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Absolute mastery of the Nu-boing movement. Release your release.

Fourth release of swiss label Mormorio Records.

MOR004 by Lepaya brings you some heavy breakbeats, remixes by Traumer & Giorgio Maulini.

full cover art, 180g, colored vinyl, limited copies.

Limited expanded 4 x LP Boxset edition, including 2 double gatefold records; one of the original album and one of remixes and rarities
Includes an exclusive 60 page hardback 12” x 12” book, documenting Orbital’s story and history Also features a 12” Slipmat, and 3 printed repro A6 flyers, randomly placed throughout the book

Back Again into our House, we're excited to introduce you to a new breed of talented artists. Brazilian born and made Bernards (Daydream), Londoner power beats producer Rupert Ellis (Winder) and the expertise of our Label Bosses Rypli (Material) and Martin Bellomo (Momentz).

Get ready to be transported to a world of sound, as we present a newly curated various artist release. Société électronique will leave you entranced and captivated. Let the rhythm Spin you on a journey of excitement and discovery.

– Well, is it working?
– Shh, I almost got it.
– If we don't open the damn safe in three tries, we're screwed. The mutagens will be released immediately, turning us into useless, drooling brats.
– Ew, I can't stand zombies!


Carefully moving the stethoscope along the cold thickness of metal, Cat was listening attentively in an attempt to analyse the clicks. The multiple amplification effect helped to ease the haste that hung in the air and hid between the lines even when one wanted to calm down. The dangerous scam with the intergalactic monetary fund had long matured and was finally executed. There, in the heart of the vault stuffed to the brim with bills and gold, the only feasible option was to guess the code.


– It seems that the lock connects to the opening mechanism, which can be anywhere on the door, via a system of gears.
– Yeah, that leaves us with either the plasma cutting or C-4.


Spacelunch was awkwardly pulling an inverter out of his suitcase, anticipating a big boom in the same breath. It is hard to know which solution would have come first if the sensor on the smartwatch had not gone off. A squad of stormtroopers was already heading towards them…

First ever 12” edition of Ahmad Albar’s spacey 1981Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

BEQA, a Georgian artist and resident of Mzesumzira, once again offers us his release this time on Sweaty Bull Record, where one can clearly see his style and vision of music. You can always explore Georgian character and mood in all his work. In Natural Mood EP you will meet 4 tracks that are really killing the dance floor.

repressed !

A lot can happen in 15 years. Few things manage to thrive for a decade and a half, especially in music. But a scrappy, left of center, Bay Area house music label, Dirtybird, has managed to do just that. Claude VonStroke, Dirtybird’s founder, is marking this 15-year milestone the only way he knows how… working. This year, VonStroke will throw two dozen-plus parties, three festivals (including the famous Dirtybird Campout), host his traveling Dirtybird BBQ series in major cities across the US, publish a coffee table book, release a seasonal clothing line, stage art shows, produce a fly on the wall docu series...and kick it all off by releasing a new album, out February 21st.

What began as a free party, turned basement record label, has morphed into a truly thriving community whose familial, fun and welcoming vibe has won over hearts and minds across the world. And while Dirtybird has grown and evolved, VonStroke’s core focus on music remains unwavering. The new album ‘Freaks & Beaks’ is a celebration of quirky innovation and a relentless pursuit of something new and fresh, while hearkening back to the freewheeling spirit that inspired the launch of his label. This is a project that draws upon the inspirations of family, old friends, new fans and proper dancefloors.

Claude will let his flock wet their beaks while they wait in anticipation of the new album with two new singles demonstrating the breadth of the dance music landscape explored on the record. Youngblood touches on the deeper sides of Claude VonStroke, a throwback to the label’s early days, featuring local LA music house talent Wyatt Marshall, while All My People in the House is a dancefloor heater that is sure to unite new and old Dirtybird fans together.

Today, Claude also delivers fans part one of an intimate video series, shot by his sister Emily (an accomplished filmmaker), documenting the creation of ‘Freaks and Beaks’, celebrating this historic milestone and taking a deeper dive into the day to day life of Claude VonStroke on the road.

‘Freaks and Beaks’ is the fourth artist album and sixth full-length project from Claude VonStroke. He approached the album with a new process, including committing to daily creative time, experimenting with a lot of new hardware and having fun creating a huge amount of sketches. He made music on many levels of gear all the way from complex modular synths to simple drum apps on his iPad. Keeping it all DIY, he sampled his own voice and his two children on several tracks as well. He allowed himself to breathe while creating over 130 ideas, which were whittled down to the finished 11 album tracks.

Freaks & Beaks nods at the inspirations that underpin VonStroke’s world, inside jokes between him and Justin Martin (FlubbleBuddy), unused experimental live sessions (Session A), playful noodling on synths (Alpine Arpline), obscure French producers (Frankie Goes To Bollywood), championing new talent (Youngblood), irreverent self-aware humor (Birthday Messages) and genre inspirations that range from ghetto tech and drum n bass to hip-hop and breaks. This is VonStroke’s love letter to the vibrancy and genre diversity that have made Dirtybird such a singular label.

No description needed, only music!

Mused Noise 005 features two original tracks by Daniel Chavez, a DJ & Producer born and raised in North Carolina where he discovered House music through artists like Kerri Chandler & Masters at Work.

He eventually moved to Chicago where he worked at the famous Gramaphone Records. “Return Jam” EP was written & produced in 2021 as the dance music scene was returning to full force after being dormant due to the COVID-19 lockdowns. A1’s Return Jam kicks off with ambient textures creating an open soundscape with dubby pads and a driving bass line to keep the dance floor moving. His track on the B side, “Number 3” follows a similar trend.



A2 features a Return Jam remix from Pressure Point, an Italian DJ & producer who started to spin records at the age of 14. Raised among House & Minimal, Pressure Point brings together the influence of these two genres very nicely with a stripped-back electronic approach.



On B2 we had Number 3 remixed by MOOR who is based out of Amsterdam, providing us a punchy dub techno track with wonderful bass automations after having releases on labels such as Get Physical, Berg Audio, & Bla Bla Records.

Like a Bolt from the sky... 4 tracks for your house-party!!!!

Special limited edition, white vinyl pressing, 500 run.


There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson.

Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in many of Frankie’s productions. Having both worked together for many years they established themselves as ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

Together they re-produced and re-purposed classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music.

For the third volume classic cuts such as Inaya Day & Robin S. - Right Now (A Director’s Cut Master) and Marko Militano - Good People (Director’s Cut Signature Mix) are nestled alongside equally absorbing Directors Cut mixes of Vintage Lounge Orchestra covering 'Dreams' and Art Department pres. Martina Topley Bird feat. Mark Lanegan & Warpaint covering 'Crystalised'.

The Director’s Cut Collection is a fitting tribute to commemorate the seventh anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.



DJ Feedback:

Dixon - 5/5 - "Classic"

The Black Madonna - 5/5 - "Love you Frankie!!!"

Laurent Garnier - 5/5 - "“niiiiiiiiiiiiiiiiiiiiiiiiice OHHHH SOOOOO NIIIIIIIIIIIIICE !!!!!”

Honey Dijon - 5/5 - "Iconic!!!!!!"

Axel Boman - 5/5 - "It's all about love - not about emotions!!!!

Adam Beyer - 5/5 - "<3"

Space Dimension Controller - 5/5 - "Always"

Tensnake - 5/5 - "Classic Love It"

Jonny Rock - 5/5 - "Hot!!!"

Prins Thomas - 4/5 - "very nice! fresh take on an all-time classic"

Len Faki - 5/5 - "It's been a while listening to this masterpiece - and yes - it's timeless and I love the new touch on the new version. thanks Frankie!"

robdabank (Radio 1) - 5/5 - “One of my all time faves and great mixes here!”

Severino Panzetta (Horse Meat Disco) - 5/5 - "OH YASS!!"

Matthias Tanzmann - 5/5 - "Can't believe it has been five years already. Legendary

Michael Serafini - 4/5 - "Excellant Retouch on this!!!"

Ease-Nightmares On Wax - 4/5 - "Timeless classic for a true legend RIP x"

Timo Maas - 5/5 - "well...classic!"

Tiefschwarz - 5/5 "bless Frankie Knuckles!!"

Red Rack'em - 4/5 - "Love this new version. Really tasteful. Well done!"

The German saying 'Ist der Ruf erst ruiniert, lebt man voellig ungeniert.', meaning once your reputation is ruined, your life gets easy, sums up a lot about Furfriend's artistic doing.
'Freedom of Filth' lives tightly along those lines and throws its full force of lushness at you, growing into an empowering industrial monster that makes you want you to rip all clothes off your body. If JFK did it, so can you.
If big room sound is too much for you and you miss the simplicity and pervy voice of Dingo Tush that made the duo famous, you'll wanna follow their instructions for self appreciation and have a listen to 'Touch Myself', A trainlike fuckfest for the dancefloor. Make sure to bring some lube!
Following is a short live recording from the 'Fuck Olympics' .... we are just going to leave this uncommented here.

Exactly one year a er its release, finally also available on vinyl "Passi" by the duo IO and PALMIERI with the remix by the queen of techno DEBORAH DE LUCA

microCastle’s second offering of 2023 welcomes Ivory back to the label for his third producer showcase. Based in Milan, Italian artist Daniel Tagliaferri aka Ivory has been at the cutting edge of electronic music for the better part of a decade. Comparable to the path of his contemporaries, Daniel has found a way to create a personal universe by exploring electronic sounds, and ultimately finding his own place in the trend-driven state of underground dance music. Fully formed within the creative confines of his Milan studio, Ivory's third microCastle project ‘Persona’, follows on from 2021's ‘Light Through Water’, a seven-track affair which continued Daniel’s mission to create bold synthesizer symphonies from the tools of the club. As an evolution in his sound, the release was significantly more stripped-down and dancefloor-friendly than his label debut ‘No Scale Can Resize You’ yet continued to demonstrate and build on the Italian’s penchant for sophisticated sound design and memorable musical themes. Moving forward, 2022 proved to be a monumental year for Ivory, with the release of his debut album ‘Feelin’ sitting as the highlight, a release which was preceded by the immaculate EP project ‘Rain’. The year also saw the Milan resident gain further recognition as a DJ, as he continued to exhibit fresh programming along with thrilling pace and flow, in turn becoming an in-demand presence at major clubs and events throughout the world. Now, following a string of impressive remixes to begin 2023, Ivory makes a welcome return to microCastle with ‘Persona’.

EP opener and title selection ‘Persona’ is exactly the kind of confounding starting point that an Ivory project seems to relish in; one with a newly sprawling, saga-like story to tell. Unique in design and execution; its paranoid motifs, sci-fi vocal samples and perverse synth mutations are prophetic, all while maintaining a sense of urgency and spontaneity that astute dancefloors will appreciate.

Superficially, ‘Axis Mundi’ comes across as a classic chunk of Ivory bombast, but it exists in a markedly different sonic world, as multiple layers of rebounding rhythms, vocal trails and cinematic ambience get gently woven around a core of beefy grooves and cleverly coaxed chord stabs.

Meanwhile, the aptly titled ‘Sea Creatures’ operates on a more symphonic level, a provocative contrast to an extent, as Ivory’s marine design and dreamlike elegance conjures up utopian visions. Thickets of buzz swell and intensify across its nautical architecture, carefully reeling in the listener, before a thoughtful take on melody reveals Ivory’s creative attitude during an elegant finale.

As a much-requested track of Ivory’s DJ gigs, ‘Departures’ lands with a grandiose flair. Big, bold and magnificent; yet intricately crafted with perfectly contoured beats and serene meditative textures. There’s a strong sense of cruising across the first movement, allowing the listener to relish in the groove, examining phrases before leaving them behind for a smudge of fuzzy stabs and euphoric overlays. Balancing the mix, Daniel’s orchestral touches radiate throughout the production's final act, adding an air of sophisticated musicality to a mature no-frills arrangement.

Inspired by the limited HBO series of the same name, it is ‘Leftovers’ which sits as the anchor of the EP. Winding the release down in breathtaking fashion, its patient build and wispy harmonies tug at your heartstrings, progressing with a sense of intricacy and naturality that one would expect from the upper echelons of electronic music. In fact, it’s this minimalism, which at times has become a hallmark of Daniel’s more intimate work, and the brutally economical way in which he is able to wrench on the emotions with so little, that has distinguished his potency as an artist. A sound that delivers authenticity, it’s music which reminds us to simply be.

From the paranoid club realities of ‘Persona’ through to the heartrending qualities of ‘Leftovers’, this is a unique look into Ivory’s repertoire. Here, the infectious house music on which he’s built his career remains but also makes way for the space between the notes, and his melodic acumen is clear and gripping throughout.

Jack Bags returns to La Sabbia with Panorama Groove Volume 2. An intense flight through dark electro sounds and hypnotic techno grooves, expressing his true acid love.

We proudly present TGS003, with original tracks by Jos Lok and remixes by userUNKNWN & Zenk, masters by Anthony & Alex Font and cover by Cami Zimmermann.

Japanese finest minimal! Kai Kan delivers two enigmatic, deep minimal pieces both beautifully stripped down and twisted
for modern dance floors.

‘EVERYTHING IS HERE’ is a journey through space and time, inspired by the more rarefied aspects of prog rock and the wistful side of psychedelia.


Fusing these influences with the accessibility of French electronic and the groove of R&B and disco, this album depicts the sweet dizziness of contemplation. Nostalgic, yet determined and modern in it’s genre blending, the first album of Kartell truly reveals what’s been underlining in his previous EP.

Taking influences in the space and dream pop aesthetic, the musical approach of the album embraces the 60’s and 70’s fascination for outer space, exotic locations, technologies and science fiction which was on the edge of becoming reality.

Nebulous textures and otherworldly sounds characteristic of space rock are infused throughout the record, while keeping a focus on making catchy songs, leaning on a minor-key groove and a pop yearning. It’s also a challenge and an artistic proposition to gather a wide range of genres to tell a story. Densely produced and cinematic, the album draws a truly living landscape where live bass, drums and guitars hold the line, evolving around hazy effects and synthesizer layers.

The second release of the label comes with a constantly changing artist!

Supported by Priku and Sepp (at Electric Castle), Cally, Nu Zau, Traumer, Los Bastoneros and many more!

It's time to release the toys from the darkness and dive into the sound playground. "Midnight in a Toyshop" is a new Lo-Fi House project from an old hand in the electronic music business. He is launching an EP series called "Play". This will be available on vinyl and digital. All tracks are characterized by punchy, driving beats and a deep, warm, positive atmosphere. The use of 8 and 12 bit tools and tape recordings creates a nostalgic aesthetic that takes you back to a time when moments of lightheartedness and playful creativity flourished. Press play and enjoy the journey.

We can attest 'Despertar' is one of the most intriguing and beautiful albums to emerge from the Spanish's electronic music scene in 2017. A celebrated debut by the artist Piek, emerged from the most versatile musical scene, not in vain he creates inspired by the magic of great names such as Sigur Ros, Moderat or Bonobo.'Despertar' is the title chosen for the debut LP of this producer and dedicated music lover from Pamplona

“Atmospheres” is one of his most interesting Piero Umiliani's albums, published in a limited edition in the mid-Seventies. A period of musical confusion even though not for him, who had always been eclectic. The charming soundtracks for Luigi Scattini's documentaries were already behind him, as was the great orchestral jazz production: his career had already been long and full of professional satisfactions. The present for the composer consisted of the scores for a number of Italian comedies and, most all, a set of sonorizations. These appeared projected into the future, thanks to their avant-garde attitude and the electronic sounds which seemed to arrive from a parallel universe.
The sixteen tracks of “Atmospheres” belong to this group of works which were not tied to specific cinema projects, where the composer's incredible imprint is at its height. In all this creative freedom it is clear how the titles of several pieces pointed to specific thematic suggestions, so that they could instantly be adopted by producers and documentary film editors. A choice that is not accidental. Just like that of Musica Per Immagini which continues to select hidden
treasures from the rich catalog of the maestro to be reprinted for the first time in over forty years, remastering them from the original tapes.

12inch craft from Pynewood and Dan Goul.
Mastering by Kashatskikh Studio.
Design by Kirill Kashatskikh.
Vinyl Only

Randy Wiper is only known for this highly sought-after 100% pure Italo-Disco song from 1984, but the reason why he hasn't published anything else is that the artist embarked on a career as a film actor immediately after. The beginning of the song "I'd Like To Know" could be divided into three, the pattern of which is repeated in the subsequent instrumental parts, the piece possesses the sidereal energy of space disco. When it seems that we will leave the planet on board a shuttle, the soloist's voice enters, full of personality, it is that of Marcello Arcangeli and has the gift of inflections that sometimes recall that of Roy Orbison, at other times that of David Bowie. What remains most imprinted on the listener is the romantic part of the ballad, highlighted by the piano and passion. Finally there is the chorus which sounds exclamatory, imploring, but at the same time casual and danceable. Through a unique theme, that of a rare piece like "I'd Like To Know", we explore space, the heart, the disco.

Sidney Charles, the German house and techno Hurricane Kid, is finally dropping his first EP on the renowned Mannheim label Cécille Records. Despite knowing each other for over a decade, Sidney, Nick, and Marc have only now come together to unleash their creative synergy in the form of this highly-anticipated EP. Prepare to
be mesmerized by Sidney Charles' signature raw and groovy sound that is sure to leave you wanting more.

12inch craft from Suave and Ki.Mi..
Mastering by Kashatskikh Studio.
Design by Kirill Kashatskikh.
Vinyl Only

Vinyl only - Limited Copies - No Repress

NO FACE < NO NAME < JUST MUSIC