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Dr Packer's is back with his masterful rework of Candi Staton’s timeless disco classic 'You Got The Love!' Renowned for his unparalleled expertise in the electronic dance music landscape, Dr Packer's remixes consistently captivate audiences, earning him accolades and chart-topping success across leading platforms.

With over three decades of DJ experience and a distinguished portfolio of achievements including countless Traxsource awards,, Dr Packer stands as a trailblazer in the industry. His rework of 'You Got The Love' is one of his finest moments to date and sure to heat up the dance floor, with Dr Packer’s trademark groove pumping all the way through the track.

On remix duties is Sydney rising talent St Croix, who has already built a solid reputation for her own productions and a slew of top charting Aria Club chart moments. St Croix amps things up even further with her peak time dancefloor weapon.

We are so back.

This time with a different approach. Focusing on what just feels right and letting go of everything else. Last year was not spent in silence and this one won’t be either. Join us for Underworld, a 6-track mini album by Eric OS.

Hope you enjoy!

Quantize Recordings are thrilled to present a reimagined version of Evelyn 'Champagne' King's timeless classic, 'Love Come Down'. This iconic R&B anthem has been revamped for 2025 with a fresh collaboration featuring Evelyn, Ezel, and DJ Spen. Music lovers worldwide will delight in this renewed rendition, blending her authentic, powerful vocals with a track that is second to none.

Evelyn's newly delivered vocals shine with the same energy and emotion as her original 1982 performance, showcasing her enduring talent. This release holds a special place in our hearts, and we're honored to share it with the World.

The strange, carbonated eventide of Evigt Mörker's cosmos takes new dizzy routes in his latest EP, 'Ett Vilt Ljus'.

With the spectre of their more recent and stoic ambient works casting a shadow through the operational tics of this latest collection of tracks, the choppy psychedelia teases frenzied abandon with each bristling manoeuvre yet pitches us into the night again whenever light threatens to break.

'Hemliga eldar', 'Huggormen som vilar', and 'Det blåser en vind genom världen, och det har det alltid gjort' model three rudiments in polyrhythm, each curiously stabilised with choral-like backdrops, while the most flustered pieces can be found cut between.

13th Release of the limited Florcene Funk Sublabel including 2 rare Gems and for the

first Time in fresh 4C full Cover....Vinyl Only & limited as usual.



Comes in full colored Cover !

Fred again.. has announced the release of ‘USB001’ - the first volume of his ‘infinite’ album project, now available as a limited vinyl drop.

‘USB001’ is an infinite, ever-evolving album that includes recent releases ‘Baby Again’, ‘Rumble’ w/ Skrillex & Flowdan, ‘Jungle’, ‘leavemealone’ w/ Baby Keem and ‘stayinit’ w/ Lil Yachty, plus remixes featuring HAAi, Rico Nasty and Nia Archives.

‘USB001’ also features two new records; ‘BerwynGesaffNeighbours’, which samples BERWYN & Gesaffelstein, and ‘ItsNotREEAALLLLLLLL’. The latter samples DuoTeque, Orion Sun and uses a drum beat first sent to Fred by Four Tet, lifted from an hour-long Richie Hawtin mix 'DE9 - Closer To The Limit' recorded in 2001. Richie trawled back through the mix stems of over 100 records spliced together to track down where the drums originated from, tracing them back to a producer called Steve Sullivan.

Gary Martin plays the TR8, adds a bassline and keys, then tops it off with 2 amazing sax solo's from Rick Alan and one remix from The Detscientists.

Picnic 012 lands with the first split EP of the series. A 4 tracker from Croatian artist Grenco and Ukrainian artist Kurilo. The EP is in many ways a stark contrast between the lighter and darker shades of house and techno with Grenco’s A side touching on a more playful, progressive house tip and Kurilo’s B side diving into the depths of early UK tech house and electro.

The eleventh release from label Early Morning, run by Guy J, presents a three-track EP totaling 22 minutes and 23 seconds, reinforcing his position as one of the most disciplined and forward-thinking figures on the global scene. Despite intercontinental recognition, Guy J continues to approach his work with restraint and focus, treating sound not as a finished achievement but as an ongoing exploration. His imagination remains a constant source of carefully developed ideas that resonate through a restrained yet expressive intensity.

The opening track, Piece of Cake, sets the tone with confident momentum, unfolding through a precisely balanced structure where hypnotic rhythm meets expansive spatial design. Selector expands the palette with a fierce bassline drive, textured atmospheres, random squeaks, and euphoric build-up, building on the opening piece and taking the vibe into psychedelic territory.

The release concludes with Against the Wall, a composed and decisive finale. Strong rhythmic foundations, paired with suggestive female narrative vocal samples, bring the record to a resolved and coherent close.

Homebase providing the 25th beatwax Release with three floor-focused Tracks and a Huge Mihai Popoviciu Remix , known for his Releases on Pokerflat, Bedrock, Bondage and many more...

Already getting huge Support worldwide...don`t sleep on this limited Release

Comes with full Color Sleeve and in 180 gr. Vinyl

DJ Support from Luke Una, Colleen 'Cosmo Murphy' and Greg Wilson.

Two bona fide classic 70s cuts reworked for now.

‘Papa Stoned’, Ian Ossia’s driving take on one of disco’s seminal tracks, the Norman Whitfield masterpiece, ‘Papa Was A Rolling Stone’ by The Temptations, relentlessly hammers the groove home, leaving the dance floor no option but total surrender.

‘Dream A Dream’ sees a 1994 Ian Dewhirst re-edit of the glorious ‘Dreaming A Dream’ by Crown Heights Affair respectfully retouched by Ché & Matica, who bring the beats into time, overdub additional elements and create a DJ friendly intro/outro for what is an essential update.

Trajectories collide in a wormhole as Tokyo-based Igaxx and Amsterdam-based Gropina converge on a crepuscular four-track 12-inch and digital release for Paesaggi Records. Igaxx drifts through near-beatless, spiralling psychedelia: “The Perception” is a slow-burn ascent, suspended in a state of perpetual anticipation, forever circling a climax that never arrives. “Someday in Time” settles into a steady pulse that glides outward, dissolving into the distance as if lost in quiet contemplation.

On the flip, Gropina reshapes the two pieces through his own sonic lens, like stepping through the looking glass. “The Perception (Version)” brings a supernatural, Kraut-inspired vibe, opening with a deceptive 2:35 intro before unfolding into Mother Sky-esque drums, primitive flutes, and reversed guitars. “Some Day In Time (Version)” is a dubby reinterpretation driven by a ’70s Ace Tone drum machine, a funky bassline, dub-soaked guitars, noir alto saxophone, and subtle details swirling through the mix.

After over 50 events of Bristol's beloved Club Blanco, the city's anointed high priest of night, Chez de Milo, is crystallising his party's dimension-hopping hedonism into a label, calling on an extended family of esteemed producers and musicians to make it happen.

First up is Johnny Aux, aka Quinn Whalley (Paranoid London, Sworn Virgins, Decius), delivering two offerings accompanied by remixes from Jamie Paton and Chez de Milo himself.

Supersonic blends a hyperspace bassline with euphoric 90s synth elevation that delivers us to a blissful dance floor crescendo, where you've been dancing for hours—maybe days— when the sun appears over the horizon and pierces through the club's blacked-out windows. Chez de Milo's re-rub wraps you up vines of a living, breathing forest, where all your favourite flora and fauna summon you to the dappled light of a clearing, front left of the booth.

On The Train locks you into a rolling groove, and electro slaps and smacks. It feels covered in equal parts space dust and the dust of an old crate of records, where this forgotten banger has been buried deep for 25 years, waiting for the right hands to pull it out. Jamie Paton veers off down a stranger track, conducting a driving Italo beat with eerie soundscapes dissected by lasers and a brooding bassline.

Seventh release for Undergroove Records with a very eclectic EP of Karaba in the color of electro funk with touches of garage and even a jungle track to close the vinyl!

Kerri Chandler returns to his own Kaoz Theory label with ‘Prayer’, featuring the vocals of F L Brown, and in true Chandler fashion comprised of a variety of mixes on the single
Over the past twenty releases Kaoz Theory has showcased material from the likes of Ben Rau, Satoshi Tomiie, DJ Sneak, DJ W!ld, Art Department and DJ Deep as well as of course material from the label-boss himself, Kerri Chandler.

Here the latter deliver his latest single, entitled ‘Prayer’ and as the name would suggest channelling gospel house influence in varying forms.

The ‘Media Mix’ leads the way over choppy bass stabs, cinematic piano lines and shuffled 909 drums. Followed by the instrumental for those who like to get the heads down, and just groove.

The ‘623 Again Vocal Mix’ on the flip, shifts things into Dub Techno realms courtesy of a bumpy, driving rhythm, unfaltering stabs and robust low-end tones.

To wrap things up the ‘Feel Mix’ follows next, stripping things back to crunchy drums, airy chords and a snaking bass groove.

2026 Repress - Vinyl only

Vinyl Only

Pressing on and extending an already incredible discography, Silat Beksi's imprint Modeight welcomes Irish talent Laughing Man to the family. On an impressive streak of his own following his Debut LP 'Divided Mirrors' Laughing Man continues to ply deep and divine house music territory with his exquisite skill. The A-side kicks off with 'Favourite Past Time', a swooning breakbeat roller that also gets a funked up remix with a signature boogie basseline by Romanian stalwart Triptil. On the flip side it's an intimate two step affair on B1's 'Lucid Thinking', a seductive, low slung session complete dulcet piano stokes and heady atmospheres. And to finish things off were go soul searching on the aptly named B2 cut 'Emotion'. Once again Laughing Man cuts to the core with his precision and prose. Adding a beautiful touch to the Modeight mantra.

The story of this EP dates back to 2021, when we—the whole BMP crew—were attending our annual family gathering at the now-defunct Sarcus festival (R.I.P).



On a late Saturday afternoon, we all gathered under the same tent to watch one of our dear friends perform live. You guessed it: this friend is Malouane. From the first track of the live set, we in the audience exchanged astonished looks. We knew he had been working hard on this live set for months but didn't know anything about it. As the live set unfolded, we kept traveling mentally in a perpetual state of amazement.


By the end of the set, we all had the same idea: to congratulate Malouane and ask for the tracks so we could release an EP that would capture the essence of this live set, allowing us to relive that very special moment.



After a long wait, we are now more than happy to share some selected tracks from the set with you, hoping you will feel the same excitement we felt at the time.
As a cherry on top, besides having four tracks from Malouane, we asked our dear friend Gabriel Belabbas—from Positive Future—to craft an additional remix, giving this EP a deep house edge.



Certified floorfiller!

Marco Funari's Music Institute Records follow up on last year's Ciao Lee Tong banger with a re-release of the house classic, Franky E.P. Four raw and unpolished dancefloor pleasers with a snapshot back into the world of early 90's garage house.

With Black Koyo, Mattias De Craene enters a sound world at once intimate and vast. Born from journeys in Morocco and Brussels, the project traces the rhythms, chants, and spirits of the Gnawa tradition, revealing a quiet resonance that echoes De Craene's own search for depth and presence. Guibri, qraqueb, call-and-response chants, saxophone, loops, and electronics come together in a trance-induced dialogue - ritualistic, elemental, and dreamlike - creating a space where listening becomes immersion, tradition meets imagination, and music unfolds as a shared act of reflection and wonder.

About Mattias De Craene
Mattias De Craene's artistic path is marked by rare coherence. As a central voice in Nordmann and MDC III, he developed a physical, rock-inflected jazz language driven by propulsion, volume, and trance-like collective energy. Over time, a period of personal rupture - burnout, tinnitus, depression - shifted his focus inward. The saxophone became a breathing, textural presence, and in his solo work, he weaves saxophone, electronics, loops, and minimal forms into a cinematic, hushed world where repetition, resonance, and silence slow perception. Rooted in ambient and introspection, his music prizes attention over impact, precision over excess - a quiet intensity recognized with a nomination as Musician for the Music Industry Awards (MIA's).

About Black Koyo
Black Koyo is a Brussels-based ensemble and one of the most compelling voices of the Gnawa tradition outside Morocco. Led by maalem Hicham Bilali, the group brings guibri, qrraqueb, and call-and-response chants to life with trance-like intensity and ritual precision. Their music is both rooted and contemporary, weaving earthbound rhythms and vocal invocations into ecstatic, immersive soundscapes, creating a space where ancestral resonance meets present-day imagination.

About Jan Bang
Jan Bang is a pioneering Norwegian producer and musician, celebrated for his mastery of live sampling and his ability to merge electronics with improvisation, rhythm, and texture in real time. He mixed the album and occasionally joins live performances, bringing his signature approach to sound as co-founder of the influential Punkt Festivaland collaborator with artists such as Jon Hassell, David Sylvian, Arve Henriksen, and ECM Records' roster. As a performer and sound architect, Bang creates immersive, trance-like sonic textures where silence and sound carry equal weight. Within Mattias De Craene ftBlack Koyo, his live sampling becomes an organic instrument, weaving saxophone, electronics, and Gnawa rhythms into hypnotic, physically charged soundscapes.

Line-up & credits
Mattias De Craene - sax, electronics | Hicham Bilali - guibri, vocals, qraqueb |Ismael Akhraz - vocals, qraqueb | Marwan Abantor - vocals, qraqueb
All tracks are original gnawa traditionals played by Black Koyo and arranged by Mattias De Craene.
Album produced & recorded by Mattias De Craene in Essaouira, Morocco and hometown Ghent, Belgium 2025.
Text by Hicham Bilali.
Mixed by Jan Bang at Punkt Studio
Mastered by Lieven Van Pee
Artwork by Marina Sviridova
Design by Benoit Van Geel
Manufactured and distributed by N.E.W.S.
Executive production by W.E.R.F. records
Supported by Flemish Government, Jazzlab, nona, HA Concerts, Aubergine artist Management,
KAAP, La Bestia (Wout Van Putten) & mdcmu.sic vzw.
2026 (c) W.E.R.F. records