House Vinyl New Releases - News

Dam Swindle are back on Heist and coming in hot with a series of 3 releases in 2022 to celebrate a decade of Dam Swindle. The aptly titled ‘Keep on Swindling’ EP’s form a collection of classic DS tracks that have been re-engineered and remixed as well as new material from the Dutch duo. The first EP features two new originals, a stellar rework of ‘The Break Up’ by rising UK jazz star Emma-Jean Thackray and a 2022 mix of their 2014 hit: ‘64 Ways’ featuring Mayer Hawthorne.

The EP kicks off with ‘Body Control’: A fresh DS production that has all the elements in there to become their next club hit. A tight garage groove smothered in congas forms the basis for this track along with its deep repetitive bassline. It’s the musical elements that make this track really stand out though. There’s swinging offbeat synth hits, sample chops, lush pads and vibrant arpeggios building momentum for dancers to lose their sh*t (or their body control) to, every time this track is played.

‘The Break Up’ - originally part of the first release on Heist back in 2013 - has only been remixed once in that same year by Max Graef. The track now gets a full makeover courtesy of the amazingly talented Emma-Jean Thackray, who has been playing the original in her sets for since day one. Her version is loaded with newly recorded parts – vocals and horns included - and gives the original an amazing live jazz twist. This remix gave us some serious goosebumps when we first heard it. It’s in one word: essential!

On the flip, the duo offers a 2022 mix of their track ’64 Ways’ featuring Mayer Hawthorne. ‘64 Ways’ was originally released as part of their album Boxed Out in 2014 and was their first venture into vocal collaborations. None other than Mayer Hawthorne -a serious house-head himself- came over to Amsterdam to record the track and it was an instant hit. Now, with some new engineering done, the guys have dusted off their old project to great effect. The 2022 mix makes this track sound warm, powerful and well rounded, giving new life to this DS classic.

The final track of the EP is ‘All I want’; the second production on this record that sees Dam Swindle deliver a track that has ‘summer festival’ written all over it; synth stabs, diva vocals, acid lines and a huge breakdown included.

The ‘Keep on Swindling’ EP part 1 is the first outing of Dam Swindle in their anniversary year. A year that will be filled with curated events, headline shows, fan specials and most importantly, a lot of new music. As always, enjoy the music and we hope to see you on the dancefloor.

Keep on Swindling!

Yours sincerely,
Maarten & Lars

With 2021’s highly rated debut “Vinland In Space Ep (JR001)” under their belt, the Pakistan/Thailand outfit Jugaar Records crew are back with close friend and collaborator, Bangkok boy DOTT, whose “Puppy Luv” EP steps up for the label's second outing, swaying towards housier realms with subtle, swung rhythms loaded with colour, including a remix from the master Titonton Duvante.

The record consists of four dancefloor cuts primed for club action or even a gorgeous road trip.

East Coast Love Affair is back for summer banger season, we have cooked up some utter beasts in the Athens of the North studio.

Side A is of Roy Ayers classic 'Chicago' that's been getting huge love on the dance floor, an acid house beast that's going to smash it for the rest of the year.

On the flip we have gone mad epic with a 13.31 track featuring Crystal Winds that's just builds and builds, we have had epic responses to this at the club and excited to finally share it with everyone,

Have fun on the dance floor x

Following on from his debut release for Crosstown Rebels in 2018, Emanuel Satie is welcomed back to the revered label to present Rivers feat. MAMA, another display of his gifted musical skill, set for release this February.

Rivers feat. MAMA opens with a spirited bassline, delicate percussion is added before MAMA’s outstanding vocal cuts through, touching the soul as the mystical chant of melody slowly burns. Tokyo ASMR sees the listener transported to the colour and ambience of the city, it features Japanese inspired strings, flutes and samples that lock around a minimal beat inducing a state of meditation and tranquillity.

Frankfurt-born, Berlin-based producer Emanuel Satie has built up a distinguished reputation with his original productions and remixes. Bursting onto the scene with a slew of releases on many of the most meaningful labels, with impressive chart positions including a Beatport number 1, Emanuel’s unrelenting momentum lead to him being awarded Best Producer at the DJ Awards, an acclaim previously won by Maceo Plex and Solomun.

His music has been played by DJs across genres and previously charted in the top five most Shazamed tracks in Ibiza, whilst Pete Tong made single Don’t Forget To Go Home featuring Billy Cobham his Miami Music Week Essential New Tune. Following this Emanuel then collaborated with Pete Tong for their massive Time For Love which has now reached two million Spotify plays, released his widely supported Planet XXX on Sven Väth‘s Cocoon Recordings and was welcomed into the Crosstown Rebels fold to release his debut EP on Damian Lazarus‘ label.

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the second in a series of vinyl album samplers.

Sampler 2, a sublime gatefold, double 12 inch package sees Kerri soak up and channel the atmosphere of Dublin’s District 8, Glasgow holy grail Sub Club, NYC’s Output and Lisbon’s crowning jewel Lux into four trademark Kerri cuts, doubled up with a further mix of each track for good measure too. Piano-laden deep house, heads-down groovers, vocal-tinged soulful gems, recorded directly from each space, it’s brimming with future classics from start to finish.

It started as a little science fiction story where Kepler-129, a hot star located about 1200 light-years away from our Solar System, became the living environment of peculiar creatures, passionate about music, throwing parties to overcome their tedious routine.

Eventually, this story mirrors what Kepler-129 has grown to be: a concept of round-the-clock parties in unusual settings, simultaneously inspired by the rave culture and the cosier approach of small selectors clubs.

What the science-fiction story did not predict, however, is the Visolux project.

Parties don’t last, printed music does. Surrounded by talented and nerdy friends from both real life and the Internet, much keener to work out drums and machines than launching a start-up, we joined forces to craft a various EP that would echo our Kepler adventures.

Baldini Records is a brand new edit-centric imprint out of Naples inspired, you might guess correctly, by the legendary DJ, producer and cosmic house innovator Alessandro Baldini. It kicks off with two disco versions that he would surely be happy to reach for. They come from Alex From Utopia - he is a party impresario and a so-called DJ's DJ. Both of these have already been getting plenty of high-profile plays from the likes of Lovefingers, Jonny Rock and Ivan Smagge. 'Story Of Devotion' has a proto-deep house feel to it with nice analogue drums and a silky vocal, while 'Ask Ives' is slower and more psyched out.

The inception of 49North marks the beginning of a brand new era for Duncan Forbes; who most emphatically made his mark on the WW scene as one half of legendary duo - Spooky - alongside Charlie May; releasing a string of landmark singles and albums over 3 decades, not to mention timeless remix / production work for International heavyweights like Depeche Mode, M83, Sasha, William Orbit, Mr.G and Apparat.

A1: ‘Strobe Dancer’
“Duncan Forbes’ maiden solo voyage and first ever release on recently birthed imprint, 49North - 'Strobe Dancer' is 9+ minutes of exquisitely-paced, hypnotic dance-floor drama. Sitting somewhere between Deep, Acid House and Slo-mo, Dub Techno - Duncan's opening effort is a wickedly brooding, yet seductive joy to behold.”

B1: ‘Continental Drift’
“After the hypno-House stylings of 'Strobe Dancer' - Duncan takes us to another far-flung corner of his scopic, creative spectrum - via the fittingly titled, ‘Continental Drift’; a pitched-down, acid-glazed slice of mesmeric, widescreen Electronica.”

B2: ‘In The Mansion Of The Gods’

Birmingham's Ed Hodge (1/2 of Mother of Pearls) is up next
on Gestalt Records with an infectious 4-tracker spanning
surging tech, heady minimal and cosmic prog, for the mind,
body and soul

Better Listen is back to cradle snatching for their first release of 2018, debuting young Londoner Joe Corti's first vinyl release.
It's a four-tracker loaded with dusty samples warped cleverly for max dancefloor action; the A holding percussive party jams and the B offering the lush deep disco sounds the label has become known for.

180gram double vinyl release

Beautifully realised modern house double vinyl EP by Romanian artist Pirvu (Sunrise / Club Guesthouse).

Polifonic Records is the melodic balance between antagonistic vibrations, spirits and energies that inhabit the land of Puglia since the dawn of time.

An harmonic exploration into colorful, vibrant sunrise atmospheres and emotional, introspective sunset sensations. One Body. Many Souls.

PF004 // The fourth vinyl of Polifonic Records label brings together artists from different cultures and ethnicities to create a seamless blend of sounds with diverse influences. Encompassing genres like house, Balearic beat, and acid, harmonized through ambient arrangements and 4-tothe-floor rhythm patterns to chill and groove to, this record is a material embodiment of the multicultural and polyhedric approach that Polifonic adopts throughout the multiple extensions of our projects.

The first track “Generations of Sunsets” by Lipelis joining with Andy Butler from Hercules and Love Affairs, vividly illustrates the extent of their sonic palette: a journey that runs through a Balearic groove - also with the use of guitar - and expands the mind to exotic places keeping the body moving with its acid touch.

Italian 90’s riviera house meets percussions and ethnic grooves in the born new track from the Milano duo Eternal Love. “Kuasi Riviera” reflects perfectly the nature of Polifonic between clubby atmospheres and connection with the wild world.

Then comes the darker side with Yu Su, who switches it up with new diversions in tempo and rhythm throughout “Oil” with a blend of deep basslines and obscure soundscapes contributing to this journey through space and time.

Benedek’s “Desperado” doesn’t shy away from deep diving right back to the 90s Italian house overlapping bold soundscapes through the lens of a contemporary producer. Distinctive,
immersive, and dauntless.

Following their standout debut on Nu Groove ‘Remote Area’ enigmatic Berlin duo Acid Jerks return with another solid EP on the essential label. Continuing to demonstrate the two selectors’ breadth of influences and musical knowledge, the ‘Counter Balance EP’ showcases Acid Jerks ability to genre-bend. The A-Side traverses from the classic, piano house of the title track, to the tougher, industrial sounds of ‘Distant Power Plant’. On the flip the chugging, rolling sounds of ‘A Thousand Kisses’ opens, before the organ stabs and buttery synths of ‘Organ Grinder’ close out the EP, making for another unmissable release on a label deserving of its cult status.

The first to release on the relaunched Nu Groove in 2021, NYC pioneer Jovonn is an artist whose musical philosophies align intrinsically with the beloved label. Now he returns to the imprint with a four track EP that continues to demonstrate his innate musicality and deep seeded roots in club culture. From the deep, minimalistic grooves of opening track ‘RAISE UP (Raise Up High)’ and driving melodies of ‘Sunday Ride’, to the chunkier ‘WHAT’ and the big room bass and plunging sub of closing cut ‘Let The World Dance’, this is another unmissable package from the rebirthed Nu Groove, from a true house master.

Planet People have love for Chicago & New York House, Detroit techno & 90s UK ambient. The crew is coming from the UK and this is their story! ltd. to 300 copies

(Dusky, Coco Bryce, Smokin Jo Mixes)

PDD are pleased to welcome Collective Leisure to our ever-growing label roster.

First up is a classy 1991 / 92 houser Andronicus - 'Make You Whole' which was one of those rare tunes that worked across dancefloors at the time, from big raves to garagey basements, via the original progressive floors to Trade 4 am carnage seshes, and beyond.

Collective Leisure have pulled in a suitably diverse little crew to readdress matters a mere 30 years later: Dusky go for the big floor/4/4 summer jugular with style and understated drama, before man of the moment Coco Bryce takes it to new break beat hardcore heights. The original and much sought-after Smokin' Jo Dub both appear as bright remasters to round off a wholesome line up.

The second release from Edinburgh-based rave Headset, showcasing unsung Scottish artists making alternative house, techno, garage & breaks in dubby styles.

Unknown producer Capricorn One provides 3 tracks of finely engineered Broken Techno & Dubstep, finishing with a dubbed out House jam on track 4.

Pressed on heavyweight 180g vinyl
Mastered & cut by Optimum Mastering in Bristol (Livity Sound, Tectonic, Pressure Dome)
Pressed by Mobineko (Taiwan)


DJ approved by Hodge, Peverelist, Yushh, Chris Farrell (Idle Hands), J Wax, Feena & many more


For fans of Hessle, Livity, Dubstep, UKG & Sound System Techno.

Non Stop Rhythm presents this 12” single by N.Y. native Freddy Bastone under his “Corporation Of One” alias.

Originally released back in 1989 with big success across the UK, the two tracks have now been given a new lease of life for this 12” reissue will a full remaster. Only one run of 300 records have been made.

repress

This vinyl includes a free downloadcode were customers get the
whole digital release for free via Facebook !!
While IPOLY MUSIC is focussed to enrich the dancefloors with special music contents, our new release line IPOLY MATE steps out of the club and connects real songs with tech house elements in a novel sense. Rookie Gabriel Vitel starts off and makes his debut with two desired pieces from the all-around impacting 'Alec Troniq & Gabriel Vitel'Liveact:Lively guitars revive the spring in your mind. A rough and powerful voice wakes you up on flower meadows. A heart-warming beat makes you feel like dancing on a rainbow and drives sweat between your legs. Is there any Feeling Better Yeah, we're kidding. Just listen!

A true love letter to house music, Larson presents his account of the ubiquitous dance music genre diving deep into its origins. Connecting the dots with some of the genre’s most beloved innovators such as Larry Heard, Boo Williams, Ron Trent, Chez Damier or Chris Brann, the Belgian producer pays tribute by adding his own emphases. Setting a bright mood, at times aiming for the dance floor, at others comforting the listener into a casual vibe, Larson is not seeking, but spontaneously drawing attention with his graceful sounds, stripped to the bone and built on an intuitive factor.

Larson hails from Liège, the South Belgian city known for its meat balls and the mighty river La Meuse, and works as a sound editor in movie production. Recognised by those-who-know as one of the most quintessential figures of Liège’s burgeoning underground nightlife scene, the time is now for Larson to step forward. His 2x12” debut release dubbed ‘Interlace Joy Motions’ is one for the house heads, shifting between 121 and 130 BPM and showcasing the diverse sounds the producer has in store.

Opening track Our Inner Sun has smiles written all over. A simple yet effective piano loop, warm strings and a delicately running acid baseline are all Larson needs to set the standard for the beauty that is yet to come. Effortlessly entertaining for close to seven minutes, here is the essence of timeless house music at work.

Pushing up the speed up to 129 BPM, A2 brings the brand new label’s title track, Larson’s take on the many meanings the name may represent. Designed for jubilant dance floor action, Hi Scores is punchy and elegant at the same time.

On the flip side, Slack Breeze is an eleven-minutes-long breezy electro trip paying homage to Detroit music pioneer Juan Atkins and offers two mixes, nicely manufactured as one auditive whole on the vinyl record with a useful visual marker in between. Be aware of the slight tempo drop between the bold Club mix and the more laid back Sensual mix.

In a cultured and charming manner, Lethal Dance opens the second 12”. Driven by a fab bassline and soft as silk string arrangements, here is a slow burner for moments lost track of time. High Jazz Travel on C2 continues this trip to lofty spaces, speeding up the pace but holding on to Larson’s well crafted dream universe, with its mellow aura almost turning into a debonair lullaby for grown-ups.

Adding another layer to the cake is Chris ‘Funk’ Ferreira, the C12 resident DJ and ½ Senga Ferreira. Also active as the mixing engineer of this double 12”, on the D1 the Brussels based producer takes up the role as remixer with his stomping and energy building ‘Magic Force’ version of Hi Scores, contributing the single vocal sample to the EP. Things come to an end with Souvenir d’Enfance, a playful and innocent conga driven house track, cherished as a safe and sound childhood memory, forever in our hearts just as this excellent debut by Larson.

Wilson Records is pleased to welcome legendary Italian dj and producer Memoryman aka Uovo who provides 4 future-classic anthems.

Together with Dino Angioletti and Rame, Uovo is the founder of Pastaboys, one of the most iconic house music collective that came out of Italy in in the 90s.

Memoryman worked with artists like Masters at Work, Celeda, Jocelyn Brown and many others and his recent productions seems to say he never forgot his roots.

Almost exactly three years after NR&, a project uniting &ME's and Rampa's production with the voice of New York Disco-House-siren
Nomi, dropped their debut EP, we finally can announce a new chapter in this ongoing transatlantic menage. This very 'Spoken For'
EP is comprised of two new tracks, that again fuse songwriting with floor-demands and showcase the same crackling and pulse
quickening passion that instantly has become NR&'s trademark. So here's the evidence - a long distance relationship is not
necessarily doomed to get boring after a while.
'Taste Like' on A might be conceived as the club-affair of those two new joints. A tune indulging in self-control, extending the pre-
eruptive moment of excitement to track length. There is Nomi's unmistakeable sexed up oration, flanked by an affirmative
thunderstorm of claps, then a bass heavy bridge, overflowing into a noise brushed finale. Altogether a tasty flavour carrier for an
effective floor heating.
'Spoken For' is not only the title track, but also the hymn coming out of the flipside ambush. There is no kick necessary to underpin
what Nomi's charismatic croon is laying down. Therefore a wise choice to let the arrangement of interspersed field recordings,
percussive details and piano- and synth-decoration exercise in unobtrusiveness. Safe to say, this tune will refine many future
peaktimes anyway.

RAWAX proudly presents Mr. Rick Wade from Detroit! After two fatastic ep's on HOUSEWAX it's now time for The RAWAX MOTOR CITY EDITION Vol. 13.
We are so happy to share this masterpiece of music with you and yes - we can say: this record comes really from another galaxy!
Welcome back, Rick!

Direct from the Parisian underground STEVE FRISCO returns with an homage to the SERIE LIMITEE vinyl only label created by MONSIEUR CEDRIC & himself. Having established a French connection via JORDAN FIELDS, this hot producer is set to feed the clubs with his flavor of deep vibes. Limited 1-Sider

D3 Elements is an always cultured deep house label and so it is no surprise to find the great US producer Alton Miller has been recruited for a new EP. He has a richly musical sound and roots that go back decades, and it shows: 'Clone' is the sort of stylish backroom house that layers diffuse chords with dusty drums and cannot fail to warm the heart. 'All Of It' explores more broken and Afro-tinged drum patterns with golden Rhodes chords and astral leads. This top trio is completed with the funky kick patterns and perfect soulful vocals of 'Waitin 4 You'. Detroit mainstay Kevin Reynolds remixes it into a hypnotic Motor City roller.

Pleasure Club’s very own Bobby. makes a welcome return to the label with the Space Age EP.After a recent outing on Cabaret Recordings, he traverses further into cosmic territory with three tracks that transcend time and space.Fasten your seatbelts, prepare for a journey into the unknown, and please keep your arms and legs inside the spacecraft at all times..

Derrick Jamerson was the son of Motown bassist James Jamerson Jr. and grandson of Motown Funk Brother's house band bassist James Jamerson. He himself made a select few house records back in the mid-nineties which have been unearthed by some contemporary deep diggers.

A couple of his tunes now get reissued on this The Legacy Continues EP on Endangered Musique. 'So Hard' is traditional US house with organ chords, chattery claps and well-placed vocal samples, then 'Hot House' gets a bit more loose and soulful. On the flip are three different versions of Derrick's biggest tune, 'Adventures Of A Disco Diva', all of which bring some form of piano house magic.

Fledgling but already well-formed French label Endangered Musique mints a new series here, Easy Trax Part 1, with four 90s-tinged house cuts. The Sexy Mix of Higher Level's 'Sax Maniac' opens up with loopy sax lines and throwback drums in a tune that is easy to love. There is a more sweaty, New Jersey style to Native Groove's pumping and dubby 'I Need A Man' before Side Kick's 'I Got The Hots' comes in two forms. The Hot dub loops a recognisable melodic pattern over chunky but deep drums and the Hot mix layers up bright, neon-hued chord stabs over an unresolved groove.

Seatbelts fastened, Delorean fired up, it’s round two of Loveface’s De Mix series of releases. Providing you with three shimmering, ‘80s electro boogie workouts, guaranteed to seduce any tentative souls or shy shufflers to the dancefloor.

The third release from Slovenian collective LuckIsOn! Fantastic musical adventures as always!

Being somewhat of a conceptual experiment. All the artists on this album were asked to imagine fusing Acid and House with the Virtualsex LP which was released on Buzz in 1993. A 303 sound would be welcomed but not essential with an emphasis on soulful emotion and melody.

Each record comes with a individual digital download code

Seit jeher ist die Natur für den Künstler Dominik Eulberg eine Quelle für Inspiration, ein Ort der Kraft und des Rückzugs. Nun veröffentlicht der studierte Naturschützer sein sechstes Album: Avichrom. Dieses Kunstwort bedeutet soviel wie "Vogelfarben". Denn Eulberg widmet sich diesmal den Farben im Gefieder von Vögeln, von deren über bordenden Vielfalt es elf in die deutschen Namen heimischer Vogelarten geschafft haben, von Grünfink, Goldregenpfeifer über Blaumeise bis hin zu Purpurreiher und Schwarzhalstaucher. Sie dienen ihm als Führer auf seiner musikalischen Expedition in die Ornithologie. Eulberg zeigt sich hier als ein hart arbeitender Handwerker, als jemand, der alle Schritte der Produktion von Grund auf beherrscht und versessen an kleinsten Details feilt. Avichrom ist in dieser Hinsicht konsequent für den im Westerwald lebenden DJ und Produzenten: ein Werk, das im besten Sinne des Wortes zeitlos ist. Es läuft nicht Trends der Gegenwart hinterher, sondern schreitet auf dem eigenen Weg voran, den Eulberg seit frühester Karriere eingeschlagen hat und der ihm zahlreiche Preise und Chartplatzierungen eingebracht hat. Entstanden ist mit Avichrom ein Album, das schon beim allerersten Hören berührt, das aber dennoch bei jedem weiteren Mal neue Details offenbart. Ähnlich wie bei einem Gang durch die Natur zeigen sich immer neue Strukturen, immer andere elaborierte Verästelungen denjenigen, die genau hinhören: erst mit der Zeit zeigt sich die wahre Schönheit, die sublime Komplexität.

Around the year 1990, a group of producers gathered regaularly at a space called „Blaues Zimmer“ (Blue Room), located at Bergheimer Strasse, Heidelberg. The Blue Room was the studio of Dirk Mantei aka Dman and David Moufang (Move D) calls it the one of the 'Keimzellen' (seeds) for what would happen in regards to the electronic music movement within the Rhein-Main-Area during the following 10 years. The 90s were roaring, with a lot of mid-sized cities located relatively close to each other- Heidelberg, Mannheim, Ludwigshafen, Darmstadt- and Frankfurt was easily reached. Various highly influential clubs and parties happened around that time and Dirk and David had their parts.

Dirk Mantei & David Moufang, Eric D Clark, Robert Gordon, Nils „Puppetmaster“ Hess, DJ Cle- to name a few- all happen to live in Heidelberg and gather around at Dirks place during this time. Discogs calls Dirk Mantei 'a katalyst figure in the 1990s techno scene of Southern Germany' and this is for a reason. He was running a record store (Dubtools) and threw legendary parties - Planet Bass (Sunday party at Normal, Heidelberg around 1988), Hot Lemonade (Sunday party in Mannheim around 1990). When he moved to Mannheim, Dirk opened the legendary club Milk! (from 1990) out of nothing and later ran another club called HD800 (located in MS Connexion). Both were suited with the same famous - and massive - soundsystem, acquired and tuned by himself. David calls Milk! the birth place of his name Move D as well as Source Records as a label.

Both Davids and Dirks first vinyl release ever was a 12“ they released on Davids Source– called Homeworks 1 – four tracks that were released as one of the first CDs on Source Records a year before. Also "Wired To The Mothership" can be found on this CD compilation, a 32-seconds-long track - and although far too short, it's special. Timeless components weaven together in the most wonderful way - Sheffield-inspired bleeps, timeless pads and detroitish strings, a JXP-3 organ solo, analog drums and a driving analogue bassline- and then it's gone.. When asked, why there wasn't a longer version of the track, David and Dirk said they were not happy with the mixdown back then- so it took them almost 30 years to finally finish a 2021 full version together.
Between 2011 and 2021, they both found themselves in Davids Studio from time to time, Dirk was living in Mannheim and some sessions resulted in a bunch of yet unreleased tracks that slept on harddrives ever since then. We are amazingly happy to share these with the world, to let them tell some more yet hidden stories.

Cover artwork by Stefan Marx.

All Tracks are written, produced and mixed by David Moufang and Dirk Mantei between 1992 and 2021.

Sofa Movements is pleased to present a collection of five dancefloor friendly house jams and one kinda-303-triphop gem from Paradiso Rhythm.

Get out your light shows and reconnect your speakers,groovence is back on may 11th with another various artist. Showcasing some of the talents that built groovence, you will find all the artists that helps the label to sharpen his particular sound : Tour-Maubourg, Moonee, Embezzlement Society, and Saint-James are united to deliver a very club oriented maxi.

REDISCOVER A SELECTION CURATED BY RADIO FG OF THE MOST EMBLEMATIC TRACKS OF THE FRENCH ELECTRONIC MUSIC SCENE IN A DOUBLE LP EDITION!