House Vinyl New Releases - News

Jack Bags returns to La Sabbia with Panorama Groove Volume 2. An intense flight through dark electro sounds and hypnotic techno grooves, expressing his true acid love.

More than once we have wondered what journey the soul of this being that incarnated in who is today Dani Labb had. Undoubtedly one of our favorite electronic music producers, label boss and head of pryma, is the one who gives continuity to our vinyl series. Being an inspiration to us from the moment we met him, gradually learning his unique philosophy about music and understanding it as his way of
channeling emotions and deeper experiences, we are extremely proud to share 4 of his many tracks saved in his great chest of treasures. In this album you can perceive its great versatility of messages, the ep is made up of tracks made for the club, peak time, after hour and even to unlock emotions and soak up hope. We hope that this vinyl brings
the essence of Dani closer to their lives.

"Hearts Utd." (suction052) is an addendum to RX-101’s recent 2LP “Serenity”, featuring 5 additional caustic braindance assaults from the archive, alongside a brand new remix of Serenity standout cut “Hearts Utd.” by the mysterious IDM producer Brainwaltzera.

On “Hearts Utd.”, RX-101 delivers more scorched, crunchy jackhammer beats, combined with emotional, plaintive pads, delivering a classic set of vintage-Rephlex-style bliss, à la AFX, Caustic Window, and Cylob.

Comes housed in a reverse-board jacket with full-colour-picture inner-sleeve

We all agree that our next release is long overdue. Good news: up next is an EP by the infamous Bill & Ben duo from the UK. Having released heavy material under various monikers, the two are a dreamteam for our 003. We selected four rare cuts that match the Rota Bene vibe most and restored them from DATS for you. Our third release ranges from punchy dancefloor-orientated stuff, to music simply for the mind.

DJ K-1's (Keith Tucker - AUX88) re-release for modern electro heads Direct Beat Classics label.
1) "K-1 Intro" -Fine metallic percussion and Jeep beats define the groove of this EP's introduction from the year of 1996 featuring Anthony 'Blaktony' Horton (vocals) on this legendary Keith Tucker production. K-1's hauntingly dark strings emerge as you are informed by its mission statement. Mental.

2) "K-1 Agenda" (Instrumental) - Purposely added to enhance variety and balance, this instrumental holds its own. Highlighting his production skill, 'DJ K-1' cuts loose in the minimal groove with traditional Detroit escapism that makes the EP the fine concept it is. Made to dream & jam.

3) "K-1 Agenda" (Vocal Mix) -Written and executed by longtime cohort, 'Blaktony' (AUX88, Alien FM) on vocals. The tune transforms into a classic global jam with android-like vocals planted between the hand-crafted Detroit electronic backdrops. A mainstay in electro bass crates since its release, this track is the description of a man on a mission to jam this world and beyond. Rubbery 'K-1' signature bass lines and strings ride the perfect beat.

4) "The Future I Can See" - K-1's laid back robotic lyrics describe a look into the future paired with thunderous beats and electro bounce. Visionary rocking, Tucker provides the weight to the project that would bare his signature flavor. Hot.

5) "The Future I Can See" (Instrumental) - Focused on an atmosphere of eerie and moody Detroit dark electro, the energetic bass line weaves amongst jamming drums. Imaginative and compelling material made for global dance floors. 100% Electro.

6) "Unreleased track" - A short newly added bonus cut from the original sessions, laced with experimentation in the Motor City Electro sound.

When we first discovered RX-101’s output on Soundcloud circa 2015, we knew we’d stumbled upon something very special. Five EPs and four albums later, and now a firmly established as a crucial artist in the Aphex/Rephlex/IDM cannon, we at Suction Records are still mining this elusive Dutch producer’s 1997-1999 archive of unreleased live-to-cassette recordings, and we’re not even close to scraping the bottom of the barrel. Suction Records is pleased to announce RX-101’s fifth album, “New Discoveries”.

As the title suggests, “New Discoveries” is not just more of the same — this is a new side of the RX-101 sound. Rather than taking inspiration from braindance heroes like Aphex Twin and Bochum Welt, “New Discoveries” is a reflection of Erik Jong (aka RX-101)’s love for classic Detroit techno - Juan Atkins, Derrick May, Carl Craig, et al. Like some of the UK producers who mined this sound for inspiration, from B12 to Kirk DiGiorgio, the influence of Detroit techno is crystal clear, even if the sound has a distinctly EU/UK flair.

Available digitally, on limited vinyl LP in a reverse-board jacket, or on CD. The CD comes in a reverse-board digipack, adding 2020’s 6-track “Hearts Utd.” EP (including a remix by Brainwalztera) as an exclusive CD bonus. All physical formats include a Bandcamp download card inside.

Humanoid Gods offers Fixed Rhythms four dark breakbeat, dubstep tinged, heavy padded stuffers from the temporal Aside. Hark!

Confronting the status quo...how can obscene wealth be more important than human lives? Where have the humanoid gods come from, and who do they serve? Did we create them? Are they a construct of our own imagination and desires?

Extraterrestrial transmissions cut to Earth's club-preferred loudness, replicated on 300 copies of 12" black vinyl.

The 5th release from Drifted comes through featuring Anna Wall & Corbi who have collaborated for DR005 and it’s a banger.

The release opens with the title track, "Satellite", a thumping 4x4 style club cut that immediately sets the tone for the rest of the EP. This track has a relentless beat that will keep the club jumping. "XTC" follows on the A2, a composition that showcases true rave textures. On the flip side, "Mind Sweeper" is a real bad boy that is sure to melt the dance floor. Rounding off this latest output on the London based imprint is "Basement Damage", a beautiful atmospheric design with fierce break drums.

This EP is a true testament to the power of collaboration and creativity in the

After more than 1 billion streams, 800k records sold and sold-out world tours, the duo with the mythical cross come back with ONE NIGHT / ALL NIGHT’ starring Tame Impala and ‘GENERATOR’ ‘from their forthcoming fourth album: HYPERDRAMA. The album is set to be released on April 26th 2024, via Ed Banger Records / Because Music.
The official video for ‘One Night All Night’ is available to watch on 24th April and was produced by Phantasm, directed by Anton Tammi in collaboration with Justice. The arresting music video reveals the artwork for the highly anticipated ‘HYPERDRAMA’ album.

Fourth release for the Pennyroyal Rec label.

For the occasion a various artists was created entitled "TEAROOM VIBES."

Imagine a Tea Room where warm electronic sounds are ready to envelop the listener.

On Side A we find Lele Franza with dark and hypnotic sounds and spanish master Ildec with a real bomb from syncopated rhythms.

On Side B The Lumens and Luca Doobie pay special attention to the
dancefloor with two tracks to play in the middle of the party!

Poloponnèse is a house producer and DJ, exploring a range of affiliated styles including hip house, breakbeat and acid house. Based in Paris, he is always on the lookout for new musical and aesthetic experiences.

This first solo project from Poloponnèse is the first in a series due out in 2024, focusing on one of the many musical genres explored by the artist... Stay tuned!"

Embark in an extraordinary odyssey with Ascot/ww debuts on La Sabbia, where dynamic beats and tangy acid melodies intersect. Unveil dance floor artillery as Techno and break intertwine, forging an unwavering and distinctive sonic experience.

Embark in an extraordinary odyssey with Ascot/ww debuts on La Sabbia, where dynamic beats and tangy acid melodies intersect. Unveil dance floor artillery as Techno and break intertwine, forging an unwavering and distinctive sonic experience.

Melcure presents his eighth vinyl release produced by Erell Ranson.
French artist well known for productions on labels such as Kalahari Oyster Cult or AW-recordings, he has been producing music since the late 90's influenced by the Detroit sound.
In this opportunity Erell proposes a complete 4-track ep showing once again the best facet of him exploring from deep melancholic forceful sounds to techno

Large Hall Records (named after the reverb preset) – is a new leftfield electronic record label operating out of Haggerston, East London. (tho originally from Canton, West Cardiff) "Garage Planet" (LH001 is their debut release from Nye, it's got kind of a dancey/gnostic/psychedelic flavour to it. (The "Hall" in our label name also invokes the primeval cave of early human shamanic experience!).

Repress!

Bizarre world where the spirits of the night, dance as the shadows of the lights, in the heart of the jungle.4th record in the color of the fourth chakra Anāhata, spiritually from release to release, a strong attachment to the Hindu concept of chakras in the color, in ascending upwards.Soultape continues the tradition of experimentation and development, saturated with spiritualism and modern minimalism.Dub moods mixed with percussive rhythms and electro static parts, it's all SOULTAPE04Have a deep trip!

For the first release on vinyl, Frequency Shift Records invites Adam Carling and Nick De Voost for the 4-track "Sentinel EP". 3 tracks provide dubby vibes, minimal structure with pumpy beats. The last track, "Stellar streams" is an electro style stuff, in true Detroit tradition.

Cryovac 27 opens with the driving sounds of Max Watts. Max has a brash commitment to a spartan drive of bass and kick. Watts captures a sense of urgency by making use of his synth stabs and eclectic, erratic melodies. “Watts Groove” is a rambunctious tool for the competitive DJ. “Santa ana” smoothes out the ride with an electro groove that pulls an elegant funk into a freaky shakedown. Watts adds emotion to a classic break style while staying firmly grounded in space.



The B side hosts, A.Garcia and M.Kretsch, continue their lab work on a couple of well rounded bangers that blend the talents of this duo into an effective sound collaborative. Infectious percussion moves a tasteful mix of rich silky synth lines manifesting “Layhee”. Diving in on a heroic bop through the confusion of synth and breakdown is "indianagiver". A rugged rocker with spacious atmosphere held together by a backbone of bass and hi hat. Garcia and Kretsch put forth a well built product for a disposable age.

The duo formed by Andrea P. Latorre and Sergi Algiz is a specialist in shedding skin and gladly combines new heteronyms in Fake is Real, their sophomore album after their self titled debut in 2018 and subsequent EPs Against Strong Thinking and Maybe a Body, which have been full of reinterpretations and remixes.

Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.

In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.

The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.

Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.

You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.

Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.

A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club.

Deca (Federico De Caroli), composer and musician graduated in piano, for over 30 years is a protagonist of the Italian electronic and experimental scene, then approaching to other fields such as theater, multimedia and television. He is a great summoner of dream suggestions and started from the lesson of cosmic school to arrive at a personal alchemy of tradition and innovation, clutching the paradigms of artificial sound on the natural one.


He began playing in 1975 and in 1983 bought his first synthesizer starting a long process of creative evolution, playing in parallel bands that are inspired by the British new wave as Joy Division, The Cure, Killing Joke and studying the dynamics of synthetic sound.


In 1985 he began his solo record productions carreer based on linear sequencer plots and minimal compositions that refer to already famous authors for electronic music like Jean-Michel Jarre, Kraftwerk, and Vangelis, but also the so-called Kosmische Musik of Tangerine Dream and Klaus Schulze.


"MASS" was produced in 1987/1988 with a Roland synthesizer and only distributed on cassette in limited edition. It is a more rhythmic album than his other works of the time, and ranks as the third of his discography, after the very collected "Alkaid" (1986) and "Synthetic Lips" (1987).

It is a dark and minimalist electro-wave album of states of distressed mood, strongly dark. The cover art, as for all his albums, is also relesed by Deca.

Terra Magica Rec. first 7’’ release „Chiqui Tan“ by the label heads Hektisch Sprengen DJs will be limited to 250 copies. The A-side hits the listener with some 1980s early Electronic-Downtempo-Cumbia-Colombian-Venezuelan-Tablemountain-Dub-Grooves. This reminiscence is leading to an extra full blown up 21st century Bass-Queen alert. And these HSDJ dials hit you into a stripped naked sample of Nigerian-Swedish DJ-dentist-mainstream-star Dr. Alban and his Eurotrash-90s-Pophouse-anthem “No Hash Hash, No Cocaine”. This is for sure no “Ottonormal”-90s-revival thing!

On the flip side Hektisch’s haptic wood razzle move covers the classic 1994-Liquid-Deep-Netherlands-Trance-House-Track “Paper Moon” by 51 Days which back then sampled the rare 1972-MPB-Funk-Cover-Version of Carol Kings “Corazón”. Guess what! It drops like a late 1990s-Ed-DMX-London-classic gone Electroboogie-Miamibass-Break with a SH101-baseline and Sprengen’s take on Spanish-90s-Trance-Vocals. Watch out 4 TERRAMs “Asi me gusta” title caps series as well! Trigger warning: That hidden Sequential Circuit Sixtrack loves you like a windy horse on Acid. Loads to experience on this little innocent wax disc!

Many people consider the Tbilisi scene (thanks to the artists that turns around Khidi club) as one of the most advanced and influential in the entire world. Giorgi Kolbaia (aka Downwell) & Giorgi Kharanauli are a good example of those talented georgian artists. They have made partnership as Initial Light to present a more relaxed work in relation to their solo acts stuff, “40 Degrees In The Air” is a blend of Italo, breaks, synthwave and modern ebm / new beat keeping a common pleasant industrial taste in the 6 tracks included in their vinyl debut.

Supreems music has been circling the globe for a few years now, slowly but surely culminating in support from renowned electronic artists such as Bicep, Four Tet and Ross From Friends, just to name a few. His releases have generated very real excitement for his next moves, as he appears to be seeking personal connection through his sound, more intimate than many of his contemporaries. Nachtschone,
Supreems debut album, is a prime example of that. The LP is his most personal and complete body of work to date.

Exploring styles and aesthetics previously unattached to the hazy-house and melodic breakbeats traditionally known for the artist. Nachtschone sees Supreems connecting the dots between new and old, delivered in his unmistakable cinematic style.

Early member of future house label Beat X Changers, Paris based artist Takadoum drops his first release on Momo's Basement. This oddball is a spontaneous and enigmatic collaboration between ancient instruments and modular synthesis. Based on eerie cosmic grooves and immersive dubby melodic loops, the four track EP, Keep it vague, is a contemplative journey through lofihouse and early minimal techno for warm sunrise festival mornings.

For the third label’s release, Clouzer returns to Distant Gaze with “Call of the Abyss,” a six-track EP featuring three originals alongside three remixes from acclaimed artists Damon Jee, Zakmina, and Berlin’s emerging talent, Zee Mon.

At the helm of the EP is Clouzer’s captivating journey, “Voices from the Abyss,” extraterrestrial echoes and pulsating broken beats, embarking on an exploration into the depths of the unknown. The EP’s second track emerges as a powerful stage presence, guided by the haunting vocals of Valentin Henning. Blurred and delayed textures immersing the listener in a mind-altering experience. Pulsating rave energy of “Perpetual” fuses cosmic elements, broken beats, and dark disco bassline, embodying Clouzer’s distinctive sonic identity.

Adding to the EP’s allure are three remixes, each offering a unique interpretation. Zee Mon’s rendition of “Perpetual” channels darkwave energy, infusing the track with an irresistible pulse, a primetime banger on vibing dance-floor. Damon Jee’s remix of “Stalactites” delivers his trademark full-throttle dance-floor oriented dark disco, elevating the EP to the next level of intensity. Finally, Zakmina’s broken beat journey serves as a beautiful sublime culmination of the EP, evoking the feeling of a perfect closing track for an enchanting morning DJ set.

One of the founders of the Russian house label Sakskobing - Ottuga creates his own vinyl imprint, referring us to the roots of a musician himself who honed his DJ taste on London raves almost 10 years ago. Moving a little further from house music to techno and the acid vibes, Vladimir continues the leitmotif indicated by his series of events - Exarde.

The label's debut release describes the concept of this community, perfectly conveying the atmosphere of the parties themselves from which it all started about 3 years ago. The EP consists of 4 dynamic dancefloor-ready jam sessions of Moscow musicians Orbet and Sorv, using analog equipment, which takes place from 2017 till 2020.

Back at it, the PXWHITE series returns with another round of electro re-works. This time giving Ludacris & Mariah the PXWHITE treatment alongside a glitched out remix from Planet Euphorique s D.Tiffany!

Not content with a double 12” of acid drenched delinquency, Schrödinger’s Box have drafted in four 303 addicts to bring their own acrid fire to Hard Ton’s Bigger is Better.

To get the bitter ball rolling, Larionov opens. Known for his dark electro and EBM leanings, this reinterpretation of “Transcend Your Body” is a bruiser of throbbing pulses, lancing lines and stabbing synths to pierce the fog and strobe. Rude 66 follows with his beloved vocoder doing battle with Massimo Bastasi’s original vocals. The result is a duel of distant rhythms and shimmering wordplay. The flip sees Nightwave on the attack. Brawny beats elbow lyrics in this driving audio onslaught. Bulging rusted basslines crush speaker cones as a blistering remake takes hold, blasts of body bending brutalism turning Hard Ton’s original into an even sweatier brute. An artist born and raised on analogue squawk and squelch finishes. Posthuman, one of the infamous figures behind the I Love Acid nights, takes the tongue-in-cheek Brit Pop flashback of “Girls and Boys” and contorts it into a grimy Chicago jam.

Coral City return early in 2022 with an excellent release. N&W are on duty again, here with three stand-out tracks.

Rave on the A-Side does exactly what it says on the tin. It's 808 State meets Larry Heard with a touch of Inner City. Stripped down and four to floor. Classic Roland 909 drums are met with a hook that shakes any dancefloor. Expect early support on this.

Speed is a killer Nu-Disco / Boogie affair with a nod to the seedy underworld of the '80s. Picture Michelle Pfeiffer throwing shapes on the dancefloor in Scarface.

Finally, Cherry is an all-out Italo / Hi-NRG workout, the linndrums, the driving arpeggio bassline and overall melancholy feel, is reminiscent of Bobby Orlando.

DJ Feedback

Gerd Janson:
"Tip top super record!"

Jim Stanton / Horse Meat Disco:
"Great things again all three are sterling stuff x"

Justin Robertson:
"Very nice stuff cheers."

Luigi Di Venere (CockTail D'Amore/Philoxenia):
"Good times!"

Marco Passarani:
"Will def play cherry and rave. Loving it."

Vincent Neumann (Distillery / Leipzig):
"Another cute package from N&W! Thx"

Hailing from Seoul but now firmly based in Amsterdam, Naone delivers a superb EP on Warning, mixing her emotional background with her more contemporary roots, the perfect bridge between both worlds, Asia and Europe, or perhaps between her inner self and the outside world. Starting with Perfectly Harmless, the mysterious track develops into deep feelings that really unfold and expand in Hondon-Ui Kaosu (Chaos of Chaos), where the electro breakbeat responds to a melody with hints of pop consciousness.

On the flip side, the Korean artist unleashes her passion with the deep psy-trance infused enigmatic techno groover Haengjin (Marching), followed by a sensitive downtempo acid closer aptly titled What's Happening. Ultimately, this is about the process of making music, channelling emotions and perceptive energies to create a balanced representation of past emotions and memories.

Reissue of this italo disco rarity from 1983. Comes with Flemming Dalum remixes!

Tongue-in-cheek as usual, belleter Niklas Wandt melts up pianos, acid lines and bass heavy breaks as raw material for Die Glocke (The Bell). When the hunchback pours the lead of three decades of rave culture onto your lost souls, it’s too late for shelter.
Fantastic Twins evaporates not just the bell but the whole bell tower into particles of peak time madness for the mental cases.

On the flip Bodyzeit heats up on an even more old schoolish tip with breaks that definitely win the bumper car dancefloor. Very sorry for the spilt drinks, thrown fags, popped pills, ripped shirts and funny faces trying to sing along these german vocoder phrases. Borusiade doing some serious bodywork, shifting gears down in her lowrider manner, modding this burner into a dreamish but deep wee-hour masterride.

“Exploration is in our nature. We began as wanderers, and we are wanderers still. We have lingered long enough on the shores of the cosmic ocean. We are ready at last to set sail for the stars.” - Carl Sagan.

Die EP beginnt mit 'Unter Strom', einem dramatischen Opener, der Visionen von einem in Neonlicht getränkten Nachthimmel weckt. Die Energie baut sich langsam auf, bis die Drums die Szene betreten und man sich im Beat zu Hause fühlt. Eine euphorische Melodie und fesselnder Gesang verkörpern perfekt das ekstatische Gefühl einer vollen Tanzfläche und geben den Ton für das an, was noch kommen wird. Nach dem fesselnden Anfang geht es in den Titelsong 'Hide & Seek' über - ein schwebender Track, der ein Gefühl von Freiheit vermittelt. Glänzend und an die 80er Jahre erinnernd, ist er ein strahlender und romantischer Liebesbrief an Discokugeln, Laserstrahlen, Nebelmaschinen und verschwommene Träume. Ein glückseliger und belebender Geist pulsiert durch den Song, der das Gefühl hervorruft, in die Lüfte zu schweben und durch ein Meer von grauen Wolken zu brechen, um den Sonnenschein dahinter zu enthüllen. 'All Or Nothing' ist ein grungiger Dancefloor-Stomper mit beherrschenden Vocals und einer kraftvollen Kick und Snare, die die sich zu einem unerbittlichen und kraftvollen Sound vereinen. Der eindringliche Text und die intensive, elektrisierende Atmosphäre machen den Song zu einer Dancefloor Waffe. ‘Excess' führt uns tiefer. Der Track trieft vor Textur und Verlockung und ist ein üppiger, wirbelnder Pool aus Synthesizern und verführerischen Vocals. Die schwelgerische Bassline führt uns durch eine dynamische nächtliche Landschaft und leitet uns zum Finale der Finale der EP. Last but not least enthält die EP auch einen Club-Edit von "Hide & Seek", der dem Track ein völlig anderes Gefühl verleiht. Der gleiche Text hat nun ein neues Gefühl der Dringlichkeit. Er ist düsterer und bissiger - ein spannendes Gegenstück zur Originalversion. Die EP "Hide & Seek" ist von Anfang bis Ende leidenschaftlich und elektrisch und stellt eine beeindruckende Ergänzung des Katalogs von Dina Summer und Iptamenos Discos dar. Die EP erscheint am 23. Februar 2024 auf 12"-Vinyl und ist auf allen digitalen und Streaming-Plattformen erhältlich.