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LUSS is cleared for descent.

Announcing Mad Zach's debut release on MethLab Recordings with his No Past Lives EP, which is available on 12" vinyl and digital formats. The four tracks within unfurl an exquisite and alluring journey into the recesses of the human spirit, circling between nostalgic yearning and a steadfast, driven intensity. No Past Lives will be available on Tuesday, October 1.

An intoxicating myriad of complex soundscapes, Mad Zach stuns yet again with impeccable sound design through four thoughtful tracks. A compelling story through the inner workings of the mind, Mad Zach does not hold back in his enigmatic MethLab debut. Featuring production techniques signature of the prolific producer, Mad Zach’s many influences shine through in No Past Lives; a mix of dub, hip-hop, techno, jungle, and various other styles, No Past Lives is the amalgamation of artistic passion and drive.

Four years on from his release on TIMEDANCE002 as L.SAE, Joseph Higgins is back on the label under his flagship moniker Metrist. Pollen Pt. I is the first part of a trilogy of records, showcasing Metrist's latest developments in twisted beat-science.
The release combines four tracks of rudeboi electro swagger, offkilter vocal chops and imaginative grooves.

Since his L.SAE record in 2015 Metrist has released on Where To Now?, Neighborhood and a LP Opal Tapes, here he refines his sound palette even further, striking a unique balance between the avant-garde and dancefloor.

'Moira', the new album by Monolithe Noir opens it's doors to the voices of a few fellow artists who can easily be described as "peers" - 'ROZI PLAIN' on the spellbinding 'Blinded Folded'.
'PETER BRODERICK' on the intimate 'By Twos' and Belgian Elsie dx on the haunting 'Valslava' - who are fuelled by the same drive not to settle for a single colour or tone.

Unpredictable by nature, surprising by choice, Monolithe Noir's music escapes all the over-used adjectives that divide our record collections but cheerfully digs into clearly distinct repertoires: from prog to ambient segueing into electronica and folk with a dip into the hidden gems of the Italian music library.

... It never hides behind a screen of fake complexity, clearly it speaks straight to us! Hope, you enjoy.

... Very nice live modular recordings by 'Oxynucid' of "Planet Mu" and "Neo Ouija fame" - Hope, you enjoy!


Information about this LP :
First, it's presented as a limited edition of 200 Copies.
The LP is regular designed as a orange-coloured Vinyl (in the Inside), were shipping to you in a designed Bild/Pic Sleeve ... and to top this, it's also in a transparent Sleeve.
The Bild/Pic Sleeve as a full coloured Sleeve: Artwork done by Fred Gambino.

In comes the debut release from Robert James' Body Movement label. Inspired by his party of the same name, Rob takes charge of the label's first EP with three brand new cuts that showcase his deep appreciation of electronic music, plus a remix from underground hero Voigtmann. 'Revenge Of The Wasp' kicks things off, channeling mid-nineties electro techno a la Drexciya, with Rob crafting a mesmerising journey into the cosmos. 'Life Grooves' is a party starter, with its pumping beats and booming bassline progressing into dreamy techno atmospherics. On the flip we have the aptly-titled 'Break Mode' with its insistent break loop supporting soft, swirling pads, solemn bass and a mysterious vocal clip. Lastly, Voigtmann's remix of 'Break Mode' softens the overall feel of the track, cultivating a smoother, more laid back aura.

Bluematter is an atmospheric, darkside jungle project. The duo, a.k.a. long time electronic producers Jozef K & Thomas Ragsdale, also experiment with incorporating sci-fi and futurist elements into their soundscape.

140’s freshest innovator, Cartridge, sizzles three cutting-edge styles into one eclectic record. Thuggish flutes, electro-magnetic basslines and heavenly chimes ring throughout Albion Collective’s 11th release.

Holding its own on the A-side, ‘Cashmere’ snaps your fingers with nimble, eski flute-work and fuse-lit 808’s. The extra-terrestrial ‘Antimatter’ shudders earth’s tectonic plates, carving deep, spacious basslines into the B-side. Rounding off, the smile-driven melodies of ‘Sacred Scrollz’ lift your spirits above airtight percussion and foot-shuffling trap grooves.

Sifting the rhythm of the soul through his signature, crystal-clear sound, Cartridge elevates 140 in his Albion Collective debut.

DJ Support
Sicaria Sound, Distinct Motive, N-Type, The Greys, Mentha, BunZer0, Kodama, LSN, Cuttah & BSay + more

London based DJ, producer, and Holding Hands label boss Desert Sound Colony turns to Moxie’s On Loop imprint for the sprightly Can Can Wingspan EP. Featuring three dynamic and experimental club tracks, the EP channels the same raw energy and excitement that typifies On Loop’s infamous touring club nights.

Opening cut ‘Can Can Wingspan’ is a fiery garage-indebted, dancefloor focused track, loaded with explosive breakbeats, bubbling synths, and a throbbing low end. ‘Mox Diamond’ is an up-tempo house gem featuring clattering percussion, seductive whispers, and infectious keys. Closing track ‘Zoom To Your Doom’ is a tripped-out experimental jam with hallucinatory vocal samples, jacking snares, and kaleidoscopic synth splutters.

DJ Support
Metrist​ "the big man on the big buttons xx"
Ciel​ "everything liam makes is bombtastic"
Chaos In The CBD​ "zoom to ya dooooooom <3"
Luz​ "Fresh release! Dance floor oriented but keeping it intriguing and interesting."
Sean OD ​"DSC = GOAT"
dBridge "​Zoom to Doom is tight"
Eric Cloutier ​"Mox Diamond, besides a solid Magic: The Gathering nod, is a BEAST!!"
Iron Curtis ​"massive fan of DSC. been playing out their tracks all year. superb follow up! thanks, johannes"

After the huge success of his debut collaborative LP with Pessimist, Karim Maas presents 'Blakk Rainbow EP' for The Stone Tapes. Blurring the lines between genres, this release again proves that Karim Maas is one of the most interesting figures to emerge in modern electronic music.

Never one-dimensional, the release traverses back & forth from the foreboding noise of 'Into Eternity' all the way to the meditative spiritualism of 'Saturn Return' and everywhere between. 'Blakk Rainbow' encapsulates Karim Maas' own signature sound while perfectly fitting into the ethos of The Stone Tapes.

Cosmic trips by the label newcomers and the artists you may already recognise.

‘I Want You To Be Mine’ has all the hallmarks of classic 1960’s Rocksteady, an era which many refer too as the Golden Age of Jamaican music. Over the top of a live one-drop beat, cool & deadly sax and warm analog guitar & bass Deemas J rides the riddim in a ‘old time style & fashion’ whilst Rachel Wallace provides the perfect accompaniment with her gorgeous vocal. On the B-Side we have the deeper cut ‘Questions’, where Deemas delivers a poignant poem over Adam Prescott’s moody instrumental in the style of Linton Kwesi Johnson. Featuring live instrumentation from Harry ‘Papa B’ Bradford (Sax), Clifford Junior (Guitar) & Guillaume Metenier (Hammond Organ). As an integral part of the Reggae Roast Soundsystem team Adam has established himself as one of the finest selectors in the world. Initially with some early support and guidance from Mark Iration (from the Leeds based Iration Steppas), Adam was quickly recognised as one of the key players in the re-emergence of British Reggae, producing first class original songs featuring the likes of Cornel Campbell, Macka B, Sugar Minott, Ranking Joe, Rod Taylor, Johnny Osbourne & Earl 16 to name but a few. Add to that consistent play on BBC Radio One & Rinse FM plus huge support from Sir David Rodigan, featuring Adam on his ‘Best Of British’ show on 1Xtra, Adam has become one of the hottest prospects in the revival of soundsystem music. Deemas J has built a formidable reputation as a go-to MC & vocalist with equally genre-busting credentials; His background in Reggae & Jungle means that his lyrical skills and style holds no bounds. He currently works with 3 of the top London Reggae Soundsystems, Unit 137, Reggae Roast & Solution Soundsystem as well as running his own Sound Limey Banton Bass in Guernsey. He has released music on some very well known labels such as Irie Ites, Irish Moss & Tru Thoughts, which released the cult LP ‘Wrongtom Meets Deemas J in East London’. More recently his latest release ‘Muhammed Ali’ received fantastic support from Don Letts, Sir David Rodigan & Ras Kwame. His virtually endless CV boasts collaborations with everyone across the worlds of Drum & Bass, Old School, Garage, Reggae and Hip hop, including High Contrast, Andy C, DJ EZ and Nick Manasseh to name just a few as well as touring the world with Manudigital

First repress of this beautiful electro-chillwave LP from the Parisian producer In Love With a Ghost.

In the midst of fluffy and minimalist orchestrations or 8-bit intrusions, melodies are unveiled. The atmospheres are mixed and will transport you to another dimension : the carefully crafted IN LOVE WITH A GHOST universe.

Poetic, rich and complex “Healing” tells us a history of encounter, witch, magic and friendship. Stories that everyone can appropriate by taking inspiration from the titles, the illustrations and of course the haunting melodies that make up this original soundtrack of an imaginary video game devised by the young french composer.“

Liquid needs no introduction. A master from the old skool, bringing a huge 8 track double EP full to the brim of proper original rave styled madness. From piano classics like Good Love to Euro styled mayhem such as Monofunction all the way through to proto jungle tracks such as Clerkenwell Sound, this EP is an absolute banger, and an absolute must for any serious old skool head.

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Liquid, Hyper On Experience, Ant To Be, Ponder and many others

Villager, aka Alex Young is a dynamic new producer who has been signed to the iconic Boysnoize Records for two fresh new EPs, kicking off with the superb ‘Aura’.

Vinyl Only. Produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame Label logo by manga legend Shintaro Kago. Archival reissue of rare 1984 jazz-funk fusion diamond in the rough by German-Australian-British madcap ensemble Bells of Kyoto, produced by Ollie Marland of De-Lite and Jah Wobble's Invaders Of The Heart fame. Fusions grooves with Orient-funk detours and looking out the window of a Swissair aircraft moments of cool mid 1980s contemplation.

Highly recommended to porthole dreamers, seasoned mind travelers, inventive dancefloor adventurers, and dogs who like to stick their head out the car window.

Drums - Alex Friedrich
Electric Bass - Peter Drefahl
Mastered By - Rico Sonderegger
Piano, Bells - Peter Waters
Producer - Bells Of Kyoto, Laurie Carls, Ollie Marland
Recorded By - Laurie Carls, Ollie Marland
Synthesizer, Guitar, Percussion - Ollie Marland

Since 2000 Mapstation has been the moniker for the solo work of TAL Label founder Stefan Schneider. Schneider has won international acclaim as a founding member of KREIDLER and to rococo rot as well as through unique collaborational works with artists such as Joachim Roedelius (Cluster/Harmonia), Bill Wells, Katharina Grosse, Dieter Moebius (Cluster/Harmonia) Sofia Jernberg or Jochen Irmler (Faust). There has not been a new Mapstation release since 2009's THE AFRICA CHAMBER which had former FELA KUTI member NICHOLAS ADDO-NETTEY on percussion.

The new album PRESENT UNMETRICS, is not entirely a stand-alone creation either. There are guest appearances by THOMAS KLEIN (KREIDLER) on percussion, MICHAEL ACHER (THE NOTWIST) on Sousaphone and an outstanding vocal contribution from japanese singer HACO, all deeply woven into the digital topographics of the music.

PRESENT UNMETRICS offers a collection of radically subtle music. The guiding principle of the album was to construct direct and nuanced tracks which embody a sense of open-ended incompleteness and heterogenous dynamics.

Out of sync bass arpeggios, infused with uneven rythms, fractured synth stabs and intimate melodies, frequently created here with a Schlumberg sine wave generator, are continuously engage with experimentation, both on sound and structure.

Expertly pieced-together and produced in timeless fashio, PRESENT UNMETRICS displays all the coherence and artistic authority of an album on a constant quest so vital to the music of Mapstation. An album that couldn't have been made by any other than Mapstation.

"A work of searching, and in many moments, finding"

Maggie Thornton as Sky Civilian is set to release her second EP this November on Atomnation: At the Seams. It's a stepping stone, from the lyrical, gentle, genre-agnostic electronica of Open Door, to Maggie’s own rounded and angelic take on acid-house.

Maggie’s cinematic, synth-heavy style emerged after a decade of orchestral French horn playing and classical studies. She combines this brass-inspired, synth-forward approach with her weightless, almost-whispered vocals, and dance-floor ready beats. The melding of influences present in her work make Maggie a fresh and promising new artist in the electronic music scene, an artist we hope to hear more from for many years to come.

3x12"

The SENTINEL LP represents the manifesto of one part of the spectrum of MethLab's club-oriented sound. Featuring a cross section of our forward-thinking artists and special guests and illustrating a dynamic set of sonic aesthetics to usher in a new era of diverse music and an open-minded approach to the dancefloor. Expect searing audio that resides on the very cutting edge of bass music.

In the mid-80's, an original form of music was discovered on the midi-capable little planet of Austin, Texas. At the age of 32, Charles Ditto would release his first solo album applying cutting edge computers and synthesizers of the era (Roland DX7, Roland MKS-20, Roland MKS-80, Sequential Circuits Profit 2000 along with a Macintosh SE), creating a unique and detailed world that was inspired by Cluster, Eno & The Residents.

In Human Terms bridges the gab between contemporary classical and minimal pop. Rhythmic but melodically abstract. Microtonal and organic. Often described as experimental electronics, tone poems or Cyber-delic-psychotropic-avante-garde.
In Human Terms, remains very emotion, deep and different. Ditto's music imparts a new listening experience that is still somewhat indescribable today, but remains approachable and relatable.

'What makes Ditto's music so strikingly different is his overt use of emotion, very descriptive melodies and deep atmosphere' Audio Magazine - August 1988 // 'If Erik Satie had midi gear' Keyboard Magazine - April 1988 // 'Brian Eno meets Seastones, but with more melody' Relix Magazine - August, 1988 // 'Ditto's choice of Synthesizer tones are at once both organic and unique' Electronic Musician - June 1988.

Dutch producer and live act Conforce is back with 'Autonomous', a fifth artist album and the latest in his long relationship with Delsin Records. Conforce is Boris Bunnik, a producer who explores the deepest realms of dub, house, techno and electro under many different names. His Conforce alias is where his most club orientated material comes from and this new nine track album finds the Transcendent label boss producing dark syntheses inspired by his hometown and harbour city, Rotterdam, and its automated industries. A masterfully conceptual album that really paints a vivid picture of a harbour as heard from deep down in the depths.

We’re delighted to welcome Bradley Hutchings aka Guava to the Control Freak family for his first solo EP to round off 2019.

Between a busy touring schedule as a session guitarist, Bradley has developed a distinctively meticulous approach to songwriting and production which has already earned him acclaim for releases on Holding Hands & Nick Hoppner’s Touch From a Distance.

The A-Side features two dancefloor heaters which take influence from across the spectrum of UK club music. Title track ‘Lift’ is a playful wobbler, combining a wubby baseline with trippy sample manipulation. Segelflugzeug is guaranteed to do peak time damage, driven by an atmospheric, rising synth line, rolling breaks and explosive low end pressure.

On the flip, Can’t Catch Me brings a distinct flavour of UKG to the table with it’s glitchy percussive fills & tightly chopped vocal sampling. The record closes with Alt-Love, a lush and delicate ambient guitar track.

“The third part of our "Ode To The Soundsystem" is here and the abstract sound of the last Ossia album is no longer evident. The influence of the early Disciples 12"s shows up for the first time, with a Drexciyan connection happening on the b-side, creating one of the most lethal and militant 12"s that we have ever released. Ossia is back on Berceuse Heroique and we are very happy about it.”

Clear Vinyl.

Raime explore exquisitely honed rhythmic instincts with scintillating results on the 2nd release on their RR label.

Where the London duo’s 2018 EP and RR debut ‘We Can’t Be That Far From The Beginning’ evoked a meditative mood from the info overload of their home city that left acres of space to the
imagination, the ‘Planted’ EP rejoins the dance with four tracks that icily acknowledge strong influence from Latin American and Chicago footwork styles in a classically skooled mutation of hardcore British dance music.

In four fleetingly ambiguous dancefloor workouts they carry on a conceptual theme exploring the digital subconscious with persistently invasive, alien ambient shrapnel - half-heard voices, aleatoric prangs, and tag-covered signposts - woven into and thru their tightly coiled and reflexive drum programming.

UPTOWN, ’Num’ flexes tendons and hips like a Leonce riddim that danced all the way from NOLA and ATL to the wintery dawn of a LDN warehouse, while the lip-biting tension of minimalist 160bpm jungle/ footwork patterns and jibber-jawed vocals in ‘Ripli’ suggests the Alien film’s protagonist lost in a mazy rave space, chased by H.R. Giger-designed face huggers (or gurning energy vampires).
DOWNTOWN, ‘Kella’ then catches them on a grimy dubtech bounce, cocked back and straining at the harness, before ‘Belly’ shuts down the dance with invasive, demonic motifs exploding over dark blue chords and palpitating jungle subs with impeccable darkside style.

2x12"

Karl O’Connor (Regis) rallies the Downwards troops for the odd family portrait of ‘Let Love Decide’, including the first new Concrete Fence collab between Regis and Haswell since that killer PAN hookup, plus all new and exclusive tracks by label staples Mick Harris, Nick Dunton, Simon Shreeve, DVA Damas and Karl Meier, plus Rachel Aiello’s Layne, and Khrone/Mjolsness (Male) and various appearances by Regis himself in different formations.
Cutting across the face of the label, ‘Let Love Decide Pt.1’ is the first part of Downwards’ contemporary portrait series aligning veteran hands with the new class of mutant industrial disciples. The nine tracks include a strong clutch of exclusive projects such as the EBM supergroup You Hung - a quartet of Nick Dunton (vocals), Jim Siegel (drums), Simon Shreeve (Live mix and Studio), and Karl O’Connor (synth) - and Karl & Ken Meier’s “ambient” alias Obelus, cued up beside previously unheard Fret gear by Mick Harris and a Cub collab between Karl O’Connor and Simon Shreeve, to highlight the label’s strength in diversity and shared purpose.
Naturally, the label kingpin Karl O’Connor is a constant throughout the compilation, a connective ligature that ties the slurred slow techno of Cub’s ‘Teenage Fists’ to the live band EBM praxis of You Hung, where O’Connor’s synth underlines Krishna Goineau-styled vox by Nick Dunton (65D Mavericks) and the gnashing drums of Jim Siegel (Raspberry Bulbs), as well as the welcome reappearance of his Concrete Fence duo with Russell Haswell in a sharp cut of pranging industrial funk that sounds like vintage Autechre, chopped and skewed.
Following his turn in Cub, Simon Shreeve also weighs in his powerful studio pressure on the soggy, gothic lurch of ‘The Space Between Cultures’, while Mick Harris ramps the distortion on a ravenous Fret cut ‘Helicopter Rig’. The rest is essentially a showcase of the label’s American ambassadors,
taking in the scuffed modular dub brawl of ’Scale Reference’ by Karl & Ken Meier’s Obelus beside Layne’s blank-eyed swagger, and a stark shot in the ambient unknown by Jonathan Khrone & Benjamin Mjolsness (aka Male), while L.A.’s DVA Damas stretch out across the D-side on a stripe of sexy darkwave-techno rolige.

Before another Vatican Shadow release appears on vinyl for the first time early next year, Hospital Productions reissue a killer 2011 tape release on a 2019 vinyl pressing after appearing on a long
sold-out LP edition for Type in 2012 Remastered and slightly edited from the original 4 x tape boxset, ‘Kneel Before Religious Icons’
reasserts its place in the pantheon of Vatican Shadow’s prized early releases which, with the benefit of hindsight, arguably amount to one of this past decade’s definitive projects.

Originally recorded in 2010, the album’s eight tracks revolve some of the first material recorded by Dominick Fernow in this mode, aside from his then better known work as Prurient. At the time, Fernow was still working under cover of anonymity and this release in particular only aided in heightening the intrigue and fascination surrounding this project and the way it eerily resonated with the both the redrawing of geopolitical borders and those between industrial, ambient, noise and techno styles.

The album contains one of the most valued VS outings in Worshippers At The Same Mosque’, with its pall of synth pads, needly harpsichord and stepping drums patently influenced by Muslimgauze,
while the parade ground trample of ‘Church Of All Images’ - which would form the basis for a now classic Regis remix issued by Blackest Ever Black - adds up to one of the project’s most militant
numbers along with the scudding, bombed-out terrain of ‘Gods Representative on Earth’ and ’Shooter In The Same Uniform as The Soldiers’.

As an historic document of the time and a gripping album in its own right, ‘Kneel Before Religious Icons’ holds tight among Vatican Shadow’s most crucial and convincing communiques.

Newest full LP by Yobkiss who has been active for over a decade now with stunning releases on a multitude of modern labels. Never a dull moment on this well-crafted album. Best described as an emotive journey, YobKiss explores the regions where techno, electro, acid house, and that hard-to-define Dutch sound; all melt into pure analog synth magic. Standout dancefloor burners include "Silence Arriving" (with Yuko Araki on vocals) and "Full Moon Party". Mastered by the legendary Alden Tyrell. Limited Edition.

This first EP of the new installment comes from the label owners DPRTNDRP, also known as D-Operation Drop, delivering the heavy-weight once again.

Unshaken is an intoxicated sound system destroyer, with its multiple kick sessions matched perfectly with the mental bass movement, creates earthquakes every time this heater have been tested out.

The Disturbed creepy voices of the second track called Relief, working with the complex drum elements, bringing imagination to another level, rocking the listener up and down with his melted sub-line

Closing the EP with Parsley Tea, another anthem which finally see the lights, with shredded wild percussions and dirty wobble textures.

Complete with more gorgeous artwork from our favourite graphic designer, Animisiewasz, DP number 26 pops up offering four dance floor ready edits from one of our favourite young producers.

Hailing from the UK, but now living with every other DJ and producer in Berlin, the ever talented Lavan comes with a unique rawness and infectous energy that spills out into the crowd. With top notch releases on BONN, Masterworks, Forgot Records and Wah Wah 45s, of course, he knows how to move a crowd. His productons illustrate his deep commitment to music of the past and present, promptng all listeners to keep eyes frmly on his future movements.

We hope you enjoy this crafily concocted quartet of disco, house, broken and Philly soul stunners. Another essental slab of foot friendly heat courtesy of your favourite Dubplate provider!

An active member of the Barcelona scene and frequent John Talabot collaborator, Arnau Obiols debuts his Velmondo project with his first release for Hivern. In 'Moon Gazing' he draws inspiration from early forms of electronic music in the 70's, whether it's dub, krautrock, industrial, ambient or post-punk, to conjure enigmatic atmospheres through raw and primitive sounds. A multi-instrumentalist and music designer who has played in countless bands, his approach to electronic music production has always been unorthodox. These five tracks were created by experimenting with "analog synths, guitars, many pedals and many acoustic instruments" in his studio at Bellaterra, a suburb located in the outskirts of Barcelona. The 12" comes housed in a sleeve by Barcelona-based designer Marc Mir.

Luc Kheradmand, under his “nom de plume” Voiski, has created a gem of a record for ara, named At e Speed Of Love His highly distinctive sound is distilled into 5 stunning tracks which feel both analog and futuristic. Diverse yet coherent, the record is a fantastic blend of positive energies, unfolding and revealing its different faces as it progresses ; ecstatic at times, and moving at others. is is music with enough depth to project your own meaning and emotions.

Limited 12” Vinyl : Numbered edition of 500 . Handmade with love in Berlin

Each vinyl sleeve is individually painted with highly-pigmented acrylic, using a single-movement brush technic, on grey cardboard sleeves, protected by a high grade transparent outer sleeve Since releasing physical records is increasingly becoming an irrational choice, each ARA record is irrationally produced as an hand-made work of art.

Editions are individually numbered, recognisable as a part of a whole, while being slightly different by nature.

Five years have now passed since Boogie Café Records was established as an outlet for soul-flecked dance floor jams. The Bristol-based label has grown exponentially in that time, with a succession of highly regarded releases attracting a swathe of higher profile artists to the roster.

The latest is Russian heavyweight Alexander Lay-Far, a producer whose blends of deep house, disco, boogie, soul, jazz and broken beat have appeared on labels including Local Talk, Atjazz, City Fly, Lazy Days, Leng and the In-Beat-Ween Music imprint he established in 2015.

The Moscow-based producer’s first outing on Boogie Café is entitled “Re-Imagine Yourself”; it seems a fitting name, because across the four sample-heavy tracks Lay-Far brilliantly joins the dots between disparate sounds and styles whilst retaining his trademark warmth and soul.

Check first “Embrace The Contradictions”, a deliciously sub-heavy broken beat number bristling with hazy Fender Rhodes chords, glassy-eyed female vocal snippets, funky samples, wobbly analogue bass motifs and cowbell patterns slyly sampled from a disco-boogie classic. Bustling breakbeat number “Spiral Movement” follows, with Lay-Far invoking the spirit of 1989 via dreamy chords, cut-up vocal blasts, short-sharp rave sirens and hip-house style beats.

The latter half of the EP is deliciously warm and woozy, with Lay-Far wrapping enveloping pads, ear-catching synthesizer flourishes and yearning melodies around off-kilter broken beats and sturdier sub-bass. Of the two tracks, it’s “Something Else” that’s arguably the most potent of the pair despite its’ inherent deepness – think Bugz In The Attic style beats and fireside-warm musicality – but closing cut “April” is not far behind. Lay-Far has successfully re-imagined himself for Boogie Café and the results are little less than stunning.