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Another limited DIY release from the Stilleben camp. This time with cool scientific electro tracks produced by Martin Matiske. Recommended for those who like Japanese Telecom and the likes.

long island electrical systems

Clubtunes Vol. 2 - In The Mix!Nach dem erfolgreichen Debüt von Vol. 1 hier das langersehnte Follow-Up!Mit von der Partie sind die Disco Boys, Tujamo & Plastik Funk, Bob Sinclar, Sandro Silva, Kaskade & Skrillex, Milk & Sugar und viele mehr!Musikalisch sollten hier für Freunde aktuellster Club-Sounds keine Wünsche offen bleiben!

Airhead continues to impress and confound with his run of releases on R&S. His last release 'Wait/South Congress' found itself gaining praise right across the board. It showcased his atmospheric guitar styles as well as his deft programming skills, resulting in some trying to pigeon-hole his sound in a post rock/electronica direction. This EP proves it not that easy to pin him down with two new tracks of fresh club music. Pyramid Lake again showcases his expert manipulation of samples, but this time weaves them into a drunken dance groove, full of whirring percussion and heavy bass. Black Ink is a bubbling, percussive roller that in the hands of a lesser producer would sound like a traincrash. It bounces along almost out of control and sucks you into its charms until it hits you with some uplifting, haunted chords, at which point it's impossible to resist. Tracklist A. Pyramid Lake B. Black Ink

At the end of 2006, Erol Alkan was at a crossroads. He'd been voted DJ of the year by Mixmag. He'dmade landmark, expectation-defying remixes for bands he loved: a crunching 'glam racket' reworking of 'Do You Want To' for Franz Ferdinand, a wonderfully wistful reinterpretation of Hop Chip's 'Boy From School', a psychedelic take on Scissor Sisters' 'I Don't Feel Like Dancing' and a genre-defining reworking of Justice's 'Waters Of Nazereth'. He was about to close Trash, the Monday night indie disco that had somehow morphed into the most adventurous, influential and glamorous club night in the world without changing its attitude, musical philosophy - or ever charging over six pounds on the door. Other triumphs lay a little further in the past. In 2006, he supported Daft Punk for their live return at Global Gathering at their own personal request. The year before, he did the same for Madonna at Koko in Camden with a DJ set which she used as an intro tape on her subsequent world tour. In 2002, he'd lent some muscle to another icon, creating the bootleg of 'Blue Monday' and 'Can't Get You Out Of My Head' that Kylie performed at the Brits in 2002: the culmination of a craze for 'bastard pop' hybrids he'd been instrumental in creating alongside long-term kindred spirits Soulwax. Then there were his DJ sets at clubs and festivals around the world, in which Erol's unerring instinct for playing the right record at the right time brought hardened clubbers and alternative music obsessives together in abandoned celebration of brilliant music. Though he started DJing in dance clubs in earnest in 2001 after being invited to play at Bugged Out, Erol still considers himself an outsider in that scene. 'Unfortunately, I never had that seismic moment of hearing someone like Carl Craig DJ in '96' he says. 'I feel as passionately about the Manic Street Preachers as people in dance music do about Kraftwerk. That's where my DNA is different, which I'm really happy about, because that's t

'Manaré treats his productions as any other stuff he's involved in, like the 'Fresh Prince of Paris' that he is. Just one hearing of this new EP and you'll understand what Manaré has to say: a lot! 'Quartz' is a deep technoid House groove full of rooted vibes, what some call organic sound, which will takes you on a journey to a future motherland. The filpside 'Down To Dis' is a heavy bouncing 808 beat, lifted by colorful chords and that fat loaded bass so cherished by the ClekClekBoom fam. This 2 tracks number combines an impressive wide spectrum of club music... a head nod guaranty, any time any place, whatever mood you're in.' Limited Edition Heavyweight 180g 12 Vinyl.

"Needle And Thread" präsentiert mit seinen zwölf Tracks eine imaginäre Reise durch die musikalische Erlebniswelt ihrer Protagonisten. Deren Output ist reich und vielschichtig, liegen ihm doch fast zwanzig Jahre gemeinsame und höchst erfolgreiche musikalische Arbeit zugrunde: Pietro "Bingo" De Lisis Soul- und Funk-Background, Alex Carpetieris Detroit- und Chicago-Techno bezogene Wurzeln, die ersten gemeinsamen Erfolge in den Clubs ihrer Heimatstadt Salerno und schließlich der endgültige Durchbruch in ihrer aktuellen Homebase Ibiza als Residents des legendären und einzigartigen Circo Loco / DC

Our second release from Daniel Andréasson continues in his engaging style of endless rhythms and nostalgic melodies, produced under heavy influence of hot baths and regular espressos.

Third Sensate Focus 12". A new label for neat House tracks. Curated in association with Editions Mego.

For the momentous Crosstown Rebels #100, one of electronic music's great innovators makes his long-awaited comeback as Tiga. The Montreal avant-gardist's first original work in four years 'The Picture' is big, bad and heavy in every sense. Factor in an outstanding remix of 'Pleasure From The Bass' from wonder boy Subb-an and you have a very special landmark release indeed.Tiga has always had a knack of injecting freaky character into the tantalizing late night music he crafts and with 'The Picture', Tiga literally bulldozes all expectation giving Crosstown Rebels an unforgettable flash of rave imbued dark pop-electro tech. Assuming the transcendent verse of Prince, Tiga's echoing vocals glower like iridescent petrol as the trippy, molten sound wall of bleeps and beats propel this inexorable dancefloor slayer.
Killing it on every level right now, Rebels favourite and One Records boss Subb-an brings Tiga's dance classic 'Pleasure From The Bass' up to date with a wonky logic and deeper swing on the drums adding spaciousness to the groove. With Tiga's penetrating vocal in tact along with fresh tweaks of acid, Subb-an's badboy bassline bumps towards a medley of spooky keys evoking a ghostbusters rave scene and although undeniably groovy, Subb-an's rework still fizzes with electric shocks and twists.Tiga has wowed the electronic universe with his ghostly fluorescent sonic beams since 'Sunglasses At Night' first dropped on City Rockers in 2001, when a longstanding friendship with then label boss Damian Lazarus was born. Now with Lazarus about to enter the tenth year of his pioneering Crosstown Rebels imprint, it is fitting that the two should entwine in this destiny for the milestone #100.Besides a head spinning career as DJ and producer, Tiga has been running Turbo Recordings since 1998 - home to some of the most cutting edge, genre-crossing brilliance out there with releases from Chromeo, Azari & III and Tiga himself - as well as lately delivering a smoking trail of high-profile remixes. It would take all night to even glaze over the story of Tiga's career but it's safe to say it's been one full of colourful decadence and a disregard for the norm. Both Tiga and Crosstown are true trendsetters and together they

15 tracks of CLASSIC UR! Tracks 8 & 9 differ from the original release, Track 8 is incorrectly listed, & plays `E,R,P,`, which was 1st f/on SID006, Track 9 was originally an exclusive B side on a Detroit only release,

Limited edition 180gr picture disc. Artwork designed by Storm Thorgerson.

The Crooked Man returns
After making a huge impact with the first 12 in a series of 4 limited edition 180g vinyl packages
The Crooked Man is back with the second, once again featuring some of the best & most innovative House music we've heard for a LONG time

The second album from the Artreform label is a conclusive proof that the imprint is going to make a serious and long-time work. After the successful release Well Placed Truth created together with a Israeli Chaim the ideologist of the label Joss introduced another interesting music collaboration. This time a talented producer from Ukraine lllya became his studio musician partner. The first track Tripping perfectly fits the concept "made for Djs". A 100% peak-time killer with a catchy vocoder sample will surely have a success during open- airs and in night clubs. It's a music trip from all points. A remix by the Germans Superlounge is no less interesting. The Düsseldorf duo completely changed the rhythmic part of the track and gave It hasteless groove. Taking the best elements of Marco Carolla and Loco Dice sounding, Superlounge made a track inspired by the cult club DC10. The sound shifted from a deep night to a more relaxed morning groove. Many people will surely like this metamorphosis. The B-side of the vinyl ends with a great stomper by Joss & Illya. The track "Drop It" could be easily the main composition of the release. It's as strong as the A-side. The Artreform creation includes the classic house chords, funky groove. There is no time to think about It.

The long awaited vinyl outing of miguel campbell´s epic "how much that means to me" remix plus new track by patrick alavi.

supported by: lee foss, miguel campbell, solomun and many others.

repressed by demand !!! Big Support by Anthony Rother,
Hell & Vaeth.

On the release number 013 with the first Remix for the Blackfox crew, the catalogue number 014 completely devotes itself to the Belorussian DJ, producers and label owner Pasha joint, better known under the likeable alias Trockensaft. With nearly 30 releases in the back anything but a unknown in the business! With a thick, percussive groove frame the sound trip rolled out on 7:30 minutes starts. Slowly and steadily a slightly drunken melody pushes in the hypnotic sound events which are maneuvered movement Saxon between head and hip in an inimitably nice sloping situation which brands in the shimmering heat of a summer day full of pleasure on the open-air meadows declared to the dancefloor of this time in the feeling memory of every body fiber. In the Remix of Toureau the small pieces-hypnotic momentof the original divided into a punching, straightened dance approach with a not to be denied Oldschool note. Then the vocal track brings finally the
hymn factor during euphoria account and at the latest now there is also for the most drunken hero of the night to no more holds! The Zielscheiben Recordings Owner and Frankfurt master of the banging Elektro with affinity to deepen Techno tracks, Ziel 100, just plays those cards in its Remix completely: the rhythmical Backing and the melody curves are borrowed from the nicest moments by classical Elektro and just the melodic Bassline brings that kind of depth in the track which evryone will love in deep Techno also in hundred years like nothing else in this world.

Strut present an essential new retrospective of Factory Records, the seminal Manchester club-turned-record label set up by Tony Wilson and Alan Erasmus. Compiled by Bill Brewster of djhistory.com, the album places the spotlight on some of the label's early dancefloor-based work across key 12" mixes and rarities, from the unmistakeable productions of Martin Hannett to more unheralded backroom work by New Order's Bernard Sumner and A Certain Ratio drummer Donald Johnson, under their BeMusic and DoJo monikers.
The album traces early experiments from Blurt's avant garde mutant funk to the fertile post-Joy Division period as the label's unique, coruscating post-punk sound took shape through seminal bands like A Certain Ratio and Section 25. The album also expressly documents Factory's strong links and cross-pollination with New York's 1980s club culture, as New Order joined forces with producer Arthur Baker, fresh from his pioneering electro work with Afrika Bambaataa, and acts like Quando Quango and Sweet Sensation's Marcel King enlisted NY remixer Mark Kamins for tough-edged club treatments. Factory bands including Quando Quango would also play live at some of the city's seminal nightspots, including the Paradise Garage. The compilation also touches on some of the wider directions explored by Factory during its early years - Durutti Column's melancholic beauty, the latin jazz and jazz funk of Swamp Children, Kalima and Tony Henry's 52nd Street and a track from the label's only reggae single, the Dennis Bovell-produced 'See Them A'Come' by X-O-Dus. This is the music that would provide the blueprint for the Manchester scene of the late '80s and Factory's heady later years - the Happy Mondays, James, Northside and the rest.
FAC. DANCE is compiled and annotated by Bill Brewster of djhistory.com and features rare artist photos alongside original label artwork by Peter Saville. The album is produced in association with James Nice at LTM Records.

Limitierte 7" aus dem fantastischen neuen Mouse On Mars-Album "Parastrophics" auf Monkeytown mit einer neu überarbeiteten Mouse On Mars-Version des Haupttracks "They Know Your Name", einem der besten Tracks des gesamten Albums, sowie einem nagelneuen Remix des derzeit heiß gehandelten Produzenten Machinedrum (Merck, Planet Mu, Lucky Me).

Russ Gabriel is back for his 3rd installment on Dieb Audio and we are so excited to present his Aoyama EP, including 3 exceptional original tracks and a remix by Dieb Audio boss 'John Dalagelis'.

After a rip-roaring tour of the US with his live band at the end of
2011, a healthy wedge of new remixes under his belt for the
likes of David Lynch, The D¯, The Drums and M83,
Copenhagenës Anders Trentem¯ller remains in the spotlight.

Last year also saw the release of "Reworked / Remixed", a must-
have double CD release featuring some of the inspired
producerës favourite remixes, and his pick from remixes of his
music by other artists. The release was preceded by the mixed-
media collaboration with Efterklang in September 2011, where
both artists remixed each otherës songs in the "Raincoats vs
Tide" EP.

Classic meets Tech House..... Strictly for the Clubs.... It's a Bomb!!!!
Drauf & Dran ist zurück auf Stylerockets mit seiner zweiten Single. Wieder zeigt der sympathische Berliner "Fips" das er das Musikgeschäft nicht ganz so ernst nimmt und serviert mit seiner Elise einen Techno Schunkeltrack aller erster Güte ! Neu interpretiert wurde Elise vom Berliner Upcoming Super Newcomer Alle Farben, ein enger Freund von Drauf & Dran, ein Team das sich schon für die letzte sehr erfolgreiche Produktion verantwortlich zeichnete. Drauf & Dran ist kein Akt der den straighten coolen, meist langweiligen Superminimal Sound sucht oder fordert, sein Sound ist tanzbar, frech und manchmal volkstümlich aber dazu steht der Akt, man sollte die Produktionen mit einem leicht verschmitzten Augenzwinkern betrachten und mit Elise ist ihnen ein weiteres Stück unbeschwerter Techhouse gelungen der den Weg in viele elektronische Herzen finden wird : !!!

1000 VINYL FOR THE WORLD! Unreleased Autechre album from 1991, regarded as a holy grail of a record.

This recording contains 7 remixes by Mark Fell of the first three 12' singles released on the record label Sensate Focus in 2012. These were called '10', '5' and '3.3...'. The first of these, '10', was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The 7 remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook Pro running Digital Performer, FM8 (featuring manipulated DX100 and TX81Z presets), Battery and Razor; monitored and mixed with Sennheiser HD 25 headphones. Here hand claps are constructed from the Roland TR707 clap, two copies of which are detuned and panned hard left and right, with an additional Yamaha RX11 Clap 2 panned centrally; kick drums have been constructed with the Roland TR707 Kick 1 pitched up with bass content attenuated, overdubbed with samples from vinyl derived, it is assumed, from the Roland TR909. Two hi hats are used: the Yamaha RX11 Closed Hat 1, and a sample from Bassmental's '2 Daye Revisit (Kerri Chandler remix)', released on Nite Grooves, 1994. Recommended contextual materials include: 'Can You Feel It (Dubby Dub Marc Kinchen remix)' by Chez Damier, released on KMS, 1992; 'Hard To Get' by Choo Ables, released on E-SA records, 1993.
Additional DJ notes for playback synchronisation: Track 1 has a tempo of 137 beats per minute with a rhythmic loop of 30 units each lasting 109.49 milliseconds. Track 2, 126 bpm with 31 units each lasting 119.05ms. Track 3, 113 bpm with 17 units each lasting 88.5ms. Track 4, 128 bpm with 60 units each lasting 117.19ms, with inserted pauses of between 4 and 80 units. Track 5, 128 bpm with 16 units each lasting 117.19ms. Track 6, 128 bpm with 64 units each lasting 117.19ms. Track 7, 125 bpm with 31 units each lasting 120ms.

Finsk-Norsk. Party music for your brain. In the nation down the station! Enjoy good music, save the vinyl / respect the people!

murder package for the new amazing tocadisco track !!!! some labels would be proud if they have these names on 10 releases - superstar has them on one - amazing !!!!

Diynamics new member duo Hunter/Game suprise with their first Diynamic release. The two young boys from Italy, Emmanuele Nicosia and Martino Bertola, bringing a really nice groove with them! Its exactly the sound, Diynamic stands for: Deep Basslines combined with groovy, harmonic vocals add up to the newest Diynamic EP "Reckless Lady".

yes, big new one by Justice again !!
Remixes by Falcon, Sebastian & A-Tralk !!

A classically trained pianist from the age of six, Jarrah McCleary grew up in the sticky heat of the Northern Territory, Australia. His previous project, The Dirty Secrets saw the band working between Australia and London with iconic producer and engineer, Nick Terry (Klaxons, Libertines). After working on ideas for a new record for over two years, in early 2011, McCleary declared a new album and boarded the airplane, bound for Los Angeles. Between splashes of yacht rock, trop-pop and nods to Peter Gabriel (thanks to the iconic '80s Yamaha DX7 synth), a short summer experience in the 'city where dreams are made' lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of Venice beach and too much free poured tequila. And so, Panama was born. Magic is a modern summer anthem. And what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts The Sydney-based quartet join forces with DFA heavyweights and Panama fans, Midnight Magic and Gavin Russom (The Crystal Ark) on remixing duties for their debut release.

Official release of the previously unreleased album of the famous 12'' classic. ASSO' the alter ego of italian producer Victorio Pezzolla is something like a Italo Disco one hit wonder. The Do it Again / Don't Stop 12' has original been released in 1983 and is meanwhile one of the most sought after 12' releases from Italy. Unfortunately the related album hasen't been brought to the market back in the 80's. Victorio Pezzolla and Private Records rediscovered the original analog master tape some months ago in an archive of an Italian publisher. The absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80's album, will be brought to you fresh and unspent in 2012. Italo Disco, Space Funk and balearic grooves are combining to an unique Italo Disco release. Limited to 300 copies

In a time where music classification and compartmentalising of genres loses all meaning, Jon Convex has been at the forefront advocating a new wave of electronic music. His new solo album 'IDORU' (A Japanese word derived from the English 'idol') is his multi-dimensional sound projected into a new species of electronic music production.
Convex's roots were already planted deep in cutting edge electronica as one half of genre bending duo Instra:mental, who's impressive list of achievements include: the award winning Fabric Live CD (alongside long time friend and collaborator dBridge) and the groundbreaking Autonomic Podcast series; with downloads reaching up to 60,000 a month. Armed with his serendipitous artillery, his solo efforts still encompass much of what gained the Instra:mental team such adoration but also embrace a brazen lust for evolution.
The themes on Idoru are evident from the start. Influenced from a young age, growing up in a video rental store during the 80's and vinyl hunting in the 90's, these distinguished eras are stamped all over Idoru. The album is further fused with his previous production mastery pirouetting gracefully over his mutated Techno House repertoire. From the Autonomic inspired 'Fade' to the brooding tones of 'About Her' who's late night vibes and pitched vocals pay homage to Drexciyan project 'Other peoples place'. There is a clear statement that his Instra:mental heritage has ripened into a full blown party commander.
Jon reveals deeper into the essence of the debut solo album, "The album feels like a continuation of where I left of with the 'Resolution 653' album as Instra:mental. I've taken what I learned and moulded it to fit the direction I'm taking with Idoru. I've taken all my influences over the past 20 odd years and crafted an album that should appeal to both home listening and DJ abuse."
While Convex has seemed to have taken a still and confident pace to his solo work so far, the inaugural album will be accompanied with a live audio visual show on tour. It is very clear Jon has been busy. Very busy.
"I've been flat out writing the album, designing the art for the EP's and album, creating a live set and working alongside a visual artist for my live show. Over the last year every minute has been spent working or thinking about the album," he says.
The anticipation is hitting a crescendo.
Idoru is set for a July release with two very limited vinyl only EP's leading up to the launch. Each EP will be limited to 300 copies each and will feature full art and coloured vinyl all shrink-wrapped for the vinyl collector.

"Survival & Resistance" - the brand new solo album by pioneering producer and On-U Sound founder Adrian
Sherwood is "a swirling maelstrom of skull-shaking, heavy electronic tones and masterful deployment of space
and alien echo, 'Survival & Resistance' is the sound of avant-garde dub music in 2012."

5-track EP in a picture sleeve featuring fine exclusive remixes/edits by HOUSEMEISTER (Boys Noize Records), FUKKK OFFF (Coco Machete Records) and upcoming Techno-Wunderkind ETNIK. Vinyl limited to 500 units. Taken from the new BONAPARTE Album "Sorry We're Open" out on 17h of August. This is "New Electro-Bluesrave" from Berlins number one rock+roll circus!

Be The Music' and 'Nervous Energy' eschew Scruff's cheeky sampling of yore and put rock hard rhythms built up into driving polyrhythmic dancefloor mania. 'Be The Music' combines them with a kind of digidubbed b-line, while 'Nervous Energy' is built round a classic funk riff played as all-over body-wobble. The results in both cases are hypnotic, powerful, and hugely danceable.