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One man's vision of Soul music's evolving potential' ROLLING STONE

The Bamboos are one of the highest profile soul / funk acts in Australia, and have been recognised worldwide as masters of reinventing the genre with modern songwriting within classic arrangements & production over the past 10 years. They've clocked up some impressive Spotify hits numbers on along the way: " Wilhelm Scream" (3.5 M), 'On The Sly' (2.8 M), 'Helpless Blues' (1.8 M)"
Mainstay members Lance Ferguson and vocalist Kylie Auldist are also the creative forces behind one of 2016's biggest singles, 'This Girl' by Kungs Vs Cookin' On 3 Burners. Ferguson played on and co-wrote the song (incl that infectious guitar riff and lyrics) which along with Auldist's powerhouse vocals. The remix went on to hit #1 in France, Germany, #2 in the UK, top 20 in Australia and the US and top 30 in 35 countries. It's edging close to half a billion Spotify plays and 300 million Youtube hits.
Having previously collaborated with the likes of Aloe Blacc and Alice Russell, their latest offering 'Night Time People' see's the band call to mind everyone from Martha Reeves to Sharon Jones, The Bamboos deliver two catchy singles that draw together the raw drive of their earliest LPs and their more recent progressive experimentations in the studio. It's a fresh approach that finds the band wholly reenergised.

To mark the 50th anniversary of Trojan Records comes 'Trojan Ska & Reggae Classics', a double vinyl album comprising 24 of the most celebratory Jamaican music hits from the iconic label's legendary catalogue.

Released in tandem with the TV advertised 3CD version of the same name, this joyous collection showcases the very best in classic Caribbean sounds, from rude boy ska to dancehall anthems, with the set featuring an incredible 22 Top 50 UK chartbusters, including 4 UK Number 1s and 13 Top 10s.

The perfect musical accompaniment for the summer of 2018 and beyond, this blistering 2LP vinyl collection compilation ably demonstrates just what makes Trojan so special and why it remains the world's greatest reggae label, half a century since its launch.

As an integral part of the Trojan 50 marketing campaign, the LP will be heavily promoted via the label's website, Facebook & Twitter pages, Instagram and YouTube channel.




















T D2 | Desmond Dekker - You Can Get It If You Really Want

Gemeinsam Mit Dem Bekannten Schlagzeuger Carmine Appice (der Als Schlagzeuger Der Band Vanilla Fudge Berühmt Wurde Und Im Laufe Seiner Langen Karriere Bereits Mit Unzähligen Musikern Wie Rod Stewart, Ozzy Osbourne, Jimmy Page Und Pink Floyd Gespielt Hat) Und Dem Bassisten Tony Franklin (u.a. Bekannt Durch Jimmy Pages Band The Firm) Rief Der Us-amerikanische Rhythm And Blues- Und Rock-musiker, Songschreiber Und Produzent Shuggie Otis Sein Neues Fusion Rock-projekt Ins Leben. Vinylversion Von - inter-fusion - Dem Ersten Werk Dieser Kreativen Kollaboration

Self-produced and recorded at Channel One studios, the Gladiators create a deep roots sound from the minor-key melodies, with the swollen atmospheres conjured up by the obligatory militant beats, throbbing basslines, and sharp riffs that swell around the brass and keyboards. Songs like "Marcus Garvey Time," "God Bless," "Prayer to Jah," and "Rich Man Poor Man" are the standouts, the latter one of several cuts on which Clinton Fearon takes lead vocals.

· First ever vinyl reissue
· Limited edition to 500 copies only
· Bonus tracks not on the original LP
· Remastered sound
· Insert with liner notes by Nick Rossi and photos
· Beautifully housed in three back-flapped 1960s UK style picture sleeve!

The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG

Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s.

Vinyl Reissue Of This Classic 1980 British Reggae Lp From Black Slate.

* 180 gram audiophile vinyl
* Brand new 2018 album
* Includes free download
* First pressing of 750 individually numbered copies on transparent red vinyl

To Celebrate His Fiftieth Birthday This Year Benjamin Herman Is Releasing Three(!) New Albums. The First Album Is Project S.

Project S Is An Ode To The Citroën Sm, The Legendary Car Driven Most Famously In The Netherlands By Footballer Johan Cruyff. Benjamin Herman On The New Album: "the Music For Project S Started As A Commission For A Documentary About This Amazing Car. The Sm Is A Citroën With A Maserati Engine: An Italian Engine In A French Car. That's What Inspired Me To Draw On Two Musicians I Really Love, Saxophonist Fausto Papetti And Pop Star Serge Gainsbourg."

Never one to be constrained by musical genres, multi-instrumentalist, composer and producer Adam Gibbons (aka Lack of Afro) has taken it up several notches with his sixth studio record 'Jack of All Trades', a multi-genre tour de force that combines soul, funk, hip-hop, disco, rock and everything in-between, all wrapped up in his signature chunky production to create arguably his finest work to date.

The album is blessed with some incredible vocal performances. Regular collaborator Elliott Cole, Nick Corbin (formally of New Street Adventure), ex I Am Giant vocalist Ed Martin, Wax & Herbal T, Alyssa Marie, Camila Recchio, Juliette Ashby & Emma Noble are all on scintillating form on an album that is crammed full of infectious hooks, top musicianship, and more importantly, vibe by the bucketload!

Classic soul ('Back To The Day', 'Reach Out'), hip-hop ('Back In Business', 'Take It Up A Notch'), disco ('Only You & Me'), rock ('Over & Out'), modern soul ('Baby Be Mine'), folk ('Home') and a healthy dose of funk ('The Messin' Around Intermission', 'Good Love'), all combine to create an album that is stuffed with gorgeous phonic gems of all varieties and represents a definite step up from anything he has done before.

Packed full of beautiful horns and lush strings (and all recorded onto tape through a 1970's mixing desk), 'Jack of All Trades' is Adam doing what he does best and then some - blending the old and new to come up with a crossover classic that's entirely his own, whilst all the while ensuring that the songwriting takes centre stage.

Lack of Afro continues to go from strength to strength. 2016's 'Hello Baby' picked up a BBC 6 Music 'Album Of The Year' nomination & appeared in the Top 10 of the iTunes R&B / Soul chart in 21 countries worldwide.

His music also continues to be in high demand across all aspects of film & TV by networks such as ABC, Fox, NBC, Sony Pictures & the BBC. More recently he has signed to licensing label A Remarkable Idea, an imprint of Universal Music alongside artists such as Maximo Park, Pulled Apart By Horses, Alt J & label boss Benson Taylor. A remix of his 2011 song 'P.A.R.T.Y' by French duo Ofenbach (released on Warner Music in March) is all set to be one of 2018's tracks of the year, whilst his debut album 'Press On' (2007) has just been given 'classic' status by Future Music Magazine.

'Jack of All Trades' is supported by a live band UK tour in May & also at various festivals throughout the summer.

"The art of the future, therefore, will not be poorer, but infinitely richer in subject-matter. And the form of the art of the future will also not be inferior to the present forms of art, but infinitely superior to them. Superior, not in the sense of having a refined and complex technique, but in the sense of the capacity briefly, simply, and clearly to transmit, without any superfluities, the feeling which the artist has experienced and wishes to transmit." - Leo Tolstoy, "What is Art"

This statement can be made of Lucky Brown's attempt to "briefly, simply, and clearly" capture the feeling of the sound, soul, smoke and soil of the Texas Hill Country with his upcoming album "Mesquite Suite".

A little more than one year after the release of his firebrand "Mesquite Beat/Justice" single on imprint "Tramp Tapes" (TR-1040) Lucky Brown offers us here another glimpse into the sound and concept of the Mesquite Suite.

Saints & Beggars is a rustic pentatonic horn-led 6/8 anthem that builds upon a simple primitive melody assembled from two opposing figures set against two repeating figures. Brown conceived the motif while in meditation in a yoga-turned-composition studio in San Marcos, Texas. He later delicately draped the parts around it like woodsmoke. The overall effect of the composition is one of economy and restraint - nothing could be added or taken away. The horns, guitar and vintage electric combo organ begin in unison and then the figure brazenly explodes like a flock of white winged doves from a pecan tree in humid dusk. Here are featured extemporizations from Jason Cressey - trombone, Peter Daniel - saxophone, Colin Higgins - guitar, and drummer Ollie Klomp, with an exposition of open horns in the climax. The tune is drenched in shitty reverb which engenders a mysterious dimension begging the record diggers' favorite questions: "...when is this from", "...where is this from".

'Bout To Blow, remaining uncompiled in the upcoming "Mesquite Suite" (exclusively released on this single only), is a specimen of the generic Deep Funk on 45 that lit a fire in Lucky's heart more than 20 years ago. The use of the word generic here is not meant to be derogatory. Rather, it is to transmit the sense that this tune falls squarely within the confines of the so-called Deep Funk canon. 'Bout to Blow offers classic dancefloor essentials: driving bassline, hard drum beat, chanky guitar, and outrageously distorted horns fiercely executing a devastatingly primitive horn line. Also, for devout followers of Lucky Brown's recorded work, there is hidden in the bridge an easter egg in the form of a self-referential quote: the bridge of 'Bout To Blow is also the head of T.D. & The Jimmy James 3's "Jalapeño Pep" (TR-1025)!

It has been Lucky Brown's aim to paint for the world a picture of the vernacular jazz that America's neighborhoods once crafted as their own homegrown cultural heritage. Lucky Brown's music is a rejection of the elitism, classism, and status of the music industrial complex and is an antitoxin to it's resultant homogeneity. He wants with his heart and his art to transmit an everyday people's sound, made by everyday people, dedicated to the upliftment of all people. Could this be the "art of the future" that Tolstoy wrote of in 1904

Key-selling points:
- "Bout To Blow" is available on this 7" release only
- "Saints & Beggars" is taken from the forthcoming album "Mesquite Suite" (out september 2018)

Favorite Recordings proudly presents Combattant, first EP by Pat Kalla produced by Bruno Patchworks' Hovart (aka VOILAAA).

PAT KALLA is a musician, singer and storyteller. Patrice of his birth name, in tribute to the great Lumumba! Lover of words, French language, and music of course. Born in Lyon, from a Cameroonian father, musician and political activist, and a French and literary mother, he explores from his childhood the Soul, the Slam, the Funk ... and the art of telling stories, life being a great one...

After years of touring alongside many bands (Conte & Soul, Legend of Eboa King, Mento Cloub, Voilaaa Sound System), and several acclaimed titles on the two albums by Voilaaa, he comes back with this project to put a bit of primordial lightness in a rainy world: A tribute to the African culture in honor of a father with "Sawa" origins, the tribe from the people of Makossa.

Jojo Ngallé, Moni Bilé, Pain, Manu Dibango, Franco, Rochereau, Kabaselé, Fela, François Nkotti & The Black Style, all these legends' vinyls have turned on the family turntable and the collection has whetted the child's appetite. Through this new trip, he revisits styles that are sometimes little known to Western audiences, such as High-Life, Makossa, Angolan Music, Afrobeat, Afro-Disco and others. We could talk about Franc CFA', we could talk about Jacques Foccart, but we will rather dance, because "the dancer seems naive, but his feet must be connected with earth to understand history..."

Backed by the "Super Mojo Disco", a hyperactive band from Lyon with deep groove and positive energy, Pat Kalla offers us an anti-crisis project, where swaying and feel-good humor is mandatory! An album soon in the crates, beware « c'est médicament » (it's medicine)!!

This second half of 2017 Quintessentials will offer a lot of south american music. Like from our long time friend and regular guest Soul of Hex! Hailing from Tijuana, Soul Of Hex (also know as Sebastien Vorhaus) has a rich, nuanced and grainy style with an authenticity that's closer in sound to vintage Detroit or New York pastures, despite his Mexican heritage. Busy DJing, producing and running his own label Vicario LTD, Soul of Hex is a driving force in the Mexican scene. His new Helipop EP offers different styles like a downbeat intro, a deep bassy rough house cut (Helipop) plus 2 back to oldschool rave/warehouse tunes not afraid using some uplifting pianos, catchy vocals and deep basslines. House music all night long!

Hot On The Heels Of The First New Album From The Last Poets In Over 20 Years, The Title Track "understand What Black Is" Gets The Remix Treatment From Digital Mystikz, Dmz And Deep Medi Legend "mala" And Uk Dance Music Innovators And Legends "dego And Kaidi Tatham".

Not only rare as hens' teeth but also supergood, this rhythm'n'blues killer is still totally unknown in the world of record collectors. If you dig late 1960s rhythm'n'blues and mod-soul then this is for you. A sure shot on any dance floor in the universe!

2 Members And 2 Members From The Manu Chao Band And More... A Superb Album Of South American Melted With French Culture Sound. Loads Of Surprises And Many Good Tunes... Ful Lhappyness !

Having been featured on Tramp's recent "Countdown To...Soul" compilation album, Hank Hodge's sole 45RPM single release ("One Way Love" b/w "Thank You Girl") is highly sought after in Soul 45 collectors circles. Not many can claim to own it since it is very hard to come by. Therefore many DJs, collectors, and music lovers will certainly be made happy with this long overdue re-issue.

For Its Third Release, Chuwanaga Goes Back In The Past With The Reissue Of (where Is The) Sunshine' By Kalima, A Rare 7' Originally Released In 1981 And Produced In Baltimore By Afro-american Pianist And Producer Derrick Amin. Part I On The A Side And Part Ii On The B Side Form A Real Journey, A Beauty In Its Own Style Fusing Jazz, Soul And Spirituality As Well As Political Values.

Back In The Mid-seventies Derrick Amin Brought Together Young Musicians From His Afro-american Muslim Community In Baltimore. He Tells Us: all Black Music In America Is A Response To Racism And Slavery' And (where Is The) Sunshine' Was Their Own Answer, a Plaintiff Query Of One Immerse In Darkness. The Darkness Of Lies, Lies That Deny The Humanity, Justice, And Equality Of People. It's The Impetus Of This Song'. He Adds: kalima Means word' Or langage' In Arabic. The Name Was Inspired By A Quote From Imam W.d. Mohammad (the Late Muslim American Leader And Erstwhile Successor To Nation Of Islam Founder, Elijah Muhammad) Who Once Said: words Make People''.

With Its Splendid Vocal Parts (thanks To Vocalist Sabreen Shareef), A Unique Major-to-minor Chord Progression, Subtle Synthesizer Melodies In The Chorus And Amazing Electric Piano And Sax Solos, It Really Is A Very Special Release. It's Been Discovered In A Motor City Drum Ensemble's Jazz Set With Gilles Peterson At The J.a.w. Family Reunion In Berlin Back In 2016. Still, One Must Not Forget Its Yet Poetic Still Political Message Now Shared Once Again With The World. The Question Asked By Kalima Sadly Still Remains As Relevant In 2018: Where Is The Sunshine

2 track Single from Stranger Cole & The Seraphines released by Gay Feet/Dub Store Records

Word of advice to funk lovers; there is not a minute to lose. Get on board of the Big Hustle's spaceship. Before we take off, let's do a little history. The band was founded in 2014 by bass player and composer Sébastien Levanneur and its aim is to bring together 70's old school funk with the hippest actual sound laced with influences spanning from Steely Dan and Headhunters, to Snarky Puppy and Soulive. With mighty horn players, a rock and funky rhythm section, the Big Hustle's music has a very large variety of soundscapes.The first destination takes us to the Washington, D.C. area with 'Turn Up'. The groove is clearly go-go music flavored with the trademark sound of cowbells and of course it reminds us of Zapp by the use of the talk box on lead vocals, performed here by Saad El Garrab. And don't miss out Shaun Martin (Snarky Puppy, Erykah Badu, Kirk Franklin amongst others) as a very special guest performing the talk box solo! Second stop is 'A Curse, A Blessing'. It's an instrumental very much in the Freddie Hubbard vein during his CTI years. The last leg of the A side ends with an instrumental interlude titled 'Flying Donut'. Double tribute to Jay Dee and Flying Lotus, the music is a simple hip hop loop based on samples.The B side takes us back into the past with two brilliant covers, involving Rod Temperton the late great British songwriter who scored some of Michael Jackson's biggest hits. Now the idea for this B side is to do the opposite approach from the A side. Taking 70's and 80's original music and make them travel into time to 2018. We first land with a Heatwave song named 'The Star Of A Story' from their 1976 Central Heating album. Track 2 is a Herbie Hancock song named 'Gettin' To The Good Part' from his 1982 Lite Me Up LP. This Time Traveler EP journey ends with an interlude. Called 'Gimme Dat', the song deals with the need of new music, new sound.Again, this blend of deep rooted funk laced with a contemporary edge is to be consumed without moderation. And do not forget that E.P. also stands for extended pleasure.

THE SCENE CLUB HAM YARD, LONDON 1963-66 - THE ORIGINAL SOUND OF NORTHERN SOUL, POPCORN AND R&B FEATURING SONGS NOT ON THE CD EDITION

'The Scene Club was red hot, the hottest little club in London... and in 1963 London was the centre of the world - even if the rest of the world didn't know it quite yet.' - Norman Jopling (Record Mirror).

The club in Ham Yard, off Great Windmill Street, in Soho, central London had previously been a jazz club, but by 1963 it had become a revered mod venue, playing soul, R&B, blues, ska and rock'n'roll records to a sharply dressed crowd.

This new to vinyl compilation collects some of the classic tracks played there at the time. The 16 cuts include gems from Alvin Robinson, The Dixie Cups, Chris Kenner and Bessie Banks, first time reissued on vinyl from remastered original

analogue tapes. It is presented on 180g heavyweight audiophile vinyl in a single LP packaging.

Sexy Skip Proofs Collection ^^ Boobs'in Boobs'out :! Boobs the right angle !

2 Track Single From Johnny & The Attractions Released By Gay Feet/dub Store Records

Rocafort Records digs into the 'Evasion Disques' catalaogue to bring you the best in Funk, Soul, Psych & Folk from the legendary Swiss label.

Linernotes and comments of the songs by Evasion Disques' co-founders.
Artwork by Laurent Pizzotti, the graphic designer to whom we owe a large number of Evasion Records sleeve covers.
All songs taken from the original master tapes.

Evasion Records was born of a rebellious 60's rock band, "Les (Faux) Frères", who got tired of being forced by their record company to cover British hits rather than record their own compositions.

Along with their pianist Eric Christen, and a childhood friend François Vautier, Gaston Schaefer and Jean-Pierre Skawronski embarked on the adventure of composing and producing their own work as of their 7th EP.

Extending the experience further, the group then created its own label,"Evasion Disques" (as in, escaping from the big record companies).The first single was distributed by Barclay Switzerland, managed at the time by a Swiss musician who was all too keen to welcome in this new label.

Less than a month later, local artists, friends of the group and acquaintances who knew of their initiative, turned up at the small office in Avenue du Théâtre in Lausanne with the desire to record for the new company.

Eddie C tunes up the Red Motorbike sound and cuts up two new sides of irresistible worldly jazz-funk into 7-inch monsters of groove-laden travel music for the open road

Hand - stamped, 7" vinyl only business

Philly's Instant Funk are one of Salsoul's most well-known and respected groups. Appearing on the legendary TSOP label in 1976 the outfit was renowned for their ultra-tight musicianship and for backing Disco icon Bunny Sigler as his group. The late 1970's saw them sign to NYC's Salsoul label and this is the point where this compilation comes to life. 'I got my mind made up' was the groups opening shot on Salsoul and was a huge hit for them, helped in part by a super long, stripped back and funked out remix by Paradise Garage jock Larry Levan. This track and a whole host of others feature on this amazing compilation and snapshot of one of Disco's toughest rhythm sections, boasting all their hits and some stellar mixes from Levan, Tom Moulton, John Morales, Francois Kevorkian, Shep Pettibone and more! This whole selection features the mixes in their 12" glory, unedited, end to end, as intended.

A truly essential package for the die-hard Disco aficionado or for those who are exploring this most important movement in dance music for the first time. Curated with the full input and backing of Salsoul Records and carefully selected to reflect the truly timeless nature of the music contained within. For listening, for dancing, for turning on a party!

Remastered by Optimum Mastering. Artwork & design by Million Dollar Disco. Fully authorised and approved by Salsoul Records.

The most wanted artist of this time strikes again! While his debut album Black Gold produced by RoryStoneLove hits the charts all around the world and his name is booked in every
Super Limited Full Artwork Sleeve & Translucent Orange Vinyl VersionEuropeanfestivals, Samory I unveils a new single produced by Swiss label Fruits Records. Recorded with Najavibes' musicians, Call On Jah' brings Samory I into a deeper roots sound with a flying cymbal riddim distinctive from the mid 70's mixed by Roberto Sánchez that reminds us of the golden years of Bunny Striker' Lee or King Tubby.

Low Jack and co's Editions Gravats call up DJ Clara! for a killer 3rd volume of her female MC-focussed 'Reggaetoneras' mixtape series
Hailing from Northern Spain but based in Brussels, Clara!'s previous tapes for Editions Gravats' affiliates at PRR! PRR! are guaranteed party starters, serving to highlight stacks of female
reggaeton MC from the '90s thru to the modern day.
Clara!'s 3rd mixtape is also her baddest by many measures, masterfully sweeping thru dozens of tracks in just under 30 minutes, and including a healthy handful of her own blends and edits (the dembow versions of Darude and the Outhere Brothers stand out) along with reams of Kalimotxo-soaked, beach-ready anthems from Demphra, Ivy Queen, La Sexy Rose, La Bori, La Goony Chonga,
Sexy Vaguita, Las Culisueltas and many more.**Airhorn**

Zwei Alltime-northern-soul-klassiker Von Freddie Chavez Und Dave Newman Aus Den 1960ern! Für Dave Newmans "make Up Your Mind" Ist Es Die Erste Reissue Überhaupt.

Reissue Des Soul-klassikers Des Detroiter Sängers, Komponisten Und Produzenten Lou Courtney (the Fifth Dimension), Im Original 1974 Auf Epic Records Erschienen: "i'm In Need Of Love" Gilt Als Eines Der Besten Modern Soul-alben Aller Zeiten, Insbesondere Die Beiden Rare Groover "i Don't Need Anybody Else" Und "what Do You Want Me To Do" Sind New York-soul Vom Allerfeinsten. Im Gegensatz Zur Ersten Soul Brother-reissue 1999 Enthält Die Cd Nun Zwei Zusätzliche Bonustracks.

Zwei Alltime-northern-soul-klassiker Von Nolan Porter Aus Den Frühen 1970ern, Produziert Von Gabriel Mekler. Während Paul Weller "if I Could Only Be Sure" Für Sein Album "studio 150" (2004) Coverte, "klauten" Joy Division Das Gitarrenriff Aus "keep On Keeping On" Für Ihren Track "interzone" (1978).

Superb Fatal Digital Dub From Shinobi, The Digital French Dub Tradition ! .... Check Out The Old School !

Shinobi Was An Artist From Brest, Friend Of Ultramars Who Pressed The First Medicinal Records In Year 2004. Shinobi Also Released Some Gread Hip Hop Tunes Too, By The Way...

Helas Shinobi Died Young... Here Are Some Of His Unreleased Tunes.

May The Peace Be With His Familly & Friends.

And R.I.P. Shinobi.

Zwei Alltime-northern-soul-klassiker Von Stemmon Express, Erste Gemeinsame Reissue Der Beiden Originale.

Top-vinylsampler Zum 45-jährigen Jubiläum Des Legendären Northern Soul-clubs Wigan Casino. Mit 16 Northern Soul-highlights Und -raritäten, Zusammengestellt Von Dj Richard Searling, Darunter Die Remastered, Ultrararen Tunes Von The Combinations ("what' Cha Gonna Do") Und The Appointments ("i Saw You There").