Beats Vinyl New Releases - News

Repress!

A year after his debut, Raleigh's Echo Brown, returns to The North Quarter for his sophomore EP “Midnight Static”; a 5-track tour-de-force showcasing his maturity as an artist. Echo Brown balances his signature hazy, lo-fi chords and clinical drum programming with weighty bass tones, as Midnight Static moves between lighter and darker moods with elegant ease. Guest appearances are handled by rising Manchester star K S R and The North Quarter boss Lenzman. Echo Brown's talent and growth is on full display on “Midnight Static” and it's become clear that he's an artist with an exciting new voice that needs to be heard.

a a1. Motions ft K S R

Die Drum ’n‘ Bass Pioniere Chase & Status melden sich am 27.Oktober 2023 mit einem neuen Album zurück! Auf „2 RUFF, Vol.1“ veröffentlicht das Duo zehn neue Tracks, darunter Kollaborationen mit einigen der angesagtesten britischen Newcomer*innen (u. a. Arrdee, Flowdan und Takura). Chase & Status bleiben ihrem unverwechselbaren Drum ‘n‘ Bass Sound treu und erschaffen eine energiegeladene Klangwelt, die stark aus der britischen Clubkultur beeinflusst wird. Trotz oder genau wegen dieser Underground Attitüde
kann das Duo große Erfolge vorweisen, ihr Album „No More Idols“ (2011) wurde in Großbritannien mit Doppelplatin ausgezeichnet.

Auf dem Mixtape ist auch die vorab veröffentliche Single „Baddadan“ enthalten, die sich über den Sommer 2023 zum Drum ’n‘ Bass Festivalhit des Jahres entwickelte. Hier treffen über 15Jahre an ausverkauften Headline Shows auf die Underground-Energie britischer Raves.

Repress!

A1 - Dreamcatcher

A gentle kickoff to the EP sees ASC flex the ethereal side of his compositional range with Dreamcatcher. Bleeps and subtle bongos intro the track before a cymbal-heavy beat rolls into play, urged along by warm 808 basslines. Several samples will trigger the scene veteran's nostalgia glands, and as the Arthur O'Shaughnessy quote proclaims: "We are the music makers, and we are the dreamers of dreams", you cannot help but smile.

A2 - Tranquility

Filtered breakbeats with emphasised kicks begin our journey through Tranquility; a calming piece enriched with luscious synths, glorious pads and echoing vocal samples. ASC takes the listener through a crash course in DJ-friendly classic atmospheric drum & bass, inviting the crowd to take a step back from the chaos of the world and bask in the tranquility of the moment in true Spatial style.

AA1 - Drifting Thru

Remember Demon's Theme? For many it was their introduction to a new world of amen breaks in a birthing jungle / drum & bass landscape, and here ASC pays homage to that break - as well as a certain iconic classic on the Deejay catalog - rewritten impressively with a pure, intensely driven atmosphere and a thumping sub bass to boot as the eerie melody allows this incredible break to take center stage - as it should.

AA2 - Flotation

Closing the EP is Flotation, a building track which fuzes classic breakbeats chopped and punctuated with a slow-burning, gradually intensifying atmosphere. The interplay between breaks, bassline, pads and washing vocals is a delightful experience to behold, the bassline never relenting. Flotation is curiously catchy and will stay long in the memory.

Words by Chris Hayes (Spatial / Red Mist)

Including wanted vinyl tracks by Underworld, Chase & Status, Eric Prydz, DHS, Juliet, Feist, Daan and Faithless.

Repress

After fifteen years in the making, and his first major body of work since his split with Calyx, TeeBee's debut album on Flexout is a testament to his enduring talent and dedication. This long - awaited release is a significant turning point, elevating his signature sound to new heights and solidifying his place as a pioneer in the drum & bass scene.
The album is a true love letter to the genre, meticulously crafted and rich with the experience of a seasoned veteran. It showcases a refined and evolved sound that is both a nostalgic nod to his roots and a bold step into the future. Each track is a masterclass in production, demonstrating TeeBee's unparalleled ability to weave intricate soundscapes and powerful rhythms. This isn't just an album; it's a monumental comeback, a triumphant return to form that will undoubtedly resonate with fans old and new.

In celebration of the 30th anniversary of Marvellous Cain’s groundbreaking 1995 album, Suburban Base presents a special vinyl reissue—available for the first time since its original pressing.

This jungle classic, a defining release of the era, has become a prized collector’s item, fetching over £90 for VG+ condition copies on Discogs. Now, you can own a mint, never-played edition, meticulously remastered for the digital age to deliver superior sound quality.

This limited reissue brings back every iconic track, all of which have remained unavailable since their original release in 1995—making this a true collector’s essential.

And for the first time ever, the album will also be available digitally to stream and download, including the original CD bonus tracks "Snapper" and "Giness Punch."
Celebrate 30 years of jungle history—secure your copy now while supplies last!

Marvellous Cain – Gun Talk - 30th Anniversary Vinyl Reissue will be released as a 2x Black Vinyl Album

SUBURBAN BASE RECORDS PRESENTS BOOGIE TIMES TRIBE – ‘THE DARK STRANGER’ – REMIXES

The Dark Stranger by Boogie Times Tribes is one of the most iconic anthems from the evolution of Drum & Bass. The Dark Stranger now returns for Halloween 2025, with an incredible new double-vinyl package featuring brand new remixes alongside long-lost classics. Pressed on a stunning glow-in-the-dark vinyl and housed in a specially illustrated sleeve depicting the mysterious Dark Stranger character, this release is as collectible as it is powerful.

The package contains eight mixes of this legendary track, cut loud for maximum DJ impact with just two tracks per side to ensure the heaviest playback. Brand new 2025 remixes come courtesy of Crissy Criss (mixed and mastered by TC), Marvellous Cain & DJ Choppah, Metrodome & Sl8r, Exile & Mark XTC, AKAS, and Freeze UK, all reimagining the anthem for today’s dancefloors.

To complete the set, the original 1993 remixes from QBass and the classic Origin Unknown Part 2 Remix are included, both made available here for the very first time since their original release in 1993, having never been repressed or released digitally until now.

This release is already generating massive buzz across the scene. At the recent D&B All Stars event, Andy C dropped the Crissy Criss remix, sparking the only rewind of his epic set. Other versions are already receiving huge support on Kool FM, Rinse, Pure FM, and across clubs and festivals nationwide.

A true piece of legendary Drum & Bass history reborn, The Dark Stranger returns this Halloween 2025! A must-have for DJs, collectors, and D&B fans worldwide.

In the year 3091, scientists from Stereo 45 headquarters develop jump-drive technology capable of folding space-time. A research team consisting of gyrofield, Sun People, Om Unit & Comfort Zone venture out into the vast depths of the cosmos to document their discoveries.

After two decades of releasing music on 12" vinyl under multiple pseudonyms the duo from Even Drones have completed their first LP.
The 20 track double vinyl carries the classic "album era" approach of the 60s and 70s into a modern contemporary work.

Each of the 4 sides of "Ethics" feels like the chapter of a story balanced into a synthesis of counterpoints from piece to piece. Twisted arrangements are stringed together with dance-able tracks and are woven into finespun transmutations of sounds. Sometimes peaceful and regulated, sometimes abstract and complemented with tamed feedback, noises, crackling and delightful patterns.

Like a continuous thread through all titles of the album, the multi instrumentalists somehow managed to harmonize a twisted array of methods and structures into a coherent listening experience.
This full feature-length metamorphosis with no boundaries of styles or genres is released just in time for the 10th anniversary of the band on Freund der Familie.

2023 Repress

Two of Noisia's biggest classics get their first vinyl release ever. An absolute must have item for every true Noisia fan.

Heavily supported by Flight for years, we’re extremely excited to at last welcome the inimitable Quartz to p:m, who serves up a sublime 4-tracker for our 10th single. Deeper and more emotionally reflective than previous Quartz releases, this is transcendental music that takes you to outer space and beyond…

Tracklist:
A1. W.Y.N: cosmic pads, jungle-y breaks, and a colossal bassline evoke images of Jupiter and molten lava, while a seductive vocal riff you’ll hum for days weaves in and out. A dance floor favourite.

A2. Taking Me Down: tight rolling beats, sparkly vox, filtered fx, and bass snarls sound like a tug of war between Venus and Mars. Straight up D&B produced alongside Quartz’s childhood friend, Pennygiles.

B1. Trauma Response: diving further into Techno- and Autonomic-inspired territory, this title track is best described by Paul Woolford aka Special Request “Man this tune is f***ing nuts. Reminds me of Black Dog and half of Detroit but through our UK lens, but totally NOW.”

B2. What Is Real Love: an orchestral intro replete with timpani and violins gives way to the big question - what is real love? - almighty bass weight, and a healing, warm golden sun feel. Simply majestic.

Utopia Music introduces "Nebari Volume 1," a new Various Artist EP series joins the dots between familiar and new faces to the label. Featuring four distinct tracks, each a testament to the label's commitment to creativity, Featuring tracks from Quartz, Molecular, Inner terrain and Park Shadow, the release showcases a Claustrophobic and hypnotic journey.

Forged between Germany and a war-torn Ukraine, the 'The Grid' EP sees Drum & Bass duo KRÆK & NickBee overcome conflict and blackouts to deliver four tracks of defiant, cutting-edge dancefloor energy.

Aeon Four make a welcome return to Straight Up Breakbeat!

'Saturn Rising' sees the brothers back in the mix with their recognisable style, combining uplifting melodies with street-tough jungle beats.

'Mind Stretch' adds a touch of mystery with a classic vocal snippet put to good use.

So in all the time I've been putting releases together for Future Retro London, I've never once done a VA (various artists) EP, which is crazy considering how much I love when other labels do it!

It's usually a really good way to present multiple artists and their different takes on some sort of theme or style that ties all the tracks together. For this release, I wanted to showcase the atmospheric sound of jungle that I really enjoy listening to and making & I'm really pleased to have these four talented producers representing that style, each in their own unique way.

Nebula is one of my favourite producers of the atmospheric style, I've been a huge fan of the music he's released on Scientific Wax & Subtle Audio and have been lucky enough to also have had his music released on my label, with "Sounds From The Jungle" now being the latest addition.

Submerse is someone who I'm very envious of, in terms of how easy it seems to be for him to conjure up these really cool musical ideas and melodies in his tunes that sounds so rich & upbeat & full, represented quite well by his track on this release called "Nobody Knows".

ASC is a producer who I knew of at the time, for making Autonomic & minimal drum & bass on labels like Exit, Samurai & his own label Auxillary, but had made jungle in his past, before I had become familiar with his music. Recently however, he has started to revisit this sound, putting out some really interesting tunes on his newer labels Spatial & Mindgames, so when I had the idea for doing a VA EP of atmopsheric jungle, I knew it would make sense to finally have some music from him on Future Retro London.

I've known of Jesta's music mainly through his collaborations with Gremlinz on labels like Metalheadz, Paradox Music & Rupture, but for a while now, he's been sending me some really solid tunes that he's been making on his own. When I heard "Feel Like I Could Fly" (at the time called Caveman), I really liked the track & knew that it would be a good fit for this release.

Big thanks to all four of these producers for their tracks & to everyone else keeping the atmospheric style of jungle still going strong! :)

Back again with another release for the Meeting Of The Minds series, this time with lucky number 13!

First track on this is by me & Fez The Kid, who has been regularly sending me music for years, most of which I admit to sleeping on due to the sheer volume of demos submitted to the label. But when I was able to actually check some music that he sent me, there was one tune (at the time called All Round Juggling) of his that I gave me a few ideas on how it could sound. He was thankfully up for me working on it with him & the end result is "Skin Out Crew (Magnificent Mix)", which I've been playing a lot in sets this year.

"BDC" is a track done by me & The Last Ronin (aka Stretch & Enjoy) which they had started and I was really into it because it reminded me of some of the "ruff with the smooth" ragga jungle style tracks I'd hear on labels like Slam!, Tom & Jerry, Kemet & so on. It was really fun to work on this with them & we were also able to do a 2nd collaboration, which will be coming out on the next Defender compilation on Stretch's label AKO Beatz.

Settle Down is someone that was on my list of potential collaborators for a long long time but I just kept neglecting to reach out to him about actually doing something together. I eventually got round to getting in touch with him last year for collaborating on a track for Meeting Of The Minds, so he sent me something he had started, which I added some more to & sent back to him, so that he could add the finishing touches. The end result is "Shell Of A Man", which I like because it's quite sparse & ominous, dark but not in the typical "darkside hardcore" way.

"Altitude" by me & Flex Luthor has been through quite a lot haha. He initially reached out about working on a tune together in 2021 & at the time, I was keen but already quite occupied with other artists I was collaborating with for the series, as well as contemplating ending the series on Vol. 10, due to the amount of work it takes to compile each one (which also explains why Vol. 14 is not currently ready for release yet). But around the end of 2022, he sent me a track he had done where he said that he was struggling to get any kind of bassline that he was happy with. I liked what he sent so I asked him to send the track over for me to work on, but I then sat on the track for a whole year due to other commitments before finally working on it in 2024, during a long plane ride where I had time to actually focus on it. I was able to get the track to a place we were both happy with, until it became one of the tracks of mine that got lost when my backpack was stolen a few weeks later, with my computer inside. I didn't have the backup of the project, so unfortunately, we had to master this track for release from the mp3 file of the first & only version we had of it. I think it still sounds fine though, especially as this is not the first (or only) time I've had to send mp3 files off for mastering, but yeah, what a journey this tune has had!

Our friend DJ Asparagus (aka Coral) returns to GAMM after a few years of absence with two killer Drum 'n Bass reworks that are destined to raise some eyebrows.

On '500' the WT Killa Beez join forces with that infamous Nautilus bassline for supa-funky mash up of D & B, Hip Hop and R & B (check the drop!!).

On the B side we're going deeper with a classy D & B re-rub of Mischief's classic.

Hip Hop and D & B truly works...proper mash up business!!

For those that don't know who Ocean Dawn is, it's a new alias from Kid Drama (1/2 of Instra:mental), mainly focusing on atmospheric jungle. I've previously worked with Damon (Ocean Dawn) on Ambien Sequence (which came out on Meeting Of The Minds Vol. 10, before he had established this alias for his solo atmospheric jungle tunes) as well as a track called Transitions, which came out on the Nine Windows (him & DJ Trace) album called Rule Of Thirds.

Last year, I booked him to play at one of the Future Retro London nights in Peckham Audio and I really enjoyed his set & his selection, which was mainly made up of his own work. He was quite keen on doing a release for the label so we started with Fingerprints.

Even though this tune is by just him, the original version of it is actually my remix, which was going to be a collaboration & was actually started by him. I finished the track & he liked it but thought it could be taken down a different path, so I sent him back the sounds and he made his own version from it, which is now the original & the "collaboration" became my remix of the tune.

Shortly after we had Fingerprints & the remix done, he sent me Progressive Future Music & Wax Cool which he had recently made and I loved both of those tracks, which give us enough tracks by him to complete the release.

Big up to Damon for his work on this release & look out for more to come from Ocean Dawn, including a collaborative release me & him are currently working on! :)

SC returns with a full length LP showcasing his vast armoury of musical ability in a controlled, contemplative reflection of his inner self, laid bare in breaks-driven form for the enjoyment of Spatial fans new and old - continuing the ongoing celebration and evolution of classic atmospheric drum & bass.

A1 - Fear of the Deep

Curious, high twinkling bells cautiously introduce Fear of the Deep, reminiscent of classic sci-fi movies building atmosphere and intrigue, before the hi-hat heavy, snappy break previously used in Spatial classic Essence (also by ASC) makes a welcome return. The 2-step - occasionally broken - beat pattern drives the track along with a darkly, investigative energy, while a typically deep bassline rumbles beneath, setting the scene perfectly.

A2 - Concentric Circles

A change of pace for ASC here with Concentric Circles, exploring a jazzier spectrum of influences not often broached in his production adventures, with broken scattershot beats toying and playing around a wealth of reverberating brass samples to create a minimal yet quietly imposing undertone. Double bass props up the composition wonderfully, completing an exquisitely quirky entry to the LP.

B1 - Say It

Opening with rousing strings and quietly ominous effects, ASC utilises a unique fusion of melancholic atmospherics, jazzy basslines and a classic old-school breakbeat to form Say It. Dense, purposeful kicks stomp across the mix as the strings and synthwork wash in the foreground, developing a sombre, contemplative tone to the track throughout, before a wonderful outro ending with those delightful strings.

B2 - Virtual World

Filtered Hot Pants breaks gently ease their way to the forefront of a beautifully constructed intro to Virtual World, trademark crispness and intricacy etched onto the beats effortlessly, as we've come to expect from ASC. Delicately nuanced vocal samples combine with an intense concoction of synths and micro-melodies, dancing over the sharp breaks and a suitably earthy undertone bassline.

C1 - Eons

The classic, intense atmospherics continue with Eons, a spacey piece introduced by a memorable melody, tinged with purpose and allure. This melody continues through sci-fi computer FX reminiscent of early 720, and persistent backdrop synths as we are treated to a gentle flurry of perfectly edited amens leaping and falling over subtle, juddering basslines creating that elusive blend of both headphone and dancefloor appeal.

C2 - Timeslides

ASC flexes the timeless Hot Pants break again - crisply edited with a sharpness in the mix which is simply to die for - in Timeslides, a track which continues the brooding, introspective tone of the LP. Utilising a varied array of samples and effects which will transport you straight back to that unmistakable era of 90's atmospheric heaven with several nods to forefathers of this wonderful sound - just how we like it at Spatial.

D1 - Lightspeed

Take a moment to appreciate the bells tolling, glimmering and colliding during an enchanting intro, freely crafting layered melodies without a care as ASC presents us with an immensely memorable piece in Lightspeed. Long, elongated vocals drift and swirl through the airy soundscape, all punctuated by finely tuned and arranged Circles breaks, energetically deployed for the discerning breakbeat aficionado.

D2 - Nightvision

Intensity is dialled up to 11 in Nightvision, a deeply atmospheric track which showcases a perfect, symbiotic combination of melancholy, drama and raw energy. The lively breaks take center stage over a heavy, consistent 808 bassline with enveloping masses of atmospherics circling, gripping your attention, joined by dreamy vocal samples deployed subtly in an ever-changing tone to close the LP in style.

Words by Chris Hayes (Spatial / Red Mist)

MAL welcomes Hiroshi Takakura aka Element & co-owner of Riddim Chango Records with a heavyweight session of deep roots mutations and dynamic steppers.

A truly unique and well loved character, Hiroshi is one of Japan’s key figures for dub wise experimentation and this release presents a decade of influence distilled into a selection that bridges Jamaican and UK lineages with a very personal slant.

The centrepiece, ‘Longest Summer Pt.1 & 2’, is a radical remake of the theme from Fruit Chan’s Hong Kong cult film. He flips the wistful, naïve melancholy of the original alongside deep bass weight and syncopated hats with a slink and roll that feels as well suited to the steaming tarmac of LA as any smoke laced, late night Blues dance.

Born from the momentum of live set preparation, the raw sketches that make up the ep were shaped into full-blown dancefloor weapons, particularly the percussion-heavy, tribal mayhem of the title track, ‘Motion Exchange’.

All in all the release captures a snapshot of heady obsessions: UK roots and dub pressure channeling echoes of Jah Shaka, Jamaican dancehall’s roughneck energy, and a wide selection of experimental electronic influences from the early 80’s to the present day.

Motion Exchange delivers a weighty steppers sound that honours its roots while pushing into bold, forward-thinking territory.

Like Element’s sets, this is music for the rig but has layers of detail that reveal themselves on repeat listens and in selector tradition, the EP offers multiple versions for extended play.

A further milestone in MAL’s journey, with Takakura charting heavy new territories in modern dub. RIYL 5 Gate Temple / Bokeh Versions / Lord Tusk / Seln etc.

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Rare and limited Jungle Picturedisk release from Coco & The Cat.

Berlin-based French-Irish multimedia artist Zoe Mc Pherson levels up on their third full-length "Pitch Blender", mangling years of experience DJing and performing live into a tight set of cybernetic soundsystem experiments that flicker between the rave and the art space.

Cast your mind back to February 2020 for a moment, when Mc Pherson released their last album "States of Fugue". The world seemed less tangled somehow, and yet Mc Pherson's precision-engineered fusion of exploratory sound design and visceral club pressure seemed to hint at a cataclysmic event none of us were really expecting. Only a few weeks after its release the world changed forever, and the majority of us were grounded - forced to consider our lives and the movement (or lack thereof) surrounding us. The philosophy of this extended time period is welded into the bones of "Pitch Blender", Mc Pherson's supple third album. They have learned plenty in the last two years, and infuse all of that anxiety and spiky emotionality into a spread of tracks that sound as powerful in headphones as they do over a well-tweaked soundsystem, soldering vocals, environmental recordings and instrumental flourishes to unpredictably pneumatic, cybernetic beats.

Anyone that's caught one of Mc Pherson's energetic live performances over the last few months will have an idea of what "Pitch Blender" is made of. They're an artist who's somehow able to match the raw energy of post-punk and no-wave music with the brain-altering potential of the best experimental club tracks, vocalizing an incongruous post-lockdown reality over beats that sound as if they're in a permanent state of flux. 'On Fire' splutters to life in a frenetic patter of drums that blur into oddly soothing hoover sounds, snaking lysergically towards a drop that's teased constantly, and never comes. We're forced to wait until 'The Spark' for that, fighting through choppy, pitch-mangled guitar and rolling beats until a gruesome kick drum forces its way through the psilocybin mists and heaving Bristol-inspired bass clonks. Backed up with just the inverted traces of recognizable breaks, this vigorous pulse lies at the heart of "Pitch Blender", the driving force that powers Mc Pherson's sound even when it's only hinted at.

'Blender' is the moment where Mc Pherson show their full hand, using crackling sound effects, ghost vocals and uneven rhythms to build a textural landscape that's so evocative you can almost taste it. Squealing modular synth effects sound like gameshow buzzers being triggered in another dimension and propel the track forward - it's club music, just about, but Mc Pherson's motivation is world-building, and their world is colorful, abstract, and dizzyingly surreal. "Obsolete user," their voice echoes over driving airlock kicks. But they take a swift left turn with 'Lamella', reducing the kinetic club rhythms to a longing simmer and letting loose with powerful vocals, intoning with robotic, gender-fluxed intensity. On 'Wait', New York City's clacking crosswalk signal - already an effective club track on its own - is transformed into a reminder to slow down, juxtaposed with booming sub-heavy kicks, acidic synths and effervescent percussion that rattles in time with the vibrations. It's foley rave, built for pure psychedelic intensity to blur the line between real life and sonic fiction.

One of the album's most galvanic tracks, 'Power Dynamics' curves a double-time rhythm around breathless HQ sound design squiggles until it hits a polyrhythmic crescendo, striking a queasy balance between rave hedonism and ritualistic hand drum energy. It all builds towards eerie closing track 'Outside' that acts as an important wind down, spotlighting Mc Pherson's ability to operate outside of the rhythmic spectrum, using cinematic scrapes and flickering neon synths to create music that's tense but never terrifying. The track feels like the end credits of a particularly bewildering movie - something between the cyberpunk dystopia of "Ghost in the Shell" and the vivid, sky-scraping beauty of "Koyaanisqatsi". Mc Pherson has managed something special with "Pitch Blender": mashing together genres with rare focus, and sharpening their engineering skills to a fine point, they've concocted an antidote to contemporary malaise - a wakeup call that's begging us to loosen our limbs and move.

Helsinki based newcomer DJ Sofa debuts on Up Ya Archives Records with the release of 'Lionheart’, the title track to their forthcoming EP, landing on the 12th November 2025.

Drawing inspiration from pioneering duo Digital & Spirit, ‘Lionheart’ channels a moody, mysterious energy. Driven by an organic-meets-machine dub sensibility, the track weaves hypnotic chants and meditative basslines into a soundscape that’s both harsh and mesmerizing. Letting the amen break breathe, ‘Lionheart’ captures an emotional intensity that runs throughout the wider EP.

Rooted in a love for 90s and early 2000s jungle, DJ Sofa’s production pays homage to the era’s raw sound and spirit whilst pushing it forward. Conceptually, the record explores bravery, self-determination, and finding strength in uncertainty. It’s a personal statement of resilience and creative growth from an artist carving out their own path.

Despite operating under this alias for only a few years, DJ Sofa has already made waves with standout releases on Future Retro, with a Tim Reaper collaboration titled ‘Helsinki to London Connection’ and N4, Straight Up Breakbeat, and Ruff n Tuff. Alongside other statement releases which are reminiscent of nineties jungle and their childhood love of The Prodigy, their performances at iconic nights such as Rupture London have cemented their rising status in the scene.

DJ Support: Alix Perez, Kasra, DJ Flight, Fabio, Grooverider, Simula, Bou, G Jones, Of The Trees, SHY FX, Enei, Workforce, Visages

A new various artists series from Gemini Gemini, focusing on a wide range of styles from established names as well as emerging talents. Part one is a 12 track compilation that moves through the soulful sounds of you'd come to expect from the likes of Halogenix, Monty, Satl, Verbz & Zar, plus soulful contributions from typically dancefloor artists like En:vy and Azotix, as well as music from fresh talents Archangel and Fonts. Moving through to the more ominous club sounds of Halogenix, Quartz and Koherent, and finishing off with the VIP of 2023's dubstep anthem, PFTD by Halogenix and Strategy.

The first single from the Mathlovsky album Yassssin, “​ The Heat”​ i​ s EXACTLY what is said on the label: PURE FIRE! Featuring the talents of album collaborator and live drummer Gregory Simons, and vocalist duo Jason and Rhonda, this single is the maximum hype pressure coming off the LP. Label boss and global octopus extraordinaire Submerged does the B Side honors with a tasty drum n bass tempo acceleration version. It’s important to rewind and understand how we got here in the first place…

Belgian electronic music giant Mathlovsky has continued his constant evolution, with new live performance with a live drummer. Celebrating and promoting this new partnership, the album Yassssin​ (​4 S’s if you want to make it easy on yourself)​ ​is being released on double vinyl by Ohm Resistance this Spring. With 3 video singles, we decided to make a special one-off, limited Fire Red 7” to go along with the first single.

Since 2019, Mathlovsky has invited drummer Gregory Simons to perform at his live shows, to add another layer of punk & funk fueled acoustic drums.
Not replacing the electronic heavy hitting beats but by looking at his drumset as another instrument, Mathlovsky’s music has entered another realm.

As such, a new era has begun. Yassssin, the first album with Simons’ acoustic drums as an added weapon of dancefloor destruction, is the perfect representation of what Mathlovsky live is all about. After ten years of dwelling in the rave scene and band scene alike, Mathlovsky has fused all his influences and tastes into one cohesive album. Inviting his talented Belgian music friends to contribute a voice, an instrument and overall energy, this album is a ride to never forget.

For both ravers and moshers, Mathlovsky has crossed boundaries between worlds and begins this decade with a massive bang.