Novità e Uscite Vinili House - News

Spring has arrived just in time for "Dov'e l'amore", a four track 12inch by David Vunk & Mima. This special collaboration of Rotterdam's main Italo producer and a classically trained pianist/singer from the former Yugoslavia has resulted in a bunch of energizing synth pop gems that will keep you dancing all the way through summer!

Kicking off this four track EP is one of Yuri's most dynamic productions to date. Wildly oscillating synths and snapping handclap-led house beats drive 'East West Connection', while what starts out as an acid synth shifts through a cycle of changes before evolving into a Detroit-style riff.

Both 'Nervous Arp' and 'Morning at Home' take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting Yuri's versatile musicality and distinctive production style.

'Modular' is an older track of Yuri's - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.

this is the other side of david guetta ;-) !!!

- Dieser magische Moment... Genau darum geht es.'
(Anthony Rother über Verbalizer)

Kein Platz für lähmende Gedanken. Stattdessen gibt es nur noch Musik. Der Körper gehorcht allein dem durch den Raum ulsierenden Bass. Das ist es, wovon Raver sprechen, wenn sie erklären, was ihnen synthetische Club-Musik bedeutet.
Und genau darum dreht sich auch Verbalizer, das nun erscheinende Album von Anthony Rother, auf seinem neuen Label Nextdata.

Der Club als abstrakter Raum. Es geht um das Loslassen. Menschen machen sich frei, begegnen einander
und die Musik wird zum gemeinsamen Taktgeber.

Irgendwann nennt Rother diesen Prozess - die Dramaturgie der Ekstase', kann sich dabei aber das Grinsen
nicht verkneifen. - Die Leute sollen mit Verbalizer einfach ihren Spaß haben. Ich stand im Club und fühlte
plötzlich den Sound für dieses Album.

Verbalizer treibt im Raum nach vorn, ohne ins Intellektuelle abzugleiten. Es ist die Geschichte, der Augenblick und das anbrechende Abenteuer einer tanzenden Gesellschaft, irgendwo auf dieser Welt.
- Ich war auf der Suche nach einem expandierenden Klang. Dabei war wichtig, wie ich diesen Sound den Synthesizern in meinem Studio entlocke, so dass dabei eine Kraft entsteht, die alles Weltliche und den Alltag beiseite zu drücken vermag', erklärt Rother den hedonistischen Ansatz von Verbalizer.

Club-Tracks wie diese kommen ihrem Wesen nach ohne erzählerische Inhalte aus. Dennoch sorgen sie
beim Hörer für das Durchleben - oder besser für das Durchtanzen - ihrer ganz eigenen Geschichte. - Einige meiner vorherigen Alben haben ein komplex durchdachtes Konzept. Verbalizer wechselt
dagegen vollkommen die Perspektive: Der Inhalt und was sich aus dem Album ergibt liegt im Körperlichen, dem unaussprechlichen.'
Um es also kurz zu machen: Verbalizer - um zu verstehen, sollte
man das Album feiern.

repressed !

Magic Feet release another split EP that touches on a variety of weird, wonderful and hugely atmospheric dancefloor moods.
Label boss Craig Bratley takes care of one side, his companions on the label's latest vinyl voyage are fresh-faced Lithuanian audio-visual explorers Roe Deers. Best-friends Liudas and Oskaras have been producing, DJing and performing together for some time, "Kukushka", the track showcased here, marks their debut release.
It's an impressive debut, too. Built around metallic percussion hits, chugging post-punk attitude, tipsy textures and the sound of broken cuckoo clocks, 'Kukushka' is a throbbing dancefloor excursion blessed with an otherworldly atmosphere. It's the musical equivalent of finding a wormhole round the back of a sprawling industrial estate, and then stepping inside to have a look around. Label regular and fast-rising French wunderkind Markus Gibb provides a stellar remix, teasing out the track's post-punk and industrial elements whilst adding a heady air of horror-influenced late night mysticism. Breathe in the rarefied air, and then run for your life.
Bratley handles the flipside, charging off in a bolder direction with a rucksack full of analogue gear for company. On 'Raw Tracks' he channels the spirit of Britain's bleep-and-bass pioneers, layering clattering drum machine hits, twisted electronics, ragged acid lines and alien melodies atop a hefty, speaker-shaking bassline, in other words, it more than lives up to its' title.
Bratley changes course on 'Night Moves', the EP's closing salvo. This time, it's the throbbing electronics, fluttering synthesizer lines and sharp digital melodies that catch the ear, rising and falling above a metronomic, early morning groove. The bassline bubbles along menacingly, impressively underpinning Bratley's head-in-the-clouds electronics in the process. It's a pleasingly positive end to an EP of carefully considered darkness.

great one

Dutch label Field is ready to complete its recent trilogy of album projects. Following double albums by L'estasi Dell'oro and D.A.R.F.D.H.S., now comes The Information Is Coming From The Server, a debut album from Kartei, aka Crysta Patterson and Voiski. Kartei have hooked up only once before, putting out a well received 12" on Wille Burns' W.T. Records back in 2011. That was Patterson's only project to date, but Voiski has been active for years, working under a number of aliases and releasing on labels like Field, L.I.E.S. and Syncrophone. The duo started their cyber technopop act in 2007, performing contextual actions on more alternative scenes. Their working ethos is based on collecting data from the internet to create new material. Data and songs are preserved into their server systematically. The album they serve up here is a condensed compilation of their archive, which can be described as clean and melodic, subtly uplifting and calls on classic techno as well as plenty of futuristic ideals. Grooves are quick and slick, synths are well crafted and emotive and everything is underpinned by a motor kick that powers the album along. Tracks like the bubbly 'Sunset' make for moments of calmer reflection between more trip out kickers like 'Kartei gets Fat'. New wave vocals and sombre chords, bleepy melodies and celestial pads also feature throughout this album, and all in all adds up to a terrifically journeying album of fresh electronic sounds.

The winter's almost gone and Luettje Luise's Mama comes out of hibernation. With a new playground at home, it will take a talented hand to prepare for the upcoming spring. Along comes Nutia, sowing his seeds of "Raounuor". "Fischbahn" (A1) is a decent wake up call for the early birds facing their way back north to the deep woods of "Schweden" (A2). Here, Nutia serenades those old inhabitants with a rattling melody, and sends them on their way with heads still light. "Em Pessoa" (B1) tinkles on the flipside: a lullaby of constant perpetuation, which echoes its way through the mesmerising labyrinth of trees and bushes, only to be heard by the lonesome "Deer" (B2), who answers with the most gentle mating call these woods have ever heard.

It's fair to say that Boris Bunnik has made an impact in his short career. In less than a decade this dutch man, under monikers like Conforce and Versalife, has scaled Electro and Techno with subtle ambient touches and IDM echoes. And that's exactly what he's doing for the Singularity EP. Lush pads and flowing bars punctuated by crisp percussion, "Shine Eye" sets the scene. "Autobots" adopts those same brittle beats, this time using them to send dreaming strings skyward. Northern winds swirl around the colder chords of "MILnet", chords that dawn into absorbing swirls of "Transgenics." Masterful machine music.

* 100 records deep and Shogun come with one of its most prestigious releases to date marking the occasion true to form. Staggered across 4 EP's over several months alongside UK- European-Australia/NZ tour, Shogun 100 celebrates with an inspired range of new music from the entire label roster as well as guest appearances from Shogun associates who have released, performed and partied alongside them over the last 11 years.

* Part 2 of Shogun 100 ups the ante with a heavy audio assault from Germany's Phace who delivers trademark tech of the highest order whilst Shogun's own Joe Ford brings an 80's air on his guitar-led dance floor gem, 'Time Is Limited'. Men of the moment Ivy Lab turn SpectraSoul's already glowing 'Glimpse' into liquid gold and Proxima goes industrial to finish us off on the outrageous techno-hinged 'Sens8'.


* 'We are delighted to have reached our one hundredth release on Shogun audio, when Friction started the label in his front room back in 2004 we could have never imagined we would still be here 100 releases down the line! To celebrate we've pulled together a fantastic package of music from the existing Shogun roster and from our friends and family within the scene that we have been lucky enough to work with over the years. We can't wait to share it with the Shogun faithful.... and yes we are already working hard on the next one hundred releases! Enjoy!'
K-Tee, Shogun Audio label co-owner

LP 2x12" LP in deluxe gatefold 'Replica' covered by screen printed fabric + poster (90x60cm) + CD Led by Busy P - AKA baseball-capped, head honcho Pedro Winter - Ed Banger Records have risen from low key Parisian rock 'n' roll cool to become one of global clubland`s most colourful and recognizable music outlets. It could be said they've ascended to maturity yet, in many ways, Ed Banger remains gleefully youthful, holding to the spirit of the party - a stable of DJ-producers with a huge sense of fun and old-fashioned loyalty to each other and their fans criss-crossing the world. The imprint's illustrious history and adventures have been documented in a new photographic book by label designer So Me called 'Travaile. Famille. Party' - Work. Family. Party. As Pedro explains 'After managing Daft Punk between 1996 and 2008 I wanted to create my own history. By creating Ed Banger records I launched my own musical adventure in a way. I learnt so much with Daft Punk, I owe them a lot. Celebrating this 10th anniversary is very emotional, I'm proud I managed to write a pretty nice musical chapter in my life. Daft Punk as chapter #1 and Ed Banger records as chapter #2 is pretty cool.

After killer releases on the great L.I.E.S. and Crème Organization
labels, Willie Burns drops a typically varied EP for The Trilogy
Tapes.

Slidebar arrives at number 9 and brings out rocking tunes from the
famous
Switzerland-Crew. This time they have a special guest. Michael Forshaw
the UK legend from Blackpool and owner of Chan'n'Mikes.

The opening track 'Where It Is' from Smees starts with punchy beats and
wobbling basslines which smash you into the ground. For 'Donkey'
Michael Forshaw takes you back to the old acid days. Stomping kick
meets 303 creaking with the extra Forshaw touch.
The B Side starts with Rock-Tron from Fugo. Heavy electro breaks
combined with distortion bleebs is his philosophy for the prime time.
Next Artist is Nino Fight with his Flying Flower. Pure analog sound
with a unique groove is his secret weapon for the dance floor. Ki-Yota
rounds off the EP with Bad Equation. Linear UK Techno with heavy
synth-sounds.

Mikron are two English brothers, Michael & Ciaran Corcoran, living in Australia. Returning to CPU with their E.P (Vinyl) Warning Score.

Mikron's love of melody and pattern are very much at the forefront with every track full of great hooks and rhythms. The album takes you on a journey through various sub genres all delivered with careful execution and enviable studio mastery.

The title track 'Warning Score' is forged from an acid bassline with Mikron's signature saturated drums, which begs for a big room / system.

You'll find plenty of analogue action throughout, along with some downtempo IDM affairs. Prepare yourself for dark, moody and bass-heavy electronics.

Justin Robertson's Deadstock 33s released an acclaimed album in 2015, 'Everything Is Turbulence', picking up plaudits from leading press, DJs and music fans alike. Now the label behind the LP, Skint Records, offers up the first batch of fascinating remixes from a broad array of dance music talents.

Mental Groove Records is thrilled to announce the debut release of french dj/producer Vax1 aka Marion Xavier delivering a subtle, gorgeous and much valuable house / electro e.p. for your eerie nightlife moments that will make a lot of people jealous. Headlining the e.p. with his straight to the point remix is Alexander Robotnick, the amazing italian veteran, the one responsible for the 80s electro favorites Problèmes D'Amour' and *Dance Boy Dance' who takes the track to stripped down electronic territories that will fit comfortably in any set with that satisfaction guaranteed' label. You know that feeling when you stumble upon a tune that will stay in your playlist for a while Introducing the Kira Neris remix! With his skilled hands he changed the original into a pure golden nugget for joyous peak time action. Having gained great responses on the dancefloor throughout last year, this could be your next secret weapon. We end with the beginning as the most important thing to build a promising dj set is to start with a strong foundation work, and for that job check for Vax1's vocal and instrumental versions. It's grooving without a doubt and when some tracks are said to be burner' this is for sure a grower". A hot, energetic, healthy, original and positive e.p. you should own..

Die Krautrock-Nachzüglerband Circles, bestehend aus Mike Bohrmann und Dierk Leitert, trat erstmals 1983
in Erscheinung. Und damit zu einem Zeitpunkt, als Krautrock bereits in die Bedeutungslosigkeit versank und
sich für Veröffentlichungen weniger bekannter Projekte kaum mehr ein Vertrieb finden ließ. Darunter litten
auch Aufnahmen von Circles: Wegen mangelnder Erfolgsaussichten verschwanden einige ihrer Songs
unveröffentlicht in der Schublade. Bis jetzt, denn für "Structures" wurde dieser Schatz gehoben. Das
"Unreleased Material 1985-1989" ist geprägt durch elektronische Tasteninstrumente sowie Gitarrenklänge
und bewegt sich im Fahrwasser von Cluster und Popol Vuh. So kam unter anderem der Korg Trident zum
Einsatz, ein noch heute hochgeschätzter Analog-Synthesizer, der als Besonderheit eine String- und eine
Brass-Sektion mitbringt. "Für die warmen, fetten Flächen und Harmonien im Oberton- und Bassbereich", wie
sich Mike Bohrmann erinnert. Außerdem gab es einen monophonen Analog-Synth im Space-AgeIndustriedesign: den Moog Source, für manche der schönste Synthesizer aller Zeiten. Aus diesem
Instrumentarium entwickelten Circles eine Art experimenteller Ambient-Endzeit-Musik, die heute aktueller als
zum Zeitpunkt ihrer Entstehung klingt.

Medusa Edits "Reflection Series Vol. 1" features 3 re-edits that harken back to the early days of the legendary Chicago all ages night club, Medusa's. The Cure's "The Walk" is remixed on the A-side, while the flip contains re-edits of New Order's "586" and SPK's tribal/ industrial cut "War On Islam". White labels in stickered paper sleeves. Each volume sold separately.

The Torontonian quartet, consisting of producer/musicians Dinamo Azari and Alixander III with vocalists Fritz Helder and Starving Yet Full, have crafted a distinctive sound that references the best of dance music's past with a firm vision of it's future. With 'Manic', Azari & III mix slick modern production with retro vibes, and incredibly catchy vocal hooks with dark lyrics, striking a balance that has earned them critical acclaim and a cult following

Turbo Recordings presents four killer remixes of one of its biggest tracks of the year. Featuring Tiga, Lando Kal, Gingy & Bordello, and Locked Groove.

When Turbo put out Duke Dumont's "The Giver", everyone at the label knew it had the potential to become a massive house anthem. So when it actually happened, it was gratifying to learn that a) the label's braintrust wasn't crazy and b) the rest of the world isn't completely out to lunch. With support from Annie Mac, Erol Alkan, Heidi, Diplo, Damian Lazarus, Martyn, Soul Clap, A-Trak and a legion of other big names, plenty of radio play on BBC One, and rave reviews from critics, the track has taken on a life of its own, spending numerous weeks in Beatport's Deep House Top 5.

With this in mind, the label decided to go with its instincts for the remix pack, sticking with some of its best and most exciting in-house talent while also including a respected outsider.

REMIXERS

Turbo boss Tiga turns the Lifestyle Machine up to 11, before snapping the knob off completely with a seven and a half minute epic that is possibly even more anthemic than the original. Turbo obsessives might have noticed that this is only Tiga's second remix for the label since 2005 - after Azari & III's similarly huge "Reckless (With Your Love)" - offering even more evidence of just how significant a release this is for us.

With releases on Hotflush, Rush Hour, and Numbers, Lando Kal has been pushing his sound more and more into the realm of gear-based Detroit-influenced techno. His version of "The Giver" continues in this vein, a tripped-out after-hours workout that's destined to become the highlight of your next warehouse party.

Toronto's Gingy & Bordello are undeniably two of Turbo's most promising rising stars, with a career path seemingly taken out of some fantastic DJ/production duo storybook. Their mix ramps up the BPM and takes things into big-room techno territory. The arrangement is long and strong, and the payoff near the end is subtle and retains the essential ecstatic tone of the original while doing away with the commercial angle. Let Gingy take you on a journey, and then let Bordello take you on a journey. It's the same journey, but still.

a fantastic electro eapon on the turbo label !!!

already support by zombie nation, style of eye, cari lekebusch, mateo murphy, ...

Hot on the heels of Moscoman's DARK HORSE EP, I'm A Cliché's latest release features Indonesia's best kept secret, the talented JONATHAN KUSUMA on the GONG 3000 EP where tracks ranging from the heavenly to the downright gritty showcase the full range of the producers' abilities. 
THE GRAND SEARCH
An endless vertical ascension fuelled by an exhilarating groove and sounds both precious and grandiose from piano stabs to dreamy synths. As majestic as it is ecstatic, THE GRAND SEARCH is about taking the dancefloor all the way up to the heavens.

GONG 3000
Built around the massive sound of a synthetic gong, KUSUMA dramatically changes moods on this track. With a grumbling bassline, ricochet drums and an irresistible syncopated cowbell, there is a dark, frenzied and utterly danceable quality to GONG 3000. If there is such a thing as East Asian EBM, this track is totally canonical.

STREET SIREN
A devastating peak time weapon where KUSUMA uses siren sounds, a ruthless rhythm section, intoxicating synths, samples and effects to create a colossal track. Rife with moments of tense build-up and climatic release this is a track that is guaranteed to shatter dancefloors. Urban grit has never sounded so classy.

STREET SIREN (KARAMIKA REMIX)
Karamika is a duo formed by Black Merlin aka George Thompson and Gordon Pohl from Music Cargo. They take the darkest elements from the original track and transform it into a broodin track with a definite industrial feel which will boggle minds, melt faces and last but not least set bodies in motion.

finally repressed! Massimiliano is back where he belongs. A backbone of Live At Robert Johnson records, Pagliara's take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. With this sound palette, a love for hardware and surgical arrangements "Magic Serials" sees the Berlin-based producers on top of his game. While name checking the tools of his work (the serials, got it), MP unfolds untold stories of love, high spirits and deep meditation that every romantic rave craves for - acid poetry included.

Already championed by Martyn & Untold - who put out Nautiluss' collaboration with Skywave on his Hemlock imprint - and fresh off an excellent remix for ZZT, he's probably the closest any new Canadian artist comes to fitting into the new UK bass scene

two excellent tracks of bassy, ballsy, bigroom tech-house... a deal was made via video-sauna and all-of-a-sudden Turbo 066 be done... Enjoy !!!

now repressed !!! the next supermassive turbo bomb !!! a mixture between breaky prodigy sound and electro techno !! a bomb !!!!

For Renaissance Man's first single off their Turbo debut LP, we've assembled a team of remixers whom we felt could live up to the playful intelligence of the original. The result is a pack befitting one of the best electronic albums of the year, a MENSA-level dissection of contemporary dance music that builds on the Finnish duo's previous releases on Dubsided, Sound Pellegrino and Made to Play.

Four tracks full of beach-warm synths and chords and melodies sweet as no honey could possibly taste.
Dear reader,since Ramona recently expanded her library of guilty pleasures with San Laurentino's 'Forbidden Fruit' back in 2012 the Hungarian fantasy-dreamboy hasn't been hiding in the shadows, he created one of his own. Apart from the temples of techno, pulsating flesh and 48 hours of party, San Laurentino found a beautiful muse and brought Ramona four tracks full of luscious bass-caramel, beach-warm synths and chords and melodies sweet as no honey could possibly taste.
Behave, Ramona

High-quality 12" vinyl pressed at Archer on Detroit's east-side. Hand-numbered by label boss Peter Croce or label first lady Eliisa Bojanic. Limited to 500 copies.