschiedlichen Ländern befanden. Eins ist digital, das andere akustisch.

Borai & Denham Audio follow up last year’s official release of rave banger ‘Make Me’ with a varied club tool focused EP for E-Beamz. 5 tracks ready for any time of night.


DJ Support
Ludwig A.F. Röhrscheid, Hans Berg, FYI Chris, Rich Hawtin, Banoffee Pies, My Nu Leng, Deft, Neinzer, Nick Craddock, Ame, Tensnake, Iron Curtis, Lovefingers, Shadow Child / Polymod, ABSOLUTE., Extrawelt, Samir / Happa, Nightwave, Maceo Plex / Maetrik

Gary Gritness presents The Legend Of Cherenkov Blue, the soundtrack to a cyber-funk tale of assassination, double-crossing, espionage and street hustling that will have your imagination running wild for the true narrative.

Gary takes you on an aural ride through bad-ass electro-funk; gnarly Roland 606 drum rhythms and soaring riffs glide over these 10 pieces, as the listener experiences every good deal gone wrong, every bad deal gone right, back-stabbing, stolen kisses and dirty scrapes that our hero goes through.

A concept album of the highest order, The Legend Of Cherenkov seamlessly blends its various musical chapters and unbridled variety, and takes you on a ride that'll have you picking the bits of seat out of your fingernails.

Having formerly appeared on Hypercolour, Clone and Nyami Nyami Records, this is Gary Gritness's debut full-length album. Live shows have enthralled the crowds at Glastonbury Festival, Dimensions, Unibeat Festival and many more.

Debüt-EP des Londoner Duos Jockstrap (Georgia Ellery & Taylor Skye) auf Warp. Jockstraps Mixtur aus harten Dubstep/Industrial-Beats, klassischer Komposition und verdrehten, zum Teil perversen Fantasy-Erzählungen begeisterte die Fachmedien (Dazed, Pitchfork, BBC 6Music, The Quietus, The Face, The Guardian) bereits bei ihrem Einstand, der digitalen "Love Is The Key To The City" EP (2018, Kaya Kaya Records), woraufhin es Lobeshymnen hagelte und Warp Records das Duo vom Fleck weg signte. Die beiden Künstler kollaborierten einzeln und zusammen bereits mit Underworld, Dean Blunt, Injury Reserve und Damon Albarn's Africa Express, zudem spielte Georgia Ellery in dem mehrfach prämierten, britischen Film "BAIT".

- "My favourite avant-garde situationists." - Mary Anne Hobbs (BBC 6Music)
- "One of my favourite bands." - Matt Wilkinson (Beats1)
- "Jockstrap are giving classical romance a surreal twist." - The Face
- "Melodiously sweet and sophisticated yet tempered by bursts of naivety and caustically fucked up-ness." - The Quietus
- "I don’t know what kind of music Jockstrap are making right now, but I like it." - The Fader

First release of the new Nous'klaer Live series; 56 minutes of ambient bliss by Mattheis, live at the amazing Belgian festival Horst in 2019. Limited to 50 copies, comes with download code.

Silver vinyl

Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album ‘Laced With Rumour: Loud-Speaker Of Truth’ blooms in the gaps between Don Cherry, Talk Talk and Kara-Lis Coverdale, gently coaxing us into a trancelike reverie where the real and artificial morph into one pulsing organism.
Originating as a multi-channel installation commissioned by Nottingham Contemporary in 2018, the four extended pieces here were recorded at home in Morecambe Bay and then subsequently placed in a room alongside works by Moki Cherry (spouse of Don, mother of Neneh and Eagle-Eye Cherry), Penny Slinger, and a collection of static musical instruments the piece was intended to complement. As a follow-up to Sterling’s 2017 cult hit ‘Hollywood Medieval’ for The Death of Rave, ‘Laced With Rumour’ works with notably more fluid and gently psychoactive structuring that takes in seemingly disparate influences - from Roman mythology to Nottingham’s Lace industry - that results in a sprawling but intimate world of sound, characterised by aetheric arrangements that effectively elide the disciplines of spiritual jazz, chamber music, and art installation into something altogether new.
Much like Kara-Lis Coverdale’s converging interests in traditional vs hyper-modern, acoustic vs artificial and synthetic modes of sound, Sterling’s work here is fluid and unorthodox, but rooted in a deep understanding of convention which he proceeds to bend and re-shape at will. The album opens with a slowly contemplative and almost solemn drift between ‘Laced’, which features samples of Don Cherry weft into its tingling fray of electro-acoustic timbres, alongside the breezy chamber strokes of ‘With Rumour’, the hallucinogenic qualities of ‘Loud-Speaker’, and the darker revelation ‘Of Truth’, which concludes with a transition from mired murk to tones that channel Maxwell’s refined cinematic nous.
One of those albums that seems impossible to fully absorb in one sitting, listening to ‘Laced With Rumour...’ takes you from a swirl of brushed cymbals into harpsichord shimmers, passages of solo piano brushing up against the deepest subs - like a more bruised and flipped Sakamoto + Alva Noto collab, to Arthur Russell’s ‘World Of Echo’ slowly descending into synthesised madness. It’s a rich and stunning meditation for our time.

Nathan rouses his Cambria Instruments label for his first album since 2017s ‘Providence’. ‘Blizzards’ is a returns to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection.

This record on Kvitnu presents live recordings be PAN SONIC played in Kyiv, Ukraine on June 6th, 2009.
Oksastus – is a Finnish word for process of grafting or cultivating of plants.

"Pan Sonic, the Finnish noise duo who split in 2010, recorded this meticulous live effort in 2009 in Kyiv in the Ukraine. It's impossible to frame it without thinking about the impending meltdown of both band and country, cloaking Oksastus in an apocalyptic backdrop." Pitchfork, 2014 (7.1 rating)

Inspired by nature and emotion.

Recorded and mixed by Austin Cairns, march 2016 - august 2016 in san jose, CA.

Gear used - Korg Electribe 2, Audiothingies P6, Eurorack Modular (Mutable Instruments, Intellijel, Make Noise, Moog, Alright Devices, Doepfer, Qu-Bit, Vermona, Laurentide Synthworks, Mannequins, 4MS, Bastl, Manhattan Analog, Ladik, Pittsburgh Modular), Teenage Engineering OP-1, Bastl Microgranny, Ciat-Lonbarde Cocoquantus, Apple iPad, Tascam Portastudio

Initially released on tape and digital through the artist on September 15, 2016.

Forest drives, coastal cliffs, lost loves, aged memories like light gleaming through the trees.

Modular synthesizer, Novation Peak, and cassette tape loops recorded and mixed late 2017 at home in San Jose, CA. Additional field recordings from Big Sur, CA.

Initially released on tape and digital through Dauw on February 2, 2018.

A recurring dream. The frozen landscapes of isolation and loneliness. Fragmented memories lost at sea. Cold, sharp light. Glowing rays of hope in the morning. It was just a dream.

Modular synthesizer and guitar by Austin Cairns. Recorded and mixed Summer 2018 in Northern California.
Dedicated to Brian Young

Initially released on tape and digital through the artist on October 5, 2018.

"Content" is the 9th album of the US based producer Ricardo Donoso.

Terry Waite was taken hostage in Beirut in the late 1980s, before ISIS, before smartphones, before the Internet as we know it. He endured a mock execution during the first year of his five-year captivity, which was spent mostly in solitary confinement. Years later, during a Q&A session, he was asked to identify the main thing he had learned from his ordeal. The answer, came as a shock—it was not the excruciatingly hard-won appreciation for life and loved ones that one expects to hear. “Contemporary humanity,” declared Waite, “has lost the ability to engage in productive solitude.”

Riccardo Schiro continues his exploration for the dancers and deejays out there with this massive acid-mental track for big rooms. On the flipside "Islands", an immense ambient jam recorded live by the Gravity Graffiti crew, a genuine psy-kraut voyage.

‘High Fives & Devil Eyes’ is the brand-new LP forthcoming from SCAR, a duo who’ve spent years dominating the waters of dance music with their formulae of underground, yet accessible drum & bass. Individually and as part of their SCAR project, both Script and Survival have been involved in shaping the genre for decades, helping to sculpt its formative years alongside a range of imprints that have ensured it longevity. For their forthcoming album they’ve once again been welcomed into the fold of Metalheadz, where SCAR have now been exclusively signed after appearing in their catalogue as one of its main staples. Since their first piece of music together, ‘When’, debuted on Metalheadz via the label’s esteemed ‘Platinum Breakz’ series, through to their first SCAR artist LP ‘The Orkyd Project’ in 2016, the pair’s journey has followed the label’s growth and they’ve continued to be supported by its founder Goldie. On first listen to ‘High Fives & Devil Eyes’ it’s instantly clear why they were made such an essential part of such a revered platform, bringing together the historic elements as well as the modern production levels which have enabled them to remain trend setters over the years.

From the sounds of ‘Circle of Trust’, right through to the finely-tuned vocals of Eleanor Higgins on ‘Eternal’, the tastes catered to throughout ‘High Fives & Devil Eyes’ demonstrates why SCAR have been welcomed into the roster of Metalheadz and it’s not just down to their heritage with the imprint. Tracks like ‘State of Delusion’, ‘Stolen Memories’, ‘Can’t Do Anything With It’ and ‘Nothing Lasts Forever’ show how SCAR still bridge the gap between contemporary standards and an understanding of their roots, as well as how this has influenced their current direction. Coming up next, ‘Funk Control’ injects much needed soul into the drum & bass sphere whilst tracks like ‘First Sound’, ‘The Seeker’, ‘Thinking out Loud’ and ‘Pauline’ continue the journey of breaks and immersive soundscapes. The album’s title-record ‘High Fives and Devil Eyes’ encompasses the album’s rawness whilst cuts like ‘Deep South’ and ‘Torn Apart’ pedestals the diversity demonstrated throughout. Even the LP’s interlude ‘Nomad’ travels the listener through an elaborate composition, and you’re left understanding that ‘High Fives & Devil Eyes’ is a listening album too, despite how well it’ll translate within any club setting.

‘High Fives & Devil Eyes’ doesn’t just signpost another huge step forward for SCAR musically, but also for Metalheadz. They’ve added two more members to their pivotal roster and it’s another album to highlight the label’s consistency, something which has pushed forward from their beginnings in 1994.

'Schmeichel' is back on Defrostatica with new tales from the 160 bpm footwork continent. Again he demostrates a deep understanding of the unity of body, mind and soul.

He's a beatsmith and electronic music producer from 'Leipzig' - his puzzling artist pseudonym (to schmooze someone) is nothing but purposely deceptive. In the last six years he was busy making and releasing music which never sounded quite like the same as before.
His diverse musical flex in abstract hip hop, drum and bass, broken beats, techno, acid and ragga too shows his ability to sweep away genre-expectations.
He is committed to fuse every style into an immediate but ever-exciting minimal music experience. As a dj he switches virtuosic between jazzy improvisation, stokey UK-rap, dark and spiritual dance redemption. Nothing really much beside his work is known about Schmeichel since he is not playing the social media game that much which forces attendes of his performance to listen and enjoy without any distraction.

... When he turns on the amp in his basement studio underneath one of Leipzig's record stores he leaves mundane matters behind. 'Schmeichel' loves being in the zone when he is exploring new sound territories - like a sculptor he carves out a vision of soul with a minimalistic blues vibe that is looking for an essence rather a presence.

While the title of his five track EP "Mana, Focus & NoBreakfast" sounds like a work spec it deflects humbly from the musical richness of his second release on Defrostatica. Once again, the whole is more than the sum of its parts: he is telling different stories in each track that belong to one carefully composed saga.

"Feel" in its intensity resembles the soundtrack of a remake of Scenes from a Marriage. "Sting" could be the melancholic story of a hip hop writer about his most epic stunt. Another hip hop reference and artist wisdom drops in "Judge Mee" almost prayerlike.
The b-side of the record opens with "G i o i", a powerful mantra of an unknown procession. "Yin Yang" marks the outerworldly coda to this EP as a soothing salvation.

Hope, you enjoy.

Futureboogie unearth more dancefloor magic with next signing The White Lamp and their first single 'It's You' - a perfect rendering of electronic soul for 2012. World-class talent Ron Basejam of Crazy P fame and the unstoppable Eats Everything with Futureboogie staple Christophe provide the remixes. Not even we know who the Producer and DJ are for this release on FB however they are both stars in their own right and have come together as The White Lamp.

A Producer & DJ from London and a Musician & Vocalist from Bristol have joined their creative forces to create The White Lamp. A project for the soul & for the dance floor, expect several high calibre releases throughout 2012.

Working Men's Club announce a small run of remix 12”s, comprising of the brand new Anthony Naples remix and instrumental which will be released on November 15th' and placed in a limited Heavenly house bag. This comes after a previous reworking of the track by Factory Floor’s Gabe Gurnsey.

Heavenly’s Jeff Barrett says:
“We fancied one more remix, one with both feet on the dance floor - and it had to be Anthony Naples, the New York house/techno DJ and producer, whose recent album 'Fog FM' is considered sth. of a classic round our house.”

Anthony’s debut album Body Pill was released on Four Tet’s label in 2015 and his remix CV includes. 4 Tet & more recently Cinematic Orchestra. He's a cool dude, with a killer remix ...

Part I (Disc 1)

The Taiwanese artist Yutie Lee covers six Chinese folk songs about Flowers.
Tuberosa, Rose, Jasmine, Plum Blossom, Orchids & Chamomile all are odes to the beauty of the plant. The flower also being a metaphor for something we are desperately longing for, but can never quite get. However you may want to interpret the songs, they are all telling a story of something pure and indestructible. In the end nature will prevail?
Romantic thoughts created in a time long before the current state of the world.
By artificially mutating her voice, Yutie Lee successfully manages to transfer the songs into 2020s arguably much more complex, dystopian reality. She does this not without a bow to the past, prevailing something of the original songs sweet essence, even adding a layer of humour… in the end leaving the listener with a feeling of good hope.

Part II (Disc 2-3)

To complete the package Yutie Lee’s versions have been remixed by, Alva Noto, Bell Towers, Laura Groves, Oceanic and Suzanne Kraft.

St. Petersburg-based producer Evgeniy Sergeev is back with 4 tracks of soul-shredding breaks and driving atmospheric sounds on second release of his own label Dissymmetrical Music.

The turntable’s tonearm waves and indicates the West direction, as if it wanted to tear and
take off for Brazil? It’s alright; it's just playing Nação África, new single by Camarão
Orkestra, the most Brazilian of Parisian bands.
Sinewy bass and battery pulsating, it’s stitched to the dancefloor that "Nação África" spreads
its groove. And it's with a variety of keyboards and synthesizers that the tight production
maintains a level of constant motion, surrounded by the burning riffs of the brass section and
Amanda Roldand's refreshing vocals.
Anywhere close to a good record, you’d usually find Patchworks hanging around. He
satiates here his compulsive remix addiction, first by loosening the pressure of the bass,
giving us more fresh air, and covering the mix with airy synth patches. Then with a dub
version where he puts vocals and instruments inside echo chambers and effects corridors of
different scales. The bass becomes rubbery, the beat is robotized and, slowly, an electro
vibes seizes the title.
Nação África announces the return of Camarão Orkestra in the crates, just an appetizer
before a new album… Or two…

'Break The House' is a brand new label from the crew who brought us the highly successful 'Rave 2 The Grave' series. This time, fusing rare & classic influential house hooks with a modern & highly original breaks house vibe.

Transparent blue vinyl pressing.

Limited to 200 copies in innocent white Vinyl ! Fantastic Burial Style, just listen - no more words necessary

Cult favourite Submorphics delivers his long awaited debut album “Kodak Dreams” on Amsterdam imprint The North Quarter. 15 year veteran producer Greg Axelrad has been one of America's premiere exports when it comes to Soulful Drum & Bass. His unmistakable 'smoked-out' take on the genre has made him a fan favourite for years. After his The North Quarter debut “Detroit Haze” early 2018, he now returns with his most ambitious project yet: “Kodak Dreams”. Written during a time of great personal highs and lows, his debut album is easily his most personal body of work. The Michigan native drew inspiration from his transatlantic journey and childhood memories to paint this musical memoir.

'Inspired by the treasure-trove of nostalgia I brought with me from Detroit, I plugged away at my own brand of D&B, hip-hop and neo-soul music in my new studio in the city of The Hague.' Submorphics explains. 'Cherished childhood photos reminded me of my roots: funky breakbeats and lush soul samples that I blasted out of my cheap boombox long before I knew what a sampler was. These old photos ended up deeply inspiring the album sessions, and even started permeating my dreams as I slept each night.”

A multi-genre piece that features vocals from frequent collaborators Big Brooklyn Red, SelfSays, T.R.A.C. and Christina Tamayo, brings together Soulful Drum & Bass and LA / Detroit flavoured Beats with an easy elegance. The album offers a glimpse into Submorphics' past, present and future and is brought together by snippet-sized, Polaroid-inspired narration, his personal Kodak Dreams.

a a1. Submorphics - Flash Meters Intro

[c] a3. Submorphics - Roseville Funk / Musique Nostalgique [Interlude]



[g] b3. Submorphics - The Prize ft T.R.A.C. / Golden Roots [Interlude]


[j] c2. Submorphics - Morning Alarms ft SelfSays / Waverly Place [Interlude]

[l] d1. Submorphics - Feel So Blue / Deep Sleeper [Interlude]

[n] d3. Submorphics - Hot Ish ft SelfSays (Dabrye Remix) [Bonus Track]

Pennyroyal continues with a slamming EP from Zeki, the new alias for a familiar and prolific UK producer.

Four cuts of ruffian Grime / Techno hybrids clocking in at 140bpm. Built to enjoy or deploy loud at your favourite dance.

Keysound Recordings are proud to present the debut EP from up and coming talent, Atlas. A Brighton contemporary of Keysound family member Etch, Atlas' EP stretches the boundaries of the label's rollage aesthetic, weightless synth experimentation and established sub heavy paradigms to near breaking point. The EP's title track, Solitude,' has been a set opener for Keysound founders Dusk + Blackdown for over 18 months, wiping the slate clean with smooth lines towards a distant horizon, a pensive melodic tension broken only by skeletal drum flickers and sub gravity. Rewarding those who wait, it builds through layers of abstraction over four minutes towards a massive emotional apex. On the cusp' explores similar themes, using fragments of wistful dialog interwoven with skeletal drums that seem to suggest the photographic negative of a percussive floor filler: an X-ray of a now expired club banger. The EP concludes with Alone in a timespan', yet further taking the form & function to near collapse. Finally, it pulls back, returning to more familiar club dynamics with with the dubby, bass-heavy rollage of Calm'.