House Vinyl New Releases - News

Moenstertime !!!! Finally Lexy & Gunjah hooked up their own label for your dancefloor pleasure. Directly starting with a Boom-Collabo with Soffy O (well-known from their work with TokTok in the past). Chronicles is a real earworm with hot remixes coming from David August (Stil vor Talent, Diynamic) and End of Tape (Bar25, Microtonal, WBA, Etui).

Red Vinyl

Since our beginning, Manny Cuevas a.k.a. DJ M-Traxxx has been a big supporter of Snuff Trax. In return, we totally dig his amazing radio shows and podcasts. This man's heart is beating for Chicago House music and you can feel the impact on all of his productions.

Snuff Trax is very happy to present a whole Manny Cuevas record: - Thee Jackin' Zone E.P.'

For - You'll Never Know (Twisted Fantasy)' Manny invited the amazing DJ and vocalist Josh Caffe. Together they created a seductive tune that takes us back to the golden era of House. A truly irresistible affair.

With the tracks - A Matter Defined (Acid House)' and - Thee Jackin Zone' Manny captures the wild pulse of the dance floor. Sincerely raw, that's all we need.

Maroki comes through with a 6-track serotonin boost for our Lost Palms series.

With its title meaning 'flower' in Dutch, Bloem EP sees Maroki depart somewhat from the colder acid and electro inflections of most of his previous releases, favouring instead a sunnier vibe and a focus on melody and texture.

'ICBT1' embodies this sugar-coated departure perfectly. High-frequency metallic synth plucks form a dynamic melody, making up just one element of a dense soundscape which also compiles a reverb laden cymbal break, elated flutes and pitched-up vocal chops. The title track, together with 'Forgot You' strips things back a little, both driven by an understated deep house beat. 'Bloem' sees the EP at its most gentle with bubbly xylophonic tinkles that evoke the hypnotic allure of K-Lone's 'Cape Cira' LP; whilst 'Forgot You' gets its melody from the low ends.

'Forgot Me' is its moody older sibling and the most minimal track of them all, showcasing the darker underbelly to Maroki's sound with eerie underwater arpeggios and hollow percussion. This atmosphere sticks around for 'Why': an entrancing full-bodied breaks track sure to be closing DJ sets this Summer.

Clear Vinyl

Nina Kraviz returns with a new EP inspired by 70-80s music she loves so much. On "Skyscrapers" she explores a new, more traditional approach to her songwriting. Uncovering her talent as a singer and performer, the song is a melancholic, pop-leaning anthem, showing a side of Nina Kraviz we didn't quite expect.

Leeds based UKG Peaky Beats follows up a killer release on Breaks N Pieces and self-released collaborative EP with Highrise with four cuts of ragga-tipped Dub that show a different sonic side to the typically lairy producer. It also comes complete with a remix from aya, the artist behind one of last year's most impressive tapes - I’m Hole.

LOTR-inspired ‘Helms Deep’ is a melodic battlecry; what would have been played when the Rohan army defeated Sauron’s forces had 140bpm dubstep existed within Tolkien’s fantasy world - haunting, meditative and deadly. ‘Shire Steppin’ makes clever use of stripped-back production with oddball samples and reggae-inspo that inspires mental images of hobbits smoking around a fire. What was in Gandalf’s pipe anyway?

‘Turn Up’ maintains the cemented minimal aesthetic, this time with a more tribal approach than ragga; swirling atmospherics soar overhead before screw-face dubs and heavy bass-weight invites the contemplative darkness across the threshold. Heady electronic and tribal traditions continue on ‘Greywind’ with more ragga-tipped goodness best played at 4am through the early morning haze.

Aya’s remix is typically brilliant - remaining at 140bpm, a standout producer of 2021 delivers a devastating, roughly chopped cut of malfunctioning dubstep - a percussive and experimental masterclass through light and dark.

Complet label owner and Berlin based DJ and producer Ray Kandinski has been making serious moves over the last few years, both through his ear for curation and his rich, intricate sound design. Inspired by a pool of influences, including; jungle, footwork and house - Kandinski believes the beauty of dance music can be found in its subtlety and range; which can be heard deeply running throughout his debut EP for Lobster Theremin.

A ray of sunshine shines through sparse breakbeats in opening track ‘95’, before ‘No Love’ follows with a slightly more clubier affair, while still maintaining it's blissful edge through the use of lush and dynamic synth work. ‘Healing’ then closes the A side with it’s minimal grooves, both hypnotic and understated; light refracting from one medium to another in a colourful display of blue and green.

The B side makes its entrance with ‘Zonin’ a choppy house cut with a point to prove, before demonstrating his artistic versatility in ‘The Mack’ blending his way into an electro mutation laced with ravey stabs and punchy drums, combining various influences from around the globe.

Title track ‘Garant’ takes place in a quasi-rainforest beckoned by nature's call. The type of good-natured music that sounds inspired by the evolving world around us; locking us in a groove that could happily last forever.

2023 red + gold mixed vinyl Repress

Pressed on the classic "LT Records" centres, Nice Archive Traxx Vol. 1 is a lesson in raw, hissing house from the Concrete resident and one of France's finest new talents. Stronger Than Me has been bothering mixes & radio for a good year now and takes pride of place on the A1. Skipped snares, wailing sax and clear vocal hits slot together around an NY house core. You Don't Really Want Me heats up the production just that bit more on the grill and adds in some serious Chi-town acidic flavour. 303's running riot from the midway. On the B, Raw Thoughts takes a similarly blown-out production sensibility and drives it straight into laid-back electro territory. Elements of boogie spliced with sultry synth soloing and glacial pad ripples. Ice cream parlour chill jams. Rounding out the EP are Acid City - a soulful deep house number overrun with grumpy, growling acid lines - and hyper beat-snippet You Do - a breaks-y beat track showcasing the other side of Sweely's enormous talent. Proper dredgin' beats from the raw!

hurry up , and don't sleep, this music killed all dance floors ! give this record to your mother she will dance with you ! limited edition , sorry <3

ZYX Italo Disco : Flemming Dalum Remixes Vol. 2 shines due
to 8 remixes carefully selected by the Italo Disco legend from
Denmark.

The remixes of Flemming are outstanding thanks to a modern
and perfectly produced sound, but are still close enough to the
original to convey the typical 80s Italo Disco feeling.

Stockholm label Studio Barnhus welcomes Ari Bald and CJ Scott, two local house heads whose “Dance Monkey Dance” EP builds on the brilliancies heard on their previous releases on some of Stockholm's most prominent underground labels: Karlovak, Velvet Pony, Västkransen Records, Bigges District Limited...

From the infinitely rising disco euphoria of opener “Detective Chimp”, to the bittersweet-but-bouncy finale of “Grape Ape”, this record is chock-full of partystarting moments set to turn worldwide dancefloors upside down. No fuss, no frills – just pure, guilt-free and locally sourced house music goodness to enhance your dance. You know you need it!

12'' vinyl and digital release designed by Eliot Axelsson arrives May 12 on Studio Barnhus.

Fifth volume of "The Encyclopedia of Civilizations", Abstrakce's collection of split LPs where selected artists offer their own insight into fascinating ancient cultures. This time the focus is on the enigmatic Babylon, visited by two of the label's favourite electronic bands currently active.

Berlin-based duo Driftmachine take us on a journey between the ancient cities of Akkad, Uruk and Ashur. Astonishing electronics with a superb and precise sound, floating somewhere between modular ambient, leftfield, abstract dub... Every detail has been carefully crafted in this complex architecture. Unconventional tribal rhythms recall obscure rituals, meanwhile warm, dynamic pulses contract and expand, interacting on their journey along the sandy roads of the Mesopotamian basin and leading you into a deep trance.

Glasgow-based project Komodo Kolektif delves into the Babylonian vision of magic through the figures of the Kassaptu (witches and wizards) and the use of Mandragora. A blend of both tribal primitivism and a futuristic vision is provided by their vast arsenal of vintage synths and effects units, eastern metallophones and traditional hand percussion. Deep, psychedelic electronics that capture the spirit of ancient Babylonian sacred ceremonies and their vision of the cosmos.

This deluxe edition includes an extensive booklet with notes and images about Babylon, to help you to immerse yourself in this fascinating civilization while you listen to the music. The sleeve is printed in the old way: letterpressed with metal movable type, as Gutenberg used to do it, on high-quality recycled papers.

Lion & Lamb is the pub turned cult club in London that hosts special sessions from some of London's key electronic tastemakers such as Craig Richards, Radioactive Man, Butter Side Up and plenty more. In 2020 it launched a label that is as just as essential and Henry Hyde is next up complete the one release a year schedule it has favoured so far. He offers four tracks of froward thinking tech house starting with the full throttle funk of 'Approaching The Peak' then much more dubby and stripped back 'My Machine Walks'. 'Return To The Summit' takes off into the cosmos on fluttering synth leads and 'Over Cloud' is the trippiest of the lot with watery droplets and crispy percussion.

Repress!

Under their one-off disco moniker, Leroy Burgess & The Fantastic Aleem Brothers produced this 1980 dancefloor wonder that finally gets its first deserved re-issue to celebrate its 40th anniversary.

Remastered with love and respect and pressed on limited 7" vinyl for the true collectors.

Back In Stock!

Fully remastered reissue with replica artwork of this rare and raw ’83 disco bomb from Jackie Stoudemire & Al Stewart.
Original copies of the 12” release regularly fetch over £300 on the second hard market. Black 12" vinyl

2023 Repress

2 VINYL ONLY TRACKS

Having released on Pokerflat, Berg Audio and Hedzup Records, label regular
Mihai Popoviciu makes a return to Bondage-Music, he delivers four new
original tracks to drops his next EP “Echo Audio” on Bondage-Music.
The vinyl comes as 180g limited green coloured vinyl.

In 2019 Oliver Dollar made his Classic Music Company debut with the incredible 14-track collection Another Day Another Dollar. The album was an adventurous artistic statement, showing off a wider breadth and depth of sound than ever before, and was received with critical acclaim.

Now three of the stand out tracks from the album get the remix treatment from some of Classic’s nearest and dearest. Opening the A-Side, Classic founder Luke Solomon and the sparkling Honey Dijon come together to remix one of the stand out cuts, ‘John’s Church’.

Originally produced in collaboration with German producer Nils Ohrmann, the pair intensify the steamy, gospel-tinged track, lacing in atmospheric keys and tension-building drops that take the dancefloor number to new dimensions.

Up next, Snatch records founder Riva Starr drops his remix of ‘Crusader’, featuring Jason Hodges. Illustrating Riva’s signature dancefloor focused style, this transformative remix moves away from the stripped-back original, with a rolling bass and deep, swelling pads.

On the flip is another storming ‘John’s Church’ remix, this time from production maestro Mousse T., who works his magic with his funk-drenched Disco Shizzle Remix, loaded with a pumping bassline and his signature charismatic style.
Finally, Kelly G. delivers his Defected Dub of ‘The Delta’ to round off the release, taking the dreamy piano house of the vocal-led original and making it club friendly, with a bassline you can’t help but groove to.

Spokenn; the musical merging of minds between Ferro and Reiss. Both are figureheads of the Amsterdam scene and key proponents of the VBX brand. Inviting the duo to showcase the first fruits of their labor on the label felt like a perfectly natural progression of things.

The title of their first EP is an homage to the intricate process of making music together. Limbic Resonance is defined as a symphony of mutual exchange and internal adaptation whereby two mammals become attuned to each other's inner states.

After having spend the better part of the past years debating, playing and creating music, the two step up. The resulting 3 tracker is in equal parts introspective as it is geared towards the dance floor. A statement that is further underlined by the ongoing pre-release support from key players like Cristi Cons, Vlad Caia, and tINI.

Don't miss out on this first effort by the very promising duo Spokenn!

Pique-nique Recordings is proud to present People’s Dream, the latest solo release from NYC-based vibraphonist and electronic producer Will Shore.

Inspired by Francis Bebey and Don Cherry’s electronic music from the 70s and 80s, People’s Dream draws heavily from modal jazz, minimalism, and dance music. It blends tightly composed percussive phrases with freely moving melodic improvisations that feel as much at home in a DIY loft space as they do on a custom-built sound system at Nowadays.

Shore says: “The vibraphone is the thing that I know best, but I’ve always found the instrument quite limited. Its pure bell-like tone can seem too pretty to evoke a wide range of feelings. I normally find ways to obscure that pure sound: I distort it, pitch it down, or layer rougher textures over it. But for People’s Dream and Lucid, instead of obscuring the sound quality, I decided to embrace it.

I used the vibraphone for not only melodic parts but also as a driving rhythmic element. I let the entrances and exits of melodies appear and disappear in a dream-like way, and added electronics and percussion as texture, to create a more cinematic atmosphere.”

On the B-side, UK producer and label-head Tom Blip (Blip Discs) flips Lucid into a driving, bass-oriented club track, fit for vibrant dancefloors this summer. On the back of successful collaborations with East African artists Swordman Kitala and Mubashira Mataali Group, Blip unleashes a trademark peak-time drum track designed to elude any dream-like state.

People’s Dream is the seventh release on NYC/Sydney label Pique-nique Recordings, which worked with Shore in 2019 on their signature event, Take Two. Shore led a nine-piece band through a reinterpretation of Albert Ayler’s Spiritual Unity for the occasion, utilizing his mentor Butch Morris’ conduction technique to rapturous effect.

The Track "Lay your Soul Down on the Floor" which was original released on Flaneurecordings 015 got a very strong Package of Remixes by great, talented and influencing Artists

Jimpster, Ian Pooley, Oliver Dollar and DJ jauche put their Hands on the Original Track and created 4 fantastic new Mixes.
A musst have for the Floor.

Romania’s Constratti delivers his ‘Late Summer’ EP via Yecad, comprising two originals and accompanied by remixes from fellow Romanian producers Sepp and Mihai Pol.

Residing in the capital city of Bucharet, Romania’s Constratti has been grown to become a beloved producer and DJ on the local scene and beyond, racking up releases on the likes of Storytellers, Aesthetic, Eagervision and more. Here though, Constratti joins the roster of Yecad, following on from material on the label by Barac, Dragutesku, Vlad Arapusu and Swoy amongst others.

Title-cut ‘Late Summer’ leads and sees Constratti lay down crisp drums and ethereal atmospherics intertwined with acid tinged bass in unfolding with a subtly nuanced feel. Sepp’s remix of ‘Late Summer’ follows and shifts focus to a more rhythmic fuelled feel, bringing additional percussion to the mix while stirring in vocal chants and fragments of the original’s atmospheric core.

‘Tempura Rolls’ opens the flip-side, diving deeper via bubbling synth textures, twitchy resonant glitches and airy chord sequences, underpinned by a rumbling low-end drive and low-slung drums. Mihai Pol’s twist on ‘Tempura Rolls’ then rounds out the EP, taking things in a more peak, dance floor focused direction courtesy of a gritty bass groove, saturated drums and the original’s smooth chords.

Brillant Nu Jazz, Neo Soul and Deep House E.p. (incl. Atjazz Remix)
Taken from the Album "Ruby Walls"

The Bay area "boogie king" leans in on the jazzier side of disco while still maintaining the dancefloor vibes. A perfect mix of accessible, crowd friendly sophisticated sounds. Funky as hell. Fans of ROY AYERS, PATRICE RUSHEN, KHRUANGBIN, FKJ, etc will dig it. Big hole 45. Due out end of Jan. Limited to 500.

Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!

Amsterdam based DJ and producer Perdu aka Alain van der Born returns to Live At Robert Johnson for his second release: On his Illusion Of Choice EP, Perdu drives his sound one notch harder, yet retains his trademark 1980s tinged vibe. Perdu has already secured releases on DGTL Records, Heist and Let’s Play House amongst others, and surely is a keen producer to keep your eyes and ears on.

A1 Archi gets into gear with a straight and focused beat arrangement. It’s a trippy uptempo vibe, intertwined by a slightly modulated Arpeggio-Bassline and its transposed twin figure.

A2 Grey Rush features a filtered broken beat, quickly rushing inbetween sprinkled effects and noises, off into a resonating Bass figure and outstanding melodic arrangement, both which dominate the better part of this energetic track.

B1 Sitrao doesn’t hesitate long in letting a pounding Kick Drum escort you right into an uptempo Cosmic vibe. It’s that arpeggiated Bass, catchy melody and silky pads, which might just get those hands in the air again.

B2 Blue Rush is a subtle variation of Grey Rush, omitting the resonating Bass figure. Yet it doesn’t compromise its level of energy, as this keeps the beat stand out contoured, compared to its twin track Grey Rush. credits

They say House is a feeling, an ethereal groove that sits in your soul's fibres. For Berlin based Kiwi, Philippa. It's in her bones.

Immersed in her studio, whilst listening to hours of Motown and blues, Philippa has carved the 'Rainy Nights' EP. A project she describes as a "straight down the middle, sample-based deep house record, wearing its '90s influences on its sleeve, with pride." It's late night deep house, filled with emotion and groove, which speaks to us all.

The Naarm chapter of the Oyster Cult has been coming through with in a big way lately, and this one is no exception. Introducing Reflex Blue, the latest Antipodean export to put his stamp on a lysergic dancefloor sound indebted to the early ‘90s.

If Australia’s South East has proven itself a fertile breeding ground for tripped-out dance music, Reflex Blue is a case in point. Rather than sliding into pastiche, tracks like ‘Outdoor Dance’ and ‘Tension Rise’ offer forward-facing slants on trance-inducing prog house styles. They plumb the depths of nostalgia, all in the pursuit of dancefloor unity and fractal elation.

The flip-side comes bearing nocturnal house incursions. But where ‘Creepin' Around The Bend’ opts for rude, jacking propulsion, low-slung number ‘Low End Freqz (Dial Up Mix)’ dials up the seductive appeal while sticking to the same sonic palette. Seriously
indulgent gear primed for the witching hour.

We welcome SHAN to the Turnland Family. Since we go along as friends we´re more than happy to seal the pact w a propper vinyl-release. Three tracks with the classic SHA old-school approach and the title track "love break" got §ipped with a remix treatment by FELICE

'Son of a beatnik' - an absolutely monster record getting some well deserved reissue love!
Produced in Chicago by the well loved and late DJ Chunk-A-Bud aka Adam Malian (RIP) all the way back in the mists of 1994 on Rick Lenoir's coveted House Jam label this 12" undoubtedly takes it's cue from the cities vast, rich and deep heritage of DJ's and predecessors. This record proudly contains the spirit of the Music box, The Warehouse and all the other like-minded spaces that fuel it's Disco thrusting beats, anyone with a passing interest will know the elements that make up 'Son of a beatnik', they are classics in Chicago and beyond! This is one of those records that just doesn't stop, it's still getting caned today by those lucky enough to own a copy. A true blue cult classic, real deal house music from the windy city. A truly rare 12" that doesn't show up very often 'Son of a beatnik' is an essential release from a particularly fertile period in house music, chopped up, sampled, looped and programmed with LOVE! A surefire winner, this record will cause infinite damage on any dance-floor. Truly essential stuff here, this reissue has been realised with the full involvement of Rick Lenoir and is 100% legit! Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2017!

Anyone who has been out dancing recently might well have already heard some of the cuts off this seventh drop from the Only Music Matters crew because it has had early support by a:rpia:r. We don't know who is behind the beats but they sure do know their way around a studio: 'AAA001A' is super silky minimal with deft claps and hits scattered over a smooth tech house beat with swirling vocals up top. 'BBB001B' then layers up off-grid hits and tumbling synths, glitchy percussion and a loopy beat into something that is loose yet dynamic and last of all 'BBB002B' takes off on a crushing groove with warped and smeared vocal samples adding some late night trippiness.

No description, no artwork.. just hand stamped wax with four fresh tunes!

Early Support by Luciano, Barac, Mihai Pol, Sublee, Nu Zau, Cosmjn, Crihan, Costin Rp, Vincentiulian, Vlf, Los Bastoneros, Vern, Tania Vulcano, Fabrizio Maurizi and more.

Enjoy our second Bohrium White!

12", 180g, Vinyl Only. Limited 300 copies and no repress. Distributed by Vinyl Future.

With previous releases including tracks from the likes of Agents of Time, JoeFarr, and raising talent R.O.S.H; plus support from from Djs like Laurent Garnier, who licensed one of the previously released tracks to his Tsugi 'Electro' mix (Francois V ‘Electro’ taken from Cod3QR001) Cod3QR’s profile is steadily growing as a label releasing quality music. With music being the main focus you'll have to wait another 2 months to find out who is behind this latest release. The curiosity continues.
Head to their Instagram Page (ig: cod3qr) for clues to the artist identities of Cod3QR001, 002, 003 & 004!

Marseille based French selector, Jo SZT from Atipik Crew launches his new label. Komplices kicks off 2024 with this first EP, navigating between, house, acid, tech, deep and electro sounds, fully produced by his friend Atree from Berlin. You will discover something special at the end of the last track "relaxane"

12inch craft from Lorik, Ki. Mi. and Philipp Lichtblau.
Mastering by Kashatskikh Studio.
Design by Kirill Kashatskikh.
Vinyl Only

When it rains, it pours! Which is a good thing, if the soil is dry. The second return of Tiger & Woods in almost no time falls on fertile ground. After DJs on Film has been eagerly embraced, they keep the ingredients, but change the dishes. Consummate and catchy, sweeping and simple DJ music with a penchant for hooks and hits.

Silly Little Games (also featuring long-time collaborator ’Em) evokes the rescue of an unreleased Editainment reel with a hidden new beat feel. Wild Stream is the sort of shattered mirror ball that came out of Shake Shakiest studio and Claude Young would have needed two copies off, while Fake U and Do It to Me are eternal classics Again: No samples were harmed during the filming of this record!