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Paxton Fettel intrinsically invites you to the very core of his soul with Mana, a heart wrenching ode to suave and unassuming house
music. Real instruments and penetrating decisiveness serve an emotionally rendered piece of the blues, perpetually enticing mood
binding empathetic maneuvers. Paxton orchestrates feeling with musicality well beyond the average clique, despairing yet hopeful,
slickly jazzed and upfront drumming produce a mad example of what he's capable of pulling off/ Straight out of Copenhagen we get treated to yet another fine instance of a Paxton Fettel classic with They Go Unseen. A trademark loop on the ivories, chunky as you like it thumping kick, accompanied with tricky hi hat ticking. It's as simple as that but done with such finesse, the chaps a natural for it. You'd be forgiven not to call it house music... it is just straight up vibing jazz with space and consistency. Textualised with spirit at the focal point of the mix.
The flipside pumps out Permafunk, this kid got a piano for chrimbo .. bebop flavour constitutes jive with heavy four four dancefloor
rufness. Ready and willing to make your hairs prickle... happy basement wigging () you could imagine swinging the Charleston to this while the whole room erupts around ya...
Rollocking tastiness resides with Nothing Never, a monumental odeing trip of full on inner rightousness. Painstakingly accurate aural
imagery portraits a professive leaning of awakening content. A groan becomes a song of tranquil easiness unfurling in front, beating
down with ultimate Paxton traits.
Kickin' it back out of shape Back Alley Shuffle turfs out some cosmic shavings on top of that faculty stamped key work. Doting on
dragging bounce and sprightly groove, it's another persuading wiggle to dutiful musings in noise.

In the gutter lie sun dried leaves, scraps of paper, burnt matches and cigarette butts. It is early morning; the sun rises with warm grace. you've come to the right party... you see, the body of a young man sitting by a pool, nobody important, really. Just a movie writer with a couple of "b" pictures to his credit. He always wanted a pool. Well, in the end he got himself a pool, but let's go back some time and find the day when it all started in “Hollywood,” the place where they pay a thousand dollars for a kiss and fifty cents for your soul.

Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.

You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup.

Tale of Tales is a sampler release from the Lagaffe Tales family pool. In this third vinyl release and our second Tale you will find tracks by the local Felix Leifur, the Swedish Sune, the German duo Coeo and Moony Me. This tale is a celebration of our ventures as a label and seals the memories we have with each artist.

One from the vaults here with great new mixes of 'Hypnotise' from Danism + Train, Moplen and Tedd Patterson.

'Hypnotise' is one of the very first Danism records from back in 2006 and earlier this year Danism + Train put a fresh touch on this timeless vocal from Heidi Vogel and breathe fresh life to a sleeper. Moplen and Tedd Patterson both deliver new remixes to complete the package and take 'Hypnotise in two new directions.

No letting their foot off the gas, 'Tasty Recordings' power out into edit hyperspace with four delicious offerings, combining familiar flavours with a distinct new twang.

'Honey Butter' calls out to friends from far and wide in order to make their Pelican Disco dreams come true. The 5-tracker ranges from jovial jazz & disco delights to downright machine stomp.

Finest Hour welcomes St. Joseph to the family with a timeless four tracker. A record for all the slow house lovers.

Celebrating its first year, the label is releasing the second volume of its compilation Habemus Paname and introducing its two latest signatures - Tour-Maubourg and TAOS - with nine tracks between jazz, deep-house, breakbeat and disco.

Second chapter of the ‘Inside’ series of various artists eps selected by Neroli’s very own Volcov. This time with a more eclectic approach than the previous volume, exploring more electronic landscapes with Domu’s downtempo ambience song aptly titled ‘Point Of Entry’ and Jamal Moss’s unmistakable sound on his opus ‘Black Hands Sound 63’ on the first side. On the flipside Mother Tongue’s own Patrick Gibin returns with another bouncing collaboration with Kaidi Tatham entitled ‘Don’t Read’ and new upcoming wonder producer EDB serves ‘You Bring Me Joy’ with the help of Alberto Lincetto on keys and NTS resident Marshmello on vocals!

Another quartet of gems, Selador’s latest 12" vinyl outing, once again in our tasty new house bag, brings together four of the label’s most popular digital releases of recent months.

We open with another majestic piece of work from Brazil’s techno don Renato Cohen. This huge remix keeps the peak time spirit of Steve Parry’s evergreen What You Make It very much intact – but then turns it up to 11 with a muscular new interpretation. Big!

House music royalty, Charles Webster then delivers a psychedelic electro gem of a re-rub of Dave Seaman favourite Racket Abuse. Tripped out genius that makes maximum use of the original version’s mind-bending vocal hook and reached Number One on Beatport’s Electro Chart.

Next, Progressive House Don Anthony Pappa teams up with Electronic production guru and fellow Australian, Jamie Stevens for Here We Go, a dark yet uplifting, tribal workout that was one of the label’s best sellers of 2021.

And finally, Barcelona-Berlin soundclash alert! Two of our favourite electronic music epicentres are represented with former F1 driver Jamie Alguersuari, aka Squire at the wheel, and sonic wizard Hannes Bieger on remix duty. ‘True Religion’ is a thing of rare timeless beauty. A true gem.

Following his debut on Archie Hamilton’s Moss Co., UK producer Charlie Banks now joins MoscowRecords bringing a pair of intricate house cuts with the label boss on remix duties. Hamilton has been playing the Gottwood Festival DJ’s music in his sets for years now and following his ‘One Morning In Staines EP’ on Moss Co. Charlie Banks has seen further support from artists like Seb Zito, Diego Krause, and Traumer. Appearing on Moscow Records, the breakthrough London-based producer returns for his second statement release of 2019. Opening his next release, ‘Flight Mode’ instantly deploys a sultry bassline as trickling subtleties operate alongside crunchy snares, making way for a stuttering warped melody and crystal synths – the result is both deep and energetic. On the flip, thudding kicks and echoing effects lay the foundations for ‘Project X’ as a meandering sequence joins a thunderous low-end. Tying it all together, Archie Hamilton’s remix of ‘Flight Mode’ boasts a complex rhythm from the off as various different percussive elements interlink to create a mesmerising dancefloor roller complete with acid licks.

Jamie 3:26 and emerging Dutch artist Danou P welcome the next phase of their heady union with a timeless EP on Dan Shake’s imprint. ‘What It Is’ exhibits just how good the music can get when the synergy between two artists is on point, each track pureving an exhilarating atmosphere, and expansive journey. ‘

‘What It Is’ spreads across three tracks that make up over 34 minutes of music, brimming with peaks and valleys, Danou’s keys elevating Jamie’s authentic beats straight from the heart of the Chicago dancefloor. Dan Shake pays respect to the roots of electronic music through the music he makes, plays and releases, and has been patiently waiting on original material from Jamie for the label since ‘Were You Ready For That’ edit on Shake Tapes in 2018.

Kicking off the EP is ‘Roy Layers’ based around a particular chord Roy Ayers used in his music.
Like a rocket climbing through the atmosphere with Roy Ayers behind the wheel, and you are hitching a ride with him through the galaxy. “It’s the perfect example of what it sounds like when we really hit it off during a session. The creative juices start flowing and a track could almost become endless.” - Jamie and Danou P

Bushman Boogie’, is a late night track with a deep sound made for dark and sweaty underground spaces. “I remember searching for animal sounds for this track. It had such a vibe to it with drums that sound like they are disappearing into the jungle at the end. It felt fitting to top it off with some actual sounds from the jungle. I hope it‘ll make people feel extra animalistic when they dance to it” - Danou P

‘Rug Burn’ does exactly what it’s there to make you do “dance your ass off and burn a hole in the rug!” Says Jamie “I always create music from a dancefloor perspective, because that's where I started, on the other side of the booth. I know what's gonna move me emotionally and physically, and so I’m not gonna make anything that's not gonna make me shake my ass!” Danou P - “Jamie always pushes me to be extra funky, to a level where I didn’t even know I had it in me. This is exactly what he did when I laid down the organ on this track”

Jamie and Danou first came together in the studio four years ago when Jamie brought him in to play keys on some of his tracks. Jamie quickly realised the energy between them was too special just to leave it at that, and started nurturing Danou’s talent. A deep brotherly connection was formed in and out of the studio, and it’s what Jamie believes creates the magic that permeates into the music they make, already with an impressive catalog of remixes together for HiFi Sean & Crystal Waters, DC LaRue’s ‘Cathedrals’, and most recently for Defected’s Nigel Lowis 'Brotherly Love’.

Comes with insert. Ltd Edition.

Mixed Signals and Left Ear Records team up again to refresh Litia~Loe’s mid-90s album Life Love Dance. On this timeless release, the group channel the golden age of Nu Groove, foundational Warp releases, and the Ibiza days of New Order, all rooted in a uniquely Chicago sound.
Five years after their EBM-tinged cerebral house anthem “Each Dawn Every Dawn”, the Litia~Loe (Life In The Insane Asylum = Life On Earth) crew dropped a lush album of wider proportion — six songs that feel more mature, more confident. Yet, despite this cultivated style, they continue to maintain the distinctive jest of their first outing. Grant, Leon, and Simeon’s new approach was more exploratory, traversing adventurous channels of pop, wave, IDM, and house. Not only are the songs more varied, but the growth of the trio’s technical skills are apparent. These songs feel more considered, like they have been refined over time, given just the right amount of polish without losing the ecstatic rawness that gives them breath and bounce.

“The Rush” follows the crooked path that was featured in their first single, with a vocal performance that maintains a murky half-singing-half-spoken-word opacity; the optimistic lyrics juxtaposed with sinister synthetic strings. “Whisper To Me” demonstrates a new side to the group which shows their ability to break from an orthodox house sound and highlights their pop sensibilities with a narcotic Depeche Mode-ish bassline. “Peep Show” reveals a mellower mode, drenched in euphoric echo and sensuous synth pads. Also featured on this reissue is an unreleased CD instrumental “First World” having its first ever vinyl release.

Life Love Dance captures the sound of primetime Chicago melodic house music, but offers something more expansive. Uninhibited by the borders of genre, the trio took a more inclusive approach to their music, which catalysed in a playful and peerless production style which makes their work stand out from the droves of generic dance records from that era.

MAW take it back to the Masters At Work Dub Style with a swinging, deep groove, that brings forth hypnotic tones. “Just keep that dance music alive” in the words of the Late, Great, Donnell Rush (RIP) who recorded over 25 years ago on Maw Records, carries on a message to the world through this new production from Masters At Work. Taking it back to the OG days, Kenny on the beats, Louie Vega on the Keyboards, it’s a Maw Special!!!

With a string of standout releases already in their catalogue, first-class Italian label Groove Culture are back in full effect with two sure-fire disco house jams from Right To Life. Pure peaktime party tracks from start to finish, that have already been turning heads a plenty.

20 years since the incredible Another Chance was originally released, Sony Music release a picture disc of the original track featuring the heart from the sensational video.

repressed !


Following his immense 'West On Mars' EP on Bedrock last autumn, Guy J returns to his own Lost & Found imprint with tw absolutely stunning pieces of journeyman techno. Inspired by the classic trance sounds that he grew up to, Guy J has dug super-deep and returned with something super-special. Musical, emotional, hypnotic: both tracks will take you to places you've not explored in years. 'Aurora' hits with chunky drum arrangement that's reminiscent of Deep Dish at the height of their powers; deep, driving and wide enough to carry the weight of the pristine synths, humanised rhythmic textures and melodic weaves, this keeps building until the very end of its epic tenure. Beautiful.'Airborne', meanwhile, is the full trip: almost 10 minutes of locked-in beauty as we glide further and further into a state of unblinkered positivity. Building us up with precision tension, Guy doesn't even ntroduce the life-affirming riff until 4.30 but by jove you know about it when he does. Immaculate elevation that seems to come from nowhere; timeless emotionally rich techno like this is universal. Reach for the skies...

The second release from an ongoing, organic collaboration of two acclaimed artists in their own fields - DJ/producer Marcus Worgull and British singer-songwriter Fink - again results in something beautiful and undeniably iconic..

After his 'All Gone Pete Tong Ibiza 2014' compilation with Tensnake, Pete Tong releases his first EP on Suara with UK Producer John Monkman titled "The Bumps". John Monkman, who also goes under the aliases PinkNoize and Flip Flop, uses progressive elements coupled with 80's like synths, which gives his productions quite the unique flair. His work also takes into account the technical side of production and he carefully constructs each element using the science behind sound design and production. He's already been touted as a producer to watch out for with releases on labels such as Warung and Get Physical Music, so it was only fitting for him to collaborate with Pete Tong to give you this tasty track.

The original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. Each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. You can distinctly hear the 80's like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. The grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere.

The remix, done by the widely loved tech-house duo Pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. Where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. Bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. There's an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. All I can conclude is what a tech-house bomb this is from the highly talented Pleasurekraft. They always manage to bring something new and unique to every single track they've ever remixed which truly shows their remarkability as consistently good producers.

White Vinyl

Next up on Just Jack recordings, Simoncino takes you on one hell of a journey, through two straight up dance floor destroyers... the lead tracks 'Come With Me Bebe' and 'Acid Life' which thump and twist along, with sparse synths and heavy baselines causing pure ecstasy as they pump their way into your blood stream!

And then exploring more experimental territory with three shorter jams (Afrikan I, II & III) which take you through tribal rhythms, chants, screams and a hell of a lot of other weird and wordly shit, before he puts you to bed with the beautiful 'Ambient Deep'. You will need it after listening to this EP. Get ready to sweat!

Ron's back at it again with three more expertly sliced cuts of primo, top shelf edit business. A moreishness that'll have you dippin back in time and time again, with hints of disco, house and funk working up the senses sprinkled with a touch of soul-infused beats.

Leon & Marius The Duo Who Form Das Carma Hail From Stuttgart, Germany.
The Pair Have Been On A Steady Rise Pushing Their Irresistible House Grooves Since Their rst Release As Part Of 124 Recordings Va Back In 2016. Since Then They Have Gone On To Release On Other Esteemed House Labels Such As Rough Recordings, Borg And Newly Formed Esouh Music.
2019 See's The Pair Land On Strctr, A Label With A Reputation For Delivering That Sweet House Music And Das Carma Are In Good Company Here With Previous Artists Such As Manooz, Harrison Bdp & Liam Geddes On The Label. Even The Title Of The Ep Shows The Fondness Between Label & Producers : Str -> Mrs (airport Codes Stands For Stuttgart, Germany From Where The Producers Come From And Marseille, France Where The Label Is Based).
Delivering A 4 Track Ep Of Original Productions Das Carma Show That Sometimes A ashy Remixer Is Simply Not Needed. Liftoff Cloud 9 Opens The Ep With A Warm oating Dreamlike Track, Ebbing And Weaving Beautifully Throughout The Course Of The Track. Larry & Frankie And Subnautica Keep The Subtle Refrains Of The Opener But Bring The Funk Slightly More With Bump-in Garage Drums Turning These Tracks Into Feel Good Lo- Burners.
Closing Out The Ep Is Dub101, Here The Guys Waste No Time In Making The Tracks Intentions Felt, Skippy House Drums And A Big Old Slice Of Call & Response From Some Heavy Hitting Dub Chords - Peak Time Tackle. Here's What The Boys Had To Say About The Release:  from Our Perspective This Record Brings Almost Everything Which We Stand For As A Producer Duo. Spreading Happiness, Making People Dance And Do Music As We Want It To Be Are Our Goals And We Might Have Achieved Those Targets From Our Point Of View. Nonetheless, This Record Also Works While Just Relaxing At Home To Enjoy Music. We're Very Proud To Work With Strctr And We're Curious About The Resonance Of Our Beloved Community! ' Set For Vinyl & Digital Release In April 2019 And With Only 300 Records Cut, Don't Sleep On This One!

Clear & sharp-edged new material from the German duo.
"The beauty and significance of the music piece lies in how rich the silence is between the the sounds"

Well, we know absolutely nothing about this brand new edits label, nor the artist behind it, so in wonderfully cliched fashion, the music is left to do the talking. What we do know is that Harri Pierson must have a penchant for classic house because that's the vibe of the A-side 'Bananas'. It has retro-future vibes, a pitched-up rave vocal, and lively piano chords over shiny metallic drums. It's a real bouncer with hints of Italo madness, then 'Funk Rail' is a more worldly affair with Indian-sounding melodies, rich layers of instrumental funk and jostling, loose-limbed drums. What a scorcher.

After releases on Kai Alcé's NDATL, Patrice Scotts's Sistrum or Hardrock Striker's Skylax, Javonntte from the Motor City is back with the "From Paris to The World" EP. The groove is strong, spreading the truth, this EP is made for you.

Tracks for astral projection. Levon creates his own tonality using his original pitch designs to take the listener to a place that did not yet exist, whilst maintaining priority dance floor focus. The Niresa tracks are using such unique musical intervals that every listener can decide where the music is taking them, and there is no wrong answer. Levon says, "These are tracks for astral planing. The beauty of creating your own tonal dialog each time you work is that you can literally take the listener somewhere new and un-discovered with each new release

Throughout his relatively short career to date, Groovence’s boss man Moonee (real name François Lefevre) has delivered some top shelves tracks in the passed years , appearances like his debut track on Groovence last year « Faith & Sorrow » and an official remix for Sweely’s banger « Gotta Keep On » in 2020. His music brilliantly blend contemporary house with dusty sampled house, the whole magnified by his MPC workflow and his own savory and taste on music sampling. « Wabi-sabi »is above all an aesthetic and spiritual concept that celebrates the imperfection of things. Focused on the notion of beauty and the passage of time, this first EP is dedicated to his love for mixed-up soul infused grooves and « out of the grid » beats & sounds.

no information needed

Private Lane Records is a newborn music label and part of a wider artistic platform that wants to promote young, upcoming artists and dreamers like us.

“Dream Drivers” is the starting line of something new and exciting.
The well known french talent Noiro and austrian wonderkid DJ Void are our pilots for this journey, taking us into a world of dreamy synths and funky rhythms. A travel with such beautiful landscapes, you don’t want it to ever stop.

Grey Marbled Vinyl

Enigmatic Italian house connoisseurs Quasar and Cristo join the Lost Palms catalogue with a 4-track collaboration which touches base at tech house, deep house and all the flavours in between. Bursting onto the scene in 2017 with the widely-recognised 'Lovesongs' EPs, Quasar has since been perfecting his craft. His collaboration with Cristo sees the two depart somewhat from the lofi sensibilities which have characterised their music so far, instead favouring a harder-hitting and more diverse sound destined for the club.

Kicking things off is big-room banger 'Ginga', propelled by a fierce tech house beat and assertive arpeggios. 'Non Ce Ne Importa Piu' takes things down a notch, paying homage to the respective antecedents of each producer's musical career with a lofi quality and a hypnotic melody. Euphoric piano stabs and diva-esque vocals power the hands-in-the-air sunshine slammer '(It's) Over' before 'Good For You' takes things deep, closing the EP on a cool tone and proving the duo's versatility.