Beats Vinyl New Releases - News

Beautifully presented translucent blue heavyweight vinyl LP, cased in 4 panel printed outer and inner sleeves.
Subexotic Records presents our first project with talented producer Onepointwo. Konstantinos Giazlas (aka Onepointwo) hails from Thessaloniki, Greece, and sites influences from the late 50s electronic experimental sounds, motorik,krautrock, lush shoegaze melodies and modern electronica. Talking about hiscreative outlook, Kostas says: "I continually look to emulate a musical journey into space, time, memories and frequencies". This journey is conducted with the use of minimal electronics, abstract and distorted shortwave radio signals, dystopian soundscapes, all carefully wrung out from criss-crossing digital and analogue sources, fused with a passion for heavyeffects and percussive sounds. Fashioned from a collection of tracks hitherto believed to be lost to a cruel computer malfunction, Synchronization was salvaged from a final reboot. No editing, no tweaking, no second chance - these tracks have reached terminal velocity. Luck is on our side, as what remains reveals a series of intricate yet powerful soundscapes, with finely wrought motifs that repeat and build to create Onepointwo's trademark shimmering psychedelic impact. His previous discography includes Keene (Poeta Negra) / SANS (Lotus RecordShop Editions) and various appearances & remixes on domesticlabel compilations. 2020 brought about 2 album releases on highly regarded cult UK labels Miracle Pond and Woodford Halse, garnering a slew of positive reviews, including warm praise in Electronic Sound Magazine.

Conceived as a form of sonic road movie, beginning at dusk and ending at dawn the following day, Rupert Lally’s aural accompaniment to the hours of darkness effortlessly combines electronica, industrial, contemporary classical and jazz, with the resulting mix sounding akin to a soundtrack to a Wim Wenders film if composed by Jan Garbarek, Carl Craig and Max Richter. Hailing originally from England but now based in Switzerland, guitarist, percussionist and electronic musician Rupert Lally began his career as a sound designer and composer for theatre and TV, before launching his solo career in 2005. Since then his releases have blurred the boundaries between electronic and acoustic music. Lally's consistently brilliant work is always a highlight of the electronic music calendar, including recent stellar works across many labels such as Spun Out Of Control, Third Kind, Woodford Halse, and Modern Aviation.

Perhaps needed now more than ever, Freestylers are stepping up to the plate with brand new sounds that destroy genre boundaries and offer a strobing light at the end of the tunnel.

‘Other Worlds’ delves into a mishmash of drum and bass, hip-hop,
electronica, dub, breakbeat and everything in between. It also showcases incredible talent from across the globe, including Plump DJs, Blapps Posse, Laura Steel, Scarlett Quinn, MC Spyda, Tenor Fly, Hyperactive MC, Mad Doctor X and K-OSS.

The album features the lockdown anthem ‘Happiness’. Initially created for big-room, festival-worthy summer touring, this early-rave inspired anthemic track will still have you dancing round your living room with it’s no nonsense breakbeat style.

Following the recent collaborative SERWED II and Square Fauna albums on West Mineral Ltd. and Firecracker Recordings respectively, Flaty is back on his own ANWO RECORDS with an album titled RAILZ. A year in the making, it's a product of solitary contemplative pursuit, an exploration of a metaspace where the varied worlds inherent to Flaty's artistic sensibility coexist, blend and collide true to the original kinship between electro and hip-hop. The altered footwork and fine-grained dubstep sonic structures, the freeform soundscapes and refracted beats, the consistently heavy bass and eventful razor-sharp high frequencies of the album are all bred, built, mixed and mastered single-handedly by Flaty who has also designed all the artwork and packaging. In comparison with the artist's previous productions, the tone is colder, the approach more detached, while the substance is no less personal and the experience neither less diverse nor less intense. The artistic, cultural and technological styles and eras of the last half-century fuse and productively dissolve in the utopian interferences of the LP. Expect RAILZ to be presented as the soundtrack to a forthcoming series of ANWO STUDIO collaborative audiovisual live performances.

Labelle hails from Saint-Denis de la Réunion, His home is at the top of an apartment block in the centre of the island's capital. It's a belvedere overlooking the rich and extravagant cultural crossroads of Saint-Denis de la Reunion, a laboratory of Creolism and musical blending, where he composes his music on hi-tech machines, sketching out celestial electronic symphonies whilst cultivating a deep connection with the soil.

His sophomore album is entitled univers-île and features a dreamy, hypnotic collection of new studio recordings that span electronica, new age zither jams and off-kilter syncopated percussion with occasional ambient and techno influences.

It also includes the collaborations of some of La Reunion finest vocal musicians ( Zanmari Baré, Nathalie Natiembé, Maya Kamaty and Hasawa) and as well as respected instrumentists from the jazz and world music circuits ( Ballaké Sissiko, Prakash Sontakke, Joao Ferreira ).

Raw, trippy, and mysterious.

Up to kick off 2021 in the most adequately frenzied, thoroughly corrosive fashion, DDS04 serves up a quintet of chrome-tanned, hi-velocity beats courtesy of Italian hardware fetishist Anna Funk Damage (previously heard on the likes of Mind Records, Lux Rec, Lazy Tapes and more) and Austrian-Hungarian outfit Dutch Courage - alias Superskin & Új Bála - each of whom step up to the plate to deliver an exquisitely ear-wormy slice of their deranged industrial gospel.

A-side starts off to the sound of AFD's hard bouncin' "48 Hours Death" - a raw-cooked deluge of head-reducing EBM grit, flaring binary signals and Giallo-infused arpeggios out a blood-stained Suspirian tale. Fear for the deadly scalp hunters lurking in the club's darkest nooks, they've just sniffed out your trail.

Brutal churner "Youssef" picks up the torch and pulls out the quake-inducing breaks without further ado, dressed out with languorous Orientalistic melodies and steely distortions tailored to bend mind by the dozens. Forged in the furnace, the full-out punk-minded "I Come From Fire" rounds off the side on a drum and bass-heavy note, drawing as much from 60s psych-garage as it does from 80s deconstructionist tape music.

Flip sides and here's Budapest unit Dutch Courage taking the reins with the off-kilter treat "Hand Of The Sword" - navigating a weird zone of its own, floating astride post-apocalyptic Bristol bass, sliced-and-diced abstraction and overly textured yet equally bone-bruising riddims.

Wrapping up the journey with both force and serenity, "Neo-Soulmates" follows a similar path with its warped synth flexions and raucous machine cries making the rounds from one end of the spectrum to the other effortlessly, merging to give birth to something genetically contrasting from any contemporary. A most fitting finale to an EP that celebrates and encourages sonic bizarro in all its forms and manifestations.

2021 Repress

Rone is a stalwart of the French electronic scene and returns with his fourth album, 'Mirapolis', a synesthetic journey with features from Bryce Dessner (The National), Baxter Dury, John Stanier (Battles) and Saul Williams. The artwork was created by the critically acclaimed director Michel Gondry.
Stepping into Rone's music is like sleepwalking through a vividly colourful dream, eventually stumbling across a strange, scintillating Megapolis of saturated light and colours: 'Mirapolis'. Its twelve tracks / districts, each with their own specific planning, pulsate as though animated by their musical mastermind.
The project was an opportunity to get reacquainted with long- time stage and studio partners John Stanier, Gaspar Claus and the Vacarme band and Bryce Dessner (guitarist for The National,) while bringing in new collaborators (and thus, new interpretation of Rone's dreams). We find American slam-poet Saul Williams, who happened to be in Paris for a moment and contributes a searing anti-Trump screed, Baxter Dury, who brings an irresistible East London touch to 'Switches', a kind of fan fic that reimagines the Beatles' Sergeant Pepper lounging pensive in a club chair, Israeli electronic music muse Noga Erez, who inspired 'Waves' which, despite being recorded remotely, betrays a euphoric partnership, and finally, Kazu Makino, Blonde Redhead's bewitching singer and multi- instrumentalist, who contributes to the album's closer, the gauzy 'Down For The Cause'.
Rone remains a producer of grand instrumental pieces, which cannot be easily categorized in the architectural canon of our electronic music galaxy. Hypnotic, cinematic opening track 'I Philip' is an offshoot from the score for the first French virtual reality fiction, built around Philip K Dick - the perfect gate into a city that then opens up myriad temporal perspectives.

Ushering in an exciting new era for the label, nightclub and mix series, Bonobo opens the 'Fabric Presents' series that pledges CD and vinyl releases on a quarterly basis. His highly textural aesthetic translates into an ethos that looks to introduce a more open musical palette without losing sight of its past. His mix supports 10 exclusives or unreleased tracks, including 2 from himself and another from his rare pop-up alias Barakas. Employing the multi-instrumental arrangements of his own work in this 74 minutes of house, techno, electronica and breakbeat, each track exudes character and allows animated melodies to wander and develop, all the while grounded by an acute sense of harmonic progression and rhythmic precision.

This is the new 2LP Best Of assembling the biggest hits and remixes produced by Fatboy Slim aka Norman Cook. Spanning nearly two decades of his career, Fatboy Slim still dominates the dancefloor as his international touring schedule demonstrates.
This collection includes multiple top 10 hits along with the most successful remix productions of his career. An extended digital version offers more of Norman's fruitful career history including Gangster Trippin', Sunset (Bird of Prey) and Everybody Needs A 303. This is the definitive release documenting the original superstar DJ.

When South-Americans gather, many things can arise, but one will be certain: it
will be intense. It could be it a party, a conflict, a work of art or an EP such as this
one that involves a Brasilian label releasing a collection of eclectic, dark and deep
electro-boogie and post-punk by a Colombian artist. Gladkazuka is the guitarist
on Matías Aguayo’s pan-american ensemble The Desdemonas and here he offers
us four slices of synthetic trunk funk on Gop Tun’s label. Each one of them are
guaranteed not only to entice sensations of all types and provoke emotions of all
kinds but also with the intensity expected from such a combination and required
for maximum fun.

The Vinyl Debut Of Microm Records Is A New Era For Negocius Man And Microm Records N.e.g.o. They Are Very Special Songs With Different Styles Of High Quality Electro. It's My Cover Letter Around The World Hard, Raw, Dark, Robotic Vocoders, Detroit Sounds And Drexciyan Moments, Galactic Funk, Minimalist Atmosphere With Effects. They Are My Different Facets Making Electro But Not All, I Have A New Sound For 2019, Stay Alert And Enjoy!!! For Me Is A Timeless Disc, I Like It And I Always Will, All The Tracks Are Me: N.e.g.o.

Another exploratory and bulletproof data delivery by Das Ding, returning for his second record in the Mechatronica White series following "I Am Not A Robot" from last year - this time assisted by Heap's radiant interpretation on the flip. Hand numbered, hand stamped, no repress.

The third release of ninih is by none other than Australia-based electronic producer Andy Rantzen. Bringing his most dancefloor friendly EP as of yet. A-side for trancing ~ B-side for dancing. All tracks stem from the late 90’s/early noughties giving this EP it’s ravey vibe in typical dubby Rantzen fashion.

Next in the compiler hotseat for seminal mix series ‘Back to Mine’ is the legendary DJ and producer Fatboy Slim. Having sold over 10 million records and embarked on a number of sold out arena tours, the esteemed record collector and all round great selector delves deep into his weighty collection at his home to create a heady journey of funk and soul. The collection opens with Dave Barker & Ansell Collins ‘Monkey Spanner’ – a reggae single released in 1971 from the Kingston based duo working for the infamous producer Lee “Scratch” Perry.

There are a few rare finds, Donal Leace ‘Today Won’t Come Again’, Wind ‘Grooving With Mr Bloe’ and George Rene ‘Smokey Joe’s La La’. And the most recognisable for many no doubt is Betty Chung’s 1968 classic ‘Bang Bang’ thanks to the vocals of the Nancy Sinatra cover being sampled in the Audio Bullys rework in 2005.

Repress der 2014er Reissue von Brian Enos Album "Nerve Net" (1992). Auf "Nerve Net" kehrte Eno zum mehr rockorientierten Sound zurück. An dem Album wirkten Robert Fripp, Robert Quine und John Paul Jones mit. Der beiliegende Downloadcode enthält das legendäre 'lost' Album "My Squelchy Life", das für September 1991 geplant war, dann aber zurückgezogen und zum Mythos wurde.

Cosmic library dub album by disrupt on the new Zonedog imprint, soaked in swirling synths, mind-altering loops and lushly textured polygons.

"The Recreation Room" follows up on the old SciFi idea of The Holodeck, a computer generated reality where space ship crews can get a break from the daily grind – a place where your mind can travel while your arse stays firmly on the couch. Disrupt is taking a closer look at the mechanics behind it, then messes with its deeper controls to optimize the simulation for an intense horizontal experience.

The VR-ready sequel to "Omega Station" (2018 on Jahtari) is a dubbed out piece of Sonic Fiction with a washed out nineties digitality, as seen through layers of tape all the way back to Black Ark – music from a future that already happened.

Discos Transgénero re-issue the Marnie Weber classic first solo LP, “Songs Hurt Me” originally from 1989. This seminal record was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies, and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan, and a butterfly. Songs Hurt Me was originally co-produced by Phillip Drucker AKA Jackson Del Ray of Savage Republic and 17 Pygmies fame.

Marnie is a pioneer in art rock from the 80’s in Los Angeles. She emerged early in the music scene as the bass player in the Party Boys, a formative and important Los Angeles post-punk downtown art scene band. During this period, the Party Boys performed shows with The Minute Men, Savage Republic, The Red Hot Chili Peppers, Fourwaycross, The Blue Daisies, Perry Farrell’s first band Psi Com, Camper Van Beethoven, and many more. Bruce Licher of Independent Project Records, whom Marnie met in art school, released the first Party Boys record. After performing with the Party Boys, Marnie went on to become a noted solo performative art musician in her own right. She has released five solo records and numerous group album releases.

As a visual artist Marnie created the cover of Sonic Youth’s A Thousand Leaves album – interesting to note Marnie is the hamster girl on the cover. She also designed posters for Sonic Youth and did a co-release of her second album with Thurston Moore on his label Ecstatic Peace. Expanding from her musical roots, Marnie exhibits artwork, films, sculptures, collages, sound installations, and costumes internationally in museums and galleries. She has had two extensive survey exhibitions of her artwork ­– most recently at the Museum of Contemporary Art in Geneva.

Songs Hurt Me was remastered by Mark Wheaton at Catasonic Studios Los Angeles using the original tapes for an unprecedented restoration of this historic album. Discos Transgénero has thoughtfully designed and pressed the reissued LPs in Germany. This unique edition of Songs Hurt Me is a limited release of 400 copies distributed worldwide.

Debut Release From The Upcoming Mexican Artist Alonso Rivero A.k.a. Noch

For their first release, Zurich-based label Unruh proudly present Sextant Part 1, comprising four tracks from the crew and their friends. First up is Panstarrs with ‘Pendulum’, a fierce slice of dark, semi-industrial electro, followed by the nagging synths and jacking drums of ‘Night Ride’ by Tachyon. The flip opens with ‘Mammoth Hunt’ by The Winky Wanky Wonky Woo, a shapeshifting behemoth of unhinged effects and pounding beats, before Robotron brings the EP to a blissful conclusion with ‘Baltik’.

Aethers Spring is a new project based out of Copenhagen. The music of Aethers Spring will manifest through three distinct personas, each with their own distinguishing sounds, styles and narratives. In this sense Aethers Spring is a Gesamtkunstwerk making use of multiple art forms to augment and enhance its musical output via visual and written work.

Aether's Spring begins with ""WATER: Dancing Moon"". A hypnotic and oneiric EP of electronica, it sits strikingly between heady nighttime listening and the converse territories of functional dance-floor music. Some kind of dream. Some kind of dance. Its story is told via the artwork of Frederick E. Woodward and Denis Chapon.

There is a rumble in the Alps. The animals are nervous and on the high plateaus, where the meadows are lush and green, some people might feel a cold shiver down their spines. The chamois know: With her second EP Viennese artist Conny Frischauf will deliver a masterpiece. On her 2018 debut »Effekt & Emotion« (International Major Label) she delved deep into a well-curated atlas. Whether in the desert or in the vast world of cosmic music and its companions - all is well wherever Frischauf goes. But now, on her sophomore EP - wittily named »Affekt & Tradition« - she will not only make her first appearance on Kame House, but also create an entirely new genre: Welcome to the »Alpen-Avantgarde«.

The opener »Halbzeit« opens both ear and mouth. Alphorns roar through the valleys, the wind blows soflty, sometimes harder through the hair, and gentle yodelling echoes from the other side of the mountain pass. It all sounds naive, funny almost, but in reality it is deeply intense and utterly touching. On »Wie du mir« the new avant-garde takes on the next step, intertwining slowly-crescendoing off-kilter synth lines, casual strings and the artist's lovely voice with so many other elements, creating a well-tempered climate that infuses bed linen and hair with a spring-like scent. The B-side-opener »Auf und Nieder« gently embraces the current trend of austro wave and opens up the entire wonderful world of 70s/80s underground jazz pop while visiting Vienna's Prater (or any other fair). Love awaits between cotton candy and subtle masquerade. If you haven't found your way around by then, Frischauf provides a »Kompass« at the end. The final piece of this gem takes you back to the topographical descriptions of love using alpine landscape imagery. Love is not necessarily a battlefield, but certainly a hike. »Weit Weit, Weit Weit, Weit Weit«!

2nd is the second album of Italian electronic music composer Giuseppe Ielasi under the Inventing Masks moniker. In comparison to the first Inventing Masks album from last year, 2nd is texturally much richer, even luxurious. Ielasis' generative beats evolved into polyrhythms that give IM2 an air of restrained funkiness, not unlike fellow composers Jan Jelinek or Andrew Pekler. It seems Giuseppe Ielasi enventually found his very own niche.

The Squirrels are back. Their second platter comes courtesy of KIT 'N C.L.A.W.S. (say it out loud), the cheekily-named collaborative project from Squirrels On Film co-founder Brian Hock and veteran San Francisco producer Kit Clayton, and just like the label's first record, it's a woozy, wobbly trip designed for dancefloors drifting between dimensions.
Savvy techno heads will recognize Kit Clayton's name from his decades of experience at the avant-garde of electronic music. In the late '90s, he and partners Tang Tran and Juan Mendez (now better known as Silent Servant) launched Cytrax, a groundbreaking minimal techno label that paved the way for the clicks 'n cuts sound of the early aughts. His debut album — Nek Sanalet, first released in 1999 on Stefan Betke's seminal label ~scape and reissued in 2015 — remains one of dub techno's most enduring documents. Meanwhile, Brian Hock moonlights as the drummer for deranged Bay Area post-punk outfit Bronze while recording murky electro-techno excursions as C.L.A.W.S.

Together as Kit 'n C.L.A.W.S., Clayton and Hock's sound signatures merge seamlessly. SOF 02 opens with "Urn of Stilled Sorrows," in which deep, dubby chords are painted against a spectral backdrop of flute and ghastly wind. Soon a chugging mid-tempo beat appears, and the record's magic becomes apparent: it's as atmospheric as it is irresistibly groovy. Next, "Mariners and Masts" showcases a rubbery acid squelch, setting it against a simple-but-unforgettable synthesizer melody. Last but not least is the pure mood of "The Skies Themselves," a deeply affecting haunted jam that eschews beats in favor of undulating, mesmerizing tones.

Squirrels on Film's second record highlights the strange and beautiful mystique of Bay Area electronic music, with much more to come — watch this space.

A pair of none-more-brooding, shockingly minimal 808-driven dreadnoughts released on a no-fuss, barely-any-info black label

Daumenbruch kurz vor dem 30. Geburtstag? Für Nils Frahm kein Hindernis, doch noch rechtzeitig neun intime Klavieraufnahmen einzuspielen und sie seinen Fans anlässlich seines Jubeltags online zur Verfügung zu stellen. Dabei gibt es für einen Pianisten wahrlich kaum eine schlechtere Nachricht als ein Daumenbruch. Frahm, der international längst ein Star der modernen Klassik ist und mit Zeitgenossen wie Olafur Arnalds, Peter Broderick und Efterklang kooperiert, ließ sich von dem Missgeschick (Sturz vom Hochbett) nicht beirren. Entgegen des Rats seines Arztes trainierte er die restlichen neun Finger und nahm peu á peu die vorliegenden neun kleinen Lieder auf. Als der Gips ab war, war das Album fertig. Die Musik ist mal wieder "ein Balsam" (BBC Music). Die LP erscheint inklusive eines Album-Download-Codes.

GOLF CHANNEL return with a limited session straight from the sex dungeon.
S&M never hurt so good...

After more than a decade at the forefront of the global club music scene withseveral celebrated albums and EPs under their belt, Peruvian duo DengueDengue Dengue's seminal 2014 Enchufada EP 'Serpiente Dorada' is still oneof the most impactful of their exciting career. Capturing the vitality of theirearly genre-defining work, where the traditional and hypnotic rhythms ofcumbia were modernised through a collage of electronic music styles,'Serpiente Dorada' is still at the top of their most played music on streamingplatforms to this day, and has motivated their fanbase to continuouslydemand a physical edition since its initial digital release. The wait is finallyover as in 2021, just as the band completed 10 years of activity, we arepressing a beautiful 12'' vinyl edition in black and gold colours, freshlyremastered for vinyl to give this essential release the quality it deserves. 'Serpiente Dorada' remains an absolutely infectious and colourful mixture ofglobal sounds, where genres and styles are used as a starting point on theirongoing hybrid exploration of the interaction between traditional LatinAmerican music and modern electronic music, where the total is much morethan the sum of its parts.

Second Installment of the Sameheads’ bi-annual vinyl compilation highlighting the Berlin based bar, club, playground, space, collective, cult, - whatever’s musical mavericks. An-i, Franz Scala, Alexander Arpeggio & Marlene Stark, Epsilove & Ohlandy, Anklepants and Umlaut are all featured at the top of their game. A unique-clutch of oddball bangers. Essential!

Frontmaschine is a french band created by Hérve and Louis. The alchemy of a father/son duo who experience with the ambiance, the sounds and the samples. Front 242 and D.A.F are their main influences. The music offered fluctuates from indus to old school, and from German to English vocals. Dark sounds (sounds of the 80s), rhythmed by rustic sequences, electronic drum sounds and samples such as machines, radio communication or metals. Frontmaschine “Wrong Fate” Ltd. Edition 12″ EP comes presented in a ONE-OFF truly limited edition of 200 copies lacquered pressed on 180 gr. high quality solid RED vinyl. All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

The collaborative debut of American minimal techno pioneer Troy Pierce and Colombian audiovisual artist Natalia Escobar aka Poison Arrow was conceived in reverse: first they created a collection of shadowy surrealist videos, then wrote music inspired by them. This inverted process proved remarkably fruitful. Shatter is a simmering, slow-burn noir odyssey inspired by the Greek myth of Echo and Narcissus, traversing subtle shades of sleepwalker dub, metallic lament, broken beats, and erotic negative space. It's an effectively unsettling evocation of the legend's core theme: "There is nothing more complex than a shattered heart, or a heart that can't love." Considering their shared background trafficking in darkened dance floor modes, what's most striking about Pierce with Arrow's partnership is its rhythmic restraint. The album's 10 tracks seethe and shudder between glamor and gloom, with only occasional dread-steeped metronomes mapping the malaise to a grid. They speak of pursuing a "spatial approach" with this project, which manifests in the music's immersive design and patient execution, each mangled clang and rippling pool of bass allowed to reverberate its full flickering waveform. Guest appearances by austere techno producer Konrad Black ("Obsidian Glass") and drum n bass institution dBridge ("It's A Love Story, After All") flow seamlessly into the whole, subtle sculptural accents on a dimly lit descent through purgatories of longing and lust. But the shadows recede for the record's closing cut, "Narcissus," which swells elegiacally in a mass of devotional drones over a muted heartbeat, like Narcissus gazing upon his reflection in holy awe: elusive true beauty, finally beheld, by itself.

After releasing on Hot Haus records and Pitch Down, Rumore returns home to Discomaths with a collection of tropical beats and healing atmospheres. Cuts that are as deep and thought out, as they are danceable.

320 is the first release of a series of various artists which has deliberately put together Dead Husband, WLDV, Mynationshit and Cold Colors. In fact, just like in future compilations, this will always be a substantial premise for the label considering that these artists will always be esteemed and sometimes part of the Waste Editions family.

6 melodious pieces applauded by audiences across the country! This music embodies the nonsense of life during crucial times humanity is undergoing. We believe that digestion plays an highly important role in the well being of earthlings and balance; the immortality of sound within the cosmos of abnormal ideas and thoughts. This album says more than can be mentioned, we have no doubt that this record will do its duty in fulfilling its purpose in your mind While recording these songs, we light-hearted artists were able to combine our digested voices with the exact sentiments depicted in humankind’s pivotal moments of loneliness. We hereby create a soothing inner feeling in our listeners. This album says more than can be mentioned, we have no doubt that this record will do its duty in fulfilling its purpose in your mind. Vital Sales Points: 350 copies only- Follow up to the labels previous exotic waves of Scribble & Sjunne Ferger,