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Warehouse find

We've been doing some housekeeping and found this first release on the Soco Audio label hidden deep in our warehouse.

It is the work of Hakan Lidbo and was first related in 2001. It opens with the 'Sinful Sadie' title track which is drenched in loved-up synth warmth and has a steamy female vocal coo floating above the shimmering deep house beats. 'Kung Pa Klubben' has more twisted synths and a vocoder vocal that brings a futuristic vibe and 'Scrubber' then closes out with some tight and percussive tech funk that still sounds as good now as ever.

Flawless, raw boosting to satisfying & warm Power House actions

The legendary producer, remixer and one half of ‘90s duo Full Intention, Michael Gray, offers up two new productions on his label Sultra. Joining forces with multi-talented signer Tatiana Owens, Gray lets loose a double header of feel good, piano laden house tracks doused in Owens’ delectable vocals.

D3 Classic Edition proudly presents its debut release, shining a light on an unsung hero of Detroit's electronic music scene: Nathaniel Killins IV. Active from the mid to late 1990s, Killins was an underrated talent who operated under the radar during a pivotal era of Detroit's musical history.

Under the alias Naquil, he released his debut EP in 1996 on Perception Records, a short-lived yet significant Detroit House/Techno
label. Krem de la Krem is a deep melancholia and obscure Detroit deep house EP, beyond qualification, like only a few Detroit records can attain.

The next in the Undercover Lovers series from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Number 5 features a steel band cover of an 80's classic (itself sampled on a 90's hip hop classic!) backed with the Balearic banger of the year; an edit of a rare 'Everybody's Gotta Learn Sometime' cover...

Limited pressing as usual, be quick!

2024 Repress
Eat More House proudly welcomes Rick Wade!
We are more than happy to present you the Detroit Master on our label with his upcoming "Too Deep" EP! The remarkable sound of Rick Wade combining this time warm deep elements, groovy basslines and filigree ambient sounds. Highly Recommended!

Just in time for festival season, another batch of Disco Biscuits has landed on Luv Shack Records.
This time the maitre de’s Lee Stevens, Das Komplex, Space Echo and Siggatunez have whipped up extra delicious treats using only their favourite recipes to ensure maximum satisfaction on the dancefloor!

From Sweden with Italo to Dresden with love. Stockholm's DJ City drops his first release on Dresden's Uncanny Valley with the COSMICOMICS EP, a 100% fun record for all the senses, deeply inspired by Italo Calvino's iconic short story collection.

The stories have inspired DJ City to a record that aesthetically draws from 80s Italo Disco and 70s science fiction films. In the book, each story is based on a scientific fact about the world and the cosmos whilst using fiction to ask how we understand it. Where Calvino's stories are comical and absurd, DJ City surrenders to the sublime and romantic and moves further into the metaphysical world that Calvino created to come up with three energetic and melodic tracks bursting heavily with fantasy and drama. Deeply rooted in dance music's history, they shine with Hi-NRG-vibes, strict dancefloor commitment and little easter eggs like that Drexciya-reference in COSMICOMICS.

The cover of the record is a painting from 2020 by Swedish artist Jens Faenge called THE INN. The picture seems to have been broken up into several dimensions, and abstract details make it difficult for the viewer to know exactly what and when the scene is taking place. When shown in Shanghai, the painting was censored by government agents and had to be taken down. A testament to the power of the image. Perhaps it shows our main character, perhaps it shows us the author or the artist. Depending on who listens, who reads and who looks, a multitude of universes open.

Part Eight of the legendary MoBlack-Gold series unites four tribal percussive Afro-House gems to set the dancefloor on fire!

In the end, we’re nothing more or less than traces of space. Let your mind wander deep, high and wide on a timeless journey through sound and back. This is the debut album of Eric OS.

For its eighth release, Phonotheque Records presents Juan Dairecshion, co-founder of MER and SOEN, and director of Osmosis Records. This double 2x12" vinyl features 11 tracks spanning a wide variety of styles: house, techno, tech house.

The album is marked by its powerful basslines and dystopian vocals, offering a diverse journey that showcases the Uruguayan producer’s broad creative range. From melodic club-ready rhythms to darker and more experimental moments, this selection captures the essence of his versatile style.

Perfect for DJ sets seeking both dynamism and depth in the mix.

The 1980s were a golden era for Mike Mareen and his label, Night’n’Day Records. In just a few short years, Mareen carved out a stellar reputation on the German electronic dance music scene, excelling both as a groundbreaking artist and a hit-making producer. His tracks, alongside those he produced for other artists, dominated the charts and filled DJ crates across Europe. One of the standout talents he nurtured was Luisa, a singer from Bad Oeynhausen, who recorded “Parole” under Mareen’s guidance. With its Italian title and lyrics penned by Italian songwriter Rocco Caruso, the track exuded a breezy, summery vibe. While it didn’t achieve massive chart success at the time, “Parole” became a staple in DJ sets across the Eastern Bloc, quietly winning fans with its airy charm.

Over the years, the track’s cult following grew – and now, there’s even more reason to celebrate. Recently unearthed session tapes from Night’n’Day Records have revealed previously unheard versions of “Parole.” These rare gems, along with the original release and a special DJ edit, are now part of a brand-new reissue, fresh and ready to spin for a new generation. Get ready to rediscover the magic of “Parole” – a timeless piece of ’80s nostalgia brought back to life!

Matthew Dear's Black City Can't Be Found On Any Map. It's A Composite, An Imaginary Metropolis Peopled By Desperate Cases, Lovelorn Souls, And Amoral Motives. Like Most Literary Gothams, Black City Is A Place To Love And Hate, As Seedy As A Nightclub's Back Room And As Seductive As The Promise Of Power. Matthew Dear, The Musician, May Live In New York City, But The Matthew Dear Of Black City Inhabits A Sound-world Unlike Any Other: A Monument To The Shadowy Side Of Urban Life That Bumps And Creaks, Shudders And Wakes Up Screaming In The Middle Of The Night. Black City Is Matthew Dear's Third Album On Ghostly International, And It's His Darkest And Most Engrossing Work To Date.

From The rst Notes Of Album Opener "honey", It's Clear That The Love-obsessed Matthew Dear Of 2007's Asa Breed Has Given Way To A More Existentially Paranoid Entity, As Creeping Tempos Dominate, Cavernous Atmospherics Envelop The Listener, And Strange Distortions Crackle On The Horizon. In Black City, Nothing Is At It Seems: Leadoff Single "little People (black City)" Is A Nine-and-a-half Minute Disco odyssey, subverting its gleaming electronic lead with eerily giddy backing vocals and cryptic, ominous lyrics ("a frozen wasted heart / has died", "love me like a clown"); "You Put a Smell on Me" is a sordid sex romp set to hysterically chattering percussion and a serrated synth line that will set your teeth on edge; "More Surgery" at rst recalls the barely-there Krautrock of Harmonia in its burbling minimalism, until Dear's chanted chorus of "Alter genetics / to make my body glow / I need more surgery / there's so much more to know" sends the track hurtling into a dystopian future.

And yet, for all the foreboding moods on Black City, it's the album's sweeter moments that illustrate Matthew Dear's growing maturity as a songwriter. "Slowdance" is a futuristic lullaby in which Dear articulates a lover's helplessness ("I can't be the one to tell you everything's wrong") over breathy, Arthur Russell-esque cello swishes; the album-closing "Gem" is an achingly simple, reverb-drenched piano ballad that ends with a long, slow fade. Even in Matthew Dear's Black City, there is hope.

S.A.M. returns to their Delaphine imprint with three tracks for the dance floor and beyond. All tracks carry a signature groovy and punchy low-end with deep other-dimensional swelling atmospheres and immersive compositions. The opening track 'What Defines You As A Human' takes you underwater with bubbly synth effects and arpeggiated bass plucks filling up the lows while flanging sizzling hi hats tickle the eardrum. The groove is driving with a single reflective line being repeated in whispering vocals.

The second track 'Lundeborg Winds' follows up with pad chords topped with an organically tweaked Moog melody all collapsing into a darker and stormy vibe. Here a new acidic bass line keeps you moving and brings you into the storm with curiosity. A soft and dreamy piano part carries the tunes outro and puts the storm to rest.

The full sided cut on the B-side named ‘Dive’ could refer to S.A.M. 's prior release from 2016 ‘Descend II Ascend’, because the track really does take you to deep inner oceans before ascending to shivering heights. Here the journey up high seems to be conditioned on diving inward. A solemn almost religious choir takes the composition in a unique direction toward a place somewhere in between the beats of the heart.

The Eurodance producers trio consisting of Sascha Lappessen, Thomas “Alisson” Lüdke, and Ralf Kappmeier, founded SASH! in 1995. This comprehensive vinyl selection of The Best Of... SASH! includes the first smash hit “It’s My Life”, which reached the top charts in Europe in 1997, and the follow-up hit “En- core Une Fois” featuring Sabine Ohmes, which reached the #2 position in the UK charts. A slew of hit singles followed such as “Ecuador” featuring Rodriquez, “Stay” featuring La Trec, “La Primavera”, “Mysterious Times” featuring Tina Cousins, “Co- lour The World” featuring Dr. Alban, and “Adelante” featuring Paul Hammer & Rodriquez. All of which reached top positions in Europe and the UK.

In 2023, SASH! released hit singles “Rock My Body” featuring R3Hab and Inna. A year later “The Ultimate Seduction” fol- lowed, which featured Sir Danny Cool and C’hantal and con- tained a sample of the 1990 classic house acapella recorded by C’hantal. Both singles are included in this compilation as bonus tracks.

For the first time, The Best Of...SASH! is available on vinyl as a limited edition of 1000 copies on translucent yellow coloured vinyl. This 2LP includes an insert.

For‬‭ the‬‭ tenth‬‭ edition‬‭ of‬‭ the‬‭ Warning‬‭ 12” ‬‭ series‬‭ - ‬‭ Secretsundaze‬‭ ,‬‭ now‬‭ led‬‭ by‬‭ James‬‭ Priestley,‬ ‭ releases‬‭ his‬‭ first‬‭ work‬‭ under‬‭ the‬‭ moniker‬‭ as‬‭ a‬‭ solo‬‭ venture,‬‭ marking‬‭ a‬‭ new‬‭ sonic‬‭ direction‬‭ for‬ ‭ the‬‭ project.‬‭ On‬‭ WAR1210‬‭ he‬‭ delivers‬‭ two‬‭ original‬‭ cuts‬‭ residing‬‭ on‬‭ the‬‭ A‬‭ Side,‬‭ with‬‭ remixes‬‭ on‬ ‭ the flip.‬ ‭

The‬‭ EP‬‭ opens‬‭ with‬‭ ‘Doesn’t‬‭ This‬‭ Sun‬‭ Feel‬‭ Great’ ,‬‭ a‬‭ rising,‬‭ percussive‬‭ track‬‭ that‬‭ utilises‬ ‭ disparate‬‭ samples‬‭ and‬‭ twisted‬‭ vocal‬‭ manipulation‬‭ for‬‭ a‬‭ fast‬‭ paced,‬‭ dancefloor‬‭ orientated‬‭ roller.‬ ‭ Progressive‬‭ in‬‭ outlook,‬‭ organic‬‭ in‬‭ nature,‬‭ the‬‭ track‬‭ steadily‬‭ builds‬‭ throughout,‬‭ culminating‬‭ in‬‭ a‬ ‭ deserving,‬‭ euphoric‬‭ release.‬‭ ‘The‬‭ Real‬‭ Sun’ ‬‭ takes‬‭ the‬‭ sensibilities‬‭ of‬‭ the‬‭ opening‬‭ track‬‭ and‬ ‭ leans on its raw, rolling percussive energy, keeping things highly functional and grooving.‬ ‭

The‬‭ B‬‭ side‬‭ commences‬‭ with‬‭ Drua‬‭ ’s‬‭ version‬‭ of‬‭ ‘Doesn’t‬‭ This‬‭ Sun‬‭ Feel‬‭ Great’ .‬‭ Drawing‬‭ for‬‭ a‬ ‭ sonic‬‭ palette‬‭ quickly‬‭ becoming‬‭ synonymous‬‭ with‬‭ him,‬‭ the‬‭ remix‬‭ twists‬‭ and‬‭ turns‬‭ in‬‭ a‬‭ mesh‬‭ of‬ ‭ psychedelic‬‭ progressive‬‭ and‬‭ hard‬‭ hitting‬‭ tech‬‭ house.‬‭ To‬‭ wrap‬‭ up‬‭ proceedings‬‭ Giraffi‬‭ Dog‬ ‭ delivers‬‭ his‬‭ captivating‬‭ ‘700‬‭ Lakeside‬‭ remix’ ‬‭ of‬‭ ‘The‬‭ Real‬‭ Sun’ ,‬‭ pushing‬‭ boundaries‬‭ with‬‭ an‬ ‭ inventive score that transforms the original track's energy.‬

Modern funksters Silver Skylarks get the remix treatment with deep house remixes from Chicago's Ron Trent and Atlanta's Kai Alce of "Move Ya". On the B-side Dolfin Records head Ben Hixon drops swingin' house remixes of "C'est Goodnight" and "Just Can't Get It Right" 200 copies

Virtuoso producers, DJ's, multi-instrumentalists and brothers Emanuel and Gerardo Cedillo, aka Soul Of Hex, present a sumptuous EP of essential house cuts on the lauded Mexican imprint Kilometro 4.5 featuring A-list appearances from Kuniyuki and "Mad" Mike Banks. This four-track record swells with life, soul and ideas; encompassing a heady mix of jazz, electro, soul, gospel and funk all channeled through a classic house lens.

The story begins on a beautiful Sunday afternoon. Harmonies of electronic music are swinging through the atmosphere, catching and inspiring our latest protagonist known as Tal Fussman to produce his latest EP - Parallel Reality. Tall Fussman is creating house music full of raw & warm frequencies, presenting three toollike jams energizing all your senses with elements like striking claps in „Parallel Reality“, precise chords in „Oh, Ok“ or the pace-setting, arpeggios in „The Dawn“ Tal showcasing his relentless quest of always moving forwards in his musical mission. After a magic guest appearance on Innervisions' Secret Weapons series we are curious to see what the musical future holds for this young talent!

Dave Lee dons his Sunburst Band trousers and calls in the vocal talents of Wayne Hernandez with this slice of Brazilian flavoured Jazz Funk ‘Listen Love’ - yes the Jon Lucien jazz dance favourite. The sizzling drums & percussion blend perfectly with the pulsating bassline that allows Wayne to scat and weave his way into the blissed out yet uptempo jazzy keys. For those thinking this would be an even better track if it had a flute solo, we’ve got you covered! with Dave Lee’s ‘Flute Reboot’ for that maximum Latin edged jazz-funk feel.

On the flip two people who need not introducing, Louie Vega & Josh Milan get frenzied on the drums and piano, as they up the ante and deliver a jazz dance fusion clocking in at 9 minutes. Their mix really works up a sweat in the second half as the groove and scatting lock together for an intense rhythmic workout. All in all a very impressive outing.

Time2Feel is a friendship association of two enthusiasts thrilled by electronic music. The main purpose is the sensation triggered by electronic sounds and the letting go needed to maximise that feeling. As an adventure, getting out to your confort zone makes you grow. That's why we dig deeply in the unknown to find new records, new parties and new people to “feel” new emotions with Moreover it's a way to feel alive, and our aim is to persuade you that your lives are incredible, at least for a moment.

We've collaborated with emerging talents from Europe to curate our first vinyl ever "Embrace the Unknown". Inspired by the French Electronic scene, we tend to mix different genres of electro, with no boundaries but the one we feel.

Venetia from Paris captures with a perfect sample and a huge bass, something we want to go clubbing on, as the melodic synth tells more nostalgia in it.

Marie gives us an electro vocoded track, based on a mini V3 bass as her inspirations are more 90s electro and invites us to rock on the beat with her.

Luca Monteforte tells a more stellar story, and shows you the path to an interplanetary journey through this synths and FXs just from another dimension.

Ducato Diver brings us a lesson on how to bring old school drums into a synth pop universe for us to feel truly raised.

The House always wins, or so the saying goes. But how can you possibly losewith a table set so sweet? This time around we have four tracks of seasoned club tunes from the Squid-verse, delivered to you in a Vinyl only package. Want to mess with that? Well, Ink around and find out!

TET002S – Turnend Tapes, on its second release, presents something very special in the form of a 4 track EP selected from the works of a true veteran, zedmeco. Better known as Zeno Messis, one part of the prolific Megalon project that painted the UK underground techno scene of the 90s. With a string of releases on Plink Plonk featuring the now cultish 94’ LP ‘Pandora’s Box’, Megalon’s mosaic of dance music was as much Ambient Dub as it was Detroit techno or Deep House remaining timeless and mythical.

Fast-forward 2 decades and then some. zedmeco quietly continues to transmit music of authenticity and nostalgia, inflected with the same elasticity to style and sound, integrating 20+ years of spirit and experience. ‘view from olympus: selected tracks’ is a culmination of just a fraction of Zed’s new output that we are ecstatic to have start our stamped series on the label.

“The Pre-Working Demos” is a collection of home demo tracks recorded during the early 80’s. These are some of the very first songs composed by Holger Wobker and Peter Sawatzki and recorded just on cassette tapes. Some are sung in German, others in English. There is also a first version of “You” initially called “Youmavision”. Some of these demos, that Holger used to play on the record store where he worked, helped the band to get the attention and a contract to release their first and best-selling single “You” and the debut album “The Working Model” in 1983.

Limited edition of 350 copies with a postcard.

Cratebug is a Chicago Dj, Producer & Remixer. His remixes and edits are hot gold and have found their way into the mixes and live sets of COUNTLESS djs all over the world. Most notable and well-known among fans & supporters of Cratebug's work include:
Derrick Carter, Frankie Knuckles (RIP), Louie Vega, Kenny Dope Gonzalez, Dimitri From Paris, Boris Dlugosch, Francois Kevorkian, Danny Krivit, Moodymann (Kenny Dixon Jr.), Theo Parrish, Master Kev, Moon Boots, Jackmaster (Jack Revill), The Martinez Brothers, Doc Martin, Mark farina, KON, Detroit Swindle, Radio Slave, Luke Solomon, Jimpster, Alton Miller, Juan McClean, James Murphy, Alton Miller, Horse Meat Disco, Gene Farris, Jack The Box (Tyree Cooper & Bobby Starr), The Black Madonna, Jojo Flores, Marques Wyatt, Terry Hunter, Ricardo Villalobos, Kiko Navarro, Ted Patterson and MANY MORE!...

DJ support from Alan Dixon, giza dj’s, Frankey &Sandrino, DJ Linus, Timo Maas, Timanti, RuedeHagelstein, Hernan Cattaneo, Nick Warren, Guy J.

It’s magic. It’s black. It’s plastic. Yes, Selador are back on vinyl with the latest in their Magic Black Plastic series. And this time it’s all about label head honcho Dave Seaman, as no less than four (count ‘em) of da boss’s choicest cuts get immortalised on wax. It’s a seriously limited-edition vinyl run! Acid House Forever. Just follow the wabbit!

Lovable Rogues is the brainchild of Tech House duo Lee Humphreys and Evasive head honcho Rob Pearson. 3 Groove laden tracks from the golden era, being the early years of 'Proper' South London Tech House!

Rob and Lee formed the production Duo ' Lovable Rogues' after they met and hit it off at Online Studios, Croydon in the mid 90's. This 3 Tracker launched Rob's Evasive Records Imprint back in 1999.

A UK based DJ and Producer Lee Humphreys is known as one of London’s early Tech House pioneers. His production career goes back to the early 90’s and covers a vast array of styles and sounds under various pseudonyms.

In the early 90's Rob Pearson already had various productions including Drum and Bass EPs on Basement Records & Online Recordings. In 1999 He headed back to his roots of House & Techno and was releasing on the now infamous Swag Records label and also as Online Collective.

Look Into Your Eyes was written and produced by Rob & Lee at Online Studios, Croydon, UK and the other 2 cuts featured are solo efforts. 'Chica 'Was produced by Lee at Tofu Studios, Thanham, Germany and Rob's own track 'Twilight

Almost exactly 30 years ago in 1994 Jamie Odell released his Loxodrome EP on legendary London label Jumpin & Pumpin, a release that has since gone onto receive a lot of love and attention and got reissued by Craigie Knowes sub label Wormhole Wisdom back in 2020. Fast forward three decades and Jamie aka Jimpster has decided to dust off his Loxodrome cap, and now we’re happy to present you with the fruits of his studio sessions in the form of The Drop Out EP.

The title track treads a much darker, more minimal path than we’re used to hearing on his Jimpster or Franc Spangler releases. Aimed fairly and squarely at the dance floor, Drop Out goes heavy on squelching, modular synth sequences which build around a stripped back jacking drum groove. Jamie’s trusty Juno 106 gets dusted off to provide the chunky bassline and ominous pads which are interjected with a trippy vocal sample and white noise fills.

Emberfall follows in fine style with saturated 808 drums and 303 acid line taking centre stage. Overall, an optimistic and uplifting atmosphere emits from the speakers, heightened by the Juno string chords, taking inspiration from classic 90’s Italian Dream House.

Flipping over we have a dub version of Emberfall which loses the pads and stabs in favour of dub delays and extra snare fills for a more impactful and minimal acidic club workout.

Closing out the EP things get lush as Jamie heads into deep, late night electro territory on Fornax A. Memories of Black dog and B12 are channeled through the layers of filtering synths and glitchy breakbeats and are inspired by his production approach and Atari ST running C-Lab Creator and Akai S900 - the tools at his disposal when producing his debut Loxodrome EP all those years ago.

Third chapter for Wild Circus, this time a new v/a featuring the italians Carebears, the Amsterdam based Sota and Shacklo from UK. A collection of deep / minimal house vibes!

Shir Khan marks the 37th release on his infamous Black Jukebox imprint with an all-killer balearic house record courtesy of mysterious Cécille-affiliated Cabin Luv Affair hot on the heels of his debut album which has seen support from Fouk, Laurent Garnier, Jamie Jones, Mr. V and Archie Hamilton.

Here, the masked master lays out 4 convivial cuts that sit in a particular pocket between House and Disco; one that has historically been occupied by the likes of Pepe Bradock, Damiano Von Eckert and Andrés. A spot classically characterised by beautifully imperfect, sample-heavy productions that are shot through with palpable depth and soul.

The record sets sail with ’Te Siento’. Polyrhythmic percussion bubbles across the surface of a deep sonic pool that forms a bed for vivacious drums, romantic vocals and a spine-tingling strings riff. A hazy opening clears out before the backbone of recording shines through; an uplifting 90s piano motif that's later picked up by Xylophone tones while a tight, truncated bass line punches away at the track's core.

'Dance With Us' then rolls out a beautifully seductive mood. Softly shifting synth chords, a loose-limbed drum break and hedonic vocals whip up a hot and heavy vibe that shines with a distinctly Chicago-tinged elegance.

'Time Is Killing Us' follows up with an immaculately executed, 'last tune' House groove. A gentle but powerful euphoria is generated with swooning strings, more giddy piano riffs and another robust drum track that all gather momentum as progress rolls on. An ecstasy-crescendo forms before it crashes and fizzles before the lights go on.

'My Head Like Shibuya Crossing' then follows up with a tightly-knitted Deep House cut. Buttery melodies adorn an effortlessly kinetic bass groove before a delicate Japanese vocal bleeds into focus. As is the case with much of the record, the track graciously segues through its chapters with melody at the fore-front before bringing the record to a conclusion.

White Vinyl Repress

The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London.

A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.

Repress.


Decada 2’s musical and visual playfulness trailblazed the electronic scene in Mexico in the mid-80s. The project channels Mateo Lafontaine’s luminous mind and otherworldly persona into an audible experience. The Mexican producer is a sonic alchemist, exploring and combining a multitude of electronic genres. The result - Mateo’s interpretation of the club music zeitgeist.

2020 marked not only 35 years of Decada 2 but also the sudden passing of Mateo.

Philoxenia is proud to present Decada 2’s first vinyl release, a testimony to the legacy of a pioneer of electronic music in Latin America. These remastered tracks showcase Mateo’s unique take on EBM, proto-house and early rave sound, ranging from the mid-80s to the early 90s.