House Vinyl New Releases - News

Pancratio returns to more straightforward Dancefloor business with the next installment on his One Trip To Avyon label. Four fun-fueled straight up kickers for all types of situations with maximum pleasure guaranteed.

Audio Reflex, aka Anderson, is back, with his final four tracker on Telomere Plastic!

This beautiful EP is another blend of mid tempo and deep electronics. Funky baselines and beats throughout will give you the chance to get moody and groovy deep in the middle of your sets!

Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!

Fifth release with dusty jams from the Swedish label run by Per Hammar. Edvin Wikner’s ”Skritt” comes as an original, together with remixes from fellow Scandinavian S.A.M., Rowlanz and Per Hammar himself.

The original has been a frequently dropped club weapon among Per Hammar and his friends for a while before he decided to snatch the track to Dirty Hands before someone would reach for it.

Wikner is a Swedish artist who runs the Instance club and Maraton label, a talent that has a refined sound and slick technique that leads to some absorbing rhythms and classy house grooves, as this new one proves.

The opener track is a bubbling deep house groove with deft percussion sprinkled over a warped bassline that keeps on pulling you in. It is mind melting and hypnotic, sure to build a real vibe amongst a club setting. The Rowlanz remix smooths it out into something dreamy and atmospheric, with gorgeous sci-fi pads drifting about in the distance, sinking you into a reverie.

The Dirty Hands founder, Per Hammar, then comes correct with a remix which gets busier and more driving, with supple drums and wavy bass all working you into a tasteful minimal lather, a direction we are familiar with from fellow Swedish man. Last of all, S.A.M. gets freaky with a trippy after-hours vision that is dubbed out deep techno with haunting vocal whispers and subtle sound designs that all occupy your mind. A well rounded and killer EP, with a variety of producers showing their cards.

Two discs from Harry Wills on his new label, Nimble. This isn’t just bedtime… this is Luxury Bedtime.

Jens Schwan, best known as the owner of the THE CLUBMAP magazine and co-founder of ZUG DER LIEBE, has been in the techno scene for 30 years now. "Frontier Reichenberger" marks his debut though when it comes to releasing records.

The title might ring a bell for some of us as it is a literal combination of a track by Underground Resistance and the old location of the Hard Wax record store in Berlin.

The record itself reminds us of classic Chicago House style music - claps, hi-hats and bass drums are neatly pumping their way into this nimbly track with its noisy attitude.

The remix delivered by Jarno Eerola is a playful deep house track, a chugging jazzy piece of music that shuffles along slightly dragged, demanding your attention with loud little surprises.

Jarno releases music under his alias Joe Le Bon and Aitokaiku and has now released three albums and various tracks on labels such as International Deejay Gigolo Records, Pro-Tez, Plastik.FM and Blumenbeat. His remix is a true evidence to his skills in the studio. On a side note, Jarno is not just a DJ and procuder, though - he is a tinkerer and a little bit crazy. He has toured conferences and festivals all over Europe and Russia, building audiovisual installations.

It’s an overall pleasure, having both Jens and Jarno releasing this piece on Dizzy Tracks and it’ll be interesting to see, whether there is more to come

Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020.

The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.


The project provides an opportunity for the trio to indulge in a range of musical influences, blending together a mix of synthesizers with the haunting tones of a church organ, the warmth of a string quartet and regality of an opera singer. The album grew organically, with inspiration taking hold beyond the confines of the studio: the bonus track recorded with a Jamaican reggae singer in the back of a VW bus in Greece. Soundscapes from Colombia to India were captured and embedded.

With "Palm Trees & Thirty Degrees" Trinidad guide listeners on a journey to a tropical paradise; to a wonderful, perhaps peculiar place of confidence, created and shaped by the mental theatre of the moment.

The soft kiss of a warm breeze hits you as you adjust to your new surroundings ("Desembarco"); leaving the static chatter of your thoughts behind in the "Lobby" (feat. MonoAbe) of your mind; you allow yourself to imagine what the evening holds in store (“Kopfkino”); But first, there’s a drink in the “Sunset Bar”, a refreshing cocktail "Luciola" that serves as a gateway for you to plunge into the night. A night of unlimited possibilities, the first instances a blur ("Sagrada"), as time starts to lose its meaning ("Tempus Fugit"); everything spins, everything is possible, everything is ("Elevate"). Suddenly, hours (or is it days?) have passed – it doesn’t matter; what matters is the first sign of dawn, the unmistakable warmth dissolving the darkness (“Alma”); the beat slows, and you feel the "Libération" of the new day; looking around you see the moments you’ve shared etched on the faces of your friends ("Fleeting" feat. Julia Portmann); It is not goodbye, it is only "Au Revoir".

The album was produced by Trinidad in their own studios in Bern and Zurich. It features collaborations with a number of artists: Cornelia Aeschbacher Firmin (Hang), MonoAbe (Mallets & Percussion), Jack Williams (text of "Fleeting"), Julia Portmann (vocals), Zenyth (vocals) and Michael Meier (electric bass). The songs were mixed by Marcel Schneider, mastered by Benjamin Fay. Raïssa Lara Lütolf was responsible for the graphic design.

For a change we thought we'd put out a Various Artists release from some Artists we really admire - Ireland, UK, Germany, Sweden & Netherlands are all represented here.

Appian stalwart O.Utlier continues to make mind-bending music and provides us with a mesmerising, cerebral Ambient track.
Bas Dobbelaer steps up with something beautiful, ultra deep and metronomic.
Tarik Hansen are Artists Ben Kaczor & Martinou who come together for the first time with this dubby, pulsating stomper of a Techno track.
Finally we welcome Kloor which is the new moniker of old hand Aural Imbalance who finishes off the compilation perfectly with something cosmic & shimmering.

Timeless cuts to suit all intimate dance floors.

RNN001 - Ronin 01

Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much-loved London label unveils its hugely anticipated ‘Best of 2023’ compilation. Featuring seven original dance floor weapons, this electrifying compilation encapsulates the most unforgettable tracks from the label this year.

Pressed on limited edition gold vinyl, Best of 2023 seamlessly blends classic funk and soul elements with cutting-edge production. A brilliant fusion of established and emerging artists, the compilation boasts a truly stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.

Whether its Dave Lee ZR's epic disco edit of 'Give Me Your Love', Michael Gray's dubbed out remix of 'Be Yourself' or the Art of Tones remix of 'Giving Nothing', Best of 2023 is a pulsating ride of 'Original Disco Music for 21st Century Dance Floors'.

Flipping to the B-side you'll find rising star Magnolia and his buoyant soul bouncer 'Believe In L' featuring stunning vocals by Mani Hoffman (Starlight) and Million Miles. Generoco's 'Disco Jazzin' oozes in top quality, improvised jazz funk and Alastair Lane takes the tempo up a notch with his compelling and mysterious synth-tinged, disco house odyssey 'Disco Maléfico'. Elegantly ending the Best of 2023 vinyl is Parisian and AOC Records affiliate Georges with his truly sublime string laden disco groover 'Love's Away'.

Support from: Nightmares On Wax, Horse Meat Disco, Danielle Baldelli, Dr Packer, Severino, Yam Who?, Husky, Jaegerossa, Mousse T, Young Pulse, Hotmood, Rayko, Hifi Sean, Moodena, Jimpster, Faze Action, Hot Groovy Records, Fingerman, The Silver Rider

* As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades of innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

* Anotherday are very proud to bring you the reissue of Gemini's most complete and varied album - 1997's 'Imagine - A - Nation', originally released on Cajual subsidiary Relief. You know the music - every track is on youtube, or you have picked up one of the very expensive original pressings on discogs, but here it is, in its fully re-mastered glory!

* Rumours and gossip of Spencer's whereabouts and situation have been rife in the music press, and rarely on the money. Spencer is alive and well, and wants his music to be heard. This album has been licensed directly from him, and the money made from its exploitation will go directly to him.

*Repress*

This is without a doubt the release that we are most often requested to reissue. Originally released in 1998 as the single ‘So Now…’ taken from Herbert’s influential ‘Around The House’ album with a collection of b-sides. In fact it plays more like a quadruple single release as all four tracks could easily be an A1 in their own right.

The only shake up from the original 12” is that the now seminal track ‘I Hadn’t Known (I Only Heard)’ sits up front having grown over the years from a little known b-side to one of the most played out club tracks from the pioneering producers huge back cat, as near a perfect piece of jazz inspired deep house that you are going to hear.

The Cryovac machine is maintained and operated by A. Garcia. The components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. What is preserved is the character of a craft that follows its own path. Cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the Cryovac approach, and only selects the best vinyl when manufacturing and inspecting its' product. The Cryovac machine's purpose is to keep an independent view of the Detroit sound.
Jason Garcia is an international D.J., producer, and house music aficionado. His production runs the gambit of genres with a knack for injecting his smooth character into each work. For this effort Garcia has chosen to represent himself with a house style that is truly pimp heroic. Jason Garcia will forever have people in the Detroit underground.

Welcoming a vibrant selection of artists to the label, Rube Goldberg Series presents Volume Three.

The music, intricately complex in its creation ultimately performs a simple task; much like the machines of the late R. Goldberg.

repress !

We don't know who Your Ex is (lol) but what we do know is that they go beautifully deep here across a pair of jazz-tinged and seductive deep house delights. First up is 'Lima' which opens with swirling pads and steamy sax motifs that drift up top and mean love is in the air as the lush chords melt the soul. On the flip is 'Keep Shining' which is a more dynamic cut with a well-swung groove and the sort of rich piano chords that really hit home. Add in some crisp percussion and more mellifluous sax licks and you have a pair of timeless and truly musical house gems on a vital little 7".

After an extended disco nap your friends at rong music have awoken from our slumber and just in time to celebrate our 20th year of doing this rong thing. How will we celebrate? The only ways we know how. Put out a bunch of new music, unearth some weirdo classics, and DANCE & PARTY.

For our first new single to be released in celebration of our 20th anniversary, we bring you some bangers for the club, rave, your ride, warehouse, the playa, or home disco. The title track, Love’s the Meditation is a classy piece of melodic acid funk (?@$!wtf) whatever that means, with an epic extended mix by our fearless leader DJ Spun... We could hear some of our favorite new techno DJ’s playing Spun’s mix of SSM and Do You Feel the Love and 303 & me have a classic acid HOUSE vibe that is our type of thin. Enjoy!

2025 Repress gold + white marbled vinyl

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

Exceptional collection of Eddie Richards classics and rarities. A retrospective series of UK Acid-House pioneer. Played by Richie Hawtin, Ricardo Villalobos and Craig Richards to name a few.

Eric Kupper collaborates with the incredible, Samba-inspired Japanese singer Keiko Yoshimura for an original production on his long-standing label Hysteria.

After remixing a track sung by the lovely and super talented Keiko, a Japanese singer that specializes in Samba, Eric Kupper was so enthralled with her voice that he felt compelled to reach out to her to collaborate on an original production. Eric felt it would be an interesting concept to combine the Samba melody, Japanese lyric with Afro-Cuban rhythms.

This record is the result.

Studio Barnhus proudly presents Joshua Idehen, announcing "Stretch for the Stars" – a new EP from
the Stockholm-based British-Nigerian spoken word artist and musician. Joshua's explosive creativity
and soulful voice have made him a fixture on the UK jazz scene, his exuberant live performances
lighting up clubs and festival stages across the world, including recent Studio Barnhus parties and
Boiler Room streams.
Together with producer and instrumentalist Ludvig Parment, Joshua fuses poetry with modern club
sounds in a natural, free-flowing way, resulting in some of the most poignant new music heard at
Studio Barnhus label headquarters in recent times. The new EP was co-produced by label mainstay
Matt Karmil and designed by Laurenz Brunner. Vinyl and digital release date November 24.

A permanent feature of Dixon’ and Âme’ sets, the Tel Aviv born Tal Fussman marks the 3rd episode of our „Quantum Spits“ series focusing on a Detroitish minimalism.

Foliage Records introduces Volume 2 of the new 12” Sampler Series.
Volume 2 offers four stunning cuts from the Foliage Records back catalogue for the first time on vinyl. The A side of the sampler features Jimpsters bumping Deep House rework of South African electronic producer, Thakzin and songstress Ray T’s ‘Don’t Let Me See’. Fresh from remixing Solomun, Kerri Chandler & Joey Negro, Jimpster picks up the pace, adds layers of Afro inspired percussion and creates an ethereal effect on the vocals, resulting in a club ready classic. Side A also features the stunning ‘Addicted’ by Richard Earnshaw & Kholi, a Deep House, bass heavy groover.


The B side of the sampler has the Afro anthem ‘Unification Vibration’, remixed by legendary producer Atjazz. A prolific remixer with a career spanning 20 years, Atjazz has worked with the likes of Bob Sinclar, Gilles Peterson & Jazzanova. The track is an ode to coming together in ‘our house, our only home’. The B side also contains the heavy talents of Turbojazz & Sean McCabe with their deep & dope remix of Diephuis feat. Ursula Rucker – Listen To This Drum. This remix takes things down a deeper path to the original, with a focus on the bassline and extra percussion.

Andrew Macari joins up with Paka Project for a first outing on the fledgling Greenhouse Recordings labels here and delves deep into some true-school deep house. 'Beeston Fields Drive' is a warm and diffuse opener that rolls on loopy drums with balmy chords melted over the top.

'Hold Dat' has jazzy motifs and funky bass riffs down low that remind of early West Coast tech house sounds from the likes of Fresh & Low and 'All We Need' then layers up r&b samples and even more smooth and silky late-night chords into a real smoocher.

'PR Process' ends on low-slung and lumpy drums and spoken word samples run through with dubby chords.

After our last release titled “jazz Baileys” we are back with House Experience Vol.2., this time in Ep format, presented by Bs As deep.
The previous volume was clearly dedicated to being a various artists, also with the participation of Bs As deep.

We have been working since vinyl number 4 with musicians, who have a participation in almost all the tracks released.

When we talk about musicians, we are including keyboardists, saxophonists, percussionists, guitarists or bassists.

Our goal or common thread has always been to achieve a warm and forceful sound, so that it can be heard in any environment, and at the same time be used at any time of the night, on a dance floor.
With those involved in both past and current releases, we share a common idea, which guides us in the interpretation of each song.
We also base ourselves on house influences from the late 90s (96,97,98,99)

Personally, we are moved by those times in which the sounds become more sophisticated, more elaborated in detail, and that is when we believe that the house that we listen to today with soul and jazz sounds, take on more relevance.

They also promote Afro and Latin percussion, leaning towards that New York and Puerto Rican fusion.

For all this, we like to include classic instruments, such as roland rhodes, the much-loved Juno, or korg packages with their inevitable M1.

Many shots are made live through a session expressed by the musician, who improvises for a while, from there we extract some part, which can be used several times in several tracks.

It is always necessary to do an editing job to adapt and correct any dissonance or variation in time that implies desynchronization in the beat. All this working in the sequencer of the daw to use.
On this album you will be able to hear soulful house sounds strongly impacted by keyboards, flutes and session basses, as well as some perfectly adapted percussion samples.

Repress !

Floorplan, the father-daughter duo of Robert and Lyric Hood return with their first new productions since last summer's triumphant 'Victorious' album.
The new EP, which will be released on 12" vinyl and as digital download in June features two new tracks, which they have been road-testing at recent gigs and featured on their EPM podcast. The stripped-back 'Let The Church' straddles the realm between tough House and raw Techno with its hefty bassline, infectious claps and vocal cry, while 'Made Up In My Mind' focuses on a looped piano refrain and funked-up drumwork under a joyous gospel vocal, mixed down like only Floorplan can.

Also included is an hypnotic Robert Hood remix of 'He Can Save You' from 'Victorious', before Lyric Hood turns her hand to the future classic, 'Never Grow Old' for a deep mix that shows her love of House grooves and recently closed their BBC Radio 1 Essential Mix in May.

This summer they will also be bringing their new live set to Europe, alongside the high energy and spiritually uplifting DJ sets synonymous with Floorplan.

A classic Karizma cut complete with brand new reworks brings the heat for RSD on Atjazz's effervescent ARC label. Originally released on Hustle back in 2006, new interpretations from Atjazz himself & Osunlade add a whole new vibe to the track - set to wow fans of the original & newcomers alike.

First released over 30 years ago, this release was further instrumental in establishing a new genre of electronica within dance music. Mental Cube was the creation of Brian Dougans and Gary Cobain, “So This Is Love” the follow up to their 1990 debut “Chile Of The Bass Generation”. This is before their creation of The Future Sound Of London. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. “So This Is Love” has been described as unique with ‘the most seductive 30 seconds of any house track ever. Timeless, emotional, sexy and deep. A masterclass in UK house, one of the best electronic tracks ever made’. “Q” has been described as sounding inspired by the 90s techno sound out of Germany and Belgium, a French issue of it on 12” selling in the current market for between £200 and £350.

Super team production for this classic house gem from '94. Written and arranged by Chez Damier, Ron Trent, Derrick Carter, Chris Nazuka and remixed by St. Germain. A must have item!

Shake Well Music comes around with thier first physical release!

With "Breakz N Harmony pt. 1" Jena based producer SamOne introduces the first episode of his series. Formally known as LoopnReiner the Beatcunducta, he already gained a lot of sampling experience by producing hip-hop beats, which he combines with influences of electronic music such as House and Breakbeat. Thus, he creates his own touch of smooth, breaky dance music and packs this with 3 tracks compact on well handmade vinyl.

Have a listen and ShakeWell!

Selections mark the milestone of making it to a 10th release with Mate Records founder and Madrid mainstay Rafa Santos serving up his unique deep house sounds. Santos has been around a while now, with EPs dating back over a decade on the likes of Greta Plan but mostly on his own label since 2019.

He brings elements of funk and soul to his house and it is well-versed in the traditional sounds of New York and Chicago. Never overproduced and with just the right amount of raw, all four of these pair competing drum programming with emotive synth work that both soothes you and moves you on the dance floor.

LOCUS returns with its latest VA ‘LOCUS Trax Vol. 3’, welcoming label debuts from Jamahr, Mehlor, Project89, Manuel De Lorenzi and Giacomo Silvestri.

Now established as a standalone label in its own right, FUSE’s sister imprint LOCUS continues to prove itself as a go-to stop for forward-thinking and fresh house music with minimal-leaning influences from both established and emerging talent. Returning with the third instalment of its VA series ‘LOCUS Trax’, April brings five new names to the label as Captea boss Jamahr, Leeds-based DJ/producer Mehlor, and Dutch talent Project89 serve up fresh singles alongside a slick collaboration from Italian pairing Manuel De Lorenzi and Giacomo Silvestri.

Jamahr opens the package with an impactful combination of slick drums, resonant vocals and warped basslines across ‘Night Tales’, while Mehlor’s ‘BSOD’ offers up off-kilter electronics, skippy percussion and woozy low-ends. On the flip, Project89’s ‘What’s Going On’ delivers a peppy groove accented by atmospheric pads and spaced-out aesthetics, before closing via the tight, rolling grooves of Manuel De Lorenzi and Giacomo Silvestri’s ‘Sit Down’ as the two unveil a heads-down, hands-up terrance anthem.

LOCUS Trax Volume 3 drops on 26th May 2023 via digital and physical formats.

Kerri Chandler, Dennis Quin and Troy Denari join forces to deliver ‘You Are In My System', a modern take on the iconic 1998 ‘You’re In My System’.

The original mix of ‘You’re In My System’ has been a staple for many in House music DJ sets for the past twenty-five years, a record that perfectly encapsulates the soul of House and Kerri’s distinctive sound. Here we see Kerri Chandler put a contemporary twist on this celebrated cut from his back catalogue, this time collaborating again with vocalist Troy Denari and Dutch artist Dennis Quin, who’s delivered numerous hits on Kerri’s Madhouse imprint such as ‘Move Out Of My Way’ and the last collaboration between the three, ‘Be Strong’.

Here the three artists collaborated to rework and replay the entire composition and create this new 2023 version, Kerri and Dennis using the same hardware used in the original composition and singer/songwriter Troy Denari, lends his vocals to this new version of the track, reimagining the vocals of Mic Murphy to capture the essence and spirit of the 1980's hit by American Synthpop band The System.

Throughout 'You Are In My System' Kerri Chandler’s signature soulful keys, bouncy bass line and dynamic synth work ebbs and flows amongst Dennis Quin's sturdy, swinging and crisp drum style while Troy Denari's refreshed vocals then bring a modern soul and warmth to things, resulting in the dynamic future classic presented here, destined to work its way onto many late summer dancefloors and beyond. Dennis Quin also offers up his 'DQ Dub' for a more raw groove focused fix.

Antal plays the Extended Club Mix at Dekmantel Selectors


Early DJ Support:

Antal - even more effective for nowadays attention span!
Hector Romero - Very nice job on this one. On it.
Domenic Cappello - Still a great tune and love these versions
Sasha - very cool
Massimiliano Pagliara - All time favourite!

Southern Italian native, and Berlin dweller, Ruff Stuff, is a fine example of nominative determinism... with a penchant for tough 808 led drum patterns, and arrangement which echoes the spirit 90's Chicago, our man is the perfect choice for the next SB Traxx 12.

Ruff Stuff? You better believe it.

The third release on Moments, delivers the crème de la crème of the Tel Aviv scene. It's mind-blowing how many amazing artists from Tel-Aviv run prosperous international careers. Tourists adore the city for its sandy beaches and stunning coastline. However, locals focus their creative energy on building the underground dance music scene. The transgenerational experience of Sahar Z and Shai T brings a new perspective to the global club sound. Sahar Z is a legendary DJ that needs no introduction. His knowledge is apparent in his DJ sets but also in his sophisticated productions. Shai T is a rising star, bringing a fresh perspective and rule breaking new values. Their two-track masterpiece combines the elements of deep, intelligent, relaxing but rhythmic, percussive frequencies that unite both nostalgia and futurism.

DAZE returns for 2022” with two fresh takes on classics from those glorious rave days of the yesteryear

Caleto Records comes up with a first various artists release including Crystal Town , Ralo , Steve Hammer ,Nicola Brusegan , Arkady Antsyrev and Ian Tribb Specially designed for sweaty dancefloors, this versatile 6 tracks compilation treats different aspects of House Music

Hi Scores is beyond excited to present SSR Records: In Retrospect. This 2LP compilation album presented in a beautiful gatefold sleeve and through all digital platforms, wishes to highlight the immense and hard to grasp legacy of the Brussels based label. SSR Records was founded in 1988 by Marc Hollander as a sub label of his Crammed Discs and spanned the nascent years of house, acid, rave, trance, new beat, hip-hop, future jazz and broken beat, collaborating internationally and racking up close to 200 releases until it was put to sleep in 2002. Far ahead of their time, SSR Records released music of both European and North American artists that hadn’t broken through yet, such as those collected on this compilation: Move D, Nu Era, Gemini, Bjørn Torske, Glenn Underground or Matthew Herbert.

SSR Records was run by Crammed Discs chief Marc Hollander and Minimal Compact singer Samy Birnbach aka DJ Morpheus. SSR Records: In Retrospect comes with extended liner notes, exploring the pivotal milestones in the history of the adventurous label and zooming in on the origins of all records featured on the compilation.

All nine tracks on SSR Records: In Retrospect were selected by Hi Scores’s head honcho Kong DJ and have been remastered. Created between 1990 and 1996 and in the at the time pioneering spheres of house, breakbeat, electro and trance music, these treasures from the vast SSR catalog today stand as a stunning testimony to a truly remarkable and timeless musical legacy. Kong DJ: ‘While collaborating with Crammed Discs on the releases of Aksak Maboul in 2016 and Zazou / Bikaye in 2018 on Ensemble, I began to grasp the impressive catalog of the label and its sub labels, including SSR. Surprised by the tiny footprint SSR had left on the world wide web - often the case for labels ceased before the internet revolution - I wrote an article for British website The Vinyl Factory.

This would later prove to be the first step towards this compilation album, collecting favorites from the label as a kid in a giant candy store.’

When it came out in 1996, Anthony Teasdale’s ‘Deep In NW5’ was regarded as one of the key records of the UK deep house scene. Since then, it’s become an acknowledged classic on the MC Projects label.

Now it’s back – as part of a five-track EP of deep house and electro – that shows Teasdale’s knack for melody and dancefloor sophistication is as strong as ever.

The new edit of ‘Deep In NW5’ keeps every element of the original but shortens the running time a little, and adds punchier drums more suited to today’s clubs.

The second track, ‘Jan’s Hammer’, is influenced by the electro records Teasdale loved as a kid and the theme music of ’80s cop shows. Fans of Miami Vice – and ‘Crockett’s Theme’ in particular – will get the reference in the title.

Flip over for ‘In Deep We Trust’, which mixes gentle, Rhodes piano melodies with punchy four-to-the-floor beats. Imagine Mr Fingers working with Boards Of Canada, and you’ll get the idea.

The next tune, ‘Entwined Minds’, holds a special place for Teasdale. A tribute to Andrew Weatherall (who Tony remixed in 1997), it’s a slice of dancefloor electro-house with a gorgeous string breakdown. And when those 808 drums kick back in, it bangs!

Finally, ‘Resonant Pianos’: another deep-houser, this time made up of rumbling classical piano and haunting orchestration: the perfect way to finish off this most accomplished of EPs.

Teasdale says: “I’d always wanted to make an EP on which every tune is brilliant – and you change your mind on which one’s your favourite. I also like to give people value for money: the five different tunes here, all of which I’m proud of, represent that.”