Repress.
Griffé is hyped to announce the return of P.O on the label! This record brings together everything that makes the producer's sound so distinctive: a dark & melancholic technoish vibe filled with 80’s new wave sounds, breaks & spooky pessimistic vocals. Welcome to the Void Gardens.
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In February 2023, multi-instrumentalist, producer, songwriter, and “genre-defying melody man” (Billboard) Amtrac released his highly-anticipated third album ‘Extra Time’ via Openers.
Inspired by a period of deep reflection during the 2020 lockdowns, ‘Extra Time’ consists of a handcrafted fuse of delicate textures and gritty styles into an unfiltered sonic trip, with each song depicting the process of emotions during a time of uncertainty for the future. It’s a 13-track exploration of forced introspection, a cohesive story that finishes with a surreal feeling of hope.
Amtrac stated: “I made this record to encompass what I was feeling during the times of uncertainty in the world, it helped me cope and was my outlet for everything I was going through. When the listener is done with this album I’m hoping to create the feeling of when you left the movie theater as a child and just saw something that made you think differently.”
Designed to mimic the tension and release of a classic film score, the unique sound of ‘Extra Time’ was heavily influenced by Amtrac’s immersion in the worlds of Jazz and 90s video game music, particularly the classic 90s computer game Grim Fandango and the sonic landscapes of Miles Davis and Stanley Turrentine in addition to the groundbreaking work of fellow electronic pioneers such as Bonobo and Dan Snaith.
Album highlights include kickoff track “Heard Me Right” which was described by Billboard as a “moving mix of rhythmic bass lines and atmospheric melodies”, “Contrast” featuring vocalist Reva Devito, and “Domino” featuring Future Islands frontman Samuel T. Herring that Fangoria described as “like John Carpenter and Basement Jaxx had a baby”. The album also features vocals from his friend Naeem, who worked closely with Amtrac on the jazzy and suspended-in-time groove of “Hesitation.” “Nobody Else” flips a vocal from the Four Tops classic “I Can’t Help Myself” over energetic drums and sultry guitar, and “Dancing With You” unfolds with traditional house elements toward an explosive climax of layered synths. Having made his name with intense DJ sets and creative remixes and collaborations, ‘Extra Time’ is the perfect showcase for Amtrac’s trademark stylistic dexterity and melodic sensitivity - and redefines what it means to create electronic music in 2023.
This follows his collab with Diplo and Leon Bridges on “High Rise” and the recent release of “I’ll Be Around”, his collaboration with English vocalist/producer Elderbrook.
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After grinding for a solid 10 years, it's finally time to dive headfirst into a sick audio adventure with four artists we totally vibe with and seriously appreciate. This is the ultimate kickoff for the island's brand-new saga, it's gonna be epic! Hope each of you finds your absolute banger.
Welcome to the island, fam!
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We present our third EP, composed of various artists. Four very interesting artists with diverse influences, bringing a refined and sought-after sound, reflecting the current electro and techno scene. Conglomerates of rhythms capable of expressing the musical essence in an EP that interprets the codes and traditions of techno from the past to the present.
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After the great success of Italo Brutalo´s debutalbum „Heartware“ it was quite obvious to let some of the hottest artists around rework some of the songs. Kafkactrl, who released some great EPs on Vortex Trax took „You are welcome“ to another – his very own dimension. While the original is quite straight his remix is dominated by electro beats paired with his stunning micro editing. „Reach Horizon“ has been remixed by CYRK, who are without any doubts one of the best live acts these days. Mufti from Mexico made a very dancefloor-ish remix out of „Dream Machine“, which will be heard at festivals athis summer for sure. None other than one of the two Slow Motion Label heads, Fabrizio Mammarella, made a great dancefloor version of „Into a sampler“. South Korean´s Shubostar created a great cosmic disco remix of „Heat of the Knight“, that can be played any time in a cool DJ set. Last but not least Italo Brutalo´s longterm friend Kris Menace turned „Into a Sampler“ into a powerful bass-inyour- face version.
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Originally released in 2001, Omni AM's highly sought after 'Kastmaster' EP reappears for the first time with all the tracks in their OG context.
This EP perfectly encapsulates the US duo's vision to challenge the conventions and boundaries of what defined house music throughout the late 90's.
First up, 'Tubes for Allah', is characterised by heavy driving bass and sub-aquatic sonics. Punchy kicks drums drive the track forward, whilst swinging snares create a skeletal jack that underlies the track's eerie synths and haunting vocals.
Berlin favourite 'Chill New Body' is up next. Out of print for over 20 years this track is slightly more restrained, the dub bass-line interplays with a hypnotising and unforgettable organ riff, until deftly programmed chords send the track off on a remarkable late night mission, with no less energy and atmosphere than its predecessor.
On the flip, 'Beat Dis', is one of Adam & Marky's most highly revered and well-known productions in all it's full glory. Opening with a wailing guitar, this broken, breakbeat Tech-House masterclass, builds with an incessant acidic bass, there's additional percussive effects and a repetitive vocal to keep the track moving but it's those sparse beats and bottom end that are the hook, a perfect example of how 'less is more' can be so effective. This track became such a firm favourite with Craig Richards & Lee Burridge that they included it on the 2nd instalment of their Tyrant compilations.
This is another essential release from the Omni AM and Euphoria catalogue, lovingly remastered from the original sources by Lawrie at Curve Pusher
for the new generation's hearts, minds and dancefloors.
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Electronic duo Pale Blue return to Crosstown Rebels with ‘No Words’, the second single from their forthcoming album ‘Maria’, with remixes from DJ Tennis and Perel.
Italians Do It Better founder Mike Simonetti and Silver Hands’ Elizabeth Wight’s rich and storied careers within the electronic realm and beyond only elevated further with the launch of their Pale Blue project in 2015, unveiling a series of critically acclaimed releases via Simonetti’s 2MR imprint with plaudits including Pitchfork, FACT and Resident Advisor, to name just a few. Having provided the first look into their forthcoming album on Crosstown Rebels entitled ‘Maria’, scheduled for release on the label later this year, the pair return to open March with the second single from the project, ‘No Words’ - accompanied by remixes from DJ Tennis and Perel.
Detailing the backstory to the record, Simonetti notes both upcoming single ‘No Words’ and the majority of the tracks on the duo’s forthcoming album project were made on the exact synths used to create Jaydee’s iconic 1993 hit, ‘Plastic Dreams’.
Guided by a captivating bassline accented by Wight’s charming vocals, which flutter amongst the mix, ‘No Words’ is a hooky and compelling production that ebbs and flows across its near five-minute duration with effortless ease, capturing the playful nature alluded to by Simonetti. Life and Death head honcho DJ Tennis’ remix arrives next, veering down a hazy yet absorbing path as crisp organic drums and engrossing melodies form around the vocals and journey through light and dark textures.
The B-side of the record belongs to DJ/producer, vocalist and DFA Records favourite Perel, offering a cosmic dive through spacey synths, skittering bleeps and pops, and tough kicks across her take on the production - before distorting and warping the vocals and shifting the emphasis on the ever-evolving electronics across her ‘Dub Version’.
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In 2022, Fixed Rhythms released Marcela Dias Sindaco’s “Rio de Janeiro 3025 EP”. Now the label is proud to welcome her back for a brand new 10 track sequel entitled “Cidade Fantasma”. Vintage synths borrowed from her father, her icy but inviting spoken Portuguese lyrics, her characteristically straight to the point and funky yet mysterious electro…it’s all woven together in this brilliant exhibit of an artist who hears dance music in a singular way and who masterfully delivers her vision to the listener. All you need are your ears. The moment of understanding is instantaneous when you listen.
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Afrobot cuts up four wavy 80's tracks for darker times! A1 is a sleazy minimal wave banger of Ensemble Pittoresque, recorded in The Hague in '84, now tripled in duration! After that we continue our trip from France to New York ending in the UK on the B-side. First track is a mix of a 7' b-side and a wrong speeder and a slowly pounding track with a twist is the one to finish with. Comes with an insert and a stamp both drawn by Frank Koedood.
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The sounds of Cleveland seem to grow increasingly abstract with each passing release and a third Kalahari outing is no exception. Manipulating house and techno templates into newly mutated forms, ‘Lola Ran’ is a testament to a producer always playing fast and loose with concepts of genre. It’s possibly his most probing set of productions thus far.
Where predecessors came bearing remixes, it's strictly originals for the duration here.
‘Rand’ and ‘PrideBRK’ are direct but decidedly off-kilter; at once modern and faintly retro in their approach to breaks and deep-dwelling techno. ‘Lola Ran’, ‘Mano’ and ’Temp Oro’, on the other hand, shift gear into opiated, rhythmelodic territory. There are no doubt traces of Detroit-style sci-fi but the Brussels-based producer terraforms an alien microcosm unto itself.
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After whetting our appetites with the new italo "classic" Volevi Una Hit repress, Bottin and his Cristalli Liquidi project team up with the French-Italiano electro pair Deux Control (aka Justine Forever & Rodion) for a double take of this sweaty song about the colour red and the gentle carnal forces of nature. You might want to pick up some Italian to enjoy the lyrics. Along with two entirely different main versions, Bottin's sped-up dub and Deux Control's vocally sparse mix will serve electro-funk heads and low-cheese/high-energy italo lovers alike.
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JIN enters autumn with a familiar yet evolving sound. For our eighth release (JIN08), we are delighted to have Tokyo's house wizard, Gonno, make his long-awaited return to JIN with a full EP, after the still talked about JIN01 quintessential remix of Initials B.B.'s "Paradise Patterns".
For this release, Gonno delivers 3 astonishing tracks. A1 features Gonno’s trademark melodic house bomb. B1 is an instantly mind-blowing IDM 2-1-2 floor shaker. Then for B2, he brilliantly closes out the EP with a floating ambient tune.
Rounding out this release on A2 is Gonno's dear friend from Paris, synth specialist Voiski, with a 4/4 remix that takes you on a uniquely classy trip.
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Repress!
In February 2020, Belgian label "KNTXT" will release a new EP by Berlin resident MONOLOC - 'Left The Planet' marks his first release on the label, that previously released label honcho Charlotte de Witte’s Chris Liebing collaboration and her “Pressure” and “Selected” EP's.
“With KNTXT, we aim to be a boutique label that values purity and strength” de Witte says. “Both characteristics that perfectly describe and define Monoloc’s music.”
Aside from being the main output for Charlotte de Witte’s creative endeavors, KNTXT has always aimed to be a breeding ground and safe haven for the unique talent’s that it love and respects. After debuting at a KNTXT event in Fuse back in 2015, Sascha Borchardt a.k.a. Monoloc has been a recurring invitee at the label’s raves.
“For KNTXT this is another amazing step in our label story. Feels great to be releasing new music of this dear friend of the family, after spending some great nights together.” Charlotte concludes. “This upcoming release is very personal to me.”
Monoloc says “After joining Charlotte de Witte on her events and most recently the sold out KNTXT tour, I can say we’re friends. I’m happy to be part of this next step of the label and am very excited and proud of what we’ve created.”
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Anthea & Velasco steer the Partisan project in a fresh direction curating another label: PARTI PILLZ. Heading up the inaugural release is the Mexican producer in fine form - Pily.
Known recently for her hypnotic and entrancing sound this super talented newcomer stamps her mark with this four tracker, wandering between innovative strains of minimal, electro and breaks. It's mind stretching material, telling the tales of a low end bouncy saga with vocal snippets sampled from interviews of Miss Kier & Deelite: This is “Orca”.
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The Fourier Transform White Label series aims to release vinyl-only various artist EP's and access the feeling of dissappearing into a record shop, finding a mysterious white label and not knowing who had made the music on it. Each EP will have 4 different artists on which will be listed (but not on the label), however you will not know who has made each track without listening to the music and then filling in the info sheet. We think the styles are all distinguishable, however you may need to do some investigation and check the other artists releases. The info sheet also has a crossword to keep you busy whilst you listen to the tracks and make your choice.
The first EP contains deep melodic music from co label owners inkipak and The Vast Profound, as well as ReKaB and Rai Scott. Between them they have released on some amazing underground house and techno labels including Distant Worlds, Ornate, Exalt, Alola, Inner Shift, Magnonic Signals, Moatun, Echocentric, We're Going Deep, Further Electronix.
Forthcoming projects from the label include releases from Rob Belleville, Gimmik, Artec, Pop Out And Play, Dark Male, inkipak
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Australian producer Kate Stein brings her mesmerising sounds to TAU with the Death Stocked EP, her debut with us. Currently based between New York City and Los Angeles, Kate merges a variety of styles to produce captivating cuts that embody the ethos of dance floor liberation and self-expression. A confident performer who has appeared at House of Yes, Mayan Warrior and Cityfox Experience at Brooklyn Mirage, among many other notorious spots, Kate is also carving out her own lane with her productions. On Death Stocked we get two original cuts, with a bumper selection of reworks...
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Nina Kraviz returns to Rekids with remixes of ‘Taxi Talk’ from David Löhlein and Sterac Electronics.
In the years since Nina Kraviz dropped some of her earliest music on Radio Slave's Rekids, she has become a bonafide global superstar. Founding two record labels трип (trip) and Galaxiid, she regularly headlines the world's largest music festivals and has continued to stay at the forefront of electronic music.
'Taxi Talk', initially released on Kraviz’s lauded eponymous debut LP in 2012, still stands the test of time with its spoken word vocals and smoky deep house grooves. Remixing the track alongside its reissue is Vision Ekstase founder and Lehmann Club resident David Löhlein who turns in a fresh remix, and Dutch techno mainstay Steve Rachmad, who unearths a remix made under his Sterac Electronics guise that had, until recently, been unreleased.
Löhlein’s remix sees the Stuttgart-based artist reach for his trademark ’snake sound’, delivering a sleek version flipped into a quick and urgent cut with pulsating synths and dynamic minimal drum funk. Sterac Electronics brings a distinctive sense of electric funk with a boogie-tinged remix full of colourful synths and hip-swinging drums that cannot fail to light up the floor.
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Ben Ponton from Zoviet France- and Bryn Jones aka Musimgauze sent me these Panasonic remixes in autumn 1996. After that they got buried under more busy projects for 23 years.
Last year when archiving old DAT-tapes I came across with them again and asked Ilpo Väisänen and Ben Ponton wether they feel like releasing them.
They liked the idea and here we go ...
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REPRESS!
Rassvet records is back with a bangin EP made by Mirabella Karianova aka Shadowax who is famous by her outstanding appearance on Nina Kraviz's Trip label. Here she delivers a brilliant cover version of a song by a Russian old school hip-hop band. Nasty lyrics about Russian 90's reality performed with her subtle voice sounds really obscure and at the same time very fresh. This EP is also featuring a powerful dancefloor remix by Rassvet records head Buttechno, longer b-side version and acapella.
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Next up is an overdue reunion with a familiar face. After his outstanding contribution to Cocoon Compilation S and his first solo EP on Cocoon Recordings, Raxon is back with a more than equally fascinating sound. The Egyptian-born and now Barcelona-based artist is back on it again, delivering two tracks that will take you on a journey through the depths of robotic soundscapes.
Intricate beats, hypnotic synthesizer melodies, deep bassline grooves, and distinctive EFX sounds create Raxon’s very special signature sound.
Straight drum programming paired with chirping percussions takes us away to embark on a travel through space and time while distinctive claps poke through a futuristic nebula of floating and shifting sequences. The twisted melody of “Robotalia” carries us to a parallel dimension of machine sound and if you listen closely, you can hear the robots’ screwing and sawing. Warping bleeps and mechanical effects complete the robotic feeling. Raxon’s understanding of structures and architectural abilities are reflected through the arrangement, slowly increasing to ecstasy.
“Kryptonite” scores with alien soundscapes. Stuttering vocals are the questions, while futuristic and dramatic chord stabs are the direct answer. A straight, radiant sound appears as an electronic trombone from outer space, offensively supporting the driving bassline. The symbiotic interplay between the euphoric synthesizer hook line and the relentless beat with pushing sharp hi-hats visualize powerful images in one's mind's eye. Suddenly the beat stagnates and results in a morphing break going head over heels developing a start-stop pitch effect that not only builds up tremendous tension but also bears an increased risk of melting your brain. We just love tape delay!
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Canadian edit and remix machine Nick Bike (here flaunting the often joked about moniker ‘Nicholas Bicicletta’) delivers the second half of a purple themed Kon x NB 2x7”. On Nick’s A/B, he offers up 808 electro and polished 90s house takes.
As with Kon’s versions, they have been club tested many times in digital form. Another one to keep in the bag, right next to the Kon 7.
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Fantasy Life boss Alinka readies ‘Numbers EP’ for Rekids this November. Following releases on Permanent Vacation, NeedWant, and HE.SHE.THEY, Ukraine-born, Chicago-raised and Berlin-based DJ/producer Alinka returns to Radio Slave’s Rekids with ‘Numbers EP’, bringing three tracks of inspired and colourful house tracks for her second release on the imprint.
Leading the release, the title track ‘Numbers’ brings robotic vocals, bright leads, and bouncing basslines together for a sharp and energetic opener. ‘Better Days’ follows with chunky drum machines and dubbed-out chords before ‘80’s Baby’ closes the EP in fine style with soaring leads atop pumping kicks.
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Part 1[29,37 €]
Introducing Part 2 of Megalon's highly anticipated archival collection, showcasing their studio output between 1995 and 1997. This compilation brings together the best tracks from the EPs released by Megalon on esteemed labels like R&S and London's Plink Plonk Records.
Continuing their sonic voyage with finesse, this selection embodies the duo's forward-thinking approach. The music presented here is a testament to their ability to explore diverse styles and capture various moods, maintaining a striking modernity that remains relevant regardless of time. These tracks possess a timeless quality, sounding as fresh today as they did when they were first conceived. For any dedicated techno enthusiast, these records are a must-have addition to their record collection. With its true school UK techno essence and minimal electronic stylings, this compilation stands tall above much of the music produced on this island during that era.
Drawing from Megalon's extensive DAT tape archive, all the music featured in this compilation has been meticulously restored by the renowned Curvepusher. The artwork and design have been crafted under the keen eye of Rogan Jeans, the original designer for Plink Plonk Records and Megalon, ensuring a visually captivating experience to complement the exceptional sound.
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Vinyl Only. Limited.
MixCult Records unveils a new sub division of forthcoming releases under the name of TAMIZDAT, which in Russian TAM means “there” (as a reference of an aboard, western location), and IZDAT means “to publish”. It was the name for banned books and magazines published "there", that is, abroad.
Tamizdat Records proudly presents an EP that celebrates the substance of dub techno. With "Sunlight," Genning invites you to experience the depth and warmth of his sound, weaving a tapestry of sonic landscapes that resonate with the soul. This vinyl-only release is a testament to the label's commitment to quality and the enduring artistry of Genning, promising an immersive and unforgettable musical experience for audiophiles and enthusiasts alike.
This meticulously curated EP consists of four tracks, each contributing to a sonic journey that transcends traditional genre boundaries. Genning's ability to craft expansive soundscapes is evident, as "Sunlight" explores a wide emotional palette through a diverse range of sounds.
Immerse yourself in the hypnotic rhythms and atmospheric textures that define Genning's signature style. From the pulsating basslines to the ethereal melodies, each track on "Sunlight" captures a distinct mood, inviting listeners into a realm where the boundaries between genres blur.
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A wise character once reminded her to tread the heavy ground with light feet. After a whirlwind two years since moving back to Hong Kong and starting from scratch, Xiaolin has re-emerged from the depths of her studio stronger than ever with a second EP - her first vinyl release to date.
Inspired by the Tower card from the Tarot, Tower Moment EP is a cosmic journey through four stages of healing: darkness, acceptance, transformation and freedom.
The record begins with “Dark Night” (of the Soul), followed by the gentle comfort of “Safe With Me”, a nostalgic electro ballad. On Side B: a chuggy tune layered with textures and samples, “Lemuria”, transports listeners to a surreal land of self-discovery, while Blue Hour completes the experience with his anthemic “Elevator” remix.
With her signature mix of 909 kicks and 808 breaks blended with acid bass lines, subtle percussion and ethereal melodies, Xiaolin’s organic approach to techno and electro showcases her colourful palette and sensitivity as a musician, along with a love for jazz and warm synth sounds from the early 90’s era.
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Balearic / Downtempo business from the Swedish coastline by Förslag På Musik.
We were very impressed by his first album Book Of Mirrors on his own label Sunken Rock, and is now serving up two mellow rollers with dreamy pads and groovy drums on our very own Terrasolare.
Music for lazy days that will put a smile on your face.
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A much-needed reissue of the 1992 old school, breakbeat hardcore classic ‘Compnded’ and killer 2015 Kafty Kuts remix. An undeniable rave anthem that’s blown the minds of many a dancefloor across the past 30 years.
Massive support from day one from the likes of Carl Cox, Ray Keith, Grooverider, Slipmatt, Krafty Kuts
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A much-needed reissue of the 1992 old school, breakbeat hardcore classic ‘Compnded’ and killer 2015 Kafty Kuts remix. An undeniable rave anthem that’s blown the minds of many a dancefloor across the past 30 years.
Massive support from day one from the likes of Carl Cox, Ray Keith, Grooverider, Slipmatt, Krafty Kuts
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Somatic Rituals co-founder Kombé embraces flux and uncertainty on his debut EP, ‘Foreign Exchange’. He tools up five tracks built for adventurous DJs, constructed from an assemblage of liquid polyrhythms - inspired by the constant movement of foreign exchange markets and the plurality of Kombe’s own cultural and sonic references that give rise to his distinct sound.
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Salomo brings a double EP of tech and progressive house to R.A.N.D. Muzik Recordings. This disc, RM12018.2 (Land) takes you up for a cruise through unknown landscapes before RM12018.2 (Water) takes you deep down into the depths. Both EPs are pieces of an entire work but are availably individually.
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This little pearl brings a double LP with a superb tribal bassline program : Dancefloor rules thanks to the musical skillz of Extralucide...
I'm not gonna lie to you... this guy majkes music wirth another name elsewhere. But this name change means a lot... Remember Dilamn and Asystematik...
Anyway enjoy the sound and this crazy project ! We all need crazy project !
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Four months after his first EP, Generation Next is back with his second single release. You may know him as Lil Strick from the track 'Childs Play' on Big Stricks debut album 'Detroit Heat' on his own label, 7 Days Ent. Generation Next also made four tracks (Sequence 11, Windsor Nights, Slow Ride, and Metro) on Big Stricks Resivoir Dogs album. After his first self titled EP, Generation Next has gotten nothing but positive feedback. Next's new EP is titled 'Medication', which features 3 tracks that are inspired by the streets of Detroit City. Sum Light is the first track off of the 'Medication' EP and starts us off with an exuberant acid bass line followed by a truly original 808 drum pattern. His next track, Generic Current, is a smooth flowing, simple house track. The bass plays, the drums knock, and that claps excite. The last track, Acid Alcohol, is slated to be a classic acid track. Just listen to it and you'll see why.
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repress !
Radioaktion Recordings is glad to present its first project by Arnic, a four track EP that features future-retro sounds with an emphasis on the emotional part of electronic dance music.
Side A leans into the more obscure and mysterious side of things. A1 is full of emotional darkness dragging the A2 along with a little bit of rock influence, hence creating the character Dr. Machine.
The B side is for the lovers and heart breakers, but on the dancefloor rather than in real life.
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Repress!
1990 New York techno/house classic by C'hantal , written and produced by Ralphie Dee and Anthony Mannino. Features the unmistakable accapella vocal performance that launched a million raves.
Remixes by Bloody Mary (Dame Records) who fuses her trademark acid and strings with tension created by the looping vocal.
While Mr Ties from Homopatik takes on vocal duties himself with his bizarre drum assault version for the wild at heart.
Christian Quast shreds the original vocal with his captivating and relentless live 909 remix.
'The realm has returned!'
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UNK20 is compiled by Unknown Collective with a colored and energetic EP.
Minimal, House and Disco come together to create this unusual vibration!
Limited Copies and no repress.
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An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.
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