T4T LUV NRG presents “Call Me G”, the new album by Brooklyn’s Russell E.L. Butler, their first full length LP since the release of 2018’s critically acclaimed “The Home I’d Build For Myself and All My Friends” on Left Hand Path. In the intervening years, Russell has experienced an accumulation of personal subjective experiences which are explored through captivating musical modalities and expressions on this sprawling, gorgeous, and deeply emotional album. Russell’s work on “Call Me G” can be described as a unique amalgam of early NY house music, dub techno and poetry. The album’s title track, as well as its instrumentals, are a kind of storytelling for histories that continue to exist without observation as well as for secrets and the power they hold in spite of their truth being obscured and sometimes lost.
Storytellers like Russell have the ability to collapse the past and future into discrete experiences of non-linear time through the emotional landscape of music and voice. Each song contains a palatable loneliness and hurt to which many in this modern world can relate, but each track also suggests the possibility of genuine connection and the formation of the self through communing and reintegrating with the natural world. These parallel concepts are the subject of “Accumulation”, a writing by Russell which accompanies the release of the album. The emotions, conflicts and resolutions that accompany Russell’s storytelling are felt acutely on tracks such as “I’m Dancing No One Is Watching” and “Stare Into The Light Beam”, among others.
On the title song, which closes the album, Russell sings “Can you call me? Will you call me? All that I want is for you to call me by my name...My name is G.” Context is part of interpretation and thus it is left to the listener to feel in the music and lyrics the concept that what may seem erased never truly dies, the traces still exist in the thing that takes its place. The T4T LUV NRG label is in part a continuing effort to facilitate the documentation of true stories that don’t get told—rather than representing a singular vibe or genre. Russell’s album is a stunning and profound entry in this evolving catalog of music and art. The beautiful cover of “Call Me G” is based on a hand drawn portrait of the artist by Diego Guzman.
House Nouveau en stock
Dernière entrée le 24.07.2024
Dernière entrée le 11.07.2024
Originally released by Legowelt's Strange Life on a CD-r back in 2007, 'Mons Testaceum' finally has its first vinyl press on Mannequin Records.
First full length released by Heinrich Dressel aka Valerio Lombardozzi, boss of the mighty Minimal Rome, 'Mons Testaceum' together with 'Escape From The Hill' and 'Completion Of The Amphoras Table ' represented the first of a trilogy dedicated to the 'Monte Testaccio', an artificial mound in Rome composed almost entirely of 'testae', fragments of broken amphorae dating from the time of the Roman Empire.
'Mons Testaceum' is the second appearance of Valerio Lombardozzi on Mannequin Records, after the noirish atmospheric 'Sighing Melodies Thru The Graves' mini lp released in 2012 as MNQ 027 on white vinyl.
The sound of the album is moving somewhere hidden between Fabio Frizzi ('Paura Nella Città Dei Morti Viventi') and Goblin ('Buio Omega'), thanks the extensive use of the Italian - better, Roman - legendary synthesizer Elka Synthex in every single track, with touches of the Berlin electronic school, 'mixed with irresistable futuristic soulfunk synth solos (Kool and the Gang goes cosmic!)'.
Impressive stuff, which influenced deeply the sound of Mannequin Records itself during the years after it was released. TIP! Mastered by Andrea Merlini.
Graphic design by Dave Grave and Alessandro Adriani.
Limited Edition of 400 copies.
Dernière entrée le 02.07.2024
With the spring awakens: Bionda e Lupo. Hand in hand we walk back to the playful whimsical music land. With bare feet in the grass, around us melodies and bass. Everything shines: colors and lights, sun and faces. A cosmic happiness, from heaven a piece. Here we want to stay with you forever and dance, just dance. With their anthem for the Camp Cosmic festival Bionda e Lupo rolls out a carpet on the dance floor for a new 12″ series on “Eine Welt”.
Label maker Alexander Arpeggio personally feeds the project with his own sounds. Together we float through the sound of the 80s through authentic warm stories.
Dernière entrée le 19.06.2024
(comes with a poster) The Klein blue horizon, gliding seagulls, a ferry purring between two languid islands, dotted with ultra-white villages and ancient ruins... These idyllic visions run through Glika, the ultimate musical project of Les Cyclades. An exciting electronic odyssey from West to East, from Belgian effervescence to Greek mysticism.
In 2020, confined to the neighborhoods of Yser and Mystère in Brussels, Alex and Ludo dream of Greek islands, of scorching sun on their skin, of salty baths, chilled ouzo and braised octopus. But everywhere, time stands still. Must one necessarily move to travel? To levitate? In the absence of Elsewhere, the Franco-Canadian duo will compose the imaginary soundtrack to their escape.
Glika (which means "sweet" in Greek) perfectly synthesizes the musical influences of Les Cyclades: a cosmic saxophone inherited from Alex’s dub and free jazz past, an architect-pastry chef-botanist from Normandy, and Ludo’s "Balearic" tracks, a musician-performer-wine lover who frequented his first raves in 1995 in Houston, Texas.
From a hedonistic encounter on a friendly terrace in the 19th arrondissement of Paris to their chosen exile in Brussels, these hypersensitive jacks-of-all-trades first danced and mixed records. Before creating their own phantasmagorical sonic territories, where cinema and poetry meet more or less human voices, brass instruments, synthesizers and analogue drum machines.
A searing fragment of Greek filmmaker Theo Angelopoulos's "Eternity and a Day" preludes Glika. Then, on Yser Mystère - the names of the two stations on tram 51 that physically linked Alex and Ludo's psyches during the lockdown - Alex's astral sax balances out the industrial mechanics of a locomotive, against a backdrop of urban soundscapes.
And then a rising bpm dominates Alocasia, with its deep and sensual light foot. So sunny. From one track to another, there are interludes influenced by Xenakis, Vangelis and Jean-Michel Jarre. Seminal heroes of the Cyclades... But soon, the duo unleash hostilities at the helm of Epigone, their meta-techno anthem. "I know", "You know", echoes Alex.
Laughs of friends, "mouth noises," and "bizarre rhythms" still dominate Parc Fou, while DRAM eyes the minimalist techno of Detroit. So dear to Ludo's heart... And what about PAME, that post-modern Greek epic.Or Glossa, a timeless track that finishes with a fascinating - because diffracted - elegance, this multi-sensory journey through Les Cyclades. Let's close our eyes. Silencio! Hay Banda!
By Eléonore Colin, journalist (and friend!!)
Dernière entrée le 17.06.2024
Seoul duo Salamanda arrive on Wisdom Teeth with their latest and most focused LP yet: 'In Parallel' - a vividly textural and immersive record that brings a new level of clarity to their typically psychedelic, expansive approach. Since arriving in 2019, the pair - comprised of friends Uman Therma (aka Sala) and Yetsuby (aka Manda) - have been fast at work mapping out their elaborate, dream-state sonic world - prolifically honing their sound across four albums and over a dozen singles to date. Across their already-extensive discography the pair have established a few key calling cards. Mallet instruments and tuned drums play out playful music-box melodies. Thick washes of gaseous ambience invoke otherworldly or ancient soundscapes. And buried fragments of found sound and manipulated vocal give their otherwise synthetic compositions a warm sense of first-person narrative. Ambient and Reich-school minimalism are the music’s most obvious sonic touchstones - yet the pulse of contemporary club and pop music have never been totally out of earshot. All of these themes come in to play here - but 'In Parallel' signals a step well beyond Salamanda’s work to date. Since 2022’s 'ashbalkum' (released on Wisdom Teeth alumni Tristan Arp’s label, Human Pitch), the duo have toured extensively: at classical institutions like London’s Kings Place as well as DIY club dens like Manchester’s White Hotel, all via a series of globally renowned festivals like Mutek, Nachti and Dekmantel. Their creative set-up has grown steadily alongside to incorporate a whole suite of new machines, processes and perspectives, taking their music in bold new directions in the process. The clearest development here is in the duo’s use of vocals - a shift that has been slowly taking place over their last few records, but that comes to a head on In Parallel. The album’s lead single 'Homemade Jam' is the closest the duo have come to writing an all-out pop track: its buoyant beat and autotuned vocals sounding like something SOPHIE and Charli XCX could have written after a particularly potent batch of mushroom tea. It’s a razor-sharp slice of alt-pop that offers a mouthwatering first look at what happens when Salamanda’s sprawling, unbridled creative energy is distilled right down into something concentrated and polished. At other points their sonic explorations lead them to embrace a more upfront approach to rhythm, skirting closer than ever before to the dancefloor in the process. The meandering drums and vocal chops on 'Paper Labyrinth' are underpinned by a firm 4x4 pulse, while the dembow groove of 'Tonal, Fluid' would feel right at home in a Nick León or DJ Plead set. 'In Parallel' is a record about connection, and the warmth and nostalgic simplicity of friendship is felt vividly throughout. Its title refers to the harmony the duo have found between them as friends and collaborators - and sonic parallels are traced throughout the record as testament to this. Motifs come and go before reappearing at later points: take, for example, the melody underpinning ‘Sun Tickles’, which returns in a different key and tempo on album closer ‘Mysterious Wedding’. Parallel lines are traced between each artist and through their music, linking back to their past and pointing ahead to the future. Only Salamanda know where these will take us next.
Dernière entrée le 10.06.2024
Fourth release in the Common Series with a tribute to their home country. A collection of abstract pieces and soundscapes with ethnical roots which almost sound as if they have been made for a movie and trippy techno and acid. Limited edition of 200 copies!
Dernière entrée le 03.06.2024
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Melodies Of Ancient Beats Depth or Deep, (with Dep also meaning beautiful in Indonesian) is the meaning of this newly created persona from the artist DemoDc. After many years of experimenting with music making, releasing digital eps and albums, Demo has come to an end of a cycle arriving to a mature state of craftsmanship, ready to deliver his dream onto the vinyl medium.
This is the 1st ep that kickstarts a volume of a 5 ep project. Its own kind of album type edition so to speak. Down the rabbit hole is a deeply rich exploration of the unknown, immersing oneself with faith and love into a pandora’s box type scenario to find not chaos and random violence of destruction yet a carefully arranged melodic structure of orderly tapestry, traveling through the expression of quirky acid gobbles, with a steady deep chord of drive, arriving at a climatic unwind of free moving dance type melodies and wonder. This track gives electro a fresh stroke to a well founded genre, giving it a different approach to the medium. Today’s special is a track held close to heart, made back in 2007 after a skiing incident left MOAB DEP immobilized for 2 weeks. Whilst having travelled to NZ Queenstown for the trip, it dawned on the wounded artist to make sense elsewhere with his time, using it to create a very special track, of course unknowingly at the time. Returning home to Adelaide it quickly become a favourite for many underground artists yet the track has never really been given a chance to shine, to be heard…. not until now 12 years later, 2019.
All made on his laptop, no midi used ( which is to be said mostly with all tracks created at heartheartrecords studios).
Today’s Special has a certain energy and vibe that immediately calls for the listener to pay attention. From its moody beginnings with lush rhodes keys, glitch ambient sounds, followed by the groovy-type horn sounding hook, whisking the listener away into a sunsetting type mood elevating itself onto new ground each step of the way. With some subtle bass movements and emotive chord progression, we arrive at a very warm heartfelt dance track that can only leave any dedicated listener and lover of common deep house music, with a tingling effervescence of radiant glow and smiles.
Today’s Special proves to be its own cult hit within the archives of tracks made in the heartheartrecords realm. Today's special celebrates the meaning of 'NOW' the present moment.
Dernière entrée le 03.05.2024
Age Eternal is the solo project of producer and visual artist Lissa Benno. She uses guitars, electronic hardware and her voice to create an hypnotic and heavy haze.
Familiar pop structures collide with organic apparitions of experimental electronic sounds. Layers of choral vocals and synthesizers move as ethereal mass through textures of heavy bass and percussive rhythms.
„Be The Enemy“ delivers an introspective view on transpersonal experiences and supra-naturalistic phenomena.
Dernière entrée le 29.02.2024
Alex Attias, El Mustang Project is back with a new album. This second opus features full of new collaborations with on vocals Cecilia Stalin, Rouhangeze and Desney Bailey. Alex worked as well with the keyboardist and instrumentalist genuises Sohan Wilson and Hajime Yoshizawa and with Saxophonist friend Arthur Donnot and Alina Bzhezhinska on Harp.
This Album has been made during a two years period between 2019 and 2021. This is a reflection of the various musical styles Alex was listening at home enjoying producing during the lockdown. The 8 first tracks feature a selection ranging from jazz to disco without the dancefloor in mind. It was a various and distant collaborations for the first time and the result is a selection of 12 tracks “ but only 8 for the limited vinyl album”. The remaing tracks are on the ep “life” that came out late december 2021.
Dernière entrée le 14.12.2023
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It’s a cliché to say an electronic artist is mysterious, but in the case of Guavid it really is true. With just one previous release on Analogical Force, it was tricky even tracking the enigmatic producer down, let alone persuading him to release more of his sublime music. And yet here we are, with a four-track EP of timeless electronica. A bit of a departure from his work on AF, this time the tracks are stripped back electro and techno, the space in the grooves allowing a sense of funk to come through. Essential stuff.
Dernière entrée le 01.12.2023
We are ecstatic to share this double VA LP to celebrate Telomere 010!
This is an extra stacked release with eight artists, as always blending and bending the spectrum of electronic music.
This releases has been in the works for the last 3 years, and has morphed into an epic 8 tracker for all hours of the day and night.
Dernière entrée le 23.11.2023
trip9love...??? ist das dritte Album von Tirzah, produziert von ihrer langjährigen Kollaborateurin Mica Levi.
Wir kennen Tirzah bereits als eine Frau nicht vieler Worte und so nimmt es nicht wunder, dass ihr drittes Album "trip9love...???" am 05.09.23 in die Welt geworfen wurde. Zumindest digital. Ab 17.11. wird es dann auch auf CD und LP erhältlich sein. Geschrieben und aufgenommen wurde das Album von Tirzah und Mica Levi bei den beiden zu Hause und in verschiedenen Ecken von Südost-London und Kent. Nach mehreren Aufnahmesessions, die sich über etwa ein Jahr erstreckten, hatte die Musik plötzlich einen Sound, dem sie folgen wollten. Die Tracks wurden mit Piano-Loops auf einem Beat aufgebaut, mit Verzerrung versehen und mit romantischen Gesangslinien unterlegt. Die Gedichte drehen sich um Themen der Liebe, sowohl der realen als auch der imaginären. Die Welt, in der die Platte spielt, ist eine entspannte Club-Fantasie. Die Geschwindigkeit, die Verbindung und die Gleichartigkeit aller instrumentalen Elemente haben dazu geführt, dass sich die Platte wie ein einziger Song anfühlt, ein Tagebucheintrag eines Moments oder eine Faszination für einen bestimmten Sound, den sie für wichtig hielten. Die Art der Veröffentlichung von trip9love...??? spiegelt die Art und Weise wider, wie sie entstanden ist.
Dernière entrée le 09.11.2023
- A1: Radio Dada
- A2: Holeg Spies & Rip Van Hippy - Face The Strange
- A3: Lostrosphere
- A4: Holeg Spies & Thierry Gotti - Urban Resilience
- A5: Kuba - Pharoahs Day Out (Feat Youth & Gaudi - Holeg Spies Remix)
- B1: Holeg Spies & Youth - Pomegranate
- B2: Holeg Spies & Thierry Gotti - Captain Haze
- B3: Lady L
- B4: Desert Cruising
- B5: Notinism Dot Org
Holeg Spies’ 7th album BRAVE NEW WORLD is a new step towards his creation of an immersive sound world intermixing his various music influences. The album features collaborations with YOUTH (Killing Joke, The Orb, producer of Pink Floyd and The Verve), well known Dub producer GAUDI, renown Australian percussionist RIP VAN HIPPY, psychedelic dub artist KUBA and French Goa-trance pioneer THIERRY GOTTI (Spectral/Blue Room).
This unshackled album escapes all classification, getting lost in the confines of Electronic, Progressive Rock, Dub, Ambient, Symphonic and Psychedelic music.
French trail-blazer electronic artist, Holeg’s 30-year music exploration has taken him from the early days of techno productions to composing music for films.
Touring Europe and Japan, where he was regularly invited to perform thanks to JUNO REACTOR, Holeg crossed paths with his first filmmaker, the notorious TAKASHI MIIKE, for whom he made an audiovisual remix of one of his most famous films, ICHI THE KILLER in 2001.
His film music duo SAVAGE & SPIES created the soundtrack for the cult classic THE HUMAN CENTIPEDE, BLACKSITE, a $15M thriller by the producers of SICARIO & JOHN WICK and ABRUPTIO starring Oscar-winner JORDAN PEELE. Released on Liquid Sound Design in 2021, his latest opus AXIS MUNDI RELOAD was based on personal immersive journeys in the steppes of Mongolia and among the Hopi tribe in Arizona and features collaborations with YOUTH as well as JAIA and DF TRAM.
Dernière entrée le 02.11.2023
Angelo Sindaco is the producer’name behind the self-titled project, Sindaco, active since the mid-80s in the experimental and industrial electronic music’ circuit up to the most innovative house music now lands
on Simona Faraone’s label, New Interplanetary Melodies with his latest work, Spiritual Safari (NIM010).
For this release, Sindaco took the help of some of his longtime collaborators and friends such as DJ and producer Andrea Salomoni, here with his aka Abyssy, Brazilian Kraut-classic singer Marcela Dias and musician Nico Pasquini aka Stromboli.
Spiritual Safari was born from a particular sci-fi vision of Africa as the last border of post-post-modernism, in which, Sindaco’s artsy approach combined with Abyssy’s more exquisitely Detroit feel blend to perfection giving birth to tracks with a more ecstatic flavor such as Absenthium (1) and Gommaflex feat. Stromboli (3) or more sinuous and deep like Bem bem bem (2), graced by the sweet voice of Marcela Dias or Monolite (4) feat. Abyssy that transports us to a Techno dimension of rare elegance.
With Atlantic Road (5) the mood becomes more rarefied despite of the pushing rhythm, while in Son (6 feat. Abyssy) field recordings and synths turns more airy and shimmering bringing to mind some typical early 90s house productions. In Amazonas (7 feat. Marcela Dias) sounds comes from idm matrix while The Cave (8 feat Abyssy), the track that closes this beautiful record, you are enveloped by a soft tropical cloud thanks to its wrapping bass line and foggy synths that will conquer the most demanding users as by now a tradition for all the records curated by New Interplanetary Melodies.
Spiritual Safari was written and recorded between Bologna and Rio de Janeiro during 2022.
Dernière entrée le 16.10.2023
Ritualistic, tribal industrial double lp from George Kondaktor and George Lemos direct from the mountains of Greece. Open circuit feedback laden electronics featuring drumming from the legendary Igor Cavalera and haunting vocal appearances from cult Greek artists the Vougioukli Sisters. Tense, heavy, dense, soaring soundscapes.
Dernière entrée le 29.09.2023
Half Grand Records’ second release makes it more clear that their target is squarely between the dancefloor and headphones. This unpredictable playlist spans genres, from Golden Science’s buzzy boom bap to Jon Doppler’s sub shaking hardcore, with layers of analog goodness that seem to glow with the first days of rave. Electronic music veteran Proswell contributes a real viber, replete with growling basslines and bells. Round it out with a sprawling, spastic workout from Sweden’s A Stantz (Peel MD) and you have a chronicle that would fit perfectly in the collection of fans of early Warp Records, Tobacco, and millennium era Merck Records. Check it out!
Dernière entrée le 19.09.2023
Four years on since the landing of his immersive debut full-length "Marianne Brandt", Noorden main operator Alex Ketzer returns with his second studio album, "OTC"!
Perpetuating the non-linear narrative arc initiated by its forerunner, all the while establishing further club-functional bridges over the course of its eleven tracks, "OTC" weaves a fine tissue of lushly textured electronica, downtempo elegies and spacious tech-mospheres and old-school rave motifs through intricate combinations of sorts, marrying the entrancing primal power of the beat with a pastel-coloured palette of Rephlex-nostalgic electronics.
True to his genre-busting, non-formulaic standards of composition, Ketzer once again opted for the fragmentary rather than the straightforward, putting on a collection of variedly contemplative, dark, energetic and motion-inducing cuts in exploded-view.
Dernière entrée le 04.09.2023
Neroli is back with a new album project by long time hero and music mastermind Kirk Degiorgio. This project links the Planetary Folklore aesthetics and Kirk’s praised contribution to The First Circle, the beautiful ‘Leave Everything Behind’, in a very spiritual and ethereal way.
Born after witnessing Pharaoh Sanders performance at We Out Here festival in 2022, ‘Robe Of Dreams’ represents Degiorgio’s tribute to the artists that shaped his musical world.
Dernière entrée le 19.07.2023
While Suspended In Gaffa is a debuting name, the members are by no means newcomers. They sport an extensive past together as Hinsidan, known for releasing albums on Phisteria and remixing Asche on Ant-Zen.
Further back, Suspended In Gaffa's Casper Holm was member of the legendary post-punk band Before. While DSM's early teenage years recordings as The Product were re-released on vinyl a couple of years ago on the prominent US label Dark Entries.
Though there's no denying the Kate Bush connection, the music draws references to things more ethereal and intense, taking cues from acts like Throbbing Gristle or Recoil rather than the beloved London Nightingale.
It touches both wave, italo, electro and techno without ever comfortably sitting within any genre brackets. Programmed beats are mixed with one take live instrumentations, adding tension throughout the minimalistic and suggestive songs. DSM's vocals adding that final edge of flesh and blood that separates the band from a lot of the current digital era electronic music. A successful fusion of past, present and future, and a very strong and diverse (re-)debut. Turn on, tune in, drop out!
Look out for the remixes dropping soon by Bronze Teeth, Rivet and Basic House!
Dernière entrée le 07.07.2023
limited to 200 copies!
After we have been rolling out three singles and two remixes, it’s time to present to you the full album by the Belgium duo Pelace, titled ‘Echoes’. The digital version drops October 7 and to make it even better, the album will appear on vinyl too at end the of 2022, which will be the first ever vinyl release on Infinite Depth.
The album represents the energetic sound of Pelace (Jordy Cosemans & Janick Warnier), hailing from Hasselt. Besides being Pelace they are very good friends in life, which is playing big part in their tracks. They dug deep into their own experiences and emotions that have been influencing their lives and this resulted in the album. The careful composed collection of tracks forms a 10-track story of uncompromising breaks, deep and compelling melodies and beautiful repetitive vocals.
The album starts off with ‘Trapped Forever’. An ambient intro to immediately show their characteristic raw and uplifting synthwork. When it stops it makes sure you want to carry on listening. After the intro, ‘Deep Sea Dreaming’ follows, through which they bring forward their strong breakbeats and firm basslines. Where ‘Deep Sea Dreaming’ is pretty low-key, the next one titled ‘Patterns’ is one of the more compelling tracks on the album. Long-stretched bass lines are forming a solid base, on top of which uplifting arps and pads are making this track very lively.
The fourth track ‘Kali’ goes a bit deeper. The track was written and produced when there was the news that clubs were allowed to open in Belgium again. A hard 4×4 kick, raw percussion elements and a driven bass are the key elements. After this it goes through to ‘Forever Together’. This one is about always being Pelace together. It’s a break track with a suppressed, but also very special energy.
‘Break Ups’ represents the more calm and dreamy side of the album. The regular beat gets broken up by a breakbeat, after which it continues in its lo-fi focused four-the-floor pattern. Throughout the track harmonious pads are melting together with high pitched synths, giving you a hopeful and warm feeling. The main song ‘Echoes From The Past’ defines the signature sound of Pelace, a blend of all kinds of electronica. Broken beats, intertwining synths, an appealing repetitive vocal and a reese bass, combined to evoke intense moments on the dancefloor.
The eighth track is called ‘Floating’ and refers to old-school no-nonsense electronica. A pulsing and stabby synth, a powerful jungle kick and the up-tempo rhythm are providing a powerful energy. ‘Pushing You Away’ brings us back to the duo’s characteristic drum parts and vocal use, but with a deeper lower part and a somewhat trancey and ravey higher part. Then the cooling-down begins in the form of the outro ‘I Won’t Hesitate’. A very hopeful end to this story told by Pelace




















