Loco Dice & Samo DJ remixes for these nordic youngesters of Karlovak records. Tight functional tracks by Tophat and Art Alfie getting the remix treatment by Desolat label boss Loco Dice on Crab At The Green Hunter. On the flip you'll find producer virtuoso Samo DJ turning inside out of No Holdings. Efficient modern house cuts with some of that Nordic flavour.
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Shaken-Up Versions contains new edits of some of The Knife's best-known tracks—"We Share Our Mother's Health" and "Silent Shout" among them.
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ROCCA's Haus EP is Luca Roccatagliati's first release with Save The Black Beauty. All started with his track Raw Cooked in virtual space. It catched us and kept us. A remix for our last release Starrr Vs Mamasweed - Jam Jam Jam (Allnight Long) followed. Soon it was clear we will continue.
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AVICIIs new single of 2011, STREET DANCER is a great driving main room bomb and should not be missing on the dance floors this year! The Swede takes BREAKMACHINES classic STREET DANCE from 1983 and gives his own unmistakable handwriting. Enjoy the Original Mix and enjoy street dancing.
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James Lavelle who founded Mo'Wax in the 90s has always been highly regarded as a musical and artistic innovator and it's this approach that attracted him to Elliott when remixing a track for him last year. So much so that James took the step of reigniting Mo'Wax soley for this release and partnering with Elliott's label Marathon Artists on a creative & musical journey that takes you through genre-defying sounds of club-savvy soul, UK bass and paranoid trip-hop.
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Following his collaboraton with Nicolas Jaar's Clown & Sunset label,
Ecuadorian-based producer Nicolá Cruz has self-produced and self-recorded this landmark
album.
Infuenced by new digital technology, blended with local culture, Cruz builds his tracks layer
by layer, instrument by instrument, drum by drum, exploring local
indigenous and Afro-cosmologies in a modern setng - using homeland traditons and
rhythms to build on a vibrant history of visual and sonic art, catapultng them into the 21st
century. The results of which will easily apply to fans of John Talabot, Romare, Clap! Clap!
and Nicolas Jaar.
'drifs efortlessly and at will between down-tempo electronica and woozy, beat-
driven house' Consequence Of Sound
'Woozy club music of lost innocence' Oslo World Music Festval
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Young, beautiful and talented... that's the attitude that Strip Steve's debut album MICRO MEGA is made of. Digging in the spirit of the glam and pop scene of the 80s the French DJ and Producer (livin' in Berlin now) put together a potpourri of high-class House, Nu-Disco, Techno and Dubstep tracks. Strip Steve knows how to create a sticking summer rave soundtrack like STOMP, which was formerly released as a first impact of his upcoming album. Even though he takes us on a trip back to the 80s shiny sides (RADIOCHECK) and darker sides (CALCIUM feat. Das Glow) we know from past releases. He does not hide his musical roots and background when living up to his origin with MONEY TROUBLE FUNK. Proving his talent in different styles and sounds he collaborated with the lucid and wild eyed dream-pop duo Puro Instinct (from L.A.), young protégées of living legend Ariel Pink, creating a flirty and emotional track - ASTRAL PROJECTION which will be the 1st official single-release taken from MICRO MEGA. The track goes more to the root and encapsulates musical influences from The Beach Boys, Chic, and modern disco like Amplified Orchestra, highlighting the fact how versatile and multi-faceted Strip Steve's musical approaching can be. It's the flirtyness with fragile lucency and the infantile embracement of the simple and still undiscovered pop-formula which leaves the song Grow and Breathe on its own. This cocktail is best served by the beauty of your own imagination. As a hypnotic dance-floor track should not be missing, Strip Steve teamed up with the legendary Robert Owens to feature him on ONE THING and this track is definitely a one 'BIG' thing. His voice of heaven together with Strip Steve's strong soundlines builds a mega attitude that leaves no feet still. This is hell of a debut album... from MICRO to MEGA !!! MICRO MEGA OUT ON BOYSNOIZE RECORDS | JULY, 2nd 2012
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Composer and producer Robert Logan's first album 'Cognessence' [2007] prompted an array of rave reviews and favourable comparisons to some of the giants of electronic music. Still only 19 at the time he was described as "...;something of a prodigy...; a man that is already showing a maturity and a musical/textural understanding that many simply never find." [BBC]. A second album 'Inscape' and a clutch of EP's garnered yet more praise and cemented his reputation as an artist with immense talent.
His recent 'Extasis EP' marked his first solo release five years, a period in which he diverted his attentions to his blossoming career in soundtrack work and notable collaborations with the likes of Brigitte Fontaine, Grace Jones, Steve Roach and Skye [Morcheeba]. The EP received support and praise from the likes of BBC6, Igloo, Sound Colour Vibration, DJ Mag and Vinyl Factory to name a few.
The follow up 'Flesh' is Logan's third full-length album and sees him further develop his idiosyncratic sound whilst continuing to open up new possibilities within the field of electronic music. As ever, Logan's methodology is rooted in an obsessive desire to push the technology at his disposal to the limit - all his sounds are created from scratch or are created by deconstructing found sounds and acoustic instruments through extreme digital processes. Moreover, most of the album is composed using quarter tones, an experiment which is most in evidence on tracks that feature contributions from Andy Knight [Emporor's New Clothes] on pocket trumpet. Other contributors include Sarah Sarhandi on viola and drummer Frank Byng [Snorkel, Prescott] who guests on the first three tracks and is a nod to his live band set up. This contrast between 'live' instrumentation and his own digital methods taps into some of the themes that Logan is exploring in the music and that give the album its title - ideas about flesh and spirit, technology and nature, mind and matter.
The music on offer ranges from the melodic and garage inspired bounce of 'Phrack', the sophisticated dark grooves of 'Viker Raver' and 'Straighten', the complex and breathless overtures and overtones of 'Vespine Domain' and 'Spirit Wars', to his more out of the box experiments with tracks such as 'Glad Centipede', 'Cyborg Horn' and 'Playground'
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'Flying While Standing' marks the first outing on Holger tracks, a Brussels based label that sprung out of a refreshing party breed which has seen the city's bustling underground mesmerized for the last couple of years. It's only a natural evolution for the two notorious record lovers behind the label, to start releasing on their own imprint. With this first outing they aim at giving a peek at Belgian synth pop still being alive, not only in the many retro compilations or obscurity reissues, but here and now.
Enter Bright Entity. Consisting of Michiel Claus and Ciska Thomas, both classically trained musicians and active in different other projects, the duo share a history leading them to team up on this project, starting out in 2009. While Michiel is looking to fulfill his musical needs in the electronic realms, Ciska, as a vocalist, does so in more acoustic settings. This mini album turned out to be the culmination of their shared love for synth pop, combining influences as wide as Arthur Russel, the dubpop sound of Peaking Lights and Pas de Deux, of which family ties convey a more profound kinship. Last year Ciska even joined the ranks of the cult formation when they performed a one off reunion concert at Brussels' Ancienne Belgique.
Throughout this six tracker you'll hear these influences shine trough in their idiosyncratic blend of sun induced, lo-fi casio pop, much in the vein of French duo Deux, Anne Clark or even Les Disques Du Crépuscule's Antena. Rich in colors and dynamics, with an ever pleasant friction between the rougher drumcomputer sounds and the fluid, soothing synths. Ciska's husky voice and cloudy melodies conjure up nicely with the housey drumsounds and deranged details that fill up the mix after a couple of listens. In fact it's not as straightforward as you might think at first listen. By stroking the right chords and laying down sanguine lyrics, Ciska manages to pull you in fairly easily. It's only through repeated listening that you may find the compelling part Michiel is playing, apart from taking care of the rhythm section.
At times pacing, yet soothing and even a little narcotized, this is music for cruising, home listening and dancing, for making out and romancing.
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The Pinkman sister label Charlois continues its journey with a four tracker by gearfreak Timothy J. Fairplay. This time the operator is pushing his machines into the depths of late 70's giallo scores, which resulted in four haunting, rough house and disco cuts. Limited edition with silk screened sleeves!
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After a year in the making Giallo Disco is proud to present GDLP002 the previously unreleased soundtrack to fictitious writer/director Joel Hughes controversial 80s teen drama Wild In Blue. Featuring tracks from label heads Antoni Maiovvi and Vercetti Technicolor as well as the maestro Umberto, Canada's Kindest Cuts, Italy's Queen Of Coldwave Mushy, Germany's Mirror Talk, the legendary HORD and Fever Dream. Halfway between The Breakfast Club and Gregg Araki, with influences ranging from Gothic Electro, HiNRG Synth Pop and Cosmic Melancholy, this Various Artist affair tugs the heartstrings and warps the mind. Mastered by Alek Stark, cover art by MAZ, sleeve by Eric A Lee.
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Words Unspoken, Acts Undone. The passing of time, what has been spoken, now unspoken. All that has been, has been undone.
CW/A present their remarkable debut album, Words Unspoken, Acts Undone. Since their inception CW/A have forged a path through the murky world of electronic music, with a number of releases on Vakant, M_REC and their own Parachute Records. Previously accomplished musicians in their own right, Thomas and Francesco joined forces in 2013 to begin a live project that took the act of performance into the club. Shying away from typical setups so prevalent nowadays, CW/A bring to the club a level of live performance which they've now translated into their first full-length.
Weighing in at 11 tracks the album demonstrates the duos musical heritage of early Warp style bass but also UK Jungle and Downwards-
influenced dub Techno. This isn't an album that looks back with any misty-eyed nostalgia, it respectfully brings its nineties influences straight into 2015, seamlessly weaving from genre to genre with an up-to-date element to the production.
If you're expecting an album of rave breaks or straight up 4/4, you won't find it here, but if you're ready to leave behind that which you've heard already, Words Unspoken, Acts Undone will reward you from the moment you drop the needle.
Words Unspoken, Acts Undone is released on CD and 2x12' on Parachute Records.
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"Manni's smacking out sandpaper techno at an exhilarating rate. Falling somewhere between Martyn and Mark Broom, Manni clocks up another scorching notch on the tech-bass bedpost" - 9/10 by Mixmag
Manni Dee's - Shifting EP comprises of 3 tracks of uncompromising dancefloor music. Focussing on the 130bpm area frequented by many of the alumni of dubstep's fallout, its raw production values and emphasis on percussion forge something original yet functional.
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LA.-based producer/composer/DJ Matt Lange delivers a darkly melodic breed of electronic music rooted in raw energy and emotion. Hand-selected by deadmau5 as one of the latest signings to his label mau5trap, the lifelong musician now makes his full-length debut with the groove-heavy, intricately textured Ephemera. As his first album release for mau5trap, Ephemera's title reflects the restless innovation inherent in Lange's musicianship. 'The album's really a snapshot of where I am right now as an artist,' Lange explains. 'It's this turning point where I have one foot in the world of dance music, and the other foot in a whole different direction.'
With Mixmag pointing out that Lange possesses 'more musical predilection in his pinky than most producers' entire catalog,' Ephemera reveals both the creative adventurousness and exquisite precision at the core of Lange's sound. 'My music is always very handmade,' says Lange, noting that most of Ephemera's tracks started out on guitar, piano, or modular synthesizer. 'I don't ever use any outside material. Creating it all on my own lets me have a much more personal connection to everything I do.' And though the album's offerings veer from the eerily charged yet infectious atmospherics of club tracks like 'My Love Aside' to the downtempo intimacy of vocal-driven numbers like 'Lying to Myself,' all of Ephemera is infused with a moody intensity that proves the depth of that connection. 'I'm not very good at writing bright, happy music,' says Lange. 'I need there to be an underlying sense of melancholy in order to really get pulled into the song.'
Growing up in Manhattan, Lange started playing piano at age four and sung in a boy's choir from ages six to 13, then picked up the guitar and quickly joined a hardcore/metal band. 'I got into the production side of things when I was 15, mostly because I wanted to make my own demos for the band, and that completely changed my relationship with music,' says Lange. After majoring in music production at Boston's Berklee College of Music—and shaping his sound with inspiration from groups like Hybrid and Telefon Tel Aviv—Lange was enlisted by BT to co-produce his critically acclaimed, Grammy Award-nominated album These Hopeful Machines. Lange next struck out on his own, turning out releases like 2014's Staccato EP (a #2 Progressive House Release on Beatport), creating official remixes for tracks as eclectic as The M Machine's 'Shadow in the Rose Garden' (OWSLA) and Usher's 'Numb' (RCA), and serving as producer on Glenn Morrison's 'Goodbye' (a 2013 release that went platinum in Canada and sold more than 500,000 copies worldwide). Along with playing festivals like EDC Las Vegas and TomorrowWorld and earning praise as 2014's #1 DJ to watch by VIBE, he eventually caught the attention of deadmau5, who included his 'Scorched Earth Policy' on the We Are Friends: Volume 3 compilation (released in February 2015) and 'Nice Shades, Wesley' on We Are Friends: Volume 4 (June 2015).
Despite exploring so many genres and directions through the years, certain principles have remained constant for Lange. 'As I got older, I found the tracks that worked out best were the ones I made without regard to what other people would think of them,' he says. 'People can always tell when music's coming from a place that's true to you, so I learned that the key is to be totally honest and just do what I love and what interests me most.' That honesty is also closely tied to his creative process and musical sensibilities. 'To me electronic music is mainly a medium that gives you the freedom and ability to use anything you want to,' he says. 'When you take live instrumentation and process it in a way that creates this hybrid sound that's stuck in between two worlds and you can't figure out what's what, that's my favorite space to live in. The only real limitation is what you're able to imagine.'
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new realease from Takashi Wada on his own label WADA
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After his well receieved Isms EP Late 2013, Mattheis returns with two strong tracks to Nous'klaer Audio.
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Vagon Brei, aka Victor Ramos, known for great albums on Legowelt's Strange Life Records and Seattle's Further Records, is back with a full length CD album. A project inspired by and dedicated to Richard Feynman: the scientist, the teacher, the explorer, the visionary and the raconteur. His scientific curiosity, zest for life and eccentric personality were tried to be captured in music, produced by a true admirer of the man. A varied set of tracks, among the album you'll find mystic waves, ambient moods, synth soundtracks and electro cuts. Limited to 100 glass mastered and hand numbered CD copies. 'It's much more interesting to live not knowing than to have answers which might be wrong'.
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Nach dem unfassbaren Erfolgen von - The Days' und - The Nights' folgt nun am 22.05.2015 ein neuer
Hitkandidat aus dem Hause Avicii. Mit - Waiting For Love' liefert
der Erfolgs-DJ und Produzent wieder einmal einen Song mit Ohrwurmpotential. Avicii, unbestritten
einer der begehrtesten DJs mit weltweit riesigen Erfolgen, legt mit diesem Song noch einmal nach und
steigert die Spannung auf sein 2015 heiß erwartetes zweites Album - Stories' umso mehr.
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'Sun EP' is the first release from label founder and Cocoon Artist Julien Bracht on his own label. The 2-track EP radiates a sense of confidence and motivation into a composition wherein the sound is expressed by the combination of melodic and hypnotic sounds, combined and inspired by the hardness of his Break/Techno beats. The EP is not just a music publication but the start of a life vision of Julien Bracht. It is an attempt to communicate values through music, to give a different space on a new type and level of originality. The dark and deep songs, go deep, but it seems the songs shine more and more in the glimmer of hope, and it leaves a deep sense of destiny and higher powers to do the right thing, in which you trust to your own will. The only thing worth saying is what you really feel. TRUST
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The EP includes album tracks 'Get Your Fight On' (Re Eq) and 'Rhythm Bomb' feat. Flux Pavilion (Edit), two fresh remixes of album tracks 'The Day Is My Enemy' (Caspa) and 'Rebel Radio' (René LaVice) and the previously un-released, fan favourite 'AWOL'.
'AWOL' has been a track the band have played live since 2012 but as the album writing and recording process developed the band decided to hold AWOL back . Now, after reworking it into a new unheard version they feel it's time to make it available on record........ and limited cassette!
The EP will be available on Limited Edition Clear 12" Vinyl (released 4th September), CD and cassette - all featuring the 5 tracks.
The Prodigy recently headlined Isle of Wight Festival, they Headline the Radio 1 stage at T In The Park in July and recently announced a huge tour of UK arenas arenas to close their incredible 2015 which includes two shows at London's Wembley Arena.
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Madrid's Fundamental Records not only release a high volume of contemporary electro, but they do so in fine style thanks to their overloaded packs and comprehensive compilations. This time they really done a number on us with this 808 Box release, a jaw-dropping fifty-tracker sealed in a trendy DJ shoulder bag tagged with the most infamous of all drum machines on the planet..! The music comes from all corners, and we see familiar faces laying down some truth on those beats; check the gear by Patronen, CPU, Alex Stark, Luke Eargoggle, Sync24, Tau Sagittarii and UHU. This comes as eight transparent 12" and twelve white ones. Bang!
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The Prodigy konnten mit ihrem Album "The day is my enemy" das sechste Nummer-1-Album in UK in
Folge landen, bei uns in Deutschland charteten sie auf #6. Angelehnt an den Titel-Track ihres Albums
'The Day is My Enemy', haben The Prodigy ihre EP 'The Night is My Friend' am 31. Juli vorerst digital
veröffentlicht. Neben den Remixen von - Get Your Fight und - Rythm Bomb enthält die EP auch den
neuen Track - AWOL . The Prodigy performt - AWOL bereits seit zwei Jahren live. Im
Entstehungsprozess des letzten Albums entschied die Band, dass sie diesen Track noch zurück halten
wollen. Nach genauer Überarbeitungen entstand ein neuen Track mit verändertem Sound und die
Band fühlt sich nun bereit, ihn auf der kommenden EP zu veröffentlichen.
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Das Debütalbum - TRUE' steht weltweit bei über 1,7 Mio. Units (davon über 200.000/Platin in
Deutschland)Der Singlehit - WAKE ME UP' steht bei 13 Mio. Downloads + 900 Mio. Streams weltweit
Über 3,7 Milliarden Audio- und Video-Streams gesamt. 15 Tracks inkl. der Hitsingle - Waiting For Love'
und den neuen Singles - For A Better Day' / - Pure Grinding'.Topliner u.a.: Chris Martin von Coldplay
Wyclef Jean & Matisyahu, Mike Posner
Musikrichtung: Dance-Pop
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yes yes after the 2 legendary You Can Trust A Man With A Moustache Vol. 1 & 2. David Vunks Moustache Records delivers the Vol. 3 of the superstrong series after 5 long years. This one on solid orange vinyl is a 4 tracker various artists. Track 1 made by the notorious underground italo band "The Problems - Living in my car" a high tech track made with the old gear like linn drumm and jupiter 8 ... true old style italo in a new jacket This emo track will rock the planet. A fat electronic beat along with great synths and beautiful chords. Produced by the best kept secret band from Rotterdam north. A2 made by the Moustache label boss David Vunk himself tracktittle with the name TR-ago-909 David Vunk - TR-ago-909 is a tribute to his buddy Tom Trago. a very deepish new style filterhouse track... with powerfull TR-909 drum patterns, miami vice toms, black basslines, classic 90-ies sounds and a sample that goes on and on and says i can't take this don't give up a true club banger. b1 Electrick Dragon - Blue Meanie excels in the wide palette of the musical scale's where this track is drifting on.The result is again a serious melodic track as you can expect in the meantime from this very talented producer. It is amazing how he's does this every time without the use of acoustic but only electronic instruments and still knows how to arouse an emotion which evokes again and again a euphoric feeling when you listen to it. If we ask Rick how he got the obscure title for this track, he says quite simply that it is the name from a sound bank in his synth that carries that name that he has used for almost the whole production of this track. B2 Dj Ricky da Dragon - Those Day's is clearly a sincere but also catchy tribute to the early days of Chicago house music. Especially the recognizable drum sounds from the TR707 give you the idea of being surrounded by the sounds of particular those day's. Accompanied by a very melodic Korg bass line, heavy pianos and synths make the atmosphere really complete. And to confirm the message even more , the track this time is carried by Ricky da Dragon's own singing voice forged to one song and can please many house lover , on the dance floor or not with this classic-sounding masterpiece. don't sleep on this, limited copies...
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The ascent of Shit and Shine sits as one of the great audio headfucks in recent years. From it's genesis out of the South London noise rock revivalist scene to a zone where rabbit costumed maniacs bled a unique form of multi-drum and electronic hysteria to the current incarnation of destroyed lysergic dance music. Shit and Shine is the epitome of second guess subversion. One with a foot in every pie it continues on a fantastic twisted path.
'Everybody's a fuckin expert' lays forth another slab of inverted tranquility where general disruption is kept in check by the subversive charm unique to the outfit. Gunfire rhythms lay waste to androgynous sonics on the opener 'Ass', deep sea disorientation allows pools of plasticine audio to rise on Rastplatz whilst Picnic Table rinses electro out of thick gelatinous cybernetics.
'Everybody's a fuckin expert' takes a smörgåsbord of sounds and styles and contorts them into a bright new hope in twisted theatre, disorientating dance and hefty hedonism. Both the faint and strong hearted allowed permanent entry to this club.
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We have been working with Knarf Skipson since the very early days of Deep Vibes Recordings and, just like a good red wine, 7 years of waiting have been worth the while. This 5 Track EP brings you nothing but pure sampling madness, wild composing and some wicked beats that all go in line with the likes of Koze, KDJ or Shake Shakir.
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The Year of the Lion New EP by internationally acclaimed Viennese electronic duo HVOB: 'Lion' to be released on December 6. 'Dogs' was HVOB's debut EP launched at the end of 2012, and exactly one year later the electronic duo from Vienna are back with a vengeance: 'Lion' is released on December 6. The new EP from HVOB contains two brand new tracks, with remixes by Stimming and Wolfram. 'Lion' remains true to the unmistakeable sound of HVOB, created by the young Viennese duo Anna Müller and Paul Wallner; like 'Jack", 'Always Like This' and 'Dogs' before them, they are both melodic and intelligent, catchy and sophisticated. The new tracks also come across as more precise and purposeful than their predecessors: 'Lion' is a captivating blend of Anna Müller's almost stoically understated vocals and the pulsating beat of the bass. The new EP is also a reflection of HVOB's first full year: the successful release of the debut album in March, top of the US Billboard Charts' 'Next Big Sound' category, sell-out concerts and festivals throughout Europe - from Germany's Fusion Festival and appearances in England, The Netherlands and France to the Paris and Berlin Fashion Weeks. From Stimming's remix you would think that he and HVOB were kindred spirits; his rich and intelligent sound transforms 'Lion' into something of an HVOB anthem. Part of the New York music scene, Austrian Wolfram, who has collaborated with Hercules and Love Affair and Haddaway, contrasts HVOB with his typically intoxicating disco sound.
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