House Vinyl New Releases - News

When it arrived on the progressive house scene in 2000, it quickly made the rounds as a tune to be reckoned with. Played by nearly everyone in the industry, its haunting vocals
and psychedelic synths captured the minds and hearts of ravers worldwide.Now, fifteen years later, Victor Ruiz and Cristoph have put their own spins on the Yoshi Classic. Victor contributes a round, pulsing bass line that has had listeners of Sharam's
recent sets ask, 'what IS this' Victor's unique style of impeccably-mixed, maximalist tech house is a tenacious tribute to Luzon's composition, capturing the psychedelic energy of the original and warping it into what will no doubt be a staple in many of this summer's sets. Where Victor opts for immensity, Cristoph dials back to reveal a dark and beautiful side of Baguio unheard before. Delicate sounds float in and out as the tune unveils, building to a dramatic vocal climax that guides the composition to its close in an outcry of raw emotion. The new package includes an expertly remastered version of the original 'Igorot Vocal' mix. When put together, the three create a complimentary system of sound, imparting new depths to the classic. We hope you enjoy the return of the Luzon's "The Baguio Track.

Auf ihreneuen Album "Plexus" präsentieren die französischen Electro-Popper Hypnolove eine gekonnte Mixtur aus Eurodance, Italo, Space Disco und Boogie-Funk mit vielen 1980er Anleihen.

One of THE most important / BEST New York House Records ever made gets an unexpected Reissue. Despite being “Remixes Only” these 2 Tracks Cater what defined the Classic Mood II Swing Sound in an ideal way. The Ultimate Long and “Haunting” Underground Vocal Mix and a likewise touching “Insane” Dub. A Legend in it´s own Right and must have for every “sane” record collection - HOT!

With MEL016, Melodies International are extremely proud to take one more step into house territory with their reissue of what certainly constitute the two most exciting remixes of Flame by UK Trip Hop group Crustation: New York House legends Mood II Swing’s Vocal and Borderline Insanity Dub mixes. John Ciafone and Lem Springsteen from Mood II Swing grew up and met in New York City in the early 90s. They were club kids with roots in early hip hop, soul and disco and soon decided to start producing together. After a fateful encounter with Louie Vega from Masters At Work, Ciafone and Springsteen committed to pursue dance music, and given the opportunity started releasing their own records that would lead them to settle in as genre defining house producers celebrated by their contemporaries back then whilst informing and influencing the styles of many eminent dance music producers of today. Flame was originally produced by Crustation, a Trip Hop group from Bristol formed by Ian Dark, Stig Manley, Mark Tayler and singer Bronagh Slevin, as part of their last album Bloom originally released in 1997 on Jive. The same year, Jive released a string of remixes including two from Mood II Swing included here on this release.

What a privilege it is to continue this series of reworks and remasters on Food Music and this time we’ve got "I’m Rushing” from Bump!! The original from 1992 was (and still is) one of the most infectious house records ever made, with it’s uplifting synth patterns and vocals filling the air with pure joy and happiness. In addition to a re-master on the well known original, the new reworks here bring “I’m Rushing” bang up to date in impeccable style. Chambray leads the charge with an uplifting new synth pattern and pounding drums which compliment the original so well. Theo Kottis steps up with a beautiful mix that adds an Italo twist to complete a killer reworks package. Don’t sleep on this one.

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

+ Download Code

Extra Welt Hits is a time capsule drenched in the essence of the act’s DNA. Accentuated by newlyremastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording spills into the next with sonic precision. From the monumental masterpiece of the album’s opening track ‘Ferneh’, through to the “One- way ticket to oblivion, please” hits of ‘Soopertrack’ and ‘Titelheld’, the listener is left captivated. And, because it’s what they do best, the destruction and artful reconstruction echoed through their shows are also present. These are beamed out in the exclusive live versions of ‘Zu Fuss’, ‘Dark Side Of My Room’ and ‘Herzstück’. Recorded in Tokyo, Paris and at the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the most influential live-acts of the semi- underground. That live-act—a futuristic symphony of dance music—is both undefinable and strays well past the norm. Their chance to manipulate their creations in a flow of measured spontaneity, it continues to leave permanent impressions on audiencesNew Release Information everywhere. The result is an experience focussed on purism with great care in presenting the deepest core of their craft, in essence; exactly what sums up their musical galaxy.
It was never the acts plan to release a best-of album, especially at the unusual 15- year mark, rather, it rolled into motion naturally as a way to immortalise the victory of being around so long (in a scene where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is something of a triumph). With that, Extrawelt invite those that were there from the start to join them in getting a kick out of being “officially mature”. And for those that were not, to have the chance to hear their story up until now, like it’s never been told before. And yes, while the listener may have outlived many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave,
intangible and absorbing music—one that is all theirs, but all ours, too. A sound which is still as relevant today as ever it was; feeding the older generation’s electronic-itch while also enabling the newones to go totally nuts.

one of the hottest items around !!! now repressed !!!

second reissue of japanese house music legend “yukihiro fukutomi” on studio mule.

title track on a side “it’s about time” was included to the compilation “remix trax vol.6- japanese new vibes”.

“it’s gonna be alright” on b1 is e2-e4 influenced deep house and “facing up” reminds us danny tenaglia’s harmonica track. both tracks on b side are taken from his 2nd album which is released on only cd in 1993.

Black Vinyl

A masterclass in millennial House, Sasu Ripatti aka Vladislav Delay’s debut as Luomo returns for a 20th anniversary edition newly remastered at D&M and packing the deepest bounce per ounce Upon its original release in 2000, ‘Vocalcity’ was a totally unexpected turn from the artist best known as Vladislav Delay, who’d by then established his reputation as a producer of abstract dub techno for Chain Reaction that was ostensibly far removed from deep, vocal-led house music. But prejudices were swiftly assuaged as the Finnish artist’s keen knack for shifty rhythm programming was brought in line with Johanna Johanna Livanainen’s perfectly poised vocals, revealing the core influence of sensuous, soulful deep house and garage on his sound in a similar way to the links between Maurizio’s M-Series and the vocal-led Main Street volumes. Twenty years later it’s fair to say the 6 tracks of ‘Vocalcity’ have withstood the test of time and are bound to weave their slinky magick on ‘floors everywhere. With mint copies now near-impossible to find on the 2nd hand market, this new pressing of ‘Vocalcity’ is perfectly timed for a zeitgeist looking to the late ‘90s and early ’00s for inspiration. Cut a side-per-track, just like the original edition, each of the songs - ranging between 10 and 16 minutes each - have plentiful headroom and leg space for dancers, DJs and audiophiles, keeping the album’s crucial balance of luxuriant minimalism, and the space between its coiled grooves and burning vocals, perfectly taut and intact. Getting under the skin with the sculpted swing and hair-kissing vox of ‘Market’, and shuffling up close to Moodymann’s Detroit house depth in ‘Class’, the album is perhaps best loved for its timeless highlight ‘Tessio’, a rich, warm and writhing beauty that would set the template for myriad House records to come in the following two decades. Along with the mid-tempo lather of R&B vocal inflections on ’She-Centre’, and the lip-smacking sensuality of ’Synkro’, this whole lot is an absolute must-have for fans of late night/all day dancing sessions as much as those who like do
it quieter.

100% classic material.

Eternity and a day. In the early nineties Automation were the masters of UK rave. 27 years later its about time to refresh one of their finest moments. Extended original version comes with three stunning remixes.

Throw' by Paperclip People is reissued, accompanied by LCD Soundsystem's sublime and inventive cover on the flip. Perhaps the best known release from Carl Craig's long-running alias, 'Throw' is instantly recognisable to the day; a joyous distillation of Craig's house, techno and disco nous, as a chugging, organ-led bassline leads to a sensational breakdown. Once a favourite of LCD Soundystem's live set, the flip of the record captures the now Grammy-winning US group performing a studio-recorded cover, one that instantly, naturally captures the original solid groove, while adding shades of their post-punk approach.

The Nic Fanciulli remixes of the Club Classic !!

The Jaxx are back. Released for the first time on vinyl, Basement Jaxx 'The Singles' spans everything from the proto punk garage of early hit 'Flylife' to the Motown monster that is 'Good Luck', taking in worldwide smashes like 'Red Alert', 'Where's Your Head At', 'Rendez Vu' and 'Romeo'.

Where most greatest hits albums fall down at least once there can be no argument that this collection delivers the bangers and nothing but.

Basement Jaxx 'The Singles' is both a timely reminder of just how much the Jaxx have turned dance music inside out and the nonchalant ease with which they continue to drop new ever more exciting sub-cultural car crashes on airwaves and dancefloors around the world.

Yellow and blue vinyl with download code.

Limited edition 12’’ club orange-coloured vinyl with transparent sleeve

The multi-media project Kraftwerk was started in Düsseldorf, Germany 1970 by Ralf Hütter and Florian Schneider. They set up their electronic Kling Klang Studio where they conceived and produced all Kraftwerk albums.

Kraftwerk created the soundtrack for the digital age of the 21st century. AUTOBAHN 1974, RADIO-ACTIVITY 1975, TRANS EUROPE EXPRESS 1977, THE MAN-MACHINE 1978, COMPUTER WORLD 1981, TECHNO POP 1986, THE MIX 1991, TOUR DE FRANCE 2003. Their compositions, using innovative techniques, electronic sounds and synthetic voices combined with computerised rhythms, had a major musical influence on Electro, Hip Hop, Techno and Synth-Pop. 

re-release of this classic plus new mixes

Classic, pioneering 1989 acid house track with new remixes by Serge Santiago, Mall Grab, Rebuke and Nathan Micay. The original featured Gary Haisman on vocals and reached no.3 in the UK Singles Chart in 1989. A truly legendary and genre-defining track - it was originally banned by the BBC and is a key part of the legacy of UK dance music. It was also no 1 in 1989 on the Billboard Dance chart.

Another great re-issue from the vaults of DJ Dukes imperium. This time it's the Music For Your Ears #8 by The Visionary aka Felix Da Housecat from 1996! On top of this Dj Duke included an unreleased remix to this gem (B2). A must have not only for those who missed this record in the past!

*unreleased till now

HENRY STREET MUSIC -TWENTY YEARS OF FIERCE HOUSE MUSIC
Incredible as it seems, this year marks twenty years since the launch of Johnny D'Mairo's
Henry Street Music label. To celebrate, BBE is marking the occasion with a sumptuous five-
disc CD retrospective, a fitting tribute to one of the most important of all house labels. This is
one of the most extensive grand summations yet done of a dance label.
Henry Street Music exemplified its era as much as Trax and Nu-Groove had theirs. Come the
mid-'90s, the disco cut-up became ubiquitous, as thousands tried to emulate the success of
Henry Street's first big killer, The Bucketheads' Tha Bomb -still a dancefloor staple two
decades on.







Clinton Street


Court Street

Groovin come correct with this killer compilation from the legendary production duo Blaze.
Licensed courtesy of Kevin Hedge / Blaze Imprints
This compilation © 2018 Groovin Recordings

the must have classic !

Elbee Bad The Prince Of Dance presents one of his holy grails!
The high demanded LaRhon026 will be soon finally back on solid black vinyl!

The re-issue also contains an unreleased "Awakened Remix from The Dream is Real".


Essential release - highly recommended!

Almost 10 years after the first release, a milestone in Jazz-House history is hereby re-released.
Be fast - limited edition!

Repress!

produced together by dj falcon & thomas bangalter !!! 1-sided murder roule record !!! the mega classic !!!

the mega album with the hits "starlight, family business & diamonds for her" !!!

Kelly Moran, WXAXRXP Session, 22/06/2019: Kelly Morans Session für den WXAXRXP x NTS Event ist die einzige, die bislang noch nicht ausgestrahlt wurde.

Zur Sommersonnenwende 2019 nahm Warp den Onlineradiosender NTS für ein ganzes Wochenende in Beschlag, um die Feiern zu seinem 30-jährigen Jubiläum zu eröffnen. Über 100 Stunden Programm mit Mixsets, Dokus, Live-Performances und Sessions des gesamten Warp-Artistrosters von Aphex Twin über Brian Eno bis Kelela samt Gästen wie Ryuichi Sakamoto wurden von hunderttausenden Fans weltweit live verfolgt. Jetzt knüpft Warp mit der Veröffentlichung der "WXAXRXP Sessions" an diesen Event an, einer Serie aus zehn 12" Vinylen mit Radiosessions aus 30 Jahren Labelgeschichte, von frühen Peel Sessions bis zum diesjährigen WXAXRXP x NTS Wochenende, allesamt in höchster Audio- und Design-Qualität. Feat. Boards Of Canada, Aphex Twin, Flying Lotus, Bibio, Oneohtrix Point Never, Mount Kimbie, u.v.a.

Elbee Bad is another great underground house pioneer from the formative days of NYC house in the late eighties. His body of work now gets compiled on Rush Hour Recordings.
Like the Burrell Brothers, Elbee Bad aka Lamont Booker, is an early house producer from New York City. And the comparison doesn't stop there, Elbee Bad has also recorded under different aliases and has also remained largely unknown to a wider audience. He has also recorded for Nu Groove Records, for which he has recorded his most famous material, but like the Burrell's he wasn't a Nu Groove fixture. Bad recorded for a slew of other independent New York house labels like Bassment, City Limits, Easy Street, Red Heat, United States Of America and then there was his own LaRhon Records.

Almost 25 years have past since his first release, yet 'The True Story Of House Music' is the first time Bad's catalog gets compiled for re-release. Although the best and most prolific part of his catalog is his late 80's and early 90's output, Booker never stopped producing (and dj'ing). He is currently residing in Berlin, from which he still manages his studio and travels throughout Europe to DJ.

Prior to the compilation we release a vinyl only sampler which features two exclusive and previously unreleased mixes of two tracks which are to be found on his only solo Nu Groove EP, from which we took the title of this compilation.

This is another winner from the true history of house music.

1995, in the midst of the Chicago-Detroit House-Techno movement Wyndell Long produces his first single on the English label Peacefrog.
5 tracks ranging from House to techno and Deep with jazz influnze immediately bring it to the attention of fans of these sounds and today it will continue to shine on Flash Forward.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution and kaput-ness, all these are parts of the Extrawelt.' (Extrawelt, 2008) However, don't panic: even if the aesthetics of the debut album of the two Hamburg born artists Arne Schaffhausen und Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the 'Schöne Neue Extrawelt' is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long player. The work on 'Schöne Neue Extrawelt' started more than two years ago for Schaffhausen and Raabe. 'The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo 'Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits.' Those nine tracks on 'Schöne Neue Extrawelt", all unreleased, are

One of the hottest Clubhouse- Classics of the 90's feat. the Vocals of legend- Darryl Pandy! Actually, it's used on the Club-Burner by Booty Luv- Shine!

Crate digger veteran VOLCOV aka ISOUL8 (BBE, NEROLI ) graces NOBLE SQUARE with the incredible 12" mix of "JUST THE WAY I LIKE IT" feat DIAMONDANCER & enriched by PIRANAHEAD'S guitar. Fellow wax junkie JUNE JAZZIN presents the broken beat eclecticism of "UNFRIENDLY GUESTS" (mastered by GU). One sided!

PBR Streetgang return with their first original material of 2017. A limited 300-only pressing on their own bespoke label, 'Streetgang Jams'

'Late Night Party Line' will be the first single from the long-awaited PBR debut album set to be released in December 2017.
A party banger for the discerning dance floor with a killer baseline, a seriously hooky diva vocal and a distinct whiff of 80's night club sleaze, this is one of the most distinctive and daring releases PBR have ever made.

Hot off the back of their acclaimed 'Lost Property' releases, support and plays have come far and wide from Paul Woolford, Bicep, Gerd Janson , Midland, Tensnake, Man Power, Paramida and Crazy P