House Vinyl New Releases - News

NYC's legendary SAM Records dropped the mysteriously named K.I.D.'s "Don't Stop" in 1981. It has it all - Trancey arpeggios, Vocoders & vocals trading off with each other, Brass & some heavyweight Disco drums that helped propel it forth into the hallowed category of "club classic". The record perfectly suited the open minds and open ears of discerning disc jocks in locales such as New York and Chicago where this sublime piece of electronic Disco sleaze would get plenty burn on the city's infamous WBMX thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. "B-Side" cut "Do It Again" is a pleasant enough early 80's Disco jam, but compared to the futuristic burner that is "Don't Stop" on the other side there's one clear winner. A must have for all Cosmic, Disco, Funk aficionados. Now made available again, legitimately licensed, remastered and reissued in conjunction with SAM Records New York City.

Brazilian producer Zopelar has been breaking necks since few years already with his distinctive brand of space funk!

In this particular release for Mother Tongue he comes across like Sao Paulo meets West London on the a side Entre Viagens and turns into a heavy Detroit influenced Electro Funk jam the b side Vista.

Side A Produced and Mixed by Aware Project at DevoRevo Studio - Predappio Italy mastered by Stefano Cappelli at Creative Mastering Studio - FC Italy. Thanks to Emi&Sofia. Side AA Written and Mixed by MBG @ Bunker Studio. Produced by Gio MBG Canepa for MBG International Records.

DJ Balaton, a.k.a. Ninze of Leipzig Ketapop slow house fame, ventures into exceptionally flowy, analog House music on "Blauer Montag". It sounds familiar and obscure, like walking into a hotel for the first time, but feeling like you had maybe been there before. The first single "C'est tout" takes you straight to the lounge, while the hip-hop downtempo hymn "Life So Sweet" brings you to a bar by the pool. "Tascam Dub" feels eerie like an unknown sun setting in a foreign place, harboring excitement for what nighttime will look like. The final track is for dancing without caring for titles, time and place.

The EP is like a perfect day off, playing truant Ferries Bueller-Style - "Blauer Montag" (literally meaning Blue Monday) referring to the craft worker tradition of taking Mondays off.

A match made in dancefloor heaven, as two worlds collide with LDN partystarters Make A Dance committing their official remix of indie rock four-piece, Django Django’s percussive bumper ‘Don't Touch That Dial’ to vinyl for a limited pressing, complete with vinyl only dub mix on the flip.

Already squarely aimed at the club, the Make A Dance duo take the original to stratospheric heights, flipping it into a body-popping, electro bomb which sits Japanese singer Yuuko’s vocals centre stage intertwined with glitching synth lines and acid armoury to turn this into a full frontal, downright infectious firecracker.

On the B, the vinyl only exclusive dub mix let’s those juiced up, electro grooves fly as deft hints of Yuuko’s vocals bounce around your brain.

DJ Feedback:

Moxie / NTS - love the dub version

Yu Su / NTS - hell yes

System Olympia - I like this

Apiento / Test Pressing - Yeah that's a fun one : )

Bill Brewster - Really nice

Josh Cheon / Dark Entries – wow not sure how i missed this. its pure dancefloor
bliss! ecstatic euphoria

Arveene - I love this harks back to Major Force meets the Nyc electro-funk. 1980’s
popping & Locking! Right up my street

MLiR / Magic Teapot Records / Studio Barnhus - Lovely stuff from a lovely duo!

Lipelis - Great version! Especially the vocal mix for me

Rohan Rakhit / Daytimers / Balamii - That dance dub is a vibe. Seriously infectious.

Good Block - Yes loved this one, it’s on the key

Green Vinyl

A trademark feature of his versatile and dynamic sets, Chris Stussy’s long list of unreleased productions across the years has meant fans have always been treated with snippets of what’s to come from the Amsterdam-based talent. And while his Up The Stuss imprint houses a large percentage of these secret weapons, the curated approach to the label’s release schedule has meant that a new project has been in the works for a while now.

Introducing UTSOFF - a special series that builds on the label’s forward-thinking ethos when it comes to house music from across the spectrum. Locked away in the vault while being tried and tested on special occasions, including his printworks debut and recent Mixmag lab in London, there’s no better way to kick things off than opening with ‘All Night Long’ - a signature Stussy production that looks set to elevate his rise even further via a skilfully crafted journey through rich synth melodies, skippy drums, and the iconic vocals at the heart of things. Not stopping there, the B-side is loaded with the warping and cosmic sonics of the excellent ‘rose bay’ for a special bonus treat.

Dear friends, music is more than just the sum of its individual parts. It also has a metaphysical character, which is particularly determined by its sociality. Kerrier Collective, a group of friends from Cornwall in England, lives this social aspect by making music together and ¦nding relaxation from their stressful everyday lives. With their worldbuilding
"dreams of the sea" Ep, the collective presents us with dance music not often heard like this. It is inspired by classic folk, pop, jazz, UK garage, latin, disco, house and techno. Imagine The whitest boy alive together with Giorgio Moroder interpreting Dylan songs with musical means of the hardcore continuum in a South American bar - Ok, take that with a wink, but you know what is meant. The title track is a sound journey into the depths of the ocean, where we encounter an
underwater party. A fat Reese bass forms the foundation of this piece, which is complemented by a rich arrangement of shimmering bells, guitar plucking, strings and female vocals.

This breathtaking mood leads into a driving beat accompanied by acid arpeggios. It's all so deep that you think you can hear the call of a whale from somewhere. "Paddington Express" is a slow march accompanied by heavy bass. All around you, a piano ghosts up and down and mysterious vocal snippets create a perfect symbiosis with an acid line. Should you be accompanied "On your last day" by this eponymous track, it will be a good day - a day that may begin with a gloomy, heavy foreboding, but will dissolve into a joyful, peaceful lightness. The guitar lick of this track issimply irresistible. On your last day, you will de¦nitely dance!

The record closes with "Friday afternoon". The name says it all. We all know how it feels. Let this euphoric disco tune carry you into the weekend! P.S.: Physical release comes with handcrafted, screen printed artwork by fabulous graphic artist Zatina Kessl.

Hot Creations favourite and Paradise resident Patrick Topping is back onboard the seminal imprint with the hotly anticipated, two track release, Be Sharp Say Nowt. Road tested on the world's biggest stages and at the most notorious parties, title track Be Sharp Say Nowt encapsulates Patrick's signature sound and has proven to be his biggest track of the year. 'The gospel vocal from LaShun Pace is amazing!' says Patrick, 'I'm so happy to have it finally come out on Hot Creations'. On the flip, Track Change offers a contrast and a slightly different side to Patrick's sound,

Spearheading the new wave of electronic music producers coming from the North of England, Patrick Topping has made a name as a prolific producer, securing seven different Beatport number 1s since his debut release in 2013. His accolades also count two DJ Awards for Best Newcomer and Track Of The Season for Forget, as well as DJ Mag's Best Tune in their Best of British Awards. Last year he rounded things off with his first DJ mix album, Paradise On Earth vol 1, which received Mixmag's Compilation of The Month and 10/10 from Germany's Faze Mag, as well as reaching number 1 in Beatport's House chart.

4 hot grooves to bring the re and make you move.

Blue Marbled Vinyl 2022 Repress


Fran’s rising star and Shall Not Fade fave, Computer Data, returns to Lost Palms with 4 slick, deep tracks to satisfy your sonic needs.

Colourful opener ‘Seele’ marries hazy, lo-fi vocals with bright synths and dreamy pads. A lush escape, one for lazy days watching clouds pass by. Next, let the thick deep grooves of Broken wash over you - soulful, enigmatic vocals tug on the heart strings, dancing over a silky, mesmerising melody. On the flip, ‘Departure’ is a slow burning house number with Computer Data’s own spin, stripped back kicks driving into an ethereal electronic wonderland. Taking us through to a soul-soothing sunrise, ‘Veloren’ rounds out the EP. Uplifting, nonchalant, deep house to wash away your troubles.

Label boss Daniel Solar returns with a new EP and some helping hands from Stee Downes on the mic, Florian Kruse & Nils Nuernberg with the mixer and Berlin homie Mario Aureo on the composition.

The tracks are ranging from disco to house, from mild to wild and should keep the audience from start to finish.

A1 - Daniel Solar - Someday

Someday... somehow... it feels good! Does it point the direction to the promised land Or is it just the hope for a better sexual experience Send a mail to Doctor Solar. Meanwhile have fun on the floor with this peak time piano driver.

A2 - Daniel Solar - Someday (Kruse & Nürnberg Remix)

Pimp my car, pimp my track... More beats, more piano, more more. Try this for hot & spicy or go back to Daniel's version for the original taste.

B1 - Daniel Solar & Mario Aureo - I Do Believe (feat. Stee Downes)

This is the voice of planet... Stee Downes. Dikso couldn't resist and asked him to join them on stage. Together with longtime production partner Mario Aureo he completes a new dream team and with "I Do Believe" they couldn't have started better.

B2 - Daniel Solar - Cookie Dough

And what are we having for dessert A disco-infected mid-tempo groover called cookie dough Thank god you can dance the calories off with it.

One of the world’s premier DJ Duo’s, Chus & Ceballos are well known for their uniquely energetic sets that feature hard hitting techno influences but still retain an essential connection to pure American house Music. Their music shines particularly bright in the summer, when their driving percussions impact even bigger during outdoor festivals and in the European summer clubbing markets. For their new release on Nervous, they have found a song initially released by DJ Michael Flume in 2001 called Agolele. While the release had limited exposure in its initial release, Chus & Ceballos were inspired by the authentic tribal flavor and inspired instrumentation, and saw a vision of how they could turn this into a 2019 summer club anthem. The result is out now exclusively on a Nervous Records vinyl release.

- 2022 repress - light blue marbled vinyl

2020 was a big year for dj poolboi (AKA Adam Ansley); his debut LP 'it's good to hear your voice' and a remix for Moby amongst his achievements - now the Austin native has turned his mind to the UK with a shimmering four-track release on Shall Not Fade. 'rarities ep' is the premiere release in a new series, Classic Cuts, which focuses on feel-good sounds of all styles, with a nostalgic edge.

Ansley describes his sound as "music to skate to" and rarities has some of that languid summertime feel to it, but has a vibe that brings to mind a boat party on some sun-baked French coastline more than a skatepark. It opens with 'Ghosts'; a track as melancholic as the title. Touched with faint vinyl crackle, lingering keys draw you into a driving house beat that is danceable despite its haunting air. Where 'Ghosts' has you slowly swaying to the beat, beer in hand, 'Tu Tienes Mi Corazon' is a hands-in-the-air banger - all subtle bassline and slow natural breaks. Saxophone melts in and out of the background and the A-side fades away into birdsong. On the B-side, 'Elope' leans into the summery day-party energy replete with syncopated organic percussion; it's a track that ebbs and flows wonderfully. Closing out the record, 'Before You Go' is the most "electronic" piece, a nod to electro that forefronts the earworm bassline. The EP is a balm for the soul that is made for the festival season.

His new EP, "Nostalgic For The Future", was inspired by an experience he had during a lucid dream that evoked a paradoxical and enigmatic feeling. Also influenced by the artists of his childhood such as Daft Punk, Alan Braxe or Jestofunk, this new project is imbued with house sounds.

By using artificial intelligence in the conception of "Nostalgic for The Future", Fhin proposes an innovative vision to tackle eternal and inexhaustible themes of music: love, the meaning of our existence or the intensity of our emotions.

Pressed on Limited Edition Purple Vinyl.
New label from the Chicago legend K-Alexi Shelby:

DJ and producer. One of Chicago's true heroes and cited by many as a pioneer the city's sound with one of his earliest releases Essence Of A Dream being regarded a classic.

At the age of 12 he was already moving in the right circles, befriending Frankie Knuckles and Ron Hardy whilst frequenting the famous Warehouse. His upbringing in Chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including Stevie Wonder, Prince, Curtis Mayfield and David Huff. These same names would prove to be the roots of his influences.

This new label K Klassik is a platform to release new material, this 2nd 12" to features remixes from Ron Trent & Joe Smooth.

A rare release from one of minimal house and techno's most respected icons, Thomas Brinkmann. 'Isch' is a much sought after track taken from a record that has been out of print since many years. this pressing contains the original mix plus the new soulphiction mix !! first pressing comes as clear blue coloured 12" vinyl !!

French label D3 - which when pronounced in French sounds like there French word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity.

Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'

Limited

Eeeeeesh, Shinichi Atobe’s sixth album for DDS, another deployment of effortless and entirely inimitable club classics that connect the dots between effervescent dub house, deep techno and swirling beatdown, selected and compiled from a package of new productions sent in the post with nothing but cryptic track titles for guidance.
Love of Plastic - we talking aesthetic here pal? bit like comme de garçons’ genius, subversive amplification of synthetics in perfume? Something like Mark Fell’s assertion that “House music is best when it does not aim to copy ‘real’ music”? Impossible to tell - and honestly part of the thrill is in not really fully grasping Atobe’s praxis. What we can say is that with every album there’s a shift - sometimes barely perceptible - in spirit and focus. On this one everything’s gone a bit heavier - bit deeper - once again refracted through Rashad Becker’s mastering prism. You really could be listening to music recorded decades, years or a few weeks ago - we’ll probably never know.
But with the simplicity comes a kind of impenetrable code too. That fleeting diva vocal sample 4 minutes into ‘Love of plastic 6’ - what’s it doing there? why does it work so well?
Perhaps the reason Shinichi’s music resonates with so many is the impregnable sense of optimism buried in his DNA - there’s a breeze of warm air that wafts over whenever his music is played, a promise of better days, blue skies, tingling skin, sultry evenings - all that hammy stuff - but also entirely undeniable. Play this one and tell us you don’t feel it?
Spring’s almost in the air

(Incl. tracks by Alex Medina, Marco Bailey, Testimony, MTRZ, Diego Infanzon, Alex Finkin & Rocco Rodamaal)

Hand-picked by Laurent Garnier & Scan X, this latest volume is another diverse collection, leaning towards the wonkier and of techno and electro, but with jaunts into other ballparks, such as the hip-hop and spoken word drift in Testimony's 'Soul Sellers'.

Early support from The Blessed Madonna, John Digweed, Joseph Capriati, Ross Allen & DJ Deep.

CFCF returns with a glossy, euphoric and bright 150 BPM utopian shimmer and robotic vocal cooings courtesy of the mysteriously and adorably rendered vocaloid boy, “Troy”. First recorded in 2018, and blessed in 2020 with a pair of remixes from fellow Canadian dancefloor legends Priori & Ciel, the 9-minute-plus, 3/4 thump of “Never Going Home” has been a staple of CFCF DJ sets for the last few years. Montreal’s Priori’s mix brings a heady braindance crackle, with thick breaks, pinging signals and FM bass, while Toronto’s Ciel goes deep on a dubby and skittery ‘homesick bounce’. CFCF himself closes out the package with a wistful acoustic reprise suitable for a post-euphoria bittersweet sunrise.

From Da Block, 3rd V/a Of Increase The Groove Records' Series. With Kenobeat, Aurelian Aka Km3, Messes Basses And Oden & Fatzo. Mixing The Universe Of House And Hip-hop, Within A Progressive, Groovy And Driving Record.

What happens when a usbkey is found with a previously unreleased remix of Robert Owens' "Tonight" done by Chicago deep house don Glenn Underground? This strictly limited 1-sided hand stamped white label happens.

Repressed !

Picking up where Triform left off, the prodigiously talented Matthias turns in one of his most impressive works to date with a four track EP showcasing the breadth of his sound.

The mercurial Placid is one of his most original works. An intricate journey that builds to the orchestral backdrop being shattered by a bold acidic lead.

While the title track is a headier affair, Liturgic Acid Year is aimed squarely at the dancefloor; a rolling acid groove awash with lush pads punctuated by jittery percussive fills.

On the B side, the otherworldly Enon takes things into darker territory; with sophisticated arps materializing over a metronomic bassline.

Finally, the unique Omega Doom makes up the EP. A study in contrast, it sees 90’s stabs and frenetic toms juxtaposed against apocalyptic strings - giving the track a distinct prog sensibility.

French producer, DJ and Recit De Voyage label owner Molly joins the roster of Philipp Priebe’s Stólar imprint this June with her ‘On The Road Again’ EP, accompanied by remixes from Dial co-founder Lawrence and Dial artist Soela.

Yse Saint Laur'ant makes wonky, left-of-centre sounds for proper underground parties. He's done so for years, and now returns with more of his raw and inventive disco on the sought-after Vinyl Only label. Opener 'Bad Company' pairs visceral arps with glossy pads and soulful vocal, which is stripped away from the 'Better Company' version.

On the flipside, 'Don't Look Back' is a more freewheeling and funky feel, with silky basslines and hip swing claps under buttery vocals. Last of all is a classic chug-disco gem. 'Foreign Love' goes slow, with crashing hits and languid bass all topped off by a yearning female vocal that slowly but surely rises into euphoria.

Earthy bounces, sharp rhythmics and erased boundaries between deep and house in the fifth release from Forbidden Dance Rec. signed by the french virtuoso - Aleqs Notal.

With a tribalistic percussion launch into a warm and silky bassline, Supply Shuttle spins the dice on the deep house edges through linear but meticulous patterns of synth simplicity. The scarcity of snares puts the track just enough into the dance-floor realm but still exquisite enough for sun-drenched coast places especially with that subtle rhodes washing over the faint 303 shots in the background. Notal pulled a smooth move here further erasing the faint border between the two genres. And yes, sometimes the border gets pushed more into one over the other. Such is the case with Airlock Nation, clearly showing this imbalance in the most pleasurable way. With a straightforward shake onset floating on a solid rhythm throughout the ride, the track leans more on the floor side covering the early night with subtle and warm darkness step by step. The midnight glow emitting from the melodies is beautifully cocooned into deep sway smudged by ritual bongo hits. The track exports a sentiment of nostalgia in a positive and warm way while cleverly pushing the vibe over the mentioned border into a night dance. A Walk Thru The 20th continues this sway but implements a synth carrier into the foreground further developing the club feel. And this is where Notal shines truly because even in this kind of atmosphere he almost unnoticeably lays the track on perfectly fitting tribal shoulders stamping the core of the track with earth-grounding charisma. Both audio worlds, one audio shine. And still, on the other side of the playfield, Nature Of Offences is grounded heavily in slow and throbbing kicks paralleled with equally heavy claps and constant interchange of beautiful pads, strings and percussions. Although the track is stirred with a filtered 303 bassline, the overall feel points into a deep and seductive zone. It flows subtly through different areas of analogue and synthetic forms spewing a late 90s warm-up feel. Well rounded release from Aleqs Notal!

Returning to Phantasy for a triumphant fourth single, ahead of a debut album to be released later in 2023, Josh Caffe dons ‘Meine Lederjeans’ for a gloriously tight squeeze of electro-funk, accompanied by an unapologetically gritty, stroboscopic remix from Caffe’s frequent collaborators, Paranoid London.

Dialing the tempo down from the frenetic club play of previous releases ‘According To Jacqueline’ and ‘Do You Want To Take Me Home?’, ‘Meine Lederjeans’ finds the British-Ugandan DJ and performer melting into a hedonistic slow jam of Prince-indebted grooves driven by drum machines oozing Chicago spirit with additional playing from Alex White of cult groups Fat White Family and Saint Leonard. Celebrating and subverting queer tropes in double measures, ‘Meine Lederjeans’ is an exquisite blend of soul and sexuality.

Paranoid London, the duo of Gerardo Delgagdo and Quinn Whalley (Caffe’s principal studio partner, and producer of ‘Meine Lederjeans’) deliver a characteristically merciless remix of Caffe’s original, looping their vocalist into an acid-soaked stupor. Throbbing, insistent, maximal yet minimal, this is PL in particularly raw form.

After the big success of the reissue of MBG EP ONE, Groovin Recordings is proud to introduce the release of OPTIK Music Harmony & Rhythm, another great EP originally released in 1991 under MBG International Records. Optik is the alias of Giorgio Canepa and Ricky Montanari, two of the most talented italian producers from the early '90s italian underground-house movement. In this EP we find two killer deep-house tracks, Music Harmony And Rhythm and Illusions, two great examples of the italo-house touch of the early '90s that we found in a lots of other productions by MBG, Don Carlos and Key Tronics Ensemble, to name a few. Illusion is also sure an epic track, it was the last disc played at Vae Victis (Misano, Italy) and the first disc played at Novenove (Gradara, Italy), two of the most famous italian after hours of the 90's era. Fully re-mastered, DMM cutted, re-pressed & re-released for 2015 in it's original format from the original mastertapes, with the permission & participation of all rights holders with all original MBG label artwork intact.

As we journey on with part two of the States of Bliss project. Opening we have a reminiscent moment with “NY”. A snapshot of early BJC which was remixed for 2014’s cult classic “Selected Compiled By Fred P”. Then we move on to a more ambient affair of the trance inducing “Awakening Desire” an example of celestial electronica at its finest. Closing part two is the trippy jazz fusion house sound Private Society has been spearheading for a of couple of years now, “High Fusion” is a none stop ride into galactic ascension that has been moving festivals from the UK to India. Fred P continues to go deeper into his sound defining a rare characteristic propelling the artist forward via lawed frequencies garnering a cult following world wide!!!

Repress!

Infinite Pleasure presents another debut release, this time by Rotterdam based, new kid on the block, Pettson. Showcasing his versatile talent with a smashing 5 track EP named Satchidananda.

Skillfully blending intricate beats with profound melodies leaving no genre untouched. Breakbeat, Electro, Deep Dub, 2Step & Ambient it's all there, laced with a unique freshness.

The title is a nod to the renowned yogi, who believed that pleasure is our natural state of being and we couldn't agree more!

Following releases with YAM, Tiff’s Joints, Dr Banana and Touching Bass, artist Romaal Kultan (Ollie Malin) now inaugurates his own record label, Personal Discs.

No Time Like The Future showcases Romaal Kultan’s finest productions, charting a distinct personal trajectory between hiphop, house and broken beat. Opener One Moment Please is a sassy boom bap affair, with an unexpected nod towards jungle. Music Room, made in collaboration with producer Cypriano, is a patient, moody chugger — a tapestry of piano, organic percussion and crackly vinyl samples laced with acid.

On the B-side, Personal Effects delivers a unique, hypnotic broken beat groove, where swelling synths and a twinkling Rhodes meditate together in careful arrangement. Finally, the intimate title track No Time Like the Future stomps off into the sunrise, carried along by a rolling, yearning dreaminess.

Each one of these tracks represents a special, all-too-rare moment of ecstasy in the studio. I hope that this feeling lives on in the music.

So far the record has received support from Alexander Nut, Mr Scruff, Lefto, Kai Alcé, Bradley Zero, Mary Anne Hobbes, K15, Dr Banana, Alex Attias, EVM128, Zakia, Shy One, Tereza, Alia, Earl Jeffers, Footshooter, K-Lone, Poison Zcora, Dean Chew, Marcia Carr, Leanne Wright, Dead Man’s Chest and more.

Ahead of an interestingly cheeky release schedule in 2023 from Seven Davis Jr., collaborators and fellow associates on Secret Angels Records, we present to you “savedbythebell”.

Described as a vibey intermission project. Music you might hear on an elevator ride inside a massive mothership that’s traveling through multiple dimensions. Sounds from an 80s themed alternate timeline. There are no rules here. There are no one set descriptions and multiple meanings abound. Although this be more of an instrumental adventure with only one song (chorus and verses etc). Its all interdimensional vibes.

Featuring 5 fresh tracks produced within in the last 2 years by Sev. (who previously had the habit of releasing mixtures of older tracks/reworked
demos along with new songs).

And with all releases from Seven Davis Jr., this one picks up where the previous ended. Sev’s 2021 song based album “I See The Future” left us with an unpredictable track titled “New Life Who Dis”. This ep introduces us to forthcoming new sounds from that new life.

Not just for dance floors, also for “chillen” or lounging on a nice day, or disassociating in the depths of a wormhole, or at an after hours where everyone’s faces are on fire and no one ever sleeps!

We hope you enjoy and if you do, please play it, share it and reach out to let us know so we can be friends. Because we aren’t jerks, we swear. At least not in this timeline.

Four afro-house gems selected from the MoBlack catalogue to set the dancefloor on fire!

Our 5th release see's Italian artist Vito Fattore join us with a really classy EP with 4 cool original tracks that have a real old school deep house vibe to them!