House Vinyl New Releases - News

Are you ready to step into the heart of Fjeldheim? Get ready to immerse yourself in the hypnotic rhythms and driving beats of the hottest new EP release in the scene ;)!

Featuring a fusion of housy-edge sounds, bass and techno vibes, this EP will transport you to a world of pure sound, where lush chords, pumping basslines, and groovy percussion hits like a sledgehammer. Whether you're a seasoned club-goer or a casual listener, these tracks are guaranteed to get your body moving and your feet tapping!

So what are you waiting for? Turn up the volume and let the beats take over. Don't miss out on the fun !

Argentinian Dj and Producer Furz will be in charge of the latest "Cuartero Concept" vinyl release. The EP contains two original cuts and one remix by Subban.

Title track "Sun-Changing" sets the tone with a wonky bass and solid groove that drives you through a trip with hypnotic keys and a striking clap.

B side "They dont know" blends minimal-laced bass elements with a rolling lead groove.

Subban brings his vision for "Sun-Changing" with punchy drum patterns and more challenging synth leads.

2023 Official Reissue

White Vinyl Repress

2023 official repress of the EP originally released in 2015 by the swiss/german production team "Jack Pattern". Electronic music with italo-disco influences at the highest level.

Up next on Pleasure Club we have some re-imaginings of Johnny Hunter’s lockdown summer jam U.K.AIM. For this we enlisted the skills of nu UK garage don ZeroFG, who turned in not one but two of his trademark low end workouts. We are also honoured to welcome one of the founding fathers of UK tech house, Mr Len Lewis, to the label who delivers a heads down late night take on the original.

The spirit of U.K.AIM lives on…

2023 Repress

One of Larry Heard's most under-rated albums finally remastered and available as full vinyl release for the first time! Known for his classic early house releases Larry Heard's productions always hinted at deepest outer space, but his 1996 Alien album was his first actual science-fiction record. It's almost as polished as the most mainstream dance production, but just as sublime as any Detroit producer. Heard's house roots often show themselves, while the chords and shimmering production make this an album almost on par with Heard's mid-'80s peak. The project was a recording & sound-development experiment that was mostly constructed around a Korg O1/W workstation keyboard that was left at Larry's studio to check out by Victor 'melodious myles' Houston along with some of the staples of his studio, including the Roland d550 and Oberheim Matrix 1000. Mr Fingers magic touch can be heard all over the album, and this showcases the incredible musical talents of the man, who's name by now cant be left out from any hall of fame when you're talking music innovators from the last century! Recommended!

Porridge Bullet’s “Sunda School” series takes a shot at the world famous club format: 12” vinyl. This is part three & LLL provide the goods. Hi–jinx gritty schmitty ghetto–house flavoured business “Friday Rituals” meets hazy & drunken dub paranoia “92” on the A side. The flip starts off with acidic “Yyyeah Exactly”. Microphone’s switched on again, la–di–daaa. The squelching sequence goes ta–ta–ta–ta–tataa. You can hear the fun & should mind the cowbell. Rugged & raw “Sunda School” edition for the club kids.

Caposile Music is back again with another stunning Ep by its regular monthly guest Manuel De Lorenzi.
Manuel is with no doubts a technical student at the old school’s sound. After his almost 20 years of productions, he always searches the perfect combination between grooves from the past with a future attitude and this time he landed on Caposile Music with 3 groovy tunes perfect for any moment of the party. Accompanying by the rising star T. Jacques who gives another dancefloor’s touch to the title’s track.

This is “You Freak Me EP”

On the A side we have the title’s track “You Freak Me” who has a strong percussive groove with crunchy vocals and nice chords.
Then the other one “Residency” is more uplifting with a killer bassline.

On the B side we have the solid remix of “You Freak Me” by T. Jacques who delivers us a fat groove and rolling bassline with Manuel’s rolling percussions.
To close the release, we have “Spice The Gap” on B2 Who is an anthem to rock dancefloor, always accompanying by Manuel’s touch with raw percussions, deep stabs and crispy vocals.

With this Ep Manuel wanted to create something unique, fat and raw sound and we think this is gonna be a solid one.

Marco Faraone returns to Drumcode with some of his most inspired work ever, comprising of four tracks crossing the Techno spectrum.Growing up Marco was surrounded by 90s Italo house and techno, which have all had a part in the current sound he produces today. Never one to stick to any individual style, he can often surprise his fans with a set pumping out peak time beats to down tempo house cuts with catchy vocals.
'With this release, I took some inspiration from listening back to some old Vitalic sounds and giving some extra power to the use of synths in each track. It's got a festival vibe to it, which is something I wanted to achieve' - Marco His last Drumcode EP was back in 2016, so this October he makes a welcome return showing his multiskilled productions at their full potential on this mega 4 tracker, opening with the gargantuan 'Never Forget'.Mutating rhythmic synths hark back to the good ol' days of BXR and the limitless talent of the Italian Techno scene in the late 90s. Boiling over in the main break this is crowd-pleasing dance music at its finest.
'Cruiser' is a bumpy upbeat ride with a strong melodic hook that will have the hands raised and the feet stomping.Title track 'Lunar Eclipse' is a dense, at times claustrophobic roller. Menacing to begin with, the addition of the main melodic motifs lifts the mood midway. 'Take This Trip' rounds out an incendiary EP. Lighter and more musical that the previous three, it offers a joyful, softer message. 'This is a special release for me, I wanted this to have explosive power yet the perfect balance of melodies and sounds to create a different and unique atmosphere for each track'
- Marco Faraone

'Believe" delivers a consummate body of work with which Nicole's considerable abilities in the studio are clear for all to hear. A wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. Furthermore, it lives up to the high-standards of previous Drumcode long-players and is an engrossing and impressive debut; and one that offers a smooth segue into the next chapter of an already exciting career.

Kicking off with the industrial techno grooves of 'Come And Lay' with the bass-heavy 'Do Your Thing' on the flipside.

Introducing the brand new label from renowned party Full Scale ! We are thrilled to announce our debut release, 50 Kills EP from the immensely talented French producer Olivier Romero. Garnering recent acclaim and support from industry giants like Dyed Soundorom and Shonky, Olivier Romero is making waves with his innovative sound.

Our first release features the electrifying track "The Fantastic," which has already become a favorite in many of Raresh's sets, eliciting amazing crowd responses and setting dance floors ablaze. This track showcases Olivier's unique ability to blend compelling rhythms with infectious energy, making it an instant classic.

We are excited to include a special collaboration on this EP. We invited the esteemed Tripmastaz to remix Olivier's track "50 Kills." Known for his distinctive style and production prowess, Tripmastaz brings a fresh and exciting dimension to the release, ensuring that this EP is a must-have for any music lover.

New installment in the Slow Life catalog by Primary Perception, two blood brothers born and raised in the Canary Island, but living in Berlin for the last years. It's in the German capital where they got to meet and support the Slow Life crew since their beginnings, and where they developed their fresh but
matured sound shown on this their first album. "Evidence of a Primary Perception" clearly has the trademark Slow Life character, combining broken beats, pads, acid bass lines, ambient passages, and overall, groovy deepness. They have more music coming soon in 2017, so as the label suggest: "They
are here to stay!".

The very first Zeitnot album, ZEITLP01, comes from American deep techno don Roman Debnar. Having previously released on Zeitnot with the 'Dark Matter EP', Roman is following this up with a wider variety of club oriented sounds on ‘X’.

Plate 1 comprises four heavyweight dance tracks, featuring bittersweet rave nostalgia in 'Lightsdown', and the swirling bass swamp of 'Anger Management'.

Plate 2 takes a different turn, down the route of trip-hop and downtempo. Reminiscent of old 90's IDM and breakbeat comps, we see Roman building emotive atmospheres out of his love for hip-hop and electronic music. ‘After Dark’ in particular brings to mind early Black Dog , while on 'Flip Mode' we hear influences from across the pond, in the form of jazzy keys and a stoned out vocal sample.

In The Pit returns, again with four tracks from label boss Seb
Jay hailing from Adelaid e/Tarndanya, Australia. Two years
on from the inaugural release, Seb Jay draws his newest
works from the local scene's expansion beyond clubs & into
Adelaide's House & Techno landscape of thriving bar culture,
sprawling inner city parklands parties & warehouse shows.
All four tracks are re§ective of Adelaide's willingness to
venture into discerningly fresh, yet richly familiar dance §oor
territories & are particularly inspired by his own infamous
'Snake Pit' parties, with their distinctly diverse crowds &
literally folkloric stature. This is for the city we love & the
dancers willing to explore the realms of their new urban
arena.

Inspired equally by the soul and funk of the Black Rio movement and the samba rock innovations of Jorge Ben, Serginho Meriti’s classic debut album presents one of the best - if least known - examples of funky Brazilian soul.

Brazil’s Black Rio movement had a lasting impact on the country’s marginalised black youth. Inspired by the African-American Civil Rights Movement and the revolutionary, politically conscious soul and funk being produced by the likes of James Brown, Curtis Mayfield, Gil Scott Heron, Billy Paul and Nina Simone, a new scene began to incubate in Rio’s poor and oft-neglected North Zone - one which put black culture front and centre. At bailes funk (funk balls) revellers proudly sported afros and danced to their own beat while artists such as Banda Black Rio, Trio Ternura, Tim Maia and Emilio Santiago subverted officially-sanctioned Brazilian styles by fusing elements of imported soul, funk and jazz with samba rhythms to create a new form of music they could call their own.

Sérginho Meriti was one of many young artists caught up in the excitement of the movement. Born Sérgio Roberto Serafim and raised in the north Rio suburb of Meriti (from which he’d take his stage name), he began his career with Black Rio funk/soul outfit Copa 7, for whom he penned the stridently funky dance floor hit Som Da Copa 7.

Snapped up by Polydor at the turn of the 80s, Bons Mementos was his first work as a solo artist. It’s the work of a young musician brimming with musical ideas and creating a new take on the Black Rio sound - one he would refer to variously as Meritiense (the sound of Meriti) or as Electric Samba. The title track is perhaps the perfect distillation of his ideas, mixing Black Rio’s funky bass and guitar lines with a healthy dose of the samba rock style developed by Jorge Ben, a pinch of eighties synths, and some of the best call-and-response female vocals this side of Fela Kuti. The result is a rich musical stew that has made the track a compilation favourite and the album hugely collectable among funk connoisseurs.

Elsewhere on an all-killer-no-filler effort, Madureira adds reggae-fied guitar rhythms and low-slung bass to the mix while Malandro’s added bursts of brass give playful homage to Glenn Miller’s Big Band standard In The Mood. Memorias demonstrates Meriti’s mastery of tempo. Beginning with a languid slice of samba rock the track abruptly changes speed half way through for a bright and zippy finish of brass-heavy funk. Serjane adds layers of flute and saxophone the latter adding to the natural warmth of Serginho’s rough-hewn vocals. Tipo is a classic funk workout with some deliciously squelchy synths, while Batalha ends the album with a warm slice of funk, it’s yin and yang melding of joyful horn bursts with mournful vocals a potent demonstration of the sadness that underpins the album’s seemingly sunny soul.

Interviewed recently, Serginho says the message he wanted to convey was that of “love, equality, and a portrait of how we were living at the time... the story of black people coming to Brazil, and the dissatisfaction of our life”. It’s a thought worth bearing in mind while taking in this shimmering gem of an album; one that was crafted with a yearning wish (as yet unfulfilled) that Black Rio’s dreams for black equality in Brazil might one day be realised

Let me tell you what, for this number 17 we have the first 10inch record that will get to the stores from Sakskøbing’s headquarters. What’s the material on this 10” let’s unravel together: On the A side we have an original production by Dan who goes by the moniker The Jaffa Kid. This hard-working producer has released and self-released an incredible body of work, which is for you to find out, so rather than reading this, go and check it out yourself, surely you will be impressed. We are very happy to welcome him to the label family with this dark acid tool sprinkled with doves chirping straight from the good old 90’s.

The B side is taken for a spin by none other than UK’s holy grail Scott Featherstone who actively tours with his live set under Triform alias and has produced records under his other projects such as “Beyond A Void”, “Glorious Springtime” and “Lemmon Grass”. Strong recommendation to check it all out of course as its swarming with total & true heavy hitters. Here Scott has taken the original track to the different way and turned it into the freaky house number that bubbles the brains in the sweet manner that it does. To conclude the rambling, these handsome artists have brought the “Tacked on Acid” EP to life for all of us to Tack.

Tiptoes joins the SlothBoogie roster this October with the ‘Good Times Incoming’ EP, comprised of four originals from the Scottish artist.

Hailing from Glasgow, Scotland, Tiptoes is a time-served DJ/Producer who has been in the game for over 15 years and has performed at a variety of venues worldwide. As a DJ, Tiptoes sound traverses from Jazz to Jungle through Detroit, Disco, Techno, Garage, Broken Beat, Deep House and everything in between, always finding that balance between energy and soul which crosses over into his productions also.

Up first on the package is ‘Born Slippery’, a filter house workout fuelled by an amalgamation of funk infused bass, guitar and brass licks alongside swinging drums and dynamic filter work. ‘Green Room’ follows next and lays down soulful strings, stuttering vocal cuts and plucked bass atop an organic drum groove.

Opening the flip-side is ‘Right Here’, stripping things back to robust drums, jazzy keys and processed vocal chants before ‘Alright’ rounds out the release via airy keys, moog like synth licks and crunchy lo-fi percussion.

Uplifting & mesmerizing, extended House trips

Kamai Music is growing quickly into one of the most interesting labels in the down and mid-tempo genre. After a successful debut compilation, the young Berlin label hits back with 'Fana'. A three track EP produced by Ulises. The Argentinian multi-instrumentalist merges in a very unique way his own South American roots with driving grooves and unexpected chords, colours and moods througout all tracks. Ali Kuru and Zigan Aldi join this release with two beautiful remixes. Last but not least Kamai celebrates with 'Fana' also their first vinyl release - including a digital bonustrack (redeem for whole EP via bandcamp) !

Warehouse Find!

2020 was supposed to be a year of joy in Malka Tuti, celebrating and commemorating 5 years of our existence.

After several celebratory dates and many plans were postponed due to coco-19 and its collateral damage, we have understood that the universe is trying to tell us something, and we’ve read it as SLOW DOWN!


After months of contemplation and excessive thoughts, we have come to the inevitable conclusion that 7 is simply a better number then 5. Therefore we are now celebrating 7 years of existence. 


To share our festive mood, we are releasing a 2XLP compilation filled with goodies supplied by our close friends, and their friends. 


For us, the Sheva (Seven in Hebrew) compilation represents a large chunk ofthe sonic spectrum that is the Malka Tuti multiverse to date. Whether its Red Axes’s dance floor punk, the tribal minimalistic psychedelia of Decha, the endless soundscapes of Vactrol Park, or the post-pop attitude of Xen and Shari Vari, one can hopefully notice that gentle thread weaving it
all together. That thread is Malka Tuti. 


On the compilation you can find many unreleased remixes to tracks we’ve released on the label, from amazing artists such as Nicola Cruz, Phew, Khidja & Manfredas. Each Remix gives new life to our back catalogue’s feel. 
 In addition, Xen is also back on Malka Tuti with 2 new songs, Blue & Cats in collaboration with brother Yoav. Both songs were recorded in the winter of 2017 In Uhrwald Orange studios outside Düsseldorf, with comrade Sebastian Lee Philipp (of Die Wilde Jagd fame) on the mixing decks and engineering hat.

In addition to his collaboration with Xen, You can find Yovav In ace form here, contributing a mid tempo discoish banger like only he knows how.. Even more fun comes from Vactrol Park, our dear modular brothers, showing off their deeper than deep sonic aesthetics and minimalistic groovy rhythms on Seemingly Strange. We are also thrilled to welcome a dear friend Benedikt Frey to the family. Expect some banging stuff from him in the future on MT.

Last but definitely not least, Lithuanian superhero Manfredas is responsible for one of our favourite secret weapons of the last couple of years, an alternative remix to Shari Vari’s Dance Alone, never released before. This Remix is a trippy pop excursion to the sunnier side of things.

All tracks on the compilation were meticulously chosen throughout the past few years and slowly stitched together to comprise what is now SHEVA.

SUR is back with another Various artists. On the A side Future Tones’s head FDEZ and our own Jorge Gamarra aka Ecstatic deliver two tracks for the clubs. On the B side Daif and Gulp with some chill but eerie downtempo beats, and last but not least Argentinian Tade Kop brings some jazz to the EP.

Terra Magica Rec. is back with its fifth release “Club TERRAM”! This time it will be another V.A. compilation of never heard and unreleased original gems of electronic body music.

Think: A double 12” vinyl which is fully charged for dismantled club use as those mighty TERRAM clubbers say. Compiled and arranged by Tom Sprenger & Mirko Hecktor all tracks are dance floor oriented rhythms which will activate your maximum energy output as well as total chill out crash. Let the new bots work your life balance. Multiverse to introverse to metaverse. With its discoish genre splicing between 90s-IDM 2 Big Beat and Breakbeats 2 NuCosmic 2 Acid-Madchester 2 rolling trancey driven Goa beats the record reflects the electronic underground culture of dance clubs and discotheques of the past 50 years. These stand for emancipation, gay liberation, cicil rights, working class and democracy. Find your inner peace on the chill out floor side. Or go bonkers to the hedonistic main room floor fillers. Find your unique personal safe space in TERRAMs different floors and hidden rooms. A CLUB FOR A L L. As Richard Dyer wrote in 1979 “In Defence of Disco”: ‘Capitalism constructs the disco experience, but it does not necessarily know what it is doing, apart from making money’.

The underground is where we go moving.

#Ibiza 2023 includes essential tracks and remixes from Bonobo, Claptone, Idris Elba, Michael Gray, Earth n Days and more. From huge club anthems to chilled poolside cuts, the album showcases the sound of the White Isle from sunset to sunrise. The hugely popular #Ibiza compilation series returns on 19th May with its biggest instalment yet - #Ibiza 2023.
The album brings together tracks and remixes from some of the world’s biggest DJs and producers, with music from Bonobo, Claptone and James Hype. Included is Idris Elba’s dance hit “Body Shots” which featured on hit TV show Love Island earlier this year. The collection also presents the hottest breakout tracks set to grace the island this season including the new Michael Gray Remix of Artful & Ridney’s “Missing You” (No.1 on Beatport overall).
Now in its seventh season, the #Ibiza series continues to build year on year, with over 15 million streams on digital platforms, and tens of thousands of physical units sold to date. The series has also proven to be one of the top selling CDs in stores across Ibiza itself, reflecting the true sound and soul of the island. From club anthems to chilled poolside cuts, #Ibiza 2023 showcases the vibe of the White Isle from sunset to sunrise. The album will be released on CD, Vinyl, download and streaming via Front of House Recordings.

OBLREC003 a must-have for any UKG or breaks enthusiast with contributions from across the globe.


On the A-Side, Columbia’s Espresso Bandini (aka Nicolas Duque) delivers “The Network” - guaranteed to devastate many dance floors with a deep baseline, infectious groove and memorable melodies. He’s joined by Brussels-based Enrico Dragoni, who serves up a very clean cut of UKG with "Dangeeeer”. The track features subtle hints of obscurity and a unique approach to UKG, which no doubt secures him as someone to watch out for.


But that’s not all! Flipping to the B-Side gives us a sought-after repress of Double Identity’s “You Requested It”, released on Voltage Music in 2002. A timeless piece, taking you on a journey from front to back. The master that is Harry Wills jumps on the remix of the track, evolving it into a peak-time bomb and perfectly rounding out the VA with his magic touch.

The third and final EP from the ten year anniversary series by French label D3 Elements is another one that offers a wide range of excellent grooves. To kick off, Jason Hogans takes us into woozy late night territory with muffled leads and lazy breaks, then Zopelar heads for the cosmos on his radiant synth laced house offering 'Resolution.'

Malik Hendricks keeps it low key and slow with his intimate basement sounds on 'Green Mango' then Meftah rebuilds on a dusty Theo Parrish tip with 'Maha Shatki.' Damar Davis offers pure cosmic deep house lushness on closer 'Kiss In The Dark.'

After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ, fatally wounded in a climate related event.

All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. Wailing odes tell the story of the catastrophic activity of eroding waves and winds shaping the land that are enhanced by the climate crisis. First hand experiences and meetings with local maritime experts on the subject of these receding coastlines inspired Wanderwelle to compose these albums.

During their travels, the artists stumbled upon a small church in a town on the east coast of Scotland. The building was quite damaged, the roof was being stabilized and the ancient walls showed great tears running vertically down the structure. One of the church’s volunteers told Wanderwelle that the damage had been caused by a nearby cliff that collapsed in the sea. An event increasingly common in the region.

The church organ was ruined in such a way that it was deemed unplayable, as most of the pipes were gravely damaged and in dire need of restoration. Musical instruments directly affected by the environment -and especially the climate crisis- are quite rare. Despite the damage, the artists were allowed to record a few tones of the instrument with their equipment, which was actually meant to be used for field recordings later that day.

In Black Clouds Above The Bows, antique cavalry trumpets were recorded and manipulated by Wanderwelle to sound an environmental alarm in the same manner as they were once used to warn men on the battlefield. Similar processing was used on the recordings of the dying organ, resulting in spectral, deconstructed tones beyond recognition. In addition to the damaged organ, the artists recorded piano, cello and harmonic additive synthesizers in later stages of the composition process, manipulating these sounds to mimic the perpetual activity of the sea shaping the land.Furthermore, a great deal of inspiration was found in maritime superstition, lore and mythology.

As told in the legend of Aspidochelone, a legendary sea creature of enormous size, was once mistaken for an island. After sailors docked and lit a fire, the beast submerged resembling a land mass sliding into the sea. The album’s title is derived from the saying ‘All Hands Bury The Dead’, a maritime burial phrase, as the duo likes to think ‘All Hands’ refers to all of mankind since we are all responsible for these impending catastrophes.

Cello, violin, voice, pipe organ (damaged), bowed guitar, EBow, Prophet-6 synthesizer, modular synthesizer, field recordings.

RIYL: Oliveros/Deep Listening, Arvo Part, Lambda Sond, Sarah Davachi

In a flurry of madcap sampling pitched towards the heat of the night, Pedro Zopelar builds on the premise of his 2022 electro- funk love letter Charme, shifting his approach towards a particular

90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.

The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,

Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak

Music Mania and Indica Dubs is proud to present the next release in their Mania Dub series. Following the classic 'Almighty Dub' (MD001), comes another of the UK Dub scene's most renowned producers; Alpha & Omega, with one of their most popular 'Shaka killer' classics from 1996: Rastafari.Alpha & Omega are a Roots/Dub duo that mix both analogue and digital elements, comprising bassist Christine Woodbridge and keyboard player John Sprosen. They began working together in the mid-1980's and issued their debut home-recorded cassette in 1988

Moxie’s On Loop imprint proudly presents ‘Manifold’, the highly anticipated debut solo EP from Amaliah. The rising Londoner delivers on her burgeoning ravey promise, unleashing a remarkable trio of percussive club tracks that link UK house aesthetics with global soundsystem influences, and comes with a wonderfully knotty remix from celebrated producer Call Super.

Borne Fruits founder Amaliah has rightfully ascended through the musical ranks of her native city to emerge as one of its most exciting voices. As a DJ and producer, she intersects at the exhilarating crossroads of contemporary house sounds, soundsystem culture and UK club influences to packed dancefloors weekly across the UK and EU. The Manifold EP flexes Amaliah’s parallel trajectory as a wicked tunesmith, offering her long-awaited and most substantial musical offering to date for Moxie’s much-loved On Loop imprint.

Opening track “Helix” curls a percussive membrane around its funky core, pumping along with nocturnal rave menace punctured by sirens and grotty synths. Next up, “Me So” shimmers with bubbling assuredness, diffusing Detroit-inspired melodies atop a bumpy house stepper that spurts with synthetic glee along its way. “Spooky Dub” greets us on the flip, wasting no time in igniting its punchy dembow groove while peppering its rubbery bassline amongst some dub-drenched fx. It briefly retreats for a half-step breakdown before re-launching us straight back to dancefloor salvation. Can You Feel The Sun’s Call Super sees us out with a typically psychedelic labyrinth-like remix of “Helix”, refracting a minimalised Electro groove through a magnificent fairground ride of wide-eyed sound design and intimate melodics.

Early support from Saoirse, Call Super, Parris, Moxie, Niks, Roza Terenzi, ISAbella and featured in Pangaea’s BBC Radio 1 Essential Mix.

From Manchester to Sydney Tonal Oceans presents the first ever vinyl issue of a selection of tracks from the legendary 1994 Atonement cassette (originally released on Clan Analogue).