Hip-Hop Vinyl New Releases - News

Der erfolgreichste Musiker des letzten Jahrzehnts ist diesen Herbst wieder ganz er selbst: Schon der Titel des neuen Albums, The Marshall Mathers LP 2, macht deutlich, dass sich hier streng genommen gar nicht Eminem, sondern vielmehr ein gewisser Marshall Mathers zurückmeldet - was bekanntlich der Geburtsname des King of Rap ist. Flankiert von den beiden Producer-Legenden Dr. Dre und Rick Rubin, hat er schon mit der ersten Auskopplung - Berzerk' bewiesen, dass ihm nach wie vor kein anderer Rapper das Wasser reichen kann.

Nachdem mit - Survival' noch ein weiterer Vorgeschmack zu hören war, machte er mit dem zuletzt erschienen Track - Rap God' endgültig klar, worum es ihm auf dem neuen Album geht: Er verneigt sich vor denjenigen Rappern, die ihn zu Beginn seiner Karriere beeinflusst haben (z.B. Slick Rick, Doug E. Fresh etc.) und beweist mit seinem - supersonic flow' und einem Non-Stop-Rap-Rundumschlag, dass er der wahre Rap-Gott ist: - Die Geschichte des HipHop und seine eigene Entwicklung' bringe er damit wortgewaltig auf den Punkt, schrieb der US-Rolling-Stone über den programmatischen Track. Unterstützt wird Eminem auf dem Album zudem von West-Coast-Rap-Sensation Kendrick Lamar (- Love Game'), Skylar Grey (- Asshole'), Rihanna (- The Monster') und Nate Ruess (- Headlights') von der Band Fun. Obendrein sind auf der Deluxe-Edition des Albums noch Gastauftritte von Jaime N Commons und Sia zu hören.

Nachdem Eminem im Sommer 2013 auf den größten europäischen Festivals vor insgesamt 450.000 Menschen aufgetreten war, kehrt er allein visuell mit seinem achten Album in seine Heimatstadt zurück: Auf dem Cover des Albums ist wie beim gefeierten ersten Marshall-Mathers-Album aus dem Jahr 2000 sein wenig einladendes Elternhaus in Detroit zu sehen. Man erkennt sofort: Es geht ihm um eine Rückkehr zu den Wurzeln, verpackt in Songs fürs kommende Jahr.

Er selbst bezeichnet das Album daher auch nicht als Vorsetzung des Marshall-Mathers-Vorgängers, sondern vielmehr als - Rückkehr zu genau diesem Vibe' von damals.

Game-changing multi-instrumentalist Kamaal Williams has put together the
latest DJ-Kicks mix. Due for release on November 8th, it features four of his
own brand new and exclusive tracks and hints at the wide world of influences
that have made him one of the most prominent artists of the last few years.
Williams has taken his long standing love of seventies jazz fusion and mixed
it up with the contemporary sound of the London underground to devastating effect. House, broken beat, grime, soul, funk, hip hop and jazz all
permeate his work, which has seen him evolve from producer Henry Wu to
acclaimed live band Kamaal Williams, backed by talented drummers and
bassists. His pioneering work in the studio and live arena has influenced a
whole new generation of like-minded musicians that have helped make the
capital one of the most musically exciting and quickly evolving cities in the
world, with Williams' own virtuoso drumming and percussion right at the
heart of it all.
Kamaal Williams was one half of the duo who wrote the breakthrough
Yussef Kamaal album 'Black Focus’, one of the most talked about records
of 2016. Vinyl pressings kept selling out, it received rave reviews, earned
the band the Breakthrough Act award at the 2017 Jazz FM awards and led
to spellbinding live shows all over Europe. His follow up , The Return, came
on Williams' own new Black Focus label and took his band global, all while
picking up nominations for best independent album at the AIM Music
Awards.
Improvised rhythm and spirituality are at the heart of everything Williams
does, as is London life, with its diverse people, cultures and musical
customs all feeding into his work. That is also true when making more
electronic sounds as Henry Wu, who appears here after standout EPs on
labels like Rhythm Section International. Williams' music is so individual it is
more than deserving of its own tag: the artist himself calls it Wu Funk, and
some of the many sounds that feed into it are all showcased on this adventurous new mix.
Exclusives include a live take of 'Snitches Brew,' new Kamaal Williams
tracks 'Shinjuku' and 'Strings ATL', as well as 'Wivout U' from Henry Wu.
Those vital highlights sit next to classic jams from Southern Freeze, a strong
contingent of London innovators from K15 to Dego and Tenderlonius to
Kaidi Tatham, with funk driven house from Peven Everett, raw stuff from
Steve Julien, lush synth grooves from Lone and feel good grooves from Phil
Asher all making this is an honest and uplifting collection that, when necessary, is happy to eschew blends, fades and mixing in favour of red hot
selections and sequencing. Kamaal Williams DJ-Kicks is a fascinating
insight into the record collection of a true musical alchemist

The rich sounds of Maloya and Séga music, originating from the Réunion island (as well as Mauritius and Seychelles for Séga), have recently been brought to the ears of the Northern hemisphere's music lovers. Hailing from the French Alps, where Réunion-natives and young "metropolitan" French youngsters have been sharing parties, food and music for years, Les Pythons De La Fournaise are a flavoursome electric "Séga" band and they have already put out a couple of albums over the last decade.

This time, they are interpreting Séga and Maloya songs under the form of a - nearly – all-acoustic orchestra : "L'Orchestre Du Piton" !

This Long-Player has got a particular sound and character, starting with a powerful four-woman choir (often sung in unison, in accordance with the Maloya tradition). The "lead" is a different singer on almost every song, which brings a variety of tone and vocal texture to the album.

Instead of keys, organ or synth, Les Pythons went for accordion ; they also brought into the studio an array of percussion, ranging from classic bongos and bells to typical instruments of the Indian Ocean : theKayamb, the Pikeur, the Sati and most notably the Roulèr– the king of them all, majestic barrel-shelled bass drum.

On songs like "Anon Manz Demiel" (Let's go and eat honey), two crazy electric guitars with intertwined riffs add a fresh element to the sound – somewhat echoeing with Esquivel's exotica and Congolese rumba at the same time !

And the most unusual fact on this record : there is no bass guitar. Perhaps the band had a statement to make; in our modern music culture where bass plays a central role, they prove that one can move to other sounds – and appreciate the more organic deepness of percussion.

Whether or not you look into the meaning of the songs (mostly from the Réunion repertoire with a couple of Mauritian exceptions and one original "Pythons" composition), you will feel the mood of the Creole lyrics – a deep love story in "Maloya Tantine", an hymn to slowness and indolence in "Tou Dou", a clumsy chat-up scene in "Malbaraise"...

And overall, a joyful, fresh and sparkly energy emanates from this "Orchestre" sound, from this exceptionally talented crew. Oté !

Dreadwise Music is proud to present: Massive Dub Corporation, “Time Collapse” & “Vent Solaires” with 2 heavyweight remixes from Digid and Dubbing Sun. Taken from the second studio album (The Event Horizon) by French Dub sensation Massive Dub Corporation. Both feature tracks on this 12” breath new life into the realms of dub and jazz with MDC's unique blend of electronic squelch and soundscapes, coupled with a musicianship un-matched and un-paralled within the current Dub landscape.

The first ever release of Ed Banger records, this is ED001
To celebrate its 18th anniversary, we're happy to announce a limited edition re-press of this 12''.
I'm not going to repeat the story of how I ended up launching a record label while Napster was scaring the whole music industry…
Now I realize Radar Rider sounds like the perfect soundtrack of a disaster movie, in which record stores are closing, distributors are disappearing, a world without music, without life!
We didn't want this! Of course we'll release music from French producers, newcomers and put all our hearts into this new adventure. By accident Ed Banger records was born, 18 years ago. Mr Flash stopped by the office to play me some his beats. He was the French El-P to me, an MPC 3000 genius! I was blow away immediately, his music was talking to me.
I wanted this sound to be the beginning of something I will create with my friends.

Chicago based DJ/producer ANDREW JOSEPH drops his 2nd EP under his PTO alias (following the “DRINKS/CASUAL FRIDAY” 12″ released in 2018). The record is a celebration of the 808 and its renowned ability to get the party started. The 4 track house EP feats an electro remix of the title track from living legend EGYPTIAN LOVER! Italian producer NICO LAHS of ADEEN RECORDS fame gives it a smooth but dark and moody deep house remix followed by the electro jam “WAY OUT".

Big Science‘s Singles Series continues with a producer probably better known for mixing film scores than soundtracking a dancefloor. Victor Praud might be one half of Parisian techno outfit Society Of Silence, and a considerable filmography shows he’s no slouch, but a debut solo outing has been a long time coming. This is the product of countless studio sessions during lockdown 1.0. Turning attention to the A-side cut, Praud assumes a new alias to ditch the dancefloor hypnosis in favour of dread-laden, sub-heavy aesthetics. A dub version to its insistent counterpart on the flip, the glitching brand of broken techno and Warzou-helmed label make a good fit"

Rare 1995- Limited Vinyl Release curated- and recorded for Paris Fashion Week! Originally- Only available as Cassette- and claims the Discogs-Record for the highest Price-paid for a Cassette!

Soul Jazz Records’ Funk 70 collectors 7” Box Set comprising five fantastic 70s rare funk seven-inch singles reproduced here in exact replica bespoke label artwork and all digitally re-mastered.
Seriously rare, killer and classic funk tunes brought together in this unique one-off pressing for RSD 2021.

A GROOVY SELECTION IN THREE ORIGINAL VINYLS TO DISCOVER THE GOLD NUGGETS OF FUNK, SOUL & HIP-HOP ! Selection by the journalist Olivier Cachin and illustrations by the artist LAZOO.

This killer limited editon vinyl EP is a collaborative effort between Montreals SENZ Beats & Roughneck Jihad (From Third Sight). SENZ made all the beats and handled the scratch duties. Jihad held down the MC duties on all the tracks and there are no features. All vocals were recorded by Roughneck Jihad at Imhotep's Garden Studios. The cover art is by @misfitsleep and the project was mixed and mastered by Sqreeb.

The latest installment of Four Flies' exclusive 12-inch vinyl series for DJs features Neapolitan-born producer pAd putting a dance-floor spin on "Manhattan" and "Philadelphia", both from Alessandro Alessandroni's soundtrack to Alfonso Brescia's Sangue di Sbirro (aka Knell, Bloody Avenger, 1976), a pulp/noir score that perfectly embodies Alessandroni's take on the Italian approach to blaxploitation (the main theme is clearly inspired by Isaac Hayes's music for Shaft).

pAd gives each Alessandroni original the double treatment, with a "daylight" and a "nightclub" version. His daylight "Manhattan" combines disco-funk with elements of 80s electro, while his nightclub one is more openly nu-disco/nu-soul and incorporates hip-hop and jazz-funk sounds. In its turn, "Philadelphia" is reworked into a delicate, soulful downtempo track (nightclub), as well as into a dub/leftfield & slow funk version with a sprinkling of Arab influences (daylight).

pAd's brilliant reworks fully respect the spirit of the originals while giving them new life in the present, where the music of a genius like Alessandroni is finally getting the recognition it deserves.

Special limited edition in transparent red vinyl and black label.

Dub Shepherd's fine version of classic italian revolutionnary song "Bella Ciao" from 1951. Includes clean dub version for DJ's and MC's pleasure.

Parisian label Chuwanaga proudly presents Latitude, Saint-James label co-founder new studio project. Keeping it close to the deep jazz-funk ethos of the label, Latitude brings to the light two luminous songs of joy and hope for a better day, highly danceable yet rich and complex grooves with a human feel to feed your soul and make you move. Their new EP Leo / Attitude presents these first effort with a Dub Remix by Mato: plenty of diverse tastes for every music enthusiasts. Available as Vinyl 12" and Digital.

Latitude is french. Not a random collection of chansons sung in french. Latitude is so french in its sheer elegance, in its simple yet so sophisticated seemingly effortless attempt to groove in a pop context, trying to create moments of grace in the process. Latitude is here with the right vibe as the chorus of "Attitude" says it in french: "It’s the bad attitude, always the good latitude". Latitude is sprung out of the wicked musicianship of Parisian jazz-funk and fusion mavericks and Saint-James tight and adventurous compositions and production. All that jazz combined with David Cukier (Greita) retro-futurist engineering skills in these intense sessions captured in his cutting edge vintage Delta studio.

On A Side, "Leo (Extended Mix)" is an uptempo disco track for the dancers but also a beautiful song for the summer. A seductive number with a pregnant classic French jazz-funk feeling with the help of Parisian singer Club Celest’s energy and beautiful voice. It comes on digital as a short edit for radio but as a serious extended 12inch mix on the vinyl with 8 minutes and 10 seconds of pure pleasure, ending in a real climax after an irresistible percussion break.

On B1, "Attitude" enchanting quality shines with a banging rhythm section and goes for the win as an anthem chorus while sweeping synths keep on growing till the very last drop. On B2, Reggae/Dub don Mato (Stix Records) delivers a sweet dub wise riddim for the Lovers Rock massive.

Welcoming Luke Parkhouse to the Drumstream family with this versatile collection of heavy breaks. Luke is well respected and was prob the first drummer to play live jungle/DnB patterns on wax when he worked with 4hero in 1995 onwards, Luke also worked with Marc on his Visioneers project and as Hopper for Twisted Funk.
Original and Exclusive to Drumstream!! POW!credits

Martin Georgi is not a newcomer. He is more like one of those who like to stay under the radar. The sample-based music producer made his debut in the deephouse sector on his own more than 10 years ago, completely without a label or distribution. In 2016, the Berlin record label OYE Records became aware of the hitherto unknown artist and finally re-released the tracks from his debut. Since then, his early tracks have been compared around the world with the early works of Moodyman or Theo Parrish.
After more than 10 years and the maxi “9 to 5 is killing me” (2018), a second album is finally released on the underground label quietelegance records. Stylistically it ties in with the first work. “Money from the trunk” is the title of the new album and it includes socially critical issues such as class differences that are created by capital. Georgi plays with a large portion of irony and of course plenty of samples, which the passionate record digger skillfully processed into eight new songs.
Georgi not only stands out from the conforming deep-house crowd with his raw, unconventional production style, but also ensures that old-school sampling continues to have its place in current club music. In doing so, he reacts to global music trends, which he incorporates into his tracks through the finest sample operations. So it is not surprising that his new album “Money from the trunk” has a rap song as title song, for which the renown artistic-activist rap duo Fokn Bois from Ghana is jointly responsible. Also on the list of prominent guests are Felipe Gordon from Colombia and Delfonic from Berlin as well as Cornelia Lund from fluctuating images. Roskow Kretschmann appears as co-producer, whose name is associated with many other well established musicians.

For our first release of the year we present to you our fourteenth 7”, a new collaboration between Ojah and Don Fe.

The A side contains the track “Lockdown Hope”, which was written and recorded during the first lockdown of 2020. It’s an uplifting track that invites the listener to dance and dream, bringing optimism with a mix of tough yet alluring militant drums that contrast with the ethereal and inspiring melodies of Don Fe’s flute.

On the B side we find “Lockdown Dub” a stripped down dub version mixed by Ojah that we hope will give you that Sound System dance vibe that we’re all missing (we can’t wait until those days are back!)

Hand-stamped and served in a thick custom reversed kraftliner sleeve.
Produced by Ojah, recorded at Alchemy Dubs Studio, London.
Flute by Don Fe, recorded at Don Fe Studio, Murcia, Spain
Mixed & mastered by Oscar Pablos “Ojah" at Alchemy Dubs Studio, London, 2020.
Graphic design by Victor Castro.

Sometimes I just got to reissue a stone cold party joint because its not on 45 and i need it in your box, everyone wins. Hopefully this Teddy Pendergrass does not need any introduction, I have been spinning the Fat Philly Mix at parties for my whole life, on the flip we got the o.g LP version as well for those who know. Thanks to Warner for pulling the tapes.

Two tracks taken from the Heavy Rhyme Experience long player from 1992 featuring hip hop heavyweights Main Source & Grand Puba. Issued on 7" for the first time by P-Vine on a limited 45.

Naughty NMX brings a Shaolin flavoured Club Banger, that takes the M.E.T.H.O.D. man right into the 80s club feel of the original inspiration for it's hook. This mix makes Tical sound like a oldschool party MC in juxtapose to his usual gritty boom bap sound. On the flip we find his Clan brother in rhyme Big Baby Jesus about the cash money over hyped up funky stabs and a bouncy bass line. This sexy version of a rap club classic will have those booties shakin' around the globe.

Futuristica are very proud to present the new album from producer As Valet. The sound of deep, soulful electronica resonates throughout the genres with As Valet creating beautiful yet sometimes dark house and soul gems with his trademark abstract flourishes providing perfect sound beds for guest vocalists LaNote and J.Mcfysian to weave their magic touches. LaNote recently released her debut album on Futuristica with As Valet also orchestrating the production throughout where as J.Mcfysian was a featured vocalist on the album ‘Music 4 Alternative Souls’ by Dj Simon S in 2018.
As Valet’s work is informed by the greats of the modern deep house era, think Theo Parrish, Andres, Osunlade and Kyle Hall but also the likes of Flying Lotus, Ras G and Madlib, prominent names on the West Coast Hip-Hop and Beat scenes.
Virgo Stellar is another great album that continues the Electric Conversation legacy, a group for which As Valet and LaNote were both founding members.

• Also from 1970 is Funkadelic’s second LP.

• In a thick card gatefold sleeve with 180g blue vinyl pressing

Grup Ses presents Program #03: A Mixtape of Rare & Unreleased Beats

İstanbul based producer Grup Ses returns with the final episode of 'Program' trilogy for Sucata Tapes. Program #03 focuses on productions of Grup Ses between 2008 and 2021.

Grup Ses project dates back to 2007 which at the time focused on v/vm style edits and breakcore infused mash ups. Starting from 2008 Grup Ses started to build a version of Stones Throw & Brainfeeder influenced beatmaking mixed with a touch of humour. A blend including all kinds of local recorded material like records, tapes, radio broadcasts etc., which became the building blocks of signature Grup Ses sound.

This hour long mixtape showcases styles Grup Ses visited last 10+ years. Enjoy!

For our twentieth vinyl release, and fifteenth 7”, we present to you a new collaboration between Ojah and Nik Torp.

The A side contains the track “Over Yonder”, an instrumental track featuring wonderful melodica melodies courtesy of Nik Torp, keyboard player from The Specials. It’s an introspective and meditative track with a positive twist that was written during the first UK lockdown, and that invites the listener to look to the future, to the other side, to look over yonder.

On the B side we find “Over Yonder Dub”, a minimalist dub version mixed live by Ojah with analog effects that takes you on a trip deep down the echo chamber.

Repress

"Do you wanna faq me? I wanna faq you!" - It's starting like the last one ended. Toni M. is back on falling apart with his 2nd ghetto house, electro funk release and shinin' like never before. Better get your hands on that record before they all gone. For DJ use. ONLY VINYL!

Best Of 50 Cent is a career-spanning chronicle of one of music's most compelling and influential artists. The compilation will be packaged as a 2LP, including classic cuts from his 2003-2009 albums, Get Rich or Die Tryin', The Massacre, Curtis, Before I Self Destruct, and the bonus cut 'How to Rob'. Release is Black vinyl, 180 gram, 2LP, Gatefold and comes with a Download Card

"Matasuna Records" has dug into the archives of "Atlantic Records" and unearthed two funky treats from the band "Black Heat". The funk & soul band was active in the 1970s and remained under the radar despite their talent. Both songs from their 1972 debut album are available for the first time as an official reissue on 7inch - the song "Wanaoh" even premieres on a vinyl single.

"Wanaoh" on the A-side is a monster funk joint written by the band's guitarist "Bradley Ownes". The song features a top notch mix with all kinds of delicious ingredients: a killer bassline, funky guitar riffs, crunchy drums, deep organ, tasty horns and a super funky flute. Absolutely astonishing that this song didn't go down in the annals of funk.

"Chip's Funk" on the B-side penned by bassist "Naamon Jones" also continues in the same vein and is an absolutely great tune which succinctly showcases "Raymond Green's" harmonica. The band's name couldn't apply better to this song either: Black Heat is exactly what the musicians deliver here.

"King Raymond Green" was born in 1951 to African American and Puerto Rican parents in "San German, Puerto Rico". Green, a percussionist and vocalist, formed the eight-piece funk & soul band "Black Heat" in the early 1970s. They signed to "Atlantic Records" and released three LPs between 1972 and 1975. Despite a high level of talent and creativity, they never achieved a great degree of popularity or commercial success like other bands from that time. Only their funky midtempo song "No Time To Burn" was a moderate hit. The band broke up in the late 70s. In August 2008, members of the band reunited for the first time in over 3 decades to play together on one stage at a memorial concert in NYC for "Joel Dorn", their original producer at Atlantic Records.

"Black Heat" is another example of a band with talented musicians who never managed to gain a foothold in the mainstream, but are highly regarded by connoisseurs. Their music was also influential in hip hop - their songs have been sampled many times by the likes of "Wu Tang Clan", "Notorious B.I.G.", "DJ Premier" etc., proving their influence on subsequent generations.

"King Raymond" was rooted in music throughout his complete life. By studying audio engineering he was able to establish himself as a first class sound engineer and worked with many R&B greats like "Chuck Brown & The Soul Searchers", "Dr. John" or "Carlos Santana". In the 90's he joined the band "The Flamingos" as lead singer, until he changed to the legendary R&B group "The Clovers" in 1999, where he also worked as lead singer. Green was also a songwriter & producer in Washington, DC. "King Raymond Green" passed away in 2017.

Black Sheep – and their 1991 ‘A Wolf in Sheep’s Clothing’ album - were definitely an outlier in the Native Tongues fold. They were raunchier and more playful than their peers which, given that those peers were A Tribe Called Quest, De La Soul and Jungle Brothers, is really saying something.

‘Strobelite Honey’ catches that difference perfectly, leaning heavily on a pair of 1980 disco samples rather than the jazz of their brethren, and taking a somewhat less chivalrous approach to women. ‘Strobelite’s slender but fun narrative sees rapper Dres up in the club and fooled by the lights – approaching a girl he likes the look off but backing off when they reveal she’s not what he expected. Charmed, we’re sure.

Dres and his partner Mr. Lawnge were always willing to push boundaries, and that extends to the often confusing labelling of the various remixes of this choice single. 12”s dropped with the ‘No We Didn’t Mix’, ‘Yes We Did Mix’ and ‘Maybe We Did Mix’ (not to mention a separate 12” of House mixes).

The last and best of these accompanied the original version on the now-rare 1991 7”, as it does here. The ‘Maybe We Did Mix’ adds urgent horns - almost like the buzzing of a bee - and a new beat to completely reconfigure the sound into something much more of its era. It’s a reminder of when remixes were about much more than the same beat with different rappers.

Killer Funk/ Soul /R'n'B instrumental.

One of the finest Brazilian jazz funk fusion albums ever recorded; thoroughly deserving of its cult status. First official reissue outside of Brazil.

Cesar Camargo Mariano is a celebrated Brazilian jazz pianist, composer and producer, born in Sao Paulo in the 1940's. He has played and worked with the likes of Elis Regina (to whom he was married at one point), Som Tres and Sambalanco Trio and still plays very regularly today.

'Sao Paulo Brasil' saw Mariano and co. step deep into jazz funk/fusion territory - and nail it. Tight, tough drum grooves, intricate arrangements, layers of synthesisers, percussion and FX transport and tell a story from the first beat.

**REPRESS**

The second release from Sufferah’s Choice is a one-riddim collaboration 12” EP between Dubkasm and Ashanti Selah, the son of the great Aba Shanti-I, and a huge talent in his own right. It opens with a rare guest vocal by the legendary Keety Roots. A conscious mystic who is renowned for 90s gems like his legendary vocal ‘African Blood’, and for his heavyweight productions on his own Black Legacy label.

The long awaited vinyl edition of Me Redesenho by the Brazilian creator and Voodoohoper Numa Gama is now available on double ecologically pressed disc.

Me Redesenho is a 12-track multi-genre record that draws a parallel between sonorities and the non-binary. Numa's meticulous sound design and the singular feeling of vintage keyboards result in an acoustic sounding electronic that composes the rich sound space of an alluring contemporary Tropicália.

Released on VOODOOHOP, Me Redesenho’s sound easily stands out in the Brazilian independent music universe as well as the global downtempo scene.

Paris crew, support a town.
Paris view, Over the ground
Paris Music lova
In a Dub

This Is The 10th Release On Riot Radio Records, An Independent Techno Label Based In Scotland.

Tsr Are A Trio Of Swedish Musical Mentalists Made Up Of Tomas Nordstrom, Fredrik Askebris And Robert Sundelin. This Crazed Technologically Berserk Band Of Electronic Wizards Under Otto's Command Relentlessly Conjure Up Thee Most Brilliant, Silliest, Toughest, Most Dance Bootable Funky Shizzle On This Train Of Existence.

This 12" Has Three Original Tracks, All Having Been Harvested And Carefully Selected From The Choicest Of Tsr Live Sets, One Of Which Has Also Been Remixed By Modulator Aka Freddy Fresh.

Beware Of The Terror Shit That's Coming At You On This One .......... Or Tom's Dark Bushy Moustache Will Hunt You Down And Tickle Your Top Lip.

Music in Exile is excited to announce a new 12” maxi-single release from the “King of Music”, GORDON KOANG. Titled Coronavirus / Disco, this double-A-side release share’s Gordon’s messages of peace, love and positivity, and is his first original offering since his acclaimed Unity album was released in late 2020.

The first single, Coronavirus, was penned by Koang in July 2020 as a response to his personal experiences of the global pandemic. As his hometown of Melbourne went into lockdown, Gordon resided in the outer suburbs of Melbourne with his cousin, Paul, and his four-stringed, guitar-like instrument, the thom. Throughout this single, Gordon offers his condolences to those affected by the pandemic, alongside messages of his faith in frontline workers and the hope that circumstances will improve soon. “People suffer a lot. I ask that God gives the doctors the big wisdom to defeat the coronavirus. When people hear my song, I hope that this music counsels them. The song has a lot of meaning, it is telling them to be hopeful.”

With the cancellation of a national tour and numerous festival appearances, Covid-19 had not only impacted Gordon’s career here in Australia but also his opportunity to visit family he hadn’t seen in five years. After receiving Australian permanent residency, Gordon and Paul were now able to visit family in Uganda, however this was made incredibly difficult due to border closures and the potential health risks. Taking a last minute opportunity, Gordon and Paul travelled to Africa and whilst excited to visit their families, they also experienced the impact of the pandemic on their home communities. “In Africa, it is not like us here, there is no medicine and in Africa there is also no Centrelink if you are in lockdown. It is difficult getting services. Even getting food is difficult.”

After two weeks in hotel quarantine, Gordon and Paul returned to Melbourne, eager to record music once more. With lockdown lifting, Gordon headed to the studio with a new band featuring Zak Olsen (ORB, Traffik Island) Jack Kong (Baked Beans, Traffik Island), David “Daff” Gravolin (ORB), and Jesse Williams (Leah Senior, Girlatones). This new release is the result of these studio sessions, jamming and recording at Button Pusher in Preston, Melbourne.

For the DJ’s out there, both tracks will feature on a limited edition, 12” maxi single vinyl complete with pull-out poster from Gordon, encouraging listeners to stay positive during this difficult time.

“My condolences to you, my audience in lockdown. We are all suffering from coronavirus. Let us stand firm and be strong. Let us look after each other, until the time comes when God brings us together. I give my condolences to people who have died of coronavirus, in aged care and disability. We are heartbroken for everyone. Let us take it easy, and pray in our houses, all around the world. If you believe in God, pray to the God you believe in, and they will help you. God will give us the chance to go back to normal and open all events. Even if it is a bad time now, there will be a change and it will be a good time for us. Thank you to everyone.” - Gordon Koang

Carla Whitney (with Choker Campbell and the Super Sounds), a relatively unknown soul gem that has flown under the radar since its release 46 years ago. Backed by Motown royalty Choker Campbell, the velvet-throated Whitney is like Aretha, Marlena Shaw and Vicki Anderson all rolled into one, flitting from cottony crooners to full-out funk stormers.

Campbell was the leader of Motown’s live band, the saxophonist and conductor who kept any number of Motortown Revue shows driving along. A respected leader of men, and later a talented producer. Somehow in 1975 the nearly 60-year-old Campbell managed to find his way to Canada, where he hooked up with the little-known but dyno-voiced Carla Whitney in Toronto, producing the only LP she would ever make and issuing it on the then-obscure Attic label.

For the first time since its original release Attic are reissuing the album for RSD 2021, at a lot cheaper price than the original copies, if you can find one (£500!) 180g heavyweight vinyl.

Crown Heights Affair classics!

When South-Americans gather, many things can arise, but one will be certain: it
will be intense. It could be it a party, a conflict, a work of art or an EP such as this
one that involves a Brasilian label releasing a collection of eclectic, dark and deep
electro-boogie and post-punk by a Colombian artist. Gladkazuka is the guitarist
on Matías Aguayo’s pan-american ensemble The Desdemonas and here he offers
us four slices of synthetic trunk funk on Gop Tun’s label. Each one of them are
guaranteed not only to entice sensations of all types and provoke emotions of all
kinds but also with the intensity expected from such a combination and required
for maximum fun.

Nick Bike dropped his first guest mix for Oonops radioshow a few years ago. Over the years Oonops played Nick's tunes in his shows so it was just a matter of time until they collab for an exclusive 45 for this Resense-series.

Expect two hot versions by James Brown and Q-Tip over a heavy beat construct. Not without good reason you'll see his edits landing into Questlove's or Jazzy Jeff's crates.