House Vinyl New Releases - News

Highly active in the electronic music scene in South Korea, Livigesh releases his 6th official album "303 Romance" via No Slack Records. Livigesh has immersed himself into acid house, 90's hiphop and 70's funk music while making "303 Romance." His extensive use of the 303 "ACID" basslines are present throughout the album. "303 Romance" is a look into Livigesh's musical influences. Squelching acidic and funky basslines, breakbeats and abstract vocal samples present Livigesh in his most uplifting, playful and simple to date.

Makin' Moves! Here we present the hot new limited Edition Vinyl EP.

Side A brings you a tantalising remix from Chicago's finest, Mr Glenn Underground! "Let It Go" originally produced by MAQman and Joseph Junior on MM, gets the special treatment where GU gives us his signature CVO mix which is sure to grab the attention of DJ's, dancers and music lovers worldwide!!!

Side B On the flip we present a man of very few words, however expresses an executes the deep soulful sound eloquently. Trinidadian Deep gets busy with championing his signature roots stylee, curated especially for the dance floor sprinkled with a little baby powder!

This 12" includes the melodiousness and let-us-laugh-while-dancing feeling that you know from many nights.

Cryovac 27 opens with the driving sounds of Max Watts. Max has a brash commitment to a spartan drive of bass and kick. Watts captures a sense of urgency by making use of his synth stabs and eclectic, erratic melodies. “Watts Groove” is a rambunctious tool for the competitive DJ. “Santa ana” smoothes out the ride with an electro groove that pulls an elegant funk into a freaky shakedown. Watts adds emotion to a classic break style while staying firmly grounded in space.



The B side hosts, A.Garcia and M.Kretsch, continue their lab work on a couple of well rounded bangers that blend the talents of this duo into an effective sound collaborative. Infectious percussion moves a tasteful mix of rich silky synth lines manifesting “Layhee”. Diving in on a heroic bop through the confusion of synth and breakdown is "indianagiver". A rugged rocker with spacious atmosphere held together by a backbone of bass and hi hat. Garcia and Kretsch put forth a well built product for a disposable age.

The duo formed by Andrea P. Latorre and Sergi Algiz is a specialist in shedding skin and gladly combines new heteronyms in Fake is Real, their sophomore album after their self titled debut in 2018 and subsequent EPs Against Strong Thinking and Maybe a Body, which have been full of reinterpretations and remixes.

Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.

In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.

The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.

Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.

You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.

Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.

A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club.

random color vinyl

BELFAST PARTY THE NIGHT INSTITUTE LAUNCHES NEW ELECTRONIC MUSIC LABEL

The Night Institute, the legendary cult club night at the forefront of Belfast's thriving electronic music scene, announces eponymous new record label.

Spearheaded by scene stalwarts Timmy Stewart of Black Bones fame and Jordan Nocturne, known for his contributions to labels like Correspondent and Polari, this new venture aims to showcase Belfast's true independent club scene on a global scale.
The Night Institute has long been synonymous with cutting-edge music, providing a haven for the city's electronic music aficionados.
With the label, the vinyl and digital project features tracks by both resident artists as well as global artists who've played at the party.
The inaugural release boasts a stellar lineup.

Alongside Night Institute residents Timmy Stewart (Ft. Northern Irish vocalist Megan Sylvan) and Jordan Nocturne, the record showcases guest appearances by Justin Cudmore, resident of New York's renowned The Bunker and regular contributor to Phonica Records, and Hifi Sean, who has been making waves with his collaborative project alongside David McAlmond while working with icons like Ce Ce Peniston and Yoko Ono.

The label aims to capture the essence of Belfast's underground electronic music scene, while joining the dots with global collaborators across four tracks of acid, odd-ball house and dance floor electronics.

Good Vibes for Uncertain Times

Will Buck teams up with Tilman to bring you some raw and
90s styled house banger with a remix from Nico Lahs.
Opening the release is ‘Closer (Pleasant Powermix)‘, a driving
number with pulsating synth tones and deep rhode stabs.

Nico Lahs ‘U Fit Mix‘ feels instantly familiar, if not almost its
closely related deeper, distant cousin. Many will recognize its
meditative musings, but here it's been re-contextualized into
some true deep house. ‘Summed Up Taken Away‘ opens the
B side with a DJ-ready club killer! Classic chords, tough
basslines, hype sax riffs and swangin’ drums.

The original Berlin dance floor trouble makers from the early 90s, Saba Komossa and Gabi Delgado's joint project Anti-Time was a powerful soundtrack to Berlin's nightlife after the wall came down. Merging their naive curiosity with access to latest studio equipment guided by an unmatchable instinct for what works on a dancefloor, Gabi and Saba created a sound so classic and unmistakably their own that still today it refreshes the ears. For many an established masterpiece, for others a time capsule love message from over 3 decades ago, but for everyone it's an essential piece of European club scene history. This album combines both of the known Anti-Time releases from 1990 and 1991 into one release.

Bar Musica kicks off 2016 in style with a new EP from Bartomoleo that features one hot original as well as remix from Einzelnkind.

Unlike many in the dance world, Bartomoleo has formal training in classical music behind him. He is influenced by everything from jazz to blues to new wave and exploring electronic music comes naturally to him. His beats are richly detailed and expertly produced and his DJ sets are equally considered. Essentially, he has a delicate and emotive touch and that shows in this new EP.

The excellent L'Azdora is a deep and bubbly home cut with loose percussive patterns and rubbery drums full of warm human feelings. Trippy synths add a curious vibe and colourful pads help flesh out the groove. It is a turning track full of feeling and musical invention and is sure to get into the soul of all who hear it.

German Cocoon star Einzelnkind remixes and does so with a more uptempo slant. His version is slick and tech house feeling, with watery droplets, energetic drums that have real force in them and lots of fluid percussive lines that make you want to move.

This is a tidy two track package that confirms both label and artists to be right on form.

Titled “Vernacular", the debut album by Blake Reyes is set to release on Axis Records on Friday, October 27, 2023, in vinyl and digital formats. The album is personally overseen by Jeff Mills, and is part of the "Axis Jazz" collection.

This confirms the eclecticism and versatility of both Axis and Blake Reyes, through harmony and rhythm, cultural influences, and the right touch of fusion: characteristics that have always defined jazz.

The album was recorded in three different cities (Bologna, Milan, and Rome), with Jeff Mills present during all recording and mixing sessions. Particularly in Milan, work was done at the Officine Meccaniche studios, where Duke Ellington, Quincy Jones, and many others have recorded.

?Vernacular" is an album that draws from jazz, Detroit techno and funk. It evokes operatic work due to its aspiration to create strong emotional intensity. The album features a blend of acoustic instruments such as acoustic bass, acoustic and electronic guitars, and the Steinway & Sons Grand Piano - the same Duke Ellington played in 1963 when he recorded ?The Symphonic Ellington" album - alongside electronic instruments including drum machines and Roland synths.

?I titled the album ?Vernacular' because I focused solely on production and sound quality, drawing inspiration from vernacular art, as a self-taught and artisanal approach in the noblest sense of the term", Blake Reyes explains. ?The musical references can primarily be found in Jeff Mills and his Millsart project, and more broadly in the works of composers like Bruno Nicolai, Piero Umiliani, Piero Piccioni, Brian Bennett, John Cameron, and even Raymond Scott. For the lyrics of the track ?At Night,' the visual reference that inspired the lyrics can be traced back to certain paintings by Henri Rousseau, particularly ?The Dream,' ?The Snake Charmer,' and ?Sleeping Gypsy.' All of this was done in post-production, working alongside Jeff Mills: a wonderful experience, a continuous flow and exchange of ideas."

Producer, DJ, and sound designer Blake Reyes (born Luca Vertulli) divides his time between Milan and Ibiza. His productions consistently focus on the sounds and emotions derived from tapes, samplers, drum machines, and analog synthesizers. His mixes are broadcasted on stations such as Ibiza Global Radio, Ibiza Sonica, Radio Raheem, and Olà Radio. His DJ sets are distinguished by their elegance and quality, always bringing the dancefloor to the right temperature. He boasts releases on Trax Records and Rebirth Records, and in 2019, he founded Triton Records, his own record label.

Musicians: Dario Lutrino: piano, Stefano Brandoni: guitar, Niccolò "Bolla" Bonavita: bass, Anna Bassy: singer, Blake Reyes: drum machines and synthesizers.

Music composed, produced and directed by Blake Reyes. Lyrics written by Blake Reyes. Studio Engineer: Taketo Gohara, Mastering Engineer: Giovanni Versari, Producer: Jeff Mills.

Studios: Officine Meccaniche, Milan / Fonoprint, Bologna / Forum Studios, Rome

Introducing the first release from mysterious new label, Southern MLights. Dedicated to releasing high-end hypnotic grooves from close friends and family from Australia and around the globe.The first release is by Melbourne artist Craig McWhinney, featuring heavy cuts of percussion and atmosphere in equal measure with the 'Versions' EP. The A-side features 'Upon Humanity' and the B-side features two versions of 'Keloid'.In contrast, on the remix tip is Eric Cloutier's 'The End is Near Version' of 'Upon Humanity', which strips back the elements to a more esoteric and cerebral translation of the original.For lovers of fine art and fine techno. Limited to 300 copies, 180 gram vinyl.

Hypnophobia is the bleep fueled beginning to a six release series from Dan Piu on Terrestrial Funk. Recorded from 1993 to 2021, the 27 tracks pose a reflection on the relativity of time. Exploring our connection between then and now, all that came before, and what is still to come. Each release will be accompanied by a foldout poster featuring oil paintings of city skylines at different points in time, all painted by Dan Piu himself. We start in present day London.

Deca (Federico De Caroli), composer and musician graduated in piano, for over 30 years is a protagonist of the Italian electronic and experimental scene, then approaching to other fields such as theater, multimedia and television. He is a great summoner of dream suggestions and started from the lesson of cosmic school to arrive at a personal alchemy of tradition and innovation, clutching the paradigms of artificial sound on the natural one.


He began playing in 1975 and in 1983 bought his first synthesizer starting a long process of creative evolution, playing in parallel bands that are inspired by the British new wave as Joy Division, The Cure, Killing Joke and studying the dynamics of synthetic sound.


In 1985 he began his solo record productions carreer based on linear sequencer plots and minimal compositions that refer to already famous authors for electronic music like Jean-Michel Jarre, Kraftwerk, and Vangelis, but also the so-called Kosmische Musik of Tangerine Dream and Klaus Schulze.


"MASS" was produced in 1987/1988 with a Roland synthesizer and only distributed on cassette in limited edition. It is a more rhythmic album than his other works of the time, and ranks as the third of his discography, after the very collected "Alkaid" (1986) and "Synthetic Lips" (1987).

It is a dark and minimalist electro-wave album of states of distressed mood, strongly dark. The cover art, as for all his albums, is also relesed by Deca.

LA based producer Eric Spire released some very forward thinking music on his Silver Pearl label back in the late 90’s. This type of heavy, psychedelic house music was the bridge to a new era of sound and grabbed a lot of attention from the likes of Craig Richards & Lee Burridge’s Tyrant nights at Fabric and DJ Garth to name a few.

Now, 2 decades later, Sushitech and label head Yossi Amoyal compiled a unique series that includes some of the most inspiring and hard to find tracks out of the Silver Pearl back catalogue.

This is an exclusive insight to one of the most inspiring underground labels coming from the west coast. Essential!

"Both tracks are firmly up my street and the production is class. Mirador is a song after my own heart— tearjerking changes, delicate meandering piano, thick warm bassline—a Balearic serenade of the highest order. Ozen is some straight-up opium den business for advanced users only. Will play both eternally!"

Quantum Records has physically manifested their first vinyl.

This one is energetically composed by the creativity of three very eloquent Argentinean artists, with two fantastic original tracks and two remixes ready to move the dancefloor intensely.

"Quantisize" has a deep concept about the infinite possibilities that the universe has for us. It expresses it with flexible and coherent sounds between them, highlighting minimal, deep, house.

2024 Repress

Pilot is one of the many labels in the orbit of the unstoppable production force that is Burnski aka garage innovator Instinct. It deals in proper club tackle from a wide range of artists and here it is Hatori Hanso that offers up the brilliance.

'Hardcore' opens with old school ragga vocals and crispy breakbeats that bring the rave, new school style. 'Cherry On The Cake' is a lively house cut littered with James Brown samples and screwy synths that keep the pressure on. 'Don't Know Why?' is a more cool and breezy tech house cut with sci-fi designs then 'See You On The Other Side' shuts down on a deeper tip.

Terra Magica Rec. first 7’’ release „Chiqui Tan“ by the label heads Hektisch Sprengen DJs will be limited to 250 copies. The A-side hits the listener with some 1980s early Electronic-Downtempo-Cumbia-Colombian-Venezuelan-Tablemountain-Dub-Grooves. This reminiscence is leading to an extra full blown up 21st century Bass-Queen alert. And these HSDJ dials hit you into a stripped naked sample of Nigerian-Swedish DJ-dentist-mainstream-star Dr. Alban and his Eurotrash-90s-Pophouse-anthem “No Hash Hash, No Cocaine”. This is for sure no “Ottonormal”-90s-revival thing!

On the flip side Hektisch’s haptic wood razzle move covers the classic 1994-Liquid-Deep-Netherlands-Trance-House-Track “Paper Moon” by 51 Days which back then sampled the rare 1972-MPB-Funk-Cover-Version of Carol Kings “Corazón”. Guess what! It drops like a late 1990s-Ed-DMX-London-classic gone Electroboogie-Miamibass-Break with a SH101-baseline and Sprengen’s take on Spanish-90s-Trance-Vocals. Watch out 4 TERRAMs “Asi me gusta” title caps series as well! Trigger warning: That hidden Sequential Circuit Sixtrack loves you like a windy horse on Acid. Loads to experience on this little innocent wax disc!

Many people consider the Tbilisi scene (thanks to the artists that turns around Khidi club) as one of the most advanced and influential in the entire world. Giorgi Kolbaia (aka Downwell) & Giorgi Kharanauli are a good example of those talented georgian artists. They have made partnership as Initial Light to present a more relaxed work in relation to their solo acts stuff, “40 Degrees In The Air” is a blend of Italo, breaks, synthwave and modern ebm / new beat keeping a common pleasant industrial taste in the 6 tracks included in their vinyl debut.

Castello, Sole is the first project signed by Issam Dahmani ​on Dischi Malizia.


This new series keep up the 80s and 90s feelings atmospheres very tied to Italy with a strong signature of modern vibes. Fresh sound from funk and italo disco ready for summer madness.

Belgian artist Jennifur is a bit of an enigma in today’s contemporary music climate. While most bend over backwards to satisfy the algorithm’s constant need for content, Jennifur (real name Hector Devriendt) has been quietly crafting spell-binding music that stands the test of both time and decreasing attention spans, blurring genre and emotion seamlessly through a sonic DNA that is diverse and colourful.

Having locked himself in his basement for eighteen months in order to produce the soundtrack for PS5 and XBOX ONE snowboarding game Shredders – which was later released by Jennifur himself under the title Nowhere, Now Here – the Ghent based artist is preparing the release of his next full length; Things Don’t Change Until They Do on Supreems’ new label Sweet Sun.

Tears-on-the-dancefloor aesthetics meet with polyphonic, nostalgia-inducing patterns, coming-of-age breakbeats and heart-string tugging classical ambient on an album that sounds completely unlike anything else you will hear this year.

After his Kinfolk released collab with Otologic's Nick Murrary, Kris Baha makes a welcome return to his Power Station creation. A versatile five track EP that will get you through the night, one pictures Yello's virgin ketamine experiments on 'Mind Your Head' before 'Jeff' comes to the party with his mad professor dub, giving you whiplash with its belting beats and crashing guitar stabs. Originally designed as an hour long opening score for the namesake Melbourne club night, 'Around You Go' is an edited warm up tool, the crossroad between Dusseldorf and Elettronica Meccanica. If issued in 1983, '2 Nights in Armenia' would have lived on as a Cosmic classic while 'ArpB' is the listeners' exit music, a fork hanging from the power socket.

Alan Abrahams aka Portable returns to the label in fine form with his latest full-length LP, Augmented Dreams. The title refers to the use of everyday technological advancements to achieve what were once
only dreams or visions of past generations, making this an explorative concept album that is equal parts not-too-distant science fiction, and about as topical as it gets.
From the gorgeous opening string layers of “The Pull of Time” to the classy 4/4 grooves of “Begin Again” or lead single “Guiding Me”, into the apropos and angular sci-fi broken beat feels of “Parallax” and “The Color of Static”, fitting Detroit-influenced love taps like “Beacon” and “The Mycorrhizal Network”, the politically-inspired “Are We Not Above It?” referencing the lingering effects of colonization featuring NiQ E from South Africa on vocals and L_cio from Brazil on flute, through to the futurist pop elegance of the dreamy duet recorded with Alexey Kochetkov “I Need You” and the conclusive titular track, it is clear that both the in-depth concept and immaculately-crafted musical content in Portable’s inimitable style are balanced in significance and expressive effect. This also functions as a timely statement in itself, as today’s iceberg-tip evolution of AI technology is currently impending over the arts and many of our existing realities.
This ten-song album serves as an imaginative yet hyperrealist narrative on how humanity’s fascination with and reliance on ever-advancing technology defines the times we find ourselves in, while the skillful sonic displays and present-era production techniques along with Abraham’s knack for timeless emotive songwriting offer up this solid soundtrack for the ages.

Sounds Of Sirius has the honour of introducing music producer & rising Chilean talent, Santi, for their 8TH release, who brings forth his EP with the Original Track “Donde esta mi parka”, with amazing remixes from Romanian producer Nu Zau , JNJS (duo formed by Jay Nortown and Jacobo Saavedra) and Ukranian Talent IO (Mulen).

Blur Records brings some eclectic magic to its next release and it's one that gets the New Year underway in essential fashion. Venerated Russian DJ and producer Scruscru is behind the beats and goes deep into everything from disco to jazz, starting with 'Alright, Alright' which is a bust of disco goodness with lively bass. Things get slow and sensuous with 'Twilight Voyage' which comes with a touch of nostalgia then Dwaal features on 'Breezy Noon' and blends downtempo bossa and Afro rhythms. More slow disco delights come from 'Nostalji' with Jehan and then 'Kno 2morrow' gets jazzy with some classy melodies to close things down.

Supreems music has been circling the globe for a few years now, slowly but surely culminating in support from renowned electronic artists such as Bicep, Four Tet and Ross From Friends, just to name a few. His releases have generated very real excitement for his next moves, as he appears to be seeking personal connection through his sound, more intimate than many of his contemporaries. Nachtschone,
Supreems debut album, is a prime example of that. The LP is his most personal and complete body of work to date.

Exploring styles and aesthetics previously unattached to the hazy-house and melodic breakbeats traditionally known for the artist. Nachtschone sees Supreems connecting the dots between new and old, delivered in his unmistakable cinematic style.

Early member of future house label Beat X Changers, Paris based artist Takadoum drops his first release on Momo's Basement. This oddball is a spontaneous and enigmatic collaboration between ancient instruments and modular synthesis. Based on eerie cosmic grooves and immersive dubby melodic loops, the four track EP, Keep it vague, is a contemplative journey through lofihouse and early minimal techno for warm sunrise festival mornings.

One of our all-time favourite artists and extended Circus Company member The Mole returns to the label for a proper presentation of his album The River Widens. Originally a limited, cassette-only release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking the charm of his Little Sunshine release for us in 2017.

X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle, midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets, from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with another limited edition cassette run - we hope you enjoy the ride as much as we do!

FIKTIV is a Transylvania/Budapest/Barcelona based new label.

On the X side guest artists Kurilo and Eliaz are pushing the boundaries of cybernetic soundscapes.

On the other side of the portal, label owners Kvrk & mar.c dive deep into unexplored sonic dimensions.

FKTV001 fluctuates between the realms of electro, techno and acid, thus providing a vision through the kaleidoscope of auditory delights.

Be Strong Be Free debuts a new series here, Mellow Magic Worldwide, which will offer up a series of DJ weapons that have been produced by "worldwide studio buds." The first one opens with some superb tackle from Gold Suite whose brilliant 'Crush' is a slow-burning 80s jam and emotive rollercoaster that has made a real impact during road testing experiments. On the flipside is the mysterious Mancunian Visions Of Eden who debuts on vinyl with a lush deep house jam 'When It Has Past that has a subtle Balearic charm. Lastly comes Murrin who heads up the Puca Sounds label and co-runs Berlin party Fandango. His 'Maybe Tonight' is a late-night cosmic delight.

Immerse yourself in pulsating beats and refined taste with our latest Vinyl "Veinylpower." Featuring artists such as Monika Ross, Adine Frost, Ema Remedi, and Anaid, the musical journey spans from Deep House to Garage.

The design crafted by artist Kristina Supernova making your electronic music experience even more immersive.

For every record sold, a portion will be donated to SLOWODI - Solidarity with Women in Need, offering support to women facing challenging situations.

"Veinylpower" marks Veinyl Berlin's third groundbreaking release, celebrating women, the diversity of electronic music, and contributing to a meaningful cause.

One day my Log will have something to say about this. My Log saw something that night...